1
DFD - Meow Cat
2
DFD - Hibiscus Drift
3
DFD - Wasting Daylight
4
DFD - Creeper Nord
Repress!
Down Low Music returns with a catalog number reserved for over 20 years, dL-006. Circa 2002, after releasing music from artists such as Stinkworx, Plastic Sleeves, Convextion and Macho Cat Garage, the dL catalog skipped from dL-005 to dL-007. dL-006 was reserved for DFD aka Troy Anderson, a core part of the dL crew from Texas. Troy had previously released excellent records as Cityboy and Waverider (both recently re-issued on We're Going Back), and as DFD on the first Down Low Music compilation, 'Satellite Cities' in 2001. But a full EP was never finalized, until now... Over time, multiple projects were lost in the void and time passed until Troy recently sent out some new works from his lab. Down Low loved the new tracks and decided this was the time to complete the missing piece. It's a wonderful glitch in time, four new DFD productions that fit easily in the early 00's sound of the label back then, while also a magnificent piece of machine music from the future. Proper electro with a touch of human feels which is something that seems to be essential for a classic Down Low Music release.
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Down Low Music returns with a catalog number reserved for over 20 years, dL-006. Circa 2002, after releasing music from artists such as Stinkworx, Plastic Sleeves, Convextion and Macho Cat Garage, the dL catalog skipped from dL-005 to dL-007. dL-006 was reserved for DFD aka Troy Anderson, a core part of the dL crew from Texas. Troy had previously released excellent records as Cityboy and Waverider (both recently re-issued on We're Going Back), and as DFD on the first Down Low Music compilation, 'Satellite Cities' in 2001. But a full EP was never finalized, until now... Over time, multiple projects were lost in the void and time passed until Troy recently sent out some new works from his lab. Down Low loved the new tracks and decided this was the time to complete the missing piece. It's a wonderful glitch in time, four new DFD productions that fit easily in the early 00's sound of the label back then, while also a magnificent piece of machine music from the future. Proper electro with a touch of human feels which is something that seems to be essential for a classic Down Low Music release.
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More records from DFD
1
DFD - One More Time
2
DFD - One More Time (E.R.P. Remix)
3
DFD - Evening At Kokopelli
4
DFD - Metallic Dreams
Placid aka Paul Wise is the chief operating officer at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong love affair with the many shades of electronic rhythm and an obsession for collecting records since 1988. With a mission to share and release new music via his We’re Going Deep and We’re Going Back imprints: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor and your listening pleasure.
Kicking off 2025, the next WGD release welcomes the sounds of self confessed stateside Techno poser Troy Anderson to the imprint. A core part of the much treasured Down Low crew from Texas, he has previously released some mightily excellent records as Cityboy and Waverider way back when, both of which were recently re-issued on We're Going Back. As DFD, Anderson first appeared on Down Low Music compilation 'Satellite Cities' back in 2001. However, it took until 2024 for his first full EP to materialize. A somehow wonderful glitch in time, DFD productions fit easily into the early 00s canon of purist machine made magic, harboring a timeless resonance that emanates equally from a future dimension. Bringing an all important touch of human feeling to his work that is as essential as it’s comes.
Offering up 3 original cuts alongside a top shelf rework from ERP (aka Convextion), the A Side kickstarts with an all encompassing, yet subtly acid inflected Electro jam. As gently sweeping rhythms breeze into your consciousness, a deftly programmed 303 creeps underneath a bubbling lead that takes center stage. Wave after wave of chorded atmosphere builds as the track takes shape, it bursts further into life as glorious high notes add another simmering layer to the mix. A wild yet sumptuous ride, this is craftmanship of the highest order. Accompanied with a remix from the original Texan space cruiser ‘ERP’, the remix injects a touch more pace to the original and drifts fully into realms of photonic fields, drenched in cavernous reverb and outerworldly effects.
On the flip side, B1 ‘Evening At Kokopelli’ orbits back towards earthly plains as Anderson veers into swirling melodics and lushly stringed elements, all powered by a solid 909 rhythm structure and bubbling acid line. A display of playful prowess that is as hypnotising, as it is enchanting. The soundscape is invitingly warm and shifts your optic over to a whole new dimension. Ending out on the pacey 2 step beat of ‘Metallic Dreams’, Anderson opts for a sparser approach as splashes and layers of filtered pads take their course, as melodic elements rise above powerful FM bass tones and fill the void with perfect measure. On this evidence, the music has most definitely been worth the wait and on this form – DFD is a name to keep sight of in the years ahead.
