Aged Acid EP. The name speaks for itself. Like a well aged wine, DFD aka Troy Anderson shows how to make acid sound smooth and superior. This EP contains 4 deep atmospheric grooves, each with its own unique style and love for detail.
Troy has been releasing electronic music under aliases like Waverider and Cityboy since the 90s. Recently, he started cooking up fresh new tracks and released an EP on the legendary label Down Low Music. Also, some of his releases from back then are now available on We're Going Back. Enjoy the ride!

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REPRESS!
TIP!!!!!
2022 repress of this classic techno album by Convextion aka E.R.P. - After the stunning E.R.P. release (Down Low VEXT2) that was stated on our website as best techno 12'' of 2005, Mr Hanson returns under his Convextion moniker to drop a brilliant double pack that will possibly be the best techno record of 2006. We love it!

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The Connection Machine is Natasja Hagemeier and Jeroen Brandjes. The CD-only original release from 2004 has been re-mastered and features nine tracks for this first-time vinyl version of the album. The Down Low label is a vital US resource for deeply personal electronic music that works both in bedrooms and DJ booths. It's a label that put out celebrated albums and EPs by the likes of Convexion, E.R.P and Dan Curtin, and played a key role during its first lifetime. Ten years after their last release they return with this double 180g vinyl version of the Painless album by The Connection Machine. It is an album made up of material made in the nineties that never saw the light of day and is full of achingly deep moods, dreamy acid house, down tempo electronics, ambient, and Detroit techno, all of which make it a lost classic from the Dutch techno scene. This is a vital reissue that not only re-introduces this forgotten classic to a whole new audience, but also the Down Low Music label itself.

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Let's celebrate 20 years of WeMe records!

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Black Truffle is thrilled to announce a major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt’s cult 1978 animation Asparagus. Best known to some listeners for introducing Europe to the Moog synthesizer as a founding member of Musica Elettronica Viva in Rome, Teitelbaum’s extensive and radically experimental body of work includes collaborative recordings with master improvisers like Anthony Braxton, Andrew Cyrille and George Lewis, intercultural experiments combining electronics with non-Western instruments such as the shakuhachi, works for computer controlled piano, and large-scale multi-media operas. Recorded at York University, Toronto in 1975–1976, ‘Asparagus (European Version)’ sprawls across both sides of the first LP. Discovered by composer Matt Sargent in Teitelbaum’s tape archive, this is a previously unheard major work for Moog modular and Polymoog synthesizers, unique in Teitelbaum’s oeuvre for its lushness and gently melodic quality. The music unfolds slowly, submerging lyrical melodies and burbling arpeggios into uneasy, glacially shifting harmonic swells, the luscious texture thickened with subtle changes of modulation and phase, calling up the shifting layers of Costin Miereanu’s classic Derives or the kosmische Musik tradition more than any academic synthesizer exercise. Teitelbaum incorporated much of this material into his soundtrack for Suzan Pitt’s Asparagus, which receives its first official release here. Asparagus, famously paired with David Lynch’s Eraserhead for a two-year run of midnight screenings at New York’s Waverly Theatre, uses hand-drawn and stop animation to unfurl an oneiric succession of images, beginning with a sequence in which the female protagonist defecates two stalks of asparagus, which multiply and float out of the toilet bowl to form the letters of the title. Teitelbaum’s soundtrack interweaves delicate drifting tones from the ‘European Version’ with contributions from Steve Lacy and Steve Potts on saxophones, George Lewis on trombone and Takehisa Kosugi on violin. Edited closely to the film, even without images the soundtrack proposes a surreal journey through floating synth tones, squealing horns, propulsive arpeggios, distant chatter, and an old-timey waltz. The final side of the set presents a new realisation of Teitelbaum’s text score ‘Threshold Music’, performed at a memorial concert at Roulette, New York in 2022 by Leila Bourreuil (cello), Alvin Curran (sampler and objects), Daniel Fishkin (daxophone), Miguel Frasconi (glass objects) and Matt Sargent (lap steel). The piece asks musicians to match their instrumental volume to that of the sounds of the environment in which they play, sometimes with the addition of recorded environmental sounds, reinforcing frequencies they encounter in listening deeply to their surroundings. Here the players use a field recording taken at Teitelbaum’s home in Bearsville, New York, their long tones and shimmering, glassy textures delicately emerging from the white noise of the location recording. Released with the full approval of both Richard Teitelbaum and Suzan Pitt’s estates, Asparagus is illustrated with striking images from Pitt’s film and accompanied by detailed liner notes by Francis Plagne. These previously unheard pieces shed new light on the work of a key composer in the American experimental tradition, offering up some of Teitelbaum’s most beautiful and engaging music.


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Generic Cover Repress!

Gerald Mitchell is back on Mother Tongue after the now classic "Another Day" with a new Los Hermanos EP, this time bringing it back to the origins with the Detroit Techno opus "Family". Recorded in Tokyo with Ian O'Brien, this special extended version has "Anthem" written all over it. Also included is the futuristic tech funk of "Paradigm 4th Shifter" and the intergalactic beatless space jam "Far Beyond Sight".
Another classic in the making...

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Death Is Not The End's contribution to the Blowing Up The Workshop mix series, subsequently given a cassette release on the label in 2019, finally receives a limited vinyl LP pressing.

"A trip across the frequencies of Bristol's pirate radio stations via cut-ups of broadcasts, taken from the late 1980s to the early 2000s ~ also a love-letter to my childhood, an audio document of the years I spent growing up in the city."

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ALPHA RAY by The Norio Maeda Trio was originally released in the Swinging Sixties and this hot latin number was rediscovered by the Tokyo Hipsters at the height of the Acid Jazz Boom and became part of Shibuya Jazz Dance Folklore.

