Label:ATA Records
Cat-No:ATA033
Release-Date:08.03.2024
Genre:Jazz
Configuration:LP
Barcode:5050580818279
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1
The Sorcerers - He Who Kills with One Leap
2
The Sorcerers - Moth
3
The Sorcerers - Yasuke in Roppongi
4
The Sorcerers - Bebaynetu
5
The Sorcerers - The Warrior Code
6
The Sorcerers - Kid Mahout
7
The Sorcerers - The Road Forward
8
The Sorcerers - Oromo Moon
9
The Sorcerers - She Who Perceives the Sounds of the World
ATA Records are proud to announce the new album I Too Am A Stranger from The Sorcerers, following previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, which garnered high praise from Mulatu Astatke Who's this? The Sorcerers? It's cool! This is great. Give me the CD man!" and recent Radio 6-listed 7" single Exit Athens, of which Giles Peterson said, "Great Stuff as always". Recorded wholly at ATA Studios and produced by label head, Neil Innes, I Too Am A Stranger features the Sorcerers trio, (lead by Neil Innes) of Joost Hendrickx/Neil Innes/Richard Ormrod, with assistance from regular percussion collaborator Danny Templeman and up-and-coming Leeds trumpeter Olivia Cuthill. Joost and Neil's drum and bass bond is tighter than ever, and Richard is given free rein on baritone and alto saxophones, flutes, bass clarinet, vibes, and the wonderland that is the ATA vintage keyboard collection. I Too Am A Stranger is a resolutely maximal endeavour, a layered recording both sonically and via many interwoven influences: as ever, the Ethiopique sound is front and centre [Bebaynetu, Kid Mahout, She Who Perceives The Sounds Of The World], but there are also references to the declamatory baritone sax-heavy chanbara soundtracks of Fumio Hayasaka [Yasuke In Roppongi, Oromo Moon], the fuzzed-out vibes sound of Vibrafinger-era Gary Burton [side openers The Warrior Code and He Who Kills With One Leap], and Moondog's popping woodblocks [Moth, The Dao Of The Sorcerers]. In truth, there is so much on this album to appeal to so many different listeners: tight – and new! – beats, exotic melody, far-out horns, references from within and without the worlds of Jazz, Library, Ethio, etc etc, as well as the wholly analogue ATA sound that satisfies DJs and audiophiles alike.
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Label:ATA Records
Cat-No:ATALP002
Release-Date:22.12.2023
Genre:Jazz
Configuration:LP
Barcode:5050580639607
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1
The Sorcerers - Pinch of the Death Nerve
2
The Sorcerers - The Horror
3
The Sorcerers - Arid Plain
4
The Sorcerers - Suur Tõll
5
The Sorcerers - The Viking of 5th Avenue
6
The Sorcerers - Cave of Brahma
7
The Sorcerers - Who Put Bella in the Wych Elm?
8
The Sorcerers - Night of the Sorcerer
Introducing the vinyl reissue of the debut album from The Sorcerers. Reissued on limited white vinyl with new liner notes, The debut release was championed by Ethio-Jazz legend Mulatu Astatke on his Addis Abbaba radio show. The Sorcerers take influences from Ethiopiques Ethio-jazz as well as the soundtracks to the european horror films of the 60's and 70's and the british library music of the same era & blend them into one cohesive package. Made up of various stalwarts of the vibrant Leeds Jazz/World scene they were originally formed to contribute some tracks to the compilation "Funk, Soul & Afro Rarities: An Introduction To ATA Records" released in 2014 on Here & Now Records. After receiving a favourable response to their contributed tracks and garnering support from the likes of Strut records founder Quinton Scott and Radio 3's Nick Luscombe (Late Junction) they decided to develop their sound further before recording their debut album. Recorded at ATA Records' own analog recording studio using vintage analog equipment from the 60s and 70s, the album contains 8 original compositions that reference influences as diverse as Mulatu Astatke, Moondog, Kpm and Giallo soundtracks. Huey Morgan made the opening track "Pinch Of The Death Nerve" his "Beat Of The Week" on his BBC6 Music radio show with. Mulatu Astake played the album on his Addis Abbaba radio show with additional uk radio support from Wah Wah 45's Dom Servini, Shawn Lee on his Soho Radio show, Stuart Maconie's Freak Zone BBC6 and Gilles Peterson. The Reissue will be a limited run on white vinyl with new artwork and liner notes on the rear of the cover
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Label:ATA Records
Cat-No:ATALP018
Release-Date:20.02.2023
Genre:Jazz
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1
The Sorcerers - Opening Titles
2
The Sorcerers - Treasured Sacrament
3
The Sorcerers - Overgrown Icons
4
The Sorcerers - Downriver
5
The Sorcerers - Crossing the Rope-Bridge
6
The Sorcerers - The People of the Forest
7
The Sorcerers - Beneath the City of the Monkey God
8
The Sorcerers - Escape from the Catacombs
9
The Sorcerers - Shamanic Brew
10
The Sorcerers - Who Is the Hunter, Who Is the Prey? (feat. Chip Wickham)
11
The Sorcerers - Summoning the Monkey God
12
The Sorcerers - End Credits (feat. Chip Wickham)
ATA Records are proud to announce the follow up to the critically acclaimed debut album fromThe Sorcerers. Conceived as a soundtrack to an imagined lost European exploitation film,'In Searchof The Lost City ofThe Monkey God'covers a wide range of influences: Ethiopiques Ethio-Jazz rubs up against European library music of the 60s and 70s. The Sorcerers seamlessly blend these disparate elements into one cohesive sound. Based in ATA Records' home of Leeds, The Sorcerers form the backbone of the ATA Records house band including drummer Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra) and ATA label heads Neil Innes (Bass & Guitar) and Pete Williams (Woodwinds & Percussion). Bass clarinets, flutes, and esoteric percussion that sit alongside bass, guitar and drums are essential to The Sorcerers sound providing cinematic textures on top of a solid rhythmic foundation. The Sorcerers began working on the new album during the winter of 2018 and it was during the writing sessions for this album that the concept for the LP began to take shape. The name for the album was taken from the title of a National Geographic article read by Bassist Neil Innes and was used as the starting point for the entire concept. The library music scene of the 60s and 70s has always been an intrinsic part of the sound of ATA Records and so it made perfect sense to envisage the album as a soundtrack, given the cinematic quality of The Sorcerers music. Each track was written with a particular scene in mind and the music was then shaped in the studio to best reflect the essence of that scene. Drums, Bass and Percussion provide the solid foundation onto which Flutes, Bass Clarinets, Xylophones and Vibraphones add the atmospheric and melodic counterpoint, deftly weaving between one another to conjure up images of the unforgiving environment of the dense jungle, unknown eyes watching the protagonists of the imagined film as they make their way towards their ultimate goal, their pursuit by unseen assailants, the arcane mysticism of undiscovered cargo cultists and the ancient ruins of long passed civilisations.