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Kicking off 2025, the next WGD release welcomes the sounds of self confessed stateside Techno poser Troy Anderson to the imprint. A core part of the much treasured Down Low crew from Texas, he has previously released some mightily excellent records as Cityboy and Waverider way back when, both of which were recently re-issued on We're Going Back. As DFD, Anderson first appeared on Down Low Music compilation 'Satellite Cities' back in 2001. However, it took until 2024 for his first full EP to materialize. A somehow wonderful glitch in time, DFD productions fit easily into the early 00s canon of purist machine made magic, harboring a timeless resonance that emanates equally from a future dimension. Bringing an all important touch of human feeling to his work that is as essential as it’s comes.
Offering up 3 original cuts alongside a top shelf rework from ERP (aka Convextion), the A Side kickstarts with an all encompassing, yet subtly acid inflected Electro jam. As gently sweeping rhythms breeze into your consciousness, a deftly programmed 303 creeps underneath a bubbling lead that takes center stage. Wave after wave of chorded atmosphere builds as the track takes shape, it bursts further into life as glorious high notes add another simmering layer to the mix. A wild yet sumptuous ride, this is craftmanship of the highest order. Accompanied with a remix from the original Texan space cruiser ‘ERP’, the remix injects a touch more pace to the original and drifts fully into realms of photonic fields, drenched in cavernous reverb and outerworldly effects.
On the flip side, B1 ‘Evening At Kokopelli’ orbits back towards earthly plains as Anderson veers into swirling melodics and lushly stringed elements, all powered by a solid 909 rhythm structure and bubbling acid line. A display of playful prowess that is as hypnotising, as it is enchanting. The soundscape is invitingly warm and shifts your optic over to a whole new dimension. Ending out on the pacey 2 step beat of ‘Metallic Dreams’, Anderson opts for a sparser approach as splashes and layers of filtered pads take their course, as melodic elements rise above powerful FM bass tones and fill the void with perfect measure. On this evidence, the music has most definitely been worth the wait and on this form – DFD is a name to keep sight of in the years ahead.
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1
DFD - Aged Acid
2
DFD - Roto Disco
3
DFD - Bass Pocket
4
DFD - Shitty DACs & Synchrojacks
Aged Acid EP. The name speaks for itself. Like a well aged wine, DFD aka Troy Anderson shows how to make acid sound smooth and superior. This EP contains 4 deep atmospheric grooves, each with its own unique style and love for detail.
Troy has been releasing electronic music under aliases like Waverider and Cityboy since the 90s. Recently, he started cooking up fresh new tracks and released an EP on the legendary label Down Low Music. Also, some of his releases from back then are now available on We're Going Back. Enjoy the ride!
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Troy has been releasing electronic music under aliases like Waverider and Cityboy since the 90s. Recently, he started cooking up fresh new tracks and released an EP on the legendary label Down Low Music. Also, some of his releases from back then are now available on We're Going Back. Enjoy the ride!
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More records from Down Low Music
1
Convextion - Equanimity
2
Convextion - Solum Ferrum
3
Convextion - Desolte Hub
4
Convextion - Astrum
5
Convextion - Premiata
6
Convextion - Frozen Surface
7
Convextion - Sulphur Vent
8
Convextion - JMA020603
REPRESS!
TIP!!!!!
2022 repress of this classic techno album by Convextion aka E.R.P. - After the stunning E.R.P. release (Down Low VEXT2) that was stated on our website as best techno 12'' of 2005, Mr Hanson returns under his Convextion moniker to drop a brilliant double pack that will possibly be the best techno record of 2006. We love it!
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TIP!!!!!
2022 repress of this classic techno album by Convextion aka E.R.P. - After the stunning E.R.P. release (Down Low VEXT2) that was stated on our website as best techno 12'' of 2005, Mr Hanson returns under his Convextion moniker to drop a brilliant double pack that will possibly be the best techno record of 2006. We love it!
