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New TTJ with special reworks. Essential Item, Limited Edition. No repress
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V.A. - A1.Bamalama
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V.A. - B1.Don't Make Me Wait
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Peggy Gou - Your Art
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Peggy Gou - I Go
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Blue Vinyl!
Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
Peggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world. Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list.
Since 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August
She’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept.
She made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album I Hear You, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. More
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Psychemagik - I Feel Love
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Psychemagik - I Can't Go For That
The 1st of 2 singles from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.
Finally on vinyl after some considerable time, this one has a limited pressing! More
Finally on vinyl after some considerable time, this one has a limited pressing! More
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V.A. - A1. Stuck In The Middle
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V.A. - A2. Sjefen
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V.A. - B1. For your love
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Rubel - Grão De Areia
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Rubel - Não Vou Reclamar De Deus
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Rubel - Toda Beleza
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Rubel - Put@ria!
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Rubel - Rubelía
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Rubel - Posso Dizer
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Rubel - Vinheta As Palavras
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Rubel - As Palavras
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Rubel - Forró Violento
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Rubel - Torto Arad
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Rubel - Lua De Garrafa
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Rubel - Na Mão Do Palhaço
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Rubel - Doutor Albieri
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Rubel - Samba De Amanda E Té
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Rubel - Amor De Mãe
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Rubel - Vinheta As Palavras II
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Rubel - Assum Preto
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Rubel - Forró No Escuro
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Rubel - Toda Beleza (Pelos Loirinhos)
Released on 2xLP cut at 45RPM in gatefold sleeve with 6 panel fold-out poster.
Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.
From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.
The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.
The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.
Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.
At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.
Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages. More
Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.
From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.
The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.
The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.
Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.
At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.
Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages. More