HAKUCHU NO SHUGEKI - THEME by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!

Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate!

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Artificial Owl Recordings is proud and happy to welcome on board New Yorkers Satoshi Tomiie and Naotake Gunji for the 5th release on AOR and the recording of their A_A project and live show in New York City that took place at the Fridman Gallery in Manhattan.
A_A is a live performance project of DJ / musician Satoshi Tomiie and NYC-based artist Nao Gunji. The duo’s work is based on exploring the tension between floor-centric electronic music and improvised sound/audio performance, where found sounds and object-activated sounds often share the sonic space with fragments from the artist’s roots in House, Jazz, R&B, and Dub.
Satoshi and Nao performed their work “Diskordant” using their analog machines and object-activated sounds in front of the New York crowd presenting their sound and tone textures that are created in studio sessions. These sounds are transformed and improvised through reconstruction and sample synthesis.
Dub Techno and ambient experimental sounds are the recipe in this live performance that will both send you on a sonic meditative trip and also make you want to dance.
Sit back, enjoy and travel with this underground art New York work.

This release is limited to 300 orange opaque 12” copies.

Special thanks to Kamran Sadeghi, Julia Govor and the Fridman Gallery.
Artwork by S0lar and editing by Niko Dalagelis.
Mastered by Alex Alex Picciafuochi.
www.ArtificialOwlRecordings.com

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CHIWAX presents Manooz - Juno Dreams EP (12")
After two fantastic releases on HOUSEWAX it's was now the right music and time to bring this great artist to CHIWAX!
Juno Dreams EP is a trip back to the best days of this genre.

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DELUXE HARD-CARDBOARD SLEEVE COVER + 180g VINYL + OBI + DOWNLOAD CARD

Mad About Records officially reissues super rare private press Quintessence’s 1981 LP. With every famous jazz recording, many others remained on the shelf of oblivion without ever receiving the recognition they deserved, and this is the case of Quintessence.

Led by Ron Ancrum, with George Sovak, David Gaedeke, Winston Johnson and Steve Muse recorded an exceptional and fundamental album of 80's jazz.

If you are into Fender Rhodes, this is an LP to be collected.

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Greg Foat is a London-based keyboardist, composer, bandleader and DJ. He claims his life-long love/hate relationship with the piano began at age 3, when he fell off a piano stool at his aunt's house. He started composing around age 11, and at 15 attended a jazz workshop with Jeff Clyne, Olaf Vas, Trevor Tomkins and Nick Weldon, igniting his obsession with jazz music. He furthered to study jazz at Middlesex University, and then studied for 6 months in Sweden on an Erasmus grant. He played his first professional studio session there at 21, and has been working as a professional musician ever since.

Snake Plant Shuffle and Spider Plant Blues are inspired by the the plants on Gregs bedside tables - which periodically move around the house dependent on his mood. The plants provide a good source of oxygen in the room and create a calm soothing atmosphere for Gregs musical projects. Together the tracks feature live drum kits by Ayo Salawu, Fender Rhodes and a plethora of Vintage Synthesisers.

Snake Plant Shuffle has had radio plays in Gemany, Poland and Canada, as well as being heavily featured in Amazon Music's Jazz playlists, including 'Fresh Jazz', 'Coffee Shop Jazz' and 'Café Jazz'. Both tracks are featured in Apple Music' 'Jazz Scene: UK' and 'New Latitudes' playlists.

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Abacothozi were formed in 1973 by bassist Berthwel Maphumulo, formerly of the Elite Swingsters.

Together with Mac Mathunjwa on organ, his brother Innocent Mathunjwa on drums, and Joe Zikhali on guitar, they recorded at least two albums: "Thema Maboneng" released in 1975 and "Night in Pelican" released in 1976 (reissued on Matsuli Music Compilation "Night In Pelican"). These six sizzling tracks were originally recorded by West Nkosi for the Mavuthela label.

Released without fanfare and then forgotten, they remained totally unknown to DJs and clubgoers for over 40 years.

Rediscovered by Diggers Extraordinaire Kon & Amir for their much-lauded "Off Track Volume Two: Queens" (3xLP) on BBE Records and suddenly, a Volcanic Meltdown Frenzy for a Holiest of Grails emerged with sightings reported in hushed tones just in case you were beaten to the draw in some backstreet waxcave that someone foolishly whispered about on a social media site for all the world to see.

Now, Jazz Room Records is proud to release this epic fusion of sun-soaked exuberance, funk-infused rhythms and soul-jazz-driven beats for the first time in 50 years.

Sounding as if it were recorded yesterday, it is poised to light up dance floors again, from the Vibrant Streets of Soweto to the Funky Basement Dives of Barcelona, filling floors from the Outasite Getdown Grooves of Uncle Funks Palace to the Solid Soul Boulevards of Funky Broadway.

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Roll out the handkerchiefs: Electro maverick Legowelt unveils "The Sad Life Of An Instagram DJ" EP on Barcelona's imprint Selvamancer. Pioneering electronic artist Legowelt delivers a sonic masterpiece with his latest EP, "The Sad Life of an Instagram DJ". This 5-track release offers a captivating glimpse into how Legowelt's ideal rave would sound, blending techno, acid, and electro elements into an immersive and fun sound journey full of trippy bangers. Each track on the EP is meticulously crafted to evoke euphoria, showcasing Legowelt's unparalleled creativity. Like a tear rolling down a cheek in a moment of nostalgic introspection, only to spiral towards the dancefloor.The moment the tear hits the floor, together with the heavy kicks and smooth synth action, it launches your mind back into the ongoing rave.

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