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1
The Connection Machine - No Title
2
The Connection Machine - No Title
3
The Connection Machine - No Title
4
The Connection Machine - No Title
5
The Connection Machine - No Title
6
The Connection Machine - No Title
7
The Connection Machine - No Title
8
The Connection Machine - No Title
9
The Connection Machine - No Title
The Connection Machine is Natasja Hagemeier and Jeroen Brandjes. The CD-only original release from 2004 has been re-mastered and features nine tracks for this first-time vinyl version of the album. The Down Low label is a vital US resource for deeply personal electronic music that works both in bedrooms and DJ booths. It's a label that put out celebrated albums and EPs by the likes of Convexion, E.R.P and Dan Curtin, and played a key role during its first lifetime. Ten years after their last release they return with this double 180g vinyl version of the Painless album by The Connection Machine. It is an album made up of material made in the nineties that never saw the light of day and is full of achingly deep moods, dreamy acid house, down tempo electronics, ambient, and Detroit techno, all of which make it a lost classic from the Dutch techno scene. This is a vital reissue that not only re-introduces this forgotten classic to a whole new audience, but also the Down Low Music label itself.
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Customers who bought this also bought this
1
ichard Teitelbaum - Asparagus (European Version Part I)
2
ichard Teitelbaum - Asparagus (European Version Part II)
3
ichard Teitelbaum - Asparagus (Original Soundtrack)
4
ichard Teitelbaum - Threshold Music
Black Truffle is thrilled to announce a major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt’s cult 1978 animation Asparagus. Best known to some listeners for introducing Europe to the Moog synthesizer as a founding member of Musica Elettronica Viva in Rome, Teitelbaum’s extensive and radically experimental body of work includes collaborative recordings with master improvisers like Anthony Braxton, Andrew Cyrille and George Lewis, intercultural experiments combining electronics with non-Western instruments such as the shakuhachi, works for computer controlled piano, and large-scale multi-media operas. Recorded at York University, Toronto in 1975–1976, ‘Asparagus (European Version)’ sprawls across both sides of the first LP. Discovered by composer Matt Sargent in Teitelbaum’s tape archive, this is a previously unheard major work for Moog modular and Polymoog synthesizers, unique in Teitelbaum’s oeuvre for its lushness and gently melodic quality. The music unfolds slowly, submerging lyrical melodies and burbling arpeggios into uneasy, glacially shifting harmonic swells, the luscious texture thickened with subtle changes of modulation and phase, calling up the shifting layers of Costin Miereanu’s classic Derives or the kosmische Musik tradition more than any academic synthesizer exercise. Teitelbaum incorporated much of this material into his soundtrack for Suzan Pitt’s Asparagus, which receives its first official release here. Asparagus, famously paired with David Lynch’s Eraserhead for a two-year run of midnight screenings at New York’s Waverly Theatre, uses hand-drawn and stop animation to unfurl an oneiric succession of images, beginning with a sequence in which the female protagonist defecates two stalks of asparagus, which multiply and float out of the toilet bowl to form the letters of the title. Teitelbaum’s soundtrack interweaves delicate drifting tones from the ‘European Version’ with contributions from Steve Lacy and Steve Potts on saxophones, George Lewis on trombone and Takehisa Kosugi on violin. Edited closely to the film, even without images the soundtrack proposes a surreal journey through floating synth tones, squealing horns, propulsive arpeggios, distant chatter, and an old-timey waltz. The final side of the set presents a new realisation of Teitelbaum’s text score ‘Threshold Music’, performed at a memorial concert at Roulette, New York in 2022 by Leila Bourreuil (cello), Alvin Curran (sampler and objects), Daniel Fishkin (daxophone), Miguel Frasconi (glass objects) and Matt Sargent (lap steel). The piece asks musicians to match their instrumental volume to that of the sounds of the environment in which they play, sometimes with the addition of recorded environmental sounds, reinforcing frequencies they encounter in listening deeply to their surroundings. Here the players use a field recording taken at Teitelbaum’s home in Bearsville, New York, their long tones and shimmering, glassy textures delicately emerging from the white noise of the location recording. Released with the full approval of both Richard Teitelbaum and Suzan Pitt’s estates, Asparagus is illustrated with striking images from Pitt’s film and accompanied by detailed liner notes by Francis Plagne. These previously unheard pieces shed new light on the work of a key composer in the American experimental tradition, offering up some of Teitelbaum’s most beautiful and engaging music.
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Label:Mother Tongue Records
Cat-No:MT19017R
Release-Date:21.02.2025
Genre:House / Techno
Configuration:12"
Label:Mother Tongue Records
Cat-No:MT19017R
Release-Date:21.02.2025
Genre:House / Techno
Configuration:12"
1
Los Hermanos feat. Ian O'Brien - Family (Extended)
2
Los Hermanos - Paradigm 4th Shifter
3
Los Hermanos - Far Beyond Sight (Full Mix)
Generic Cover Repress!