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Label:ATA Records
Cat-No:ATA036
Release-Date:22.11.2024
Genre:Jazz
Configuration:LP
Barcode:5050580835023
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Barcode:5050580835023
1
Work Money Death - The Fast Flowing River
2
Work Money Death - Headwaters of the Soul
3
Work Money Death - We Are the People
4
Work Money Death - The River Becomes the Stream
7"
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Label:ATA Records
Cat-No:ATA032
Release-Date:04.10.2024
Genre:Jazz
Configuration:7"
Barcode:5050580834248
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1
ATA Records & The Sorcerers - Kaunas Baltic Connect
2
ATA Records & The Sorcerers - Baby, I Don't Care
Sounds like Lalo Schifrin and Quincy Jones on a night out" DJ Smoove ATA Records are proud to release their latest 7" single, Kaunas Baltic Connect feat. The Sorcerers/Baby, I Don't Care. Three albums in, the Library Archiveseries are an honest and forthright homage to the golden age of library recording, and this new release is no exception – a brooding cut of 70s Euro-crime soundtrack for the cognoscenti, backed with a gleeful Hammond romp. Kaunas Baltic Connect feat. The Sorcerers harks back to the dynamic, brooding menace of Poliziotteschi and Euro-crime movies – popping toms punctuate a martial-sounding 60s beat, with an insistent and recurring piano motif. ATA Ethio-jazz influences are never far from the surface, and this track is chock full of quirky synths and keyboards, as well as the massive-soundingSorcerershorn section. Fans of Ennio Morricone's score to Pontecorvo's Battle of Algiers will also find a lot to enjoy here. Baby, I Don't Care is reminiscent of shamelessly groovy releases from The Lewis Express, featuring a joyful slice of Hammond organ blues dancing away over the funkiest drums this side of Clyde Stubblefield – replete with congas and bongos from ATA Studios stalwart, Danny Templeman. Intended in the tradition of upbeat Hammond tracks from KPM etc, this track just evolved into pure organ soul. Baby, I Don't Care has all the hallmarks of a new club favourite – will strongly appeal to all Jimmy Smith/McGriff and Shirley Scott fans, as well as purveyors of the next wave of organ soul from The Filthy Six etc.
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12"
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Label:ATA Records
Cat-No:ATA035NO
Release-Date:19.07.2024
Configuration:12"
Barcode:5050580828568
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Release-Date:19.07.2024
Configuration:12"
Barcode:5050580828568
1
United Disco Organisation & K.O.G. - Feel It for Yourself
2
United Disco Organisation & K.O.G. - Feel It for Yourself (Vocal Edit)
3
United Disco Organisation & K.O.G. - Feel It for Yourself (Smoove Rework)
Introducing ATA's latest Disco sensation: "United Disco Organisation's 'Feel It For Yourself'". Following the success of "Send The Rain/Funky Thing," this release features Kweku Sackey and his phenomenal backing singers, delivering a sun-soaked 70s afrobeat hit perfect for those endless Summer nights! Crafted during a creative session for an upcoming United Disco Organisation project, bassist Neil Innes conceived a captivating Afro-Disco concept. Picture a rhythmic journey, laden with percussion, reminiscent of Manu Dibango with a dash of Tony Allen's flair. With the UDO lineup of Neil on bass, Chris Dawkins on guitar, Joost Hendrickx on drums, and Danny Templeman on percussion, the foundation was set. Adding a distinctive touch, ATA regular Richard Ormrod contributed a mesmerizing alto sax solo, steering the track towards instrumental brilliance. However, it didn't quite align with the album's theme, so it took a brief hiatus. Enter Kweku Sackey (K.O.G.), who, during a studio visit for another project, was intrigued by Neil's Afro-Disco creation. Neil mentioned that loads of the old tracks have hooks that seemed to feature useful nuggets of great personal advice, Kweku said, "You mean something like don't let anybody tell you - feel it for yourself". Inspired by the track's vibe, Kweku injected his signature style, along with his backing vocalists, infusing the piece with an Ebo Taylor Love and Death essence. The result? A fusion of infectious rhythms and profound lyrical wisdom is encapsulated in the phrase "feel it for yourself."
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Label:ATA Records
Cat-No:ATALP002
Release-Date:22.12.2023
Genre:Jazz
Configuration:LP
Barcode:5050580639607
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Barcode:5050580639607
1
The Sorcerers - Pinch of the Death Nerve
2
The Sorcerers - The Horror
3
The Sorcerers - Arid Plain
4
The Sorcerers - Suur Tõll
5
The Sorcerers - The Viking of 5th Avenue
6
The Sorcerers - Cave of Brahma
7
The Sorcerers - Who Put Bella in the Wych Elm?
8
The Sorcerers - Night of the Sorcerer
Introducing the vinyl reissue of the debut album from The Sorcerers. Reissued on limited white vinyl with new liner notes, The debut release was championed by Ethio-Jazz legend Mulatu Astatke on his Addis Abbaba radio show. The Sorcerers take influences from Ethiopiques Ethio-jazz as well as the soundtracks to the european horror films of the 60's and 70's and the british library music of the same era & blend them into one cohesive package. Made up of various stalwarts of the vibrant Leeds Jazz/World scene they were originally formed to contribute some tracks to the compilation "Funk, Soul & Afro Rarities: An Introduction To ATA Records" released in 2014 on Here & Now Records. After receiving a favourable response to their contributed tracks and garnering support from the likes of Strut records founder Quinton Scott and Radio 3's Nick Luscombe (Late Junction) they decided to develop their sound further before recording their debut album. Recorded at ATA Records' own analog recording studio using vintage analog equipment from the 60s and 70s, the album contains 8 original compositions that reference influences as diverse as Mulatu Astatke, Moondog, Kpm and Giallo soundtracks. Huey Morgan made the opening track "Pinch Of The Death Nerve" his "Beat Of The Week" on his BBC6 Music radio show with. Mulatu Astake played the album on his Addis Abbaba radio show with additional uk radio support from Wah Wah 45's Dom Servini, Shawn Lee on his Soho Radio show, Stuart Maconie's Freak Zone BBC6 and Gilles Peterson. The Reissue will be a limited run on white vinyl with new artwork and liner notes on the rear of the cover
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Label:ATA Records
Cat-No:ATA031
Release-Date:03.11.2023
Genre:Jazz
Configuration:LP
Barcode:5050580811379
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Release-Date:03.11.2023
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Configuration:LP
Barcode:5050580811379
1
ATA Records - Ten on the Door
2
ATA Records - Hips & Lips
3
ATA Records - Hardcastle, Pt. 1
4
ATA Records - Countdown to Catastrophe
5
ATA Records - Fear on Phobos
6
ATA Records - Loisaida Man
7
ATA Records - Pineapple Diode Daiquiri
8
ATA Records - Penthouse in Pernambuco
9
ATA Records - The Infernal Clock
10
ATA Records - The Street Is Family
11
ATA Records - Satan Stalks Among Us
12
ATA Records - It's Alive!
The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack vision of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express & Outer Worlds Jazz Ensemble. It only seemed natural for the team at ATA Records to scratch their own Library itch and so "The Library Archive Vol. 1" was born in 2019. Recorded over a series of sessions in the Aladdin's Cave of vintage recording equipment that is ATA studios, it featured many of the ATA stable of performers. Released in 2021, "The Library Archive Vol. 2" still had the golden age of European Library music squarely in it's sights, but this time the focus was drawn more to the off-kilter soul organ sound of Italian quartet I Marc 4. These two volumes garnered praise from Library aficionado Shawn Lee ("Holy F*$K this sounds great! ATA really smash the classic British Library sound. 10 out of 10") and the Don of British Library Music himself, Alan Hawkshaw. And so to "The Library Archive Vol. 3": taking heavy inspiration from Jungle Obsession 9 by Roger Roger, and The Feed-back, as well as Blaxploitation era composers such as Willie Hutch and Melvin Van Peebles, and the masterful and ingenious Roy Budd, "The Library Archive Vol. 3" draws deeply from the well of library greatness. Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive' Vol. 1 & 2, recorded on the same instruments and equipment and with the same techniques as the music that inspired it, with a focus throughout on stripped-back rhythm sections topped by flute, vibes and vintage synths. With three volumes now out and another currently in R&D, The Library Archive will stand as a testament to the love the ATA producers and artists have for the original composers and performers.
