Invigorating Stomping Chakra Grounding

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Two Spanish slow disco tracks from 1977, originally released in 7" format, brought back in 12" format with an additional extended edit, very respectful to the original. "Zorongo" is a re-interpretation of a Andalucian popular folk song with Arabic influence, a gypsy love song from ancient times which was collected and presented by Spanish poet and playwright Federico Garcia Lorca before his death/disappearing during the Spanish Civil War. Jobam's new arrangement gives it a heavy downtempo disco facelift, taking the original gypsy warrior intensities of dealing with love and contrasting them with a beautiful orchestral string driven addition to the theme. Heavy Balearic, emotionally loaded gypsy business, something one could very easily imagine hearing at a 10 hour Harvey set in Pikes, Ibiza.

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Tracklisting
A1 Adam Prescott - Judgement Dub
A2 Adam Prescott - On The Corner Dub
A3 Adam Prescott - Dub From The East
A4 Adam Prescott - Liberation Dub
A5 Adam Prescott - Subtract Dub
B1 Adam Prescott - At The Right Time Dub
B2 Adam Prescott - Dub Will Reign
B3 Adam Prescott - The Return To Dub
B4 Adam Prescott - Roasted Dub
B5 Adam Prescott - Holding Onto Dub

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French synth-dub duo Froid Dub continue their blast of organic and digital material on this brand new 6-track album. Pushing the clash between synth wave and dub even further, the electronic beats of the TR 808 are more than ever engulfed in the slow motion vibes of the digi-bass echoes.

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Twenty years after its original release, Paul St. Hilaire (AKA Tikiman) & René Löwe’s eternal classic Faith is being reissued for the first time.

Tracklist
A Faith (Vox Mix) 8:56
B Faith (No Vox Mix) 8:35


Richard Akingbehin’s Kynant Records - which recently released the first solo Tikiman album since 2006 - is behind the reissue of Faith, giving new life and the first digital release to one of the most beloved dub techno 12”s of all time.



Written & produced by Paul St. Hilaire & René Löwe.

Mastered by Moritz von Oswald.

Artwork by Grant Gibson.

Originally released by False Tuned (2003).

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Significant Other unveils a new project: Pain Management. A new imprint presenting music and visual media across a variety of formats. The outlet launches with an original 4 track EP: When It Rains.

Christening the label with his first full length release since 2021, the subversive producer steps out from behind the curtain with a batch of tracks guaranteed to soothe psychic woes and challenge sound systems alike.

True to the name of the label, this debut release delivers a healthy dose of leftfield club weight. Tough and tender in equal measure, it’s a record that explores in-between zones. A fever dream of narrative experiments at the outer edges of club music, packing enough punch to shake a dancefloor, but enough delicacy to soundtrack the ride home. The final product is a meeting of outsider sonics and sleazy dance tropes, body music for restless minds.

The record begins with the lead single ‘RPG’ (A1). A smoked out, drug chug power ballad featuring fellow NYC underground alum James K. Anchored around a growling 4/4 battle beat, swells of dub and inchoate vocal cries rise intermittently from the haze. Within the fever dream fugue of thuggish sub weight and engine-room crud, a tender, sustained warmth shimmers.

A2’s ‘I Get Such Bad Headaches’ is a twisted club thumper built around a questioning vocal refrain. It’s a tongue in cheek nod to the label’s origins that takes shape in a sleazy beat track with some serious club weight. Slowed n’ chopped to the maximum, it’s a low slung sleeper-hit with attitude. DJ Screw meets Tylenol PM, a bass-boosted anthem for the neural punishment enjoyer.

The B-side opens with the title track, ‘When It Rains (It Pours)’, a droned out mess of distant voices and textural grit. Anchored around the titular looping axiom, the track has a deathly, abyssal weight to it. A claustrophobic hymn of surrender, faithful to its stark refrain.

‘Bad Blood’ wraps the record on a tender note. A sluggish heartbeat pumps beneath the fog of dub delays and distortion, propelling forward a lethargic rhythm. Out of nowhere a blissed out synth line pierces the tension. A sharp, emotive melody disrupting the paramnesia with something new. If the record’s title track suggests a downward spiral through some psychic storm, then ‘Bad Blood’ shows the outline of dry land coming slowly into focus.

Art Direction by Ciaran Birch

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2025 Repress!

Tracklisting
A1 Another Channel feat. Prince Morella - Nameless Woman
B1 Another Channel feat. Marina P - Find a Way
B2 Another Channel - Version of Love

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Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe and Horace Andy and within short order Hudson brought his all-round talent to full fruition.

In 1974, he produced two ground-breaking albums. “Pick A Dub” was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique “Flesh Of My Skin, Blood Of My Blood” became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson’s eccentric vocals.

In 1981, he created the dub masterpiece “Playing It Cool, Playing It Right” which he produced with the help of Wackie’s founder and mastermind Lloyd ‘Bullywackie’ Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases.

The album continues Hudson’s psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. “Too Much Formula” sings Hudson, whose voice occasionally recalls Sly Stone, “Darkest Night” answers an echoing background chorus found elsewhere on the track “California”. Hudson’s production techniques are fascinating on this album. We often hear a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music.

43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon’s), “Playing It Cool, Playing It Right” is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd ‘Bullywackie’ Barnes, talking on the making of this amazing album.

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Twin Cities duo Feel Free Hi Fi return to their in-house imprint Digital Sting with their first full length entitled “I was so far in I was out.” After two prior EP's and collaborations with Equiknoxx and Duppy Gun Feel Free Hi Fi deliver 8 new tracks of their distinct but eclectic digital dub. Amalgamating many of the sounds, sonics, and aesthetics of prior releases into these eight percussive instrumentals. The industrial dub and weirdo dancehall remain but the focus is further refined while also exploring environmental and cinematic sounds to create often dark and heavy versions that are as singular as they are collective, as introverted as they are expansive.

The records come in double sided silk-screened printed custom DJ Jackets, with Obi Strip style stickers and hand stamped white labels created and printed by Digital Sting.

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Teakup continues his own white label series with 002, exploring ambient and dub techno realms, tactile and chewy percussions, and beat abstractions. The blissed out, dissociative atmospheres return with a more driving pulse. Music made for healing the mind and body in tumultuous times.

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Tracklisting
A1 Magophon feat. Murray Man - Brake we down
B1 Magophon - Brake we down (Etheral mix)

Sales Note
777Hz teams up with Murray Man this time for another "DubTechno meets Reggae" tune and of course we are going extradeep on the B side, blissful bass as you could expect it on the777Hz label.

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