Gerald Mitchell is back on Mother Tongue after the now classic "Another Day" with a new Los Hermanos EP, this time bringing it back to the origins with the Detroit Techno opus "Family". Recorded in Tokyo with Ian O'Brien, this special extended version has "Anthem" written all over it. Also included is the futuristic tech funk of "Paradigm 4th Shifter" and the intergalactic beatless space jam "Far Beyond Sight".
Another classic in the making...
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Gerald Mitchell is back on Mother Tongue after the now classic "Another Day" with a new Los Hermanos EP, this time bringing it back to the origins with the Detroit Techno opus "Family". Recorded in Tokyo with Ian O'Brien, this special extended version has "Anthem" written all over it. Also included is the futuristic tech funk of "Paradigm 4th Shifter" and the intergalactic beatless space jam "Far Beyond Sight".
Another classic in the making...
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1
Anushka Chkheidze - A1 Rooftop Machines
2
Anushka Chkheidze - A2 Clean Clear White
3
Anushka Chkheidze - A3 4056
4
Anushka Chkheidze - A4 Underground
5
Anushka Chkheidze - B1 Stairs
6
Anushka Chkheidze - B2 14th Floor
7
Anushka Chkheidze - B3 NMR
8
Anushka Chkheidze - B4 Through The Window
LP
Special remarks:
180g
Tracklist LP:
A1 Rooftop Machines
A2 Clean Clear White
A3 4056
A4 Underground
B1 Stairs
B2 14th Floor
B3 NMR
B4 Through The Window
Having flown in from Tbilisi, Anushka Chkheidze found herself completely alone inside the empty and as yet unoccupied University of Basel's Biozentrum: just her, a piano, and the surrounding spaces. Over a two-week period the young Georgian musician and composer was able to explore the building, designed by Ilg Santer architects, with the piano, microphones, a mixing deck, a computer, and her voice. She also assembled a small choir from the Schola Cantorum Basiliensis music academy in Basel, who performed in an auditorium in the basement.
Anushka used her field recordings and compositional ideas from her on-site sessions to create the music for this album in the studio in Tbilisi, Georgia. The eight tracks are an acoustic and associative journey through the Biozentrum with a nonvisual form of perception: she encountered eight very different places in the building, and the spatial acoustics and nonvisible interior spaces all play their part.
'Clean Clear White' was mixed by Taylor Deupree (Pound Ridge, New York), mastered by Christoph Stickel (Vienna), cut by Sidney Claire Meyer at Emil Berliner Studios (Berlin), and pressed on 180 gram black vinyl by Optimal Media (Röbel/Müritz) with love and care to audiophile standards.
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Special remarks:
180g
Tracklist LP:
A1 Rooftop Machines
A2 Clean Clear White
A3 4056
A4 Underground
B1 Stairs
B2 14th Floor
B3 NMR
B4 Through The Window
Having flown in from Tbilisi, Anushka Chkheidze found herself completely alone inside the empty and as yet unoccupied University of Basel's Biozentrum: just her, a piano, and the surrounding spaces. Over a two-week period the young Georgian musician and composer was able to explore the building, designed by Ilg Santer architects, with the piano, microphones, a mixing deck, a computer, and her voice. She also assembled a small choir from the Schola Cantorum Basiliensis music academy in Basel, who performed in an auditorium in the basement.
Anushka used her field recordings and compositional ideas from her on-site sessions to create the music for this album in the studio in Tbilisi, Georgia. The eight tracks are an acoustic and associative journey through the Biozentrum with a nonvisual form of perception: she encountered eight very different places in the building, and the spatial acoustics and nonvisible interior spaces all play their part.
'Clean Clear White' was mixed by Taylor Deupree (Pound Ridge, New York), mastered by Christoph Stickel (Vienna), cut by Sidney Claire Meyer at Emil Berliner Studios (Berlin), and pressed on 180 gram black vinyl by Optimal Media (Röbel/Müritz) with love and care to audiophile standards.
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1
NJoi - Get Hype (Instrumental)
2
NJoi - Acid Machine (Instrumental)
3
NJoi - Feel My Love (Instrumental)
4
NJoi - Lovin U (Instrumental)
After huge demand, the instrumental mixes of NJOI’s unreleased tracks are now here in the shape of 'The Dubs', complimenting the duos recently unveiled 'Hidden Gems' vol 1 & 2 and their 'Collected' album. These iconic tracks became a huge part of NJOI’s original live set and the iconic mixed 'Live In Manchester' album over 30 years ago. After huge demand since their televised 1990 Brixton performance, they're finally available as fully extended individual recordings.