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7"
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Label:ATA Records
Cat-No:ATA030
Release-Date:08.09.2023
Genre:Jazz
Configuration:7"
Barcode:5050580811140
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Cat-No:ATA030
Release-Date:08.09.2023
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Configuration:7"
Barcode:5050580811140
1
The Sorcerers & The Outer Worlds Jazz En - Exit Athens
2
The Sorcerers & The Outer Worlds Jazz En - Beg, Borrow, Play (feat. Chip Wickham)
ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble. Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike. On the AA side, Beg, Borrow, Play marks the debut of The Outer Worlds Jazz Ensemble. The first in an ongoing series of 45s and LP issues, each Outer Worlds release will feature the immaculate grooves of the hard-working, unsung sidemen of the Leeds Funk, Latin and Ethio/Afrobeat scenes. The Outer Worlds series was conceived to feature visiting soloists who have made a beeline to ATA in search of a specific setting for their material, and represents ATA's ambition to encompass the very best in contemporary jazz/club/rare groove/exotica sounds. Beg, Borrow, Play kicks this off with ATA veteran Chip Wickham on baritone sax, and a slice of jazz exotica that owes as much to New Orleans Street Beat as to the Eastern moods of artists like Yusef Lateef and Ahmed Abdul-Malik. The result is loose and limber, with horns reminiscent of classic Art Ensemble of Chicago, and will appeal to fans of contemporary Afro-Futurist fusions
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Label:ATA Records
Cat-No:ATALP001
Release-Date:09.06.2023
Genre:Folk
Configuration:LP
Barcode:5050580801097
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Cat-No:ATALP001
Release-Date:09.06.2023
Genre:Folk
Configuration:LP
Barcode:5050580801097
1
Love Of The Brave - Find My Way
2
Love Of The Brave - The Untold Story Of The Love Of The Brave
3
Love Of The Brave - Hey Girl
4
Love Of The Brave - Champ De L'amore
5
Love Of The Brave - Dusted Off (feat. Tony Burkill)
6
Love Of The Brave - Infidel
7
Love Of The Brave - Gustav
8
Love Of The Brave - Heron (feat. Tony Burkill)
Love Of The Brave are a psyche folk group, based in Leeds, West Yorkshire, at the time this album was recorded, back in 2010. The founder of the group Neil Innes still runs the recording studio, ATA Records, an extremely well maintained all analogue set up, used primarily to record jazz, funk and library music. The short-lived Love Of The Brave outfit was the first project recorded at the famed studio. It brought together some of the most versatile artists in the north, many of who still work on projects with ATA today, both these factors give this release a landmark aspect for the label. The "Love Of The Brave" consists of eight tracks and draws on inspiration from artists such as Pentangle, Rotary Connection, Richie Havens, the Kinks, David Bowie and Joni Mitchell. Vocalist Fuzzy Jones features on all tracks, as does Neil, in his case playing a variety of instruments. They are joined throughout the album by a variety of musicians, including jazz drummer Joost Hendrickx, Work Money Death's Tony Burkill on sax, and famed pianist Matt Bourne on cello. The involvement of musicians such as these could give this album some crossover interest with jazz fans. Love Of The Brave's use of analogue recording techniques gives lends this album the authentic studio sound of a record from the late 60s coupled with lyrics touching on pertinent contemporary issues.
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Label:ATA Records
Cat-No:ATA029
Release-Date:07.04.2023
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Cat-No:ATA029
Release-Date:07.04.2023
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1
Abstract Orchestra & Ghost Life - Raid (Ghost Life Remix)
2
Abstract Orchestra & Ghost Life - Fancy Clown (Ghost Life Remix)
3
Abstract Orchestra & Ghost Life - Eye (Ghost Life Remix)
4
Abstract Orchestra & Ghost Life - Accordion (Ghost Life Remix)
5
Abstract Orchestra & Ghost Life - Curls (Ghost Life Remix)
6
Abstract Orchestra & Ghost Life - Bistro (Ghost Life Remix)
7
Abstract Orchestra & Ghost Life - Borrowed Time (Ghost Life Remix)
8
Abstract Orchestra & Ghost Life - Fire in the Hole (Ghost Life Remix)
9
Abstract Orchestra & Ghost Life - Figaro (Ghost Life Remix)
10
Abstract Orchestra & Ghost Life - Fluid (Ghost Life Remix)
Abstract Orchestra's composer, leader, arranger and producer Rob Mitchell has now added remixing to his already notable list of credits, in this case turning his hand to Abstract's MADVILLAIN project. Rob has worked with many artists during his busy career; The Haggis Horns, Rag 'n' Bone Man, Sharon Jones and the Dap–Kings, Brand New Heavies, and Slum Village, alongside many others but it was the orchestra's work he wanted to revisit. Seeing the pandemic as an opportunity to spend more time in the studio, Rob spent several months polishing his production skills before embarking on this remix project, he wanted to make sure he did it justice. Working under the moniker Ghostlife, a nod to the fabled anonymity of rapper MF DOOM, Rob has reworked the big band orchestration of Abstract, creating a beat led affair with greater dance floor appeal. For Abstract Orchestra MADVILLAIN REMIXES, Ghostlife cherry picked ten tracks from Abstract's two-album project and plays with a higher BPM count within the hip hop aesthetic of the original. The tracks include "Raid", "Fancy Clown", "Curls", and "Figaro" and in this case Ghostlife has forgone the big arrangements Abstract is known for, rather he has coaxed out hooks and samples from their tracks and produced something he hope will appeal to a different crowd. There is dancefloor potential in "Eye","Accordian" and bass heavy "Borrowed Time" while the reworks of 'Fancy Clown" and "Curls" would fit well into any radio show.
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Release-Date:20.02.2023
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1
The Sorcerers - Opening Titles
2
The Sorcerers - Treasured Sacrament
3
The Sorcerers - Overgrown Icons
4
The Sorcerers - Downriver
5
The Sorcerers - Crossing the Rope-Bridge
6
The Sorcerers - The People of the Forest
7
The Sorcerers - Beneath the City of the Monkey God
8
The Sorcerers - Escape from the Catacombs
9
The Sorcerers - Shamanic Brew
10
The Sorcerers - Who Is the Hunter, Who Is the Prey? (feat. Chip Wickham)
11
The Sorcerers - Summoning the Monkey God
12
The Sorcerers - End Credits (feat. Chip Wickham)
ATA Records are proud to announce the follow up to the critically acclaimed debut album fromThe Sorcerers. Conceived as a soundtrack to an imagined lost European exploitation film,'In Searchof The Lost City ofThe Monkey God'covers a wide range of influences: Ethiopiques Ethio-Jazz rubs up against European library music of the 60s and 70s. The Sorcerers seamlessly blend these disparate elements into one cohesive sound. Based in ATA Records' home of Leeds, The Sorcerers form the backbone of the ATA Records house band including drummer Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra) and ATA label heads Neil Innes (Bass & Guitar) and Pete Williams (Woodwinds & Percussion). Bass clarinets, flutes, and esoteric percussion that sit alongside bass, guitar and drums are essential to The Sorcerers sound providing cinematic textures on top of a solid rhythmic foundation. The Sorcerers began working on the new album during the winter of 2018 and it was during the writing sessions for this album that the concept for the LP began to take shape. The name for the album was taken from the title of a National Geographic article read by Bassist Neil Innes and was used as the starting point for the entire concept. The library music scene of the 60s and 70s has always been an intrinsic part of the sound of ATA Records and so it made perfect sense to envisage the album as a soundtrack, given the cinematic quality of The Sorcerers music. Each track was written with a particular scene in mind and the music was then shaped in the studio to best reflect the essence of that scene. Drums, Bass and Percussion provide the solid foundation onto which Flutes, Bass Clarinets, Xylophones and Vibraphones add the atmospheric and melodic counterpoint, deftly weaving between one another to conjure up images of the unforgiving environment of the dense jungle, unknown eyes watching the protagonists of the imagined film as they make their way towards their ultimate goal, their pursuit by unseen assailants, the arcane mysticism of undiscovered cargo cultists and the ancient ruins of long passed civilisations.
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Label:ATA Records
Cat-No:ATA028
Release-Date:02.12.2022
Genre:Jazz
Configuration:LP
Barcode:5050580790902
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Release-Date:02.12.2022
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Barcode:5050580790902
1
Work Money Death - At Once Familiar
2
Work Money Death - Freedom as a Heartfelt Song
3
Work Money Death - Song of Healing
4
Work Money Death - Same as Before
Taking a short sabbatical from their journey into the spiritual stratosphere and beyond, Work Money Death landed on terra firma just long enough to record a follow up to the critically acclaimed "The Space In Which The Uncontrollable Unknown Resides Can Be The Place From Which Creation Arises". The new album "Thought, Action, Reaction, Interaction" explores many of the meditative motifs that mould this unique group in their quest for the perfect sound and space. Those who are familiar with Work Money Death will know their output is as much an adventure for the listener as it was for the musicians. "Thought, Action, Reaction, Interactions" is a salute to the now sadly deceased master of the spiritual sound Pharoah Sanders, and in particular the spontaneity of his recording process. Each of the four tracks on "Thought, Action, Reaction, Interaction" were recorded in one take with no rehearsal and while the players may have known where they were starting off none of them were sure where they would end. As much as it is entertainment, and have no doubt this LP is an unctuous, spirit-smoothing joy from beginning to end, this is an experiment of making music in the moment. Spontaneous and spiritual in its truest sense, "Thought, Action, Reaction, Interaction" is a work of innovation and unsurpassed beauty.
As with the previous Work, Money, Death release (which was recorded in difficult conditions due to the Covid pandemic) the aim was to recreate a situation, in this case the impromptu and unrehearsed recording sessions of Sanders in the late 60's and early 70's, everything recorded in one take, creating a body of work that is a strong nod to a certain time and ethos but not a pastiche of it.
““Sounds sublime””
Gilles Peterson — BBC6, WorldWideFM
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As with the previous Work, Money, Death release (which was recorded in difficult conditions due to the Covid pandemic) the aim was to recreate a situation, in this case the impromptu and unrehearsed recording sessions of Sanders in the late 60's and early 70's, everything recorded in one take, creating a body of work that is a strong nod to a certain time and ethos but not a pastiche of it.
““Sounds sublime””
Gilles Peterson — BBC6, WorldWideFM
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Label:ATA Records
Cat-No:ATA027
Release-Date:16.09.2022
Genre:Jazz
Configuration:LP
Barcode:5050580788619
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Last in:11.10.2022
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Label:ATA Records
Cat-No:ATA027
Release-Date:16.09.2022
Genre:Jazz
Configuration:LP
Barcode:5050580788619
1
Jake Mehew - Rainfall
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Jake Mehew - The Black Nation
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Jake Mehew - Sage
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Jake Mehew - The Key
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Jake Mehew - Freefall
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Jake Mehew - Say What Again!
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Jake Mehew - The Harvest
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Jake Mehew - Calm Storm
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Jake Mehew - Astral Coastline
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Jake Mehew - Alternate Manifestations
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Jake Mehew - Freeflow
Jake Mehew's debut album Sage is a modern and contemporary take on spiritual jazz, a truly exceptional record from the eclectic and highly talented Leeds' artist.Whilst staying within the ethos of spontaneous, unedited performance, Mehew constantly pushes and manipulates the genre's boundaries.The recognisable and lush sound of the Fender Rhodes, layered on a bed of punchy, percussive, grooves, provides the bedrock for powerful improvisations, running alongside Meyhew's subtle analogue synth manipulation and production. Sage was workshopped over one frantic lockdown week in August 2020. It's a truly honest experience of seven days of hard work, a multi tracked record, made without using overdub to capture the true energy of the performance.True to the spirit of albums made in a pre digital era Mehew set out to capture ideas, interaction and performance at their inception rather than post production. Jake Mehew is an up and coming composer, performer and producer based in Leeds, UK. His work combines principles of free improvisation with the technological considerations of the avant-garde. Using a combination of acoustic instruments, modular synthesisers and samplers Mehew creates rich, meditative soundscapes that envelop the listener in an immersive sound field.
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Label:ATA Records
Cat-No:ATArecords024
Release-Date:03.12.2021
Configuration:12"
Barcode:5050580769298
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Last in:30.06.2022
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Last in:30.06.2022
Label:ATA Records
Cat-No:ATArecords024
Release-Date:03.12.2021
Configuration:12"
Barcode:5050580769298
1
United Disco Organisation - Send the Rain (Vocal Mix)
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United Disco Organisation - Send the Rain (Instrumental)
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United Disco Organisation - Funky Thing (Vocal Mix)
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United Disco Organisation - Funky Thing (Instrumental)
ATA proudly presents it's first foray into the world of disco with "United Disco Organisation's"Send The Rain/Funky Thing dConceived by producer/bassist Neil Innes and guitarist/singer Chris Dawkins, United Disco Organisation present two sprawling dancefloor fillers reminiscent of the early underground disco explorations of philly soul and Joe Bataans Salsoul label. A-side "Send The Rain" features the sinuous flute of label-mate Tony Burkill before Chris Dawkins vocals takes centre stage, while the instrumental features an extended flute solo from Tony. Dawkin's guitar drives B-Side "Funky Thing" with Vibraphone bringing to mind Roy Ayers ubiquity's mid to late 70s disco tracks on the instrumental. Scheduled to be played on 27th November by Craig Charles on his flagship BBC6 Music show, these 2 tracks have already garnered a great deal of interest including from DJ/Producer Smoove of Smoove & Turrell.
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Label:ATA Records
Cat-No:ATALP023
Release-Date:09.07.2021
Genre:Soul/Funk
Configuration:LP
Barcode:5050580762923
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Last in:16.11.2021
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Label:ATA Records
Cat-No:ATALP023
Release-Date:09.07.2021
Genre:Soul/Funk
Configuration:LP
Barcode:5050580762923
1
ATA Records - The Glass Eye
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ATA Records - Mosey Rambler
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ATA Records - Windie Man
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ATA Records - Ice Cool
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ATA Records - Cleared for Launch
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ATA Records - Swamp Cat
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ATA Records - Fight or Fuzz
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ATA Records - Mysterious Manor
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ATA Records - Push and Go
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ATA Records - Sensed Presence
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ATA Records - The Actuator
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ATA Records - Going Galtactic
The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack works of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express ('Theme From The Watcher'). It only seemed natural for the team at ATA Records to scratch their own Library itch and so last year's "The Library Archive Vol. 1" was born. Recorded over a series of sessions in the Alladins cave of vintage recording equipment that is ATA studios, it featured many of the stalwart musicians from the label who can also be found recording with The Sorcerers, Work Money Death and The Lewis Express. Garnering praise from Library aficionado Shawn Lee("Holy F*$K this sounds great! ATA really smash the classic British Library sound. 10 out of 10") and the Don of British Library Music himsel fAlan Hawkshaw, "The Library Archive Vol. 1" was very well received and so a follow up was inevitable. Recorded during the Autumn of 2020, "The Library Archive Vol. 2" still has the golden age of European Library music squarely in it's sights, but this time the focus is drawn more to the wonky organ work of Italian quartet I Marc 4.
Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive Vol. 1', recorded on the same instruments and equipment and with the same techniques as the music that inspired it.
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Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive Vol. 1', recorded on the same instruments and equipment and with the same techniques as the music that inspired it.
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Label:Athens Of The North
Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
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Last in:01.11.2024
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Label:Athens Of The North
Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
1
Bô'vel - Check 4 U (Original)
2
Bô'vel - It's Not About Me
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Bô'vel - Best Thing
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Bô'vel - Knight In Shining Armour
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Bô'vel - Daydreamer
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Bô'vel - Coming Back
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Bô'vel - Goodbye Farewell
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Bô'vel - Life Changes You
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Bô'vel - Let Down And Liar
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Bô'vel - My Man
Every now and again, a record carves itself an indelible place in the history of a place, a scene or a genre, all under its own steam – without a big budget, without a press campaign, without mainstream radio, just by hitting all the right notes at the right moment. Maybe you had to have been there to really feel it – locked into the pirate stations, a regular at the right clubs, or leaning on the counter in the right records shops on a Saturday afternoon – but if you were, there are some tunes that will always vibrate with the underground cultural energy of their time. Bô'vel's 1996 Manchester streetsoul anthem 'Check 4 U' is one of those tunes. The kind of song that makes the over-used phrase 'underground classic' mean something again, it effortlessly distills the sounds of its era into one of the most undeniable, genre-spanning cuts of the mid-1990s. The song resonates with the regional flavours of UK sound-system culture: the sweet club sound of Manchester's vibrant streetsoul scene, the dubwise hip-hop throb of the Bristol movement, and the bass-lore of the reggae sound systems whose wisdom stretched from Leeds to South London and beyond. Built around a humid kick drum and a bin-busting bass pulse arranged in head-nodding syncopation, the song is blessed with an instantly memorable harmonised hook, and perfectly set off by Bô'vel's crystalline vocals. Upful, stepping and tinged with melancholy, it remains one of the most well-loved and highly sought-after UK streetsoul sides. The three mixes of 'Check 4 U' appeared as the a-side of a blank-label five-track 12". It was Bô'vel's second release, after a soulful five-track EP issued in 1995 on her own Bô'vel Records had been a surprise success. Produced by Kev Waddington, that initial record had come about almost by accident after a chance encounter in Manchester's HQ Studios, as Bô'vel recalls today: 'We were making these five tracks because we were having bit of an argument with radio not being able to play what they wanted, really, only what the record labels wanted… they never had anybody coming through properly, because everything was pretty much underground. We were making records, like really pop stuff, to take the piss… So in the studio one day, this guy came in – all I know is that his was name was Nigel. And he came in and said, I want to put that five-track EP out with you. We just don't know who the hell he was to this day, really. And he said, you've got to do it 50/50, it's going to be £1000. So I said okay – I just trusted him. I gave him 500 quid. He gave me 1000 records. He just dropped them at the studio. I picked them up and then I went into Manchester city centre and gave it to a couple of DJs on underground radio.' Pirate radio loved it. With play on stalwart Manchester pirates like Buzz FM and Soul Nation, the EP immediately blew up. Bô'vel took the record into Fat City Records, Manchester's premier outlet and distributor for soul, hip-hop and dance, who took a batch, quickly sold out and took several hundred more copies; it eventually transpired that a large quantity were selling to Japan, where the combination of soul smarts and classy production had been caught by discerning ears. Elsewhere, friends distributed the record by hand in London and Birmingham, working them through UK's then burgeoning network of independent dance music shops. The warm reception the record received encouraged Bo'vel to return to the studio for sessions that would become 'Check 4 U'. The EP had been issued under a Bô'vel Records imprint, but she had sold it to Fat City without disclosing that she was the artist – 'I said, "There's this singer, she's great, she's done this cheesy stuff, try it, it's a bit Kylie Minogue". He said "oh, give us 300", and then he had some more.' For the next release, she decided to keep things completely minimal. 'The next one, I said, right, let's just put it out as a white label, and if people like it they like it, they don't have to see who we are or anything.' Though punitive legislation and overexposure had tamed rave culture, and the inflated status of superstar DJs had pushed once underground scenes fully into the mainstream, dance music culture in mid-1990s Britain still retained a certain feral energy. There was still a groundswell of vital local scenes and rapidly changing musical styles, and – combined with local record shops – clubs and pirate radio were still the chief arbiters of influence. 'In the 90s, pirate radio just played the best music. I mean, you couldn't really get music like that anywhere. The same as you couldn't get music like that [being played] in the Reno, which was very different,' remembers Bô'vel, referring to the legendary Moss Side soul club, an underground institution from 1962 until its closure in 1986. 'That's where music really started for me, going to clubs like the Reno at the age 15, 16, 17, and going to places like the Nile [upstairs from the Reno], which was all reggae, you know – that's really where the beats came for me.' The production on the new record would reflect these influences more than the EP had been able too. 'I liked a big bassline,' the singer reflects. 'There's a big bassline there on the five-track EP, 'I Can't Get By', which is a really, really good song, but they just could not get the bass – I was so gutted when that came back…if they'd have shown us the master we'd have said no.' These problems were to be avoided on 'Check 4 U' by the involvement of producer Uriah Gale. 'We already had the tune, and Uriah came on board, and I said, it's just not soulful enough. I was working with Kev Waddington, and he said "I just can't do it." So when Uriah came along, the bass was there, but he tidied it all up and made it really cool, and he was tremendous on the harmony,' she recalls. 'Out of all the mixes, his was the best. He was incredible to work with, and also incredibly talented. With alternate mixes of 'Life Changes You' from the 1995 EP as the b-side, 'Check 4 U' was issued with blank blue labels and sent out with a DJ one-sheet describing Bô'vel as 'Manchester's favourite soul Diva'. 2000 copies were pressed, and the record was distributed by Jetstar. It quickly became another pirate radio hit. 'Soul Nation and Buzz FM did support me from the very start [along with] every single DJ on Manchester radio,' she recalls, 'They're my biggest fans, the DJs here, I've got to big them up!' Manchester's support was mirrored by pirates around the UK. 'We had the support of radios across the country – I just could not believe it. So we went on a tour… We would go to the pirate stations, do an interview, then do a gig – that's how the gigging came about… gigging in Birmingham, Huddersfield, Liverpool, London – I've got so much respect for the pirate radios down there. They were brilliant… We used to take all my stuff straight to London,' she remembers. 'Each radio was doing pretty much the same thing, in their own style, with their own beats. Like, when I went down to Bristol, I showed them the EP and 'I Check 4 U' and they said, hey girl, you've got the Bristol beat!' But her core audience was at home in Manchester. 'London did support me a lot, but not like my home town – they loved me as I love them… Manchester supported me through and through, to this very day,' she remembers. Performing in mid-1990s Manchester was not always straightforward, though: 'In Manchester, it was kind of hard to do gigs, because there was a bit of gang warfare. So, you know, that was a problem. You'd be doing a gig and they'd all be there in their [bulletproof] vests, you know, Cheetham Hill and Moss Side, and it was a bit of a nightmare. And because I was more Manchester side, even though I went to school in Cheetham Hill, I was with a guy from Moss Side. So it was pretty hard gigging in Manchester, I had a bit of a hard time.' Nevertheless, 'my gigs were packed to the rafters…I wasn't scared because I knew I had protection. The gigs were fantastic, here in Manchester and everywhere, and I'm glad and very grateful to be able to say that.' A further single followed – the garage-flavoured 'Earthling', made with producer Ben Stansfield – but this would be her final release. 'My life changed,' she remembers. 'I had a split… I was just bringing my daughter up. I used to live in the countryside, and I was having a bit of a different life… I just spent a lot of time writing when I split up – I couldn't sing, it was like my voice wouldn't work. I was just thinking all the time, and not speaking. So I was just speaking through my music… I just became a writer, and I was more looking for other people to sing the [songs], you know? Because there's a lot of talent here in Manchester.' However, she retained access to a studio, and over time she began to record again, working with various producers and amassing a large amount of material. It is this unreleased material that we collect on Life Changes – nine unheard Bô'vel songs from the period 1997-2008(dates?), selected from her own archive. Until now, none of this unreleased work has been heard. Not an artist to be constrained by genre, the music showcases Bô'vel's exploration of a wide range of styles, from the dubbed-out downtempo of 'My Man' or 'I Wanna Be Free' to the updated streetsoul of 'Let Down And Liar', via the breakbeat hype of 'Do It Your Way' and the straight-ahead reggae vibe of 'Daydreamer'. This unreleased music is presented alongside the unfadeable 'I Check 4 U' and two classic streetsoul cuts from her 1995 EP, 'Life Changes You' and 'Coming Back'. The common denominator across the album is of course Bô'vel herself: a singer of rare timbral clarity whose musical vision has determined the sound of every record she has made, a prolific and personal song-writer in the UK soul tradition, and the artist behind one of the most celebrated underground soul tunes of the pirate radio era. Still most definitely someone to check for.
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Last in:12.11.2024
Label:Gu Edits
Cat-No:GUEDITS001-002
Release-Date:23.02.2024
Genre:House
Configuration:2LP
Barcode:
1
Glenn Underground - A. Amp Fiddler - Mornin' (GU Nostalgic Forever Mix)
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Glenn Underground - B. Raul Midon - Sunshine (GU Rewerk)
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Glenn Underground - C. Mos Def - Lifetime (GU Retro Mix)
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Glenn Underground - D. Incognito - I Can See the Future (GU ReEdit)
Both out of print GU EDITS 12" singles unavailable for years (since 2018) now repressed together on blue colored vinyl. GLENN's killer remixes of AMP FIDDLER's "MORNIN" b/w RAUL MIDON's "SUNSHINE" and MOS DEF's "LIFETIME" b/w INCOGNITO's "I CAN SEE THE FUTURE". Limited stickered white labels
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Label:Pariter
Cat-No:PRTR28
Release-Date:02.02.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:15.02.2024
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Label:Pariter
Cat-No:PRTR28
Release-Date:02.02.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
XDB - Cagomi (Delano Smith Remix)
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XDB - Cagomi (Reshape)
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XDB - Fenders
Göttingen's finest XDB is proving once again that he's not just an incredible DJ and vinyl collector but also a great, forward thinking producer. The original version of Cagomi was first introduced on XDB's Metrolux Music back in 2009 and here is getting a new reshape and an exciting remix by Detroit living legend - Delano Smith!
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Last in:27.06.2024
Label:Philophon
Cat-No:PH45033
Release-Date:08.03.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580817319
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Jimi Tenor - My Mind
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Jimi Tenor - My Mind (Single Version)
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Jimi Tenor - Love Is The Language
Jimi Tenor's new single on Philophon was created at the label's own Joy Sound Studios in Kumasi/Ghana. Here he encountered the lively music scene that the city, once the birthplace of highlife, has to offer.
With the title track My Mind, Jimi brings one of his classics from the 90s to new life. It goes without saying that he takes the highlife beat as his basis here.
With Love Is The Language he has created another hymn to the mystery of love, the exploration of which runs like a common thread through his now extensive work.
On both pieces he is accompanied by the ten-man Rubato Chorus. The result is two epic pieces that are consistent with Jimi's work. More
With the title track My Mind, Jimi brings one of his classics from the 90s to new life. It goes without saying that he takes the highlife beat as his basis here.
With Love Is The Language he has created another hymn to the mystery of love, the exploration of which runs like a common thread through his now extensive work.
On both pieces he is accompanied by the ten-man Rubato Chorus. The result is two epic pieces that are consistent with Jimi's work. More
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Last in:12.11.2024
Label:Defected
Cat-No:DFTD681
Release-Date:15.03.2024
Genre:House
Configuration:12"
Barcode:826194633370
1
Butch & Nic Fanciulli - - I Want You
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Hannah Wants ft. Ara - - The One
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Archie Hamilton ft. HQA - - Let The Light In
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Ferreck Dawn ft. Jena - - Better
The eighteenth edition of Defected’s vinyl series continues to commit the label’s biggest digital releases to wax, delivering some of the best house music previously unavailable in this format. EP18 collates four impeccable releases in one tidy package, celebrating the modern-day titans of the industry. Kicking off the A-Side, Butch & Nic Fanciulli’s early summer release ‘I Want You’ lifts the mood with its arresting groove and looped rhythms; the revered producers secured primetime radio and club play well into 2023, with many labelling it the tune of summer. Next up, Hannah Wants continues her streak of Defected successes with the dancefloor-ready earworm, ‘The One’, featuring West London singer/songwriter ARA. On the B-Side, British house favourite Archie Hamilton explores classic vocal house influences on ‘Let The Light In’ featuring Mancunian vocalist HQA. Closing out the vinyl collection is Dutch powerhouse Ferreck Dawn with ‘Better’, a record that saw heavy club play thanks to infectious vocals from American vocalist Jena.
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Label:Blue Crystal Records
Cat-No:BCRLP05
Release-Date:15.03.2024
Configuration:LP
Barcode:5050580814271
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Last in:15.03.2024
Label:Blue Crystal Records
Cat-No:BCRLP05
Release-Date:15.03.2024
Configuration:LP
Barcode:5050580814271
1
Greg Foat - Pool Side Part 1 (Live)
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Greg Foat - Pool Side Part 2 (Live)
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Greg Foat - Pool Side Part 3 (Live)
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Greg Foat - Pool Side Part 4 (Live)
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Greg Foat - Dining Table Grooves (Live)
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Greg Foat - Sunset Part 1 (Live)
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Greg Foat - Sunset Part 2 (Live)
Special Poolside Analogue Synth and drum machine session recorded live in Ibiza. File under: LIVE COSMIC BALEARIC JAZZ SYNTH TRIO
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12"
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Label:DET 313
Cat-No:DET313E
Release-Date:10.01.2024
Genre:Detroit Techno
Configuration:12"
Barcode:
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Last in:15.02.2024
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Label:DET 313
Cat-No:DET313E
Release-Date:10.01.2024
Genre:Detroit Techno
Configuration:12"
Barcode:
1
Gigi Galaxy - Interview With An Alien
2
Gigi Galaxy - Interview With An Alien (Delano Smith Remix)
A hard to find sci-fi Detroit techno classic - it's featured everywhere from Marcel Dettmann to Zip's SW sets.- gets a timely reissue complete with a new, super solid Delano Smith remix. It's hard not to love the original in all its futuristic glory, led by a sturdy four-to-the-floor pummelling but boasting a throbbing neo-disco bassline - imagine a lost Gorgio Moroder classic being remade by Jeff Mills in PurposeMaker mode. But the Delano Smith remix updates it for modern palates, ironically by delving back even further, to the early 70s model Kraftwerk from whom he borrows some very austere but classy synth sounds and a touch of electro syncopation. Take your pick according to mood, they both do the job admirably.
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Last in:01.03.2024
Label:defected
Cat-No:DFTD580
Release-Date:04.07.2019
Genre:Deephouse
Configuration:12"
Barcode:
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v.a. - No Title
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v.a. - No Title
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v.a. - No Title
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v.a. - No Title
The fifth edition of Defected’s vinyl series commits the labels biggest digital releases to wax, delivering upfront packages of house heat previously unavailable on vinyl. This springtime release delivers all the summer stompers you need on your sound system, with the A-Side featuring Ferreck Dawn, Robosonic & Nikki Ambers’ ‘In My Arms’ and Mat.Joe & Kid Enigma’s ‘Get Loose’; two sure-fire party starters. On the flip are two tracks from man of the moment OFFAIAH. First up is his collaboration with vocalist Cat Connors ‘Somewhere Special’, where the Las Vegas based artist delivers a deep, rolling bassline and tension-building drops. Up next is his 2018 smash ‘Push Pull’, another record ready to set the club alight this summer and beyond.
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Label:Jalapeno Records
Cat-No:JAL418V
Release-Date:08.03.2024
Genre:Funk
Configuration:LP
Barcode:5050580818576
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Label:Jalapeno Records
Cat-No:JAL418V
Release-Date:08.03.2024
Genre:Funk
Configuration:LP
Barcode:5050580818576
1
Skeewiff - Misirlou
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Skeewiff - Exclusive Blend
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Skeewiff - These Boots Are Made For Walking
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Skeewiff - Soul Bossanova
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Skeewiff - Spanish Flea
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Skeewiff - Mah Na Mah Na
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Skeewiff - Sway
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Skeewiff - Wack Wack
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Skeewiff - Amen Brother
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Skeewiff - The Cat
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Skeewiff - Coming Home Baby
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Skeewiff - Yakety Sax
Skeewiff are masters of turning all-time classics into unique modern reworks. Having gained recognition for the quality and style of their work from fans aplenty worldwide, they celebrate 25 years in the game with a LP loaded with 12 joyful interpretations, featuring well know jazz melodies, intricate big band instrumentation, classic riffs and infectious grooves. This limited LP comes on transparent violet coloured vinyl. Irresistible!
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Label:Freestyle Records
Cat-No:FSR127
Release-Date:08.03.2024
Configuration:12"
Barcode:5050580799417
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Last in:15.03.2024
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Last in:15.03.2024
Label:Freestyle Records
Cat-No:FSR127
Release-Date:08.03.2024
Configuration:12"
Barcode:5050580799417
1
Purely Fizzycal - Make A Move
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Purely Fizzycal - Make A Move (Instrumental)
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Purely Fizzycal - Bedroom Eyes
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Purely Fizzycal - Sunday Affair
Freestyle comes correct again with a killer slice of 1987 UK Street Soul from Purely Fizzycal, originally issued on the duo's own Pure Impact Productions label.
North Londoner Trish Langley met South Londoner Ash Kamat initially in the the mid 1980s on Tin Pan Alley, while Ash was working at Rod Argent's keyboard shop and running UK soul-focussed zine Soul Trade, and the quickly began working together. Handling the programming and production, Ash says his inspiration came from a mixture of London pirate radio sounds and the US-based sounds of Kashief, Jimmy Jam & Terry Lewis etc. While Trisha's vocals and melodies were influenced by growing up listening to her parents reggae records, plus her brother's taste for the likes of Brothers Johnson, Maze, Isley Brothers, and a little lovers rock such as Janet Kay - which, together with Ash's raw drum machine sounds, bears all the hallmarks for this uniquely UK take on soul.credits More
North Londoner Trish Langley met South Londoner Ash Kamat initially in the the mid 1980s on Tin Pan Alley, while Ash was working at Rod Argent's keyboard shop and running UK soul-focussed zine Soul Trade, and the quickly began working together. Handling the programming and production, Ash says his inspiration came from a mixture of London pirate radio sounds and the US-based sounds of Kashief, Jimmy Jam & Terry Lewis etc. While Trisha's vocals and melodies were influenced by growing up listening to her parents reggae records, plus her brother's taste for the likes of Brothers Johnson, Maze, Isley Brothers, and a little lovers rock such as Janet Kay - which, together with Ash's raw drum machine sounds, bears all the hallmarks for this uniquely UK take on soul.credits More
Label:Record Kicks
Cat-No:RK45103
Release-Date:08.03.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580818316
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Last in:07.05.2024
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Last in:07.05.2024
Label:Record Kicks
Cat-No:RK45103
Release-Date:08.03.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580818316
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The Diasonic - Beggin'
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The Diasonic - Take One
Produced by Henry Jenkins (Surprised Chef), cinematic funk combo The Diasonics are back with a limited edition 45 feat. an explosive version of soul stormer "Beggin'. Limited to 500 copies worldwide.
Produced and mixed by Henry Jenkins (Surprised Chef), Russian cinematic funk combo The Diasonics unleash a limited edition 45 featuring an explosive version of soul classic "Beggin'. Composed by Bob Gaudio and Peggy Farina and initially brought to success by the Four Seasons of Frankie Valli in 1967, "Beggin" became a classic of the Northern soul scene in the United Kingdom in the late 1970s. With a tight rhythm section, a super funky bassline and heavy wah-wah guitars The Diasonics version is an instant floorfiller. On the flip side the brand new track "Take One", an irresistible hammond-funk mover, full of heavy breaks and eastern spices.
Active since 2019 The Diasonics are five young and seriously talented Muscovite musicians: Anton Moskvin (drums), Maxim Brusov (bass guitar), Anton Katyrin (percussions), Daniil Lutsenko (electric guitar) and Kamil Gzizov (keyboards). In just a few years the band has amassed a cult following, releasing collectable and in-demand 45s on labels such as Funk Night Records and Mocambo Records. In 2021 they released their debut album "Origin of Forms" on Record Kicks produced by Henry Jenkins, producer amongst the others of the Australian cult instrumental band Surprise Chef. Thanks to the Diasonics's unique style that blends infectious Funk Instrumentals, East European flavours, abstract hip-hop and psychedelia, the album rapidly went sold out on vinyl and it's heavily praised on the international cinematic-funk scene. More
Produced and mixed by Henry Jenkins (Surprised Chef), Russian cinematic funk combo The Diasonics unleash a limited edition 45 featuring an explosive version of soul classic "Beggin'. Composed by Bob Gaudio and Peggy Farina and initially brought to success by the Four Seasons of Frankie Valli in 1967, "Beggin" became a classic of the Northern soul scene in the United Kingdom in the late 1970s. With a tight rhythm section, a super funky bassline and heavy wah-wah guitars The Diasonics version is an instant floorfiller. On the flip side the brand new track "Take One", an irresistible hammond-funk mover, full of heavy breaks and eastern spices.
Active since 2019 The Diasonics are five young and seriously talented Muscovite musicians: Anton Moskvin (drums), Maxim Brusov (bass guitar), Anton Katyrin (percussions), Daniil Lutsenko (electric guitar) and Kamil Gzizov (keyboards). In just a few years the band has amassed a cult following, releasing collectable and in-demand 45s on labels such as Funk Night Records and Mocambo Records. In 2021 they released their debut album "Origin of Forms" on Record Kicks produced by Henry Jenkins, producer amongst the others of the Australian cult instrumental band Surprise Chef. Thanks to the Diasonics's unique style that blends infectious Funk Instrumentals, East European flavours, abstract hip-hop and psychedelia, the album rapidly went sold out on vinyl and it's heavily praised on the international cinematic-funk scene. More
3LP Excl
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Label:Bondage-Music
Cat-No:bond12062
Release-Date:10.12.2021
Genre:techhouse
Configuration:3LP Excl
Barcode:4251804122306
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Last in:28.01.2022
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Last in:28.01.2022
Label:Bondage-Music
Cat-No:bond12062
Release-Date:10.12.2021
Genre:techhouse
Configuration:3LP Excl
Barcode:4251804122306
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Sascha Dive - A1 Whispering Voices
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Sascha Dive - A2 This Is My Journey
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Sascha Dive - B1 My Life
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Sascha Dive - B2 In The Darkness (Feat. Messy Mc)
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Sascha Dive - C1 Time Waits For No Man (Feat. Robert Owens) (Vinyl Only)
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Sascha Dive - C2 A Silver Lining On The Horizon (Vinyl Only)
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Sascha Dive - D1 Interview With An Alien (Vinyl Only)
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Sascha Dive - D2 Moonwalker (Vinyl Only)
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Sascha Dive - E1 Lets Get It On
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Sascha Dive - E2 Dreaming Of Es Vedra
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Sascha Dive - F1 Tell Me When (Feat. Voe)
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Sascha Dive - F2 Back 2 Life
Special remarks: 4 VINYL ONLY TRACKS // PRINTED GATEFOLD SLEEVE // CELLOPHANE WRAPPED
Tracklist 3x12”:
A1 Whispering Voices
A2 This Is My Journey
B1 My Life
B2 In The Darkness (Feat. Messy Mc)
C1 Time Waits For No Man (Feat. Robert Owens) (Vinyl Only)
C2 A Silver Lining On The Horizon (Vinyl Only)
D1 Interview With An Alien (Vinyl Only)
D2 Moonwalker (Vinyl Only)
E1 Lets Get It On
E2 Dreaming Of Es Vedra
F1 Tell Me When (Feat. Voe)
F2 Back 2 Life
Release Info:
Sascha Dive delivers his latest album ‘Back 2 Life’ this December, marking Bondage Music’s 15th anniversary.
Frankfurt-based talent Sascha Dive has a long and esteemed history within house music, releasing material via 8Bit, Raum-Musik and Kwench alongside his own Deep Vibes Recordings, while featuring in Cocoon Recordings, long-standing, ‘In The Mix’ series and gaining support from label boss Sven Väth alongside the likes of Guy Gerber, Maya Jane Coles and Laurent Garnier. He now returns to Bondage Music to mark the imprints’ 15th anniversary with fifteen essential house cuts across his ‘Back 2 Life’ LP - delivering the label’s second ever album in the process.
“These tracks mirror what I have experienced in the last 15 years. Each one has its own story – of pain, emotion, learning, curiosity – the need to find and create new sounds, new beats and this is what continues to drive me to look further, further and further…." - Sascha Dive
“2006-2021: 15 years of Bondage Music is about harnessing those great moments and spiritual experiences from the Dancefloor. The vision of Bondage Music is to bring authentic, quality and honest dance music to those in the know. Music which makes you move touches the heart and brings you to a deeper place in your soul.” - Sven C. & Sven G., Bondage-Music
Dive opens up with the luxurious ‘Whispering Voices’ and ‘This Is My Journey’, two tracks fueled by twinged vocals, glimmering motifs, and dubby chords. The temperature rises on ‘My Life’, before the acidic ripples and spoken words of Messy MC on ‘In The Darkness’ unveils a subliminal slice of electronica.
‘Time Waits For No Man’ sees a standout collaboration alongside the iconic Robert Owens, while resonant kicks and evolving melodies can be found on ‘A Silver Lining on The Horizon’.
The second half unveils further entrancing productions such as ‘Interview With An Alien’, as progressing effects wrap around minimalist-style programming, while ‘Moonwalker’ and ‘Let’s Get It On’ lean towards deep house territories, alongside the up-beat and sun-drenched reverberations of ‘Dreaming Es Verda’ and ‘Tell Me When’.
A vibrant, dynamic and imbued collection of tracks, ‘Back 2 Life’ delivers a far-reaching album showcasing an essential milestone for both Dive and Bondage-Music while celebrating a long-standing partnership in style.
Sascha Dive ‘Back 2 Life’ drops via Bondage-Music on 13th December
More
Tracklist 3x12”:
A1 Whispering Voices
A2 This Is My Journey
B1 My Life
B2 In The Darkness (Feat. Messy Mc)
C1 Time Waits For No Man (Feat. Robert Owens) (Vinyl Only)
C2 A Silver Lining On The Horizon (Vinyl Only)
D1 Interview With An Alien (Vinyl Only)
D2 Moonwalker (Vinyl Only)
E1 Lets Get It On
E2 Dreaming Of Es Vedra
F1 Tell Me When (Feat. Voe)
F2 Back 2 Life
Release Info:
Sascha Dive delivers his latest album ‘Back 2 Life’ this December, marking Bondage Music’s 15th anniversary.
Frankfurt-based talent Sascha Dive has a long and esteemed history within house music, releasing material via 8Bit, Raum-Musik and Kwench alongside his own Deep Vibes Recordings, while featuring in Cocoon Recordings, long-standing, ‘In The Mix’ series and gaining support from label boss Sven Väth alongside the likes of Guy Gerber, Maya Jane Coles and Laurent Garnier. He now returns to Bondage Music to mark the imprints’ 15th anniversary with fifteen essential house cuts across his ‘Back 2 Life’ LP - delivering the label’s second ever album in the process.
“These tracks mirror what I have experienced in the last 15 years. Each one has its own story – of pain, emotion, learning, curiosity – the need to find and create new sounds, new beats and this is what continues to drive me to look further, further and further…." - Sascha Dive
“2006-2021: 15 years of Bondage Music is about harnessing those great moments and spiritual experiences from the Dancefloor. The vision of Bondage Music is to bring authentic, quality and honest dance music to those in the know. Music which makes you move touches the heart and brings you to a deeper place in your soul.” - Sven C. & Sven G., Bondage-Music
Dive opens up with the luxurious ‘Whispering Voices’ and ‘This Is My Journey’, two tracks fueled by twinged vocals, glimmering motifs, and dubby chords. The temperature rises on ‘My Life’, before the acidic ripples and spoken words of Messy MC on ‘In The Darkness’ unveils a subliminal slice of electronica.
‘Time Waits For No Man’ sees a standout collaboration alongside the iconic Robert Owens, while resonant kicks and evolving melodies can be found on ‘A Silver Lining on The Horizon’.
The second half unveils further entrancing productions such as ‘Interview With An Alien’, as progressing effects wrap around minimalist-style programming, while ‘Moonwalker’ and ‘Let’s Get It On’ lean towards deep house territories, alongside the up-beat and sun-drenched reverberations of ‘Dreaming Es Verda’ and ‘Tell Me When’.
A vibrant, dynamic and imbued collection of tracks, ‘Back 2 Life’ delivers a far-reaching album showcasing an essential milestone for both Dive and Bondage-Music while celebrating a long-standing partnership in style.
Sascha Dive ‘Back 2 Life’ drops via Bondage-Music on 13th December
More