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1
Rober "Dubwise" Browne & Dean Fraser - Sun Goddess
2
Rober "Dubwise" Browne & Dean Fraser - Mister Magic
Soul Jazz of the First Order from Robert Dubwise Browne with two epic takes on tunes that should be in every DJ's grab bag of goodies. Sun Goddess originally by Ramsey Lewis and written by Earth, Wind and Fire's Maurice White together with a Ruff and Tuff version of the Grover Washington Jazz Funk classic "Mister Magic" featuring Jamaican Sax Man Dean Fraser. Guitarist Browne's appearance credits include the likes of his father Dennis Brown, as well as Gregory Isaacs, Beres Hammond and Toots Hibbert.. Produced by Japanese Reggae Legend Hayassen for his label Vortex and signed up on first hearing by Jazz Room Supremo Paul Murphy. If you've got a dancefloor you need these tunes!
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1
Zandvoort Uilenbal - De Zuidwester Loert
2
Matzo - Pop N Loc
3
Chromedealer - Labyrinth
4
+10 - Untitled
5
NOT MDK - Is It Me You're Looking For
6
Binary Digit - A2
7
Superstructure - Rain
8
ReQuest - Address Unknown
9
RTR - Mais Ouais
10
RAWAKARI - Stacy
11
Terrence Woodard - Dance Track
12
DMX Krew - Unknown Quantity Dry
13
EOD - Point A
14
DArcangelo - 5EXP
15
CAPSULE - Ruska
16
Black Narcissus - Dark Churn
17
Biochip - Jammers Office
Let's celebrate 20 years of WeMe records!
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1
ManooZ - Juno Dreams
2
ManooZ - Boxin' With GOD
3
ManooZ - Galaxies
4
ManooZ - Glow
CHIWAX presents Manooz - Juno Dreams EP (12")
After two fantastic releases on HOUSEWAX it's was now the right music and time to bring this great artist to CHIWAX!
Juno Dreams EP is a trip back to the best days of this genre.
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After two fantastic releases on HOUSEWAX it's was now the right music and time to bring this great artist to CHIWAX!
Juno Dreams EP is a trip back to the best days of this genre.
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1
Quintessence - Between Thoughts
2
Quintessence - Breeze
3
Quintessence - In My Apartment
4
Quintessence - Marketplace
5
Quintessence - Can't Stop Now
6
Quintessence - Moments Of Silence
7
Quintessence - Why Must I Go (Through These Changes)
DELUXE HARD-CARDBOARD SLEEVE COVER + 180g VINYL + OBI + DOWNLOAD CARD
Mad About Records officially reissues super rare private press Quintessence’s 1981 LP. With every famous jazz recording, many others remained on the shelf of oblivion without ever receiving the recognition they deserved, and this is the case of Quintessence.
Led by Ron Ancrum, with George Sovak, David Gaedeke, Winston Johnson and Steve Muse recorded an exceptional and fundamental album of 80's jazz.
If you are into Fender Rhodes, this is an LP to be collected.
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Mad About Records officially reissues super rare private press Quintessence’s 1981 LP. With every famous jazz recording, many others remained on the shelf of oblivion without ever receiving the recognition they deserved, and this is the case of Quintessence.
Led by Ron Ancrum, with George Sovak, David Gaedeke, Winston Johnson and Steve Muse recorded an exceptional and fundamental album of 80's jazz.
If you are into Fender Rhodes, this is an LP to be collected.
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1
Death Is Not The End - Side A
2
Death Is Not The End - Side B
Death Is Not The End's contribution to the Blowing Up The Workshop mix series, subsequently given a cassette release on the label in 2019, finally receives a limited vinyl LP pressing.
"A trip across the frequencies of Bristol's pirate radio stations via cut-ups of broadcasts, taken from the late 1980s to the early 2000s ~ also a love-letter to my childhood, an audio document of the years I spent growing up in the city."
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"A trip across the frequencies of Bristol's pirate radio stations via cut-ups of broadcasts, taken from the late 1980s to the early 2000s ~ also a love-letter to my childhood, an audio document of the years I spent growing up in the city."
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1
Norio Maeda Trio - Alpha Ray (Feat. Norio Maeda Trio)
2
Terumasa Hino Quintet - Hakuchu No Shugeki - Theme (Feat. Terumasa Hino Quintet)
ALPHA RAY by The Norio Maeda Trio was originally released in the Swinging Sixties and this hot latin number was rediscovered by the Tokyo Hipsters at the height of the Acid Jazz Boom and became part of Shibuya Jazz Dance Folklore.
HAKUCHU NO SHUGEKI - THEME by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!
Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
HAKUCHU NO SHUGEKI - THEME by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!
Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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A_A (aka Satoshi Tomiie & Nao Gunji) - Intro (Live Version)
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A_A (aka Satoshi Tomiie & Nao Gunji) - Diskordant (Live Version)
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A_A (aka Satoshi Tomiie & Nao Gunji) - Disonant III (Live Version)
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A_A (aka Satoshi Tomiie & Nao Gunji) - Radiant IV (Live Version)
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A_A (aka Satoshi Tomiie & Nao Gunji) - Radiant I (Live Version)
Artificial Owl Recordings is proud and happy to welcome on board New Yorkers Satoshi Tomiie and Naotake Gunji for the 5th release on AOR and the recording of their A_A project and live show in New York City that took place at the Fridman Gallery in Manhattan.
A_A is a live performance project of DJ / musician Satoshi Tomiie and NYC-based artist Nao Gunji. The duo’s work is based on exploring the tension between floor-centric electronic music and improvised sound/audio performance, where found sounds and object-activated sounds often share the sonic space with fragments from the artist’s roots in House, Jazz, R&B, and Dub.
Satoshi and Nao performed their work “Diskordant” using their analog machines and object-activated sounds in front of the New York crowd presenting their sound and tone textures that are created in studio sessions. These sounds are transformed and improvised through reconstruction and sample synthesis.
Dub Techno and ambient experimental sounds are the recipe in this live performance that will both send you on a sonic meditative trip and also make you want to dance.
Sit back, enjoy and travel with this underground art New York work.
This release is limited to 300 orange opaque 12” copies.
Special thanks to Kamran Sadeghi, Julia Govor and the Fridman Gallery.
Artwork by S0lar and editing by Niko Dalagelis.
Mastered by Alex Alex Picciafuochi.
www.ArtificialOwlRecordings.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A_A is a live performance project of DJ / musician Satoshi Tomiie and NYC-based artist Nao Gunji. The duo’s work is based on exploring the tension between floor-centric electronic music and improvised sound/audio performance, where found sounds and object-activated sounds often share the sonic space with fragments from the artist’s roots in House, Jazz, R&B, and Dub.
Satoshi and Nao performed their work “Diskordant” using their analog machines and object-activated sounds in front of the New York crowd presenting their sound and tone textures that are created in studio sessions. These sounds are transformed and improvised through reconstruction and sample synthesis.
Dub Techno and ambient experimental sounds are the recipe in this live performance that will both send you on a sonic meditative trip and also make you want to dance.
Sit back, enjoy and travel with this underground art New York work.
This release is limited to 300 orange opaque 12” copies.
Special thanks to Kamran Sadeghi, Julia Govor and the Fridman Gallery.
Artwork by S0lar and editing by Niko Dalagelis.
Mastered by Alex Alex Picciafuochi.
www.ArtificialOwlRecordings.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
DJ Fokus - Watch Out
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DJ Fokus - Media
Fundamental Frequencies teams up once again with the master of the dark arts DJ Fokus for the first-ever reissue of his second mythical 94 jungle scorcher released on his own Suicide Records.
Having broken out with two 12”s on Monroe Production’s Blueprint Records, DJ Fokus quickly followed up at the Monroe Studios, under the watchful eye of legendary engineer Pete Parsons (Voyager), with two self-funded 12”s on his Suicide imprint before putting pen to paper with Lucky Spin Recordings. Now regularly demanding three figure sums both releases have achieved cult status amongst jungliests both young and old.
Available for the first time since its initial 1994 pressing with the lacquer cut by Beau Thomas (Babylon Timewarp/Intense).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Having broken out with two 12”s on Monroe Production’s Blueprint Records, DJ Fokus quickly followed up at the Monroe Studios, under the watchful eye of legendary engineer Pete Parsons (Voyager), with two self-funded 12”s on his Suicide imprint before putting pen to paper with Lucky Spin Recordings. Now regularly demanding three figure sums both releases have achieved cult status amongst jungliests both young and old.
Available for the first time since its initial 1994 pressing with the lacquer cut by Beau Thomas (Babylon Timewarp/Intense).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore