12"
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Cat-No:RAMM014REP2
Release-Date:02.02.2024
Genre:Drum + Bass
Configuration:12"
Barcode:5051142067876
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Cat-No:RAMM014REP2
Release-Date:02.02.2024
Genre:Drum + Bass
Configuration:12"
Barcode:5051142067876
1
Origin Unknown - Truly One VIP’
2
Origin Unknown - Mission Control VIP
12" vinyl, 3mm spine sleeve, inner black bag, 180Gsm
* Following on from the success of the 'Ram Reloaded' repress vinyl series, we are pleased to announce our next project in collaboration with Ram Records. As part of Ram Records' 30th anniversary, we have put together a series of new remixes and VIP's of some of the labels biggest releases from the early 90's.
* For their follow up to the anthemic 'Valley of the Shadows' two years earlier, Ant Miles and Andy C went back in the studio under their guise 'Origin Unknown'. Firmly under the Jungle style of attack, Ant pushed the envelope and broke the mould on bass sounds, creating the first detuned wobble oscillating sine bassline. With the famous vocal from President Nixon on the moon landing, 'For one priceless moment, all the people on this Earth are truly one', this track is one of the most cherished and globally appreciated tracks on the Ram roster to this day backed with the haunting roller vibe of 'Mission Control'. Ant Miles returns to deliver two brand new VIP's for 2024 which continue the Junglist vibe of both original mixes.
More
* Following on from the success of the 'Ram Reloaded' repress vinyl series, we are pleased to announce our next project in collaboration with Ram Records. As part of Ram Records' 30th anniversary, we have put together a series of new remixes and VIP's of some of the labels biggest releases from the early 90's.
* For their follow up to the anthemic 'Valley of the Shadows' two years earlier, Ant Miles and Andy C went back in the studio under their guise 'Origin Unknown'. Firmly under the Jungle style of attack, Ant pushed the envelope and broke the mould on bass sounds, creating the first detuned wobble oscillating sine bassline. With the famous vocal from President Nixon on the moon landing, 'For one priceless moment, all the people on this Earth are truly one', this track is one of the most cherished and globally appreciated tracks on the Ram roster to this day backed with the haunting roller vibe of 'Mission Control'. Ant Miles returns to deliver two brand new VIP's for 2024 which continue the Junglist vibe of both original mixes.
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12"
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Cat-No:RAMM004EP2Y
Release-Date:01.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:5051142067166
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Cat-No:RAMM004EP2Y
Release-Date:01.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:5051142067166
* Celebrating the 30th anniversary of the seminal 'Valley of the Shadows', this special edition run is presented on 180g yellow vinyl.
* In 1993, Andy C & Ant Miles set out about creating a fourth release for the newly established Ram Records, now just a year old. With Hardcore still prominent in the clubs around the world, The Touch features rollercoaster bass swoops against energetic breaks flowing around the main sung vocal "c'mon and touch me".
An early sign of the precision arrangements that became synonymous of Ram's early sound that followed over for many years. Whilst going through the remaining samples in the sampler that had not been used on the A side, the pair suddenly went on a tangent with one of the drum breaks.
Experimenting with the new time stretch function in the Akai sampler, they soon had a shuffle groove layered and moving. With Ant Miles' sculpted and edited arpeggio bell line sample, a new overall sound and vibe was beginning to emerge out of their studio Atari ST computer.
Utilising an original organic analogue string pad, the haunting sinister vibe became complete. With the vocal from the BBC QED documentary 'Glimpses of Death' - "I felt, like I was in a long dark tunnel" all that remained was one of the most memorable pounding bass lines to sit underneath it all.
The result was an instant impact on the scene, heralded as one of the first anthems of the Jungle genre. Multi award winning and the track that cemented Andy & Ant and their label Ram Records within the scene.
More
* In 1993, Andy C & Ant Miles set out about creating a fourth release for the newly established Ram Records, now just a year old. With Hardcore still prominent in the clubs around the world, The Touch features rollercoaster bass swoops against energetic breaks flowing around the main sung vocal "c'mon and touch me".
An early sign of the precision arrangements that became synonymous of Ram's early sound that followed over for many years. Whilst going through the remaining samples in the sampler that had not been used on the A side, the pair suddenly went on a tangent with one of the drum breaks.
Experimenting with the new time stretch function in the Akai sampler, they soon had a shuffle groove layered and moving. With Ant Miles' sculpted and edited arpeggio bell line sample, a new overall sound and vibe was beginning to emerge out of their studio Atari ST computer.
Utilising an original organic analogue string pad, the haunting sinister vibe became complete. With the vocal from the BBC QED documentary 'Glimpses of Death' - "I felt, like I was in a long dark tunnel" all that remained was one of the most memorable pounding bass lines to sit underneath it all.
The result was an instant impact on the scene, heralded as one of the first anthems of the Jungle genre. Multi award winning and the track that cemented Andy & Ant and their label Ram Records within the scene.
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12"
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Cat-No:RAMM004EP2
Release-Date:24.09.2021
Genre:Drum + Bass
Configuration:12"
Barcode:
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Last in:07.06.2022
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Cat-No:RAMM004EP2
Release-Date:24.09.2021
Genre:Drum + Bass
Configuration:12"
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1
Origin Unknown - No Title
2
Origin Unknown - No Title
3
Origin Unknown - No Title
4
Origin Unknown - No Title
Following on from the success of our 'Liftin Spirit Reloaded' vinyl series, we are pleased to announce our next project in collaboration with Ram Records. 'Ram Reloaded' will be a series of limited 12" vinyl from Ram's early years, re-mastered from the original DATs and presented onto our usual, high quality, heavy weight vinyl.
In 1993, Andy C & Ant Miles set out about creating a fourth release for the newly established Ram Records, now just a year old. With Hardcore still prominent in the clubs around the world, The Touch features rollercoaster bass swoops against energetic breaks flowing around the main sung vocal "c'mon and touch me". An early sign of the precision arrangements that became synonymous of Ram's early sound that followed over for many years. Whilst going through the remaining samples in the sampler that had not been used on the A side, the pair suddenly went on a tangent with one of the drum breaks. Experimenting with the new timestretch function in the Akai sampler, they soon had a shuffle groove layered and moving. With Ant Miles' sculpted and edited arpeggio bell line sample, a new overall sound and vibe was beginning to emerge out of their studio Atari ST computer. Utilising an original organic analogue string pad, the haunting sinister vibe became complete. With the vocal from the BBC QED documentary 'Glimpses of Death' - "I felt, like I was in a long dark tunnel" all that remained was one of the most memorable pounding bass lines to sit underneath it all. The result was an instant impact on the scene, heralded as one of the first anthems of the Jungle genre. Multi award-winning and the track that cemented Andy & Ant and their label Ram Records within the scene.
Promotion across chosen internet websites and Hardcore/Jungle 12" vinyl communities.
More
In 1993, Andy C & Ant Miles set out about creating a fourth release for the newly established Ram Records, now just a year old. With Hardcore still prominent in the clubs around the world, The Touch features rollercoaster bass swoops against energetic breaks flowing around the main sung vocal "c'mon and touch me". An early sign of the precision arrangements that became synonymous of Ram's early sound that followed over for many years. Whilst going through the remaining samples in the sampler that had not been used on the A side, the pair suddenly went on a tangent with one of the drum breaks. Experimenting with the new timestretch function in the Akai sampler, they soon had a shuffle groove layered and moving. With Ant Miles' sculpted and edited arpeggio bell line sample, a new overall sound and vibe was beginning to emerge out of their studio Atari ST computer. Utilising an original organic analogue string pad, the haunting sinister vibe became complete. With the vocal from the BBC QED documentary 'Glimpses of Death' - "I felt, like I was in a long dark tunnel" all that remained was one of the most memorable pounding bass lines to sit underneath it all. The result was an instant impact on the scene, heralded as one of the first anthems of the Jungle genre. Multi award-winning and the track that cemented Andy & Ant and their label Ram Records within the scene.
Promotion across chosen internet websites and Hardcore/Jungle 12" vinyl communities.
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More records from Liftin Spirit Records/ Ram Records
12"
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Cat-No:RAMM010REP2
Release-Date:02.02.2024
Genre:Drum + Bass
Configuration:12"
Barcode:5051142067869
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Last in:27.02.2024
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Cat-No:RAMM010REP2
Release-Date:02.02.2024
Genre:Drum + Bass
Configuration:12"
Barcode:5051142067869
1
Shimon - The Predator VIP
2
Shimon - Within Reason VIP
12" vinyl, 3mm spine sleeve, inner black bag, 180Gsm
* Following on from the success of the 'Ram Reloaded' repress vinyl series, we are pleased to announce our next project in collaboration with Ram Records. As part of Ram Records' 30th anniversary, we have put together a series of new remixes and VIP's of some of the labels biggest releases from the early 90's.
* In 1994, Shimon made his first appearance in the Ram studio to create two tracks alongside Ant Miles. With additional production from Andy C and the vocal sampled from the film 'The Predator', Shimon's debut track soon fell into place. Highlighting the usual precision tooled breaks, synonymous with the emerging Ram style, Ant Miles's reversed bass line and stereo oscillating effects had an immediate impact on dancefloors throughout the UK. Ant Miles returns to deliver two brand new VIP's for 2024 which continue the Junglist vibe of both original mixes.
More
* Following on from the success of the 'Ram Reloaded' repress vinyl series, we are pleased to announce our next project in collaboration with Ram Records. As part of Ram Records' 30th anniversary, we have put together a series of new remixes and VIP's of some of the labels biggest releases from the early 90's.
* In 1994, Shimon made his first appearance in the Ram studio to create two tracks alongside Ant Miles. With additional production from Andy C and the vocal sampled from the film 'The Predator', Shimon's debut track soon fell into place. Highlighting the usual precision tooled breaks, synonymous with the emerging Ram style, Ant Miles's reversed bass line and stereo oscillating effects had an immediate impact on dancefloors throughout the UK. Ant Miles returns to deliver two brand new VIP's for 2024 which continue the Junglist vibe of both original mixes.
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12"
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Cat-No:RAMM009REP2
Release-Date:24.11.2023
Genre:Drum + Bass
Configuration:12"
Barcode:5051142067609
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Last in:16.01.2024
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Cat-No:RAMM009REP2
Release-Date:24.11.2023
Genre:Drum + Bass
Configuration:12"
Barcode:5051142067609
1
Flatliner - The Big Bang (New Decade Remix)
2
Flatliner - No Boundaries (Ant Miles Remix)
12" vinyl, 3mm spine sleeve, inner black bag, 180Gsm
Following on from the success of the 'Ram Reloaded' repress vinyl series, we are pleased to announce our next project in collaboration with Ram Records. As part of Ram Records' 30th anniversary, we have put together a series of new remixes and VIP's of some of the labels biggest releases from the early 90's.
In 1994, Ant invited Flatliner over to the studio being one of many local DJ's that orbited the Ram HQ in Hornchurch. In just a day, the pair created one of the most celebrated tear ups on the label so far in the form of 'The Big Bang'. The track broke the mould of what had come before, with dual oscillating detuned sine basses and heavily time-stretched Amen chops.
Out of Romford Records duo 'New Decade' provide a fresh remix for 2023, keeping the original 90's vibe that delivers devastating basslines, extended breakdowns and more time stretched amen. Ant Miles gives a fresh take on 'No Boundaries' taking elements of the original and morphing them into an outright slammer. Encapturing the hypnotic atmospheric pads and drones from the original, the result has taken the '94 version to the next level.
More
Following on from the success of the 'Ram Reloaded' repress vinyl series, we are pleased to announce our next project in collaboration with Ram Records. As part of Ram Records' 30th anniversary, we have put together a series of new remixes and VIP's of some of the labels biggest releases from the early 90's.
In 1994, Ant invited Flatliner over to the studio being one of many local DJ's that orbited the Ram HQ in Hornchurch. In just a day, the pair created one of the most celebrated tear ups on the label so far in the form of 'The Big Bang'. The track broke the mould of what had come before, with dual oscillating detuned sine basses and heavily time-stretched Amen chops.
Out of Romford Records duo 'New Decade' provide a fresh remix for 2023, keeping the original 90's vibe that delivers devastating basslines, extended breakdowns and more time stretched amen. Ant Miles gives a fresh take on 'No Boundaries' taking elements of the original and morphing them into an outright slammer. Encapturing the hypnotic atmospheric pads and drones from the original, the result has taken the '94 version to the next level.
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Label:Crosstown Rebels
Cat-No:CRM306
Release-Date:08.03.2024
Genre:techhouse
Configuration:12"
Barcode:
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Label:Crosstown Rebels
Cat-No:CRM306
Release-Date:08.03.2024
Genre:techhouse
Configuration:12"
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1
Jonathan Kaspar - We Come
2
Jonathan Kaspar - Flash Point
3
Jonathan Kaspar - Transposed Sky Ft. Paul Brenning
Damian Lazarus’ Crosstown Rebels invites Jonathan Kaspar back to the imprint for another round ofcaptivating and melodic techno across his latest EP, ‘We Come’.A fixture on acclaimed labels such as Cocoon, Kompakt, and Innervisions, Cologne-based DJ and producer Jonathan Kaspar continues to demonstrate his versatile talent while also remixing for notable names like Acid Pauli, John Digweed, Joris Voorn, and Sven Väth. Six years after dropping his initial single on the label, he now makes a triumphant return to Damian Lazarus’ Crosstown Rebels for his fourth outing, mesmerising audiences once again with the three-track EP 'We Come,' revealing his deeper and hypnotic side.Diving deep with surging synths and impactful chords, 'We Come' unfolds itself with wailing sirens and asoaring hook, crafting a hypnotic and thrilling ride. Next, 'Flash Point' propels the listener into a hypnotic haze, building tension through melodic synth loops and laser stabs before the uplifting ‘Transposed’ delivers emotive keys and wispy pads, with Paul Brenning’s vocals at the forefront.
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12" Excl
in stock
Label:Tresor Records
Cat-No:TRESOR346
Release-Date:04.10.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804142779
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Last in:18.09.2024
Label:Tresor Records
Cat-No:TRESOR346
Release-Date:04.10.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804142779
1
UFO95 - A1 Cogitor 06:27
2
UFO95 - A2 Sexual Tension 06:05
3
UFO95 - B1 Fragment 04:17
4
UFO95 - B2 Solar 05:11
5
UFO95 - B3 Gargk 04:30
6
UFO95 - DX Wallon (Digital Bonus) 05:49
2024 Repress
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49
Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing. More
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49
Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing. More
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Last in:06.03.2024
Label:Outlaw
Cat-No:OUT012
Release-Date:23.02.2024
Genre:Techno
Configuration:12"
Barcode:5050580817869
1
Dot - Drifting Away
2
Dot - Inside Out
3
Dot - Somewhere Else
4
Dot - Stolen Moments
Dotan Bibi aka Dot carries the audience into a journey that straddles the lines between deep house and dubby techno. He is considered one of the best rising Israeli Producers & Dj's with a sound that's deeply rooted in the history of Detroit Techno and Chicago House music.
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Label:All Day I Dream
Cat-No:ADIDIW009
Release-Date:08.03.2024
Genre:techhouse
Configuration:12"
Barcode:197190869521
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Last in:25.03.2024
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Last in:25.03.2024
Label:All Day I Dream
Cat-No:ADIDIW009
Release-Date:08.03.2024
Genre:techhouse
Configuration:12"
Barcode:197190869521
1
Flowers On Monday - Horizons (Feat. Weam Ismail)
2
Flowers On Monday - Your Sand (Feat. Amega)
3
Flowers On Monday - Resonate Me (Feat. Amega)
4
Flowers On Monday - Resonate Me (Feat. Amega) (Ambient Version)
Flowers On Monday return to In Waves with a beautiful four track EP, ‘Horizons’, featuring Amega and Weam Ismail.
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Label:All Day I Dream
Cat-No:ADID104
Release-Date:16.02.2024
Genre:House
Configuration:3LP
Barcode:
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Last in:01.03.2024
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Label:All Day I Dream
Cat-No:ADID104
Release-Date:16.02.2024
Genre:House
Configuration:3LP
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1
St Germain - So Flute (Simon Vuarambon Remix)
2
Limara & Dimitri Nakov - Nocturne Feat. Natacha Atlas (Curol Remix)
3
Tombish - Around We Go
4
Wassu & Bona Fide - Threshold
5
Ramiro Drisdale - Feel & Move
6
Somelee - Quicksilver
7
Facundo Mohrr, Maxi Degrassi - Betimed
8
Sinca - Printemps
9
BAI - The Purpose
10
Lauren Ritter, Tenesha The Wordsmith - I Surrender
11
Nathan Katz - For You
12
Seth Schwarz & Solidmind Ft. Lydgen & Ar - Create The Universe
ALL DAY I DREAM COMMENCES THE NEW YEAR WITH A BANG, RELEASING A WINTER SAMPLER VI COMPILATION
Lee Burridge’s All Day I Dream imprint is thrilled to kick off 2024 with the latest addition to its semi-annual compilation series, A Winter Sampler VI, releasing January 26. Serving as a testament to the label’s commitment to fostering emerging talent and highlighting the cutting edge of melodic house music, A Winter Sampler VI is a curated selection of tracks that showcase the diverse and vibrant sounds within the All Day I Dream family.
A Winter Sampler VI brings together an impressive consortium of artists from around the globe to put together a 12 track offering. The compilation kicks off with Simon Vuarambon's remix of St Germain’s 2000 hit ‘So Flute’, the euphoric and driving track setting the tone for a journey through the innovative and cutting-edge sounds of the compilation. From Wassu and Bona Fide’s deep yet playful collaborative track ‘Threshold’ to Nathan Katz’s serene and uplifting ‘For You’ to Seth Schwarz and Solidmind’s beautifully spiritual collaboration ‘Create The Universe’, each contribution adds a unique flavor to the sonic tapestry, resulting in a must-listen body of work from beginning to end.
A Winter Sampler VI serves as a testament to All Day I Dream's dedication to providing cutting edge melodic house from select talent across the globe, providing a platform for both emerging and established artists to shine.
All Day I Dream invites music lovers to dive into the next edition of their compilation series with A Winter Sampler VI More
Lee Burridge’s All Day I Dream imprint is thrilled to kick off 2024 with the latest addition to its semi-annual compilation series, A Winter Sampler VI, releasing January 26. Serving as a testament to the label’s commitment to fostering emerging talent and highlighting the cutting edge of melodic house music, A Winter Sampler VI is a curated selection of tracks that showcase the diverse and vibrant sounds within the All Day I Dream family.
A Winter Sampler VI brings together an impressive consortium of artists from around the globe to put together a 12 track offering. The compilation kicks off with Simon Vuarambon's remix of St Germain’s 2000 hit ‘So Flute’, the euphoric and driving track setting the tone for a journey through the innovative and cutting-edge sounds of the compilation. From Wassu and Bona Fide’s deep yet playful collaborative track ‘Threshold’ to Nathan Katz’s serene and uplifting ‘For You’ to Seth Schwarz and Solidmind’s beautifully spiritual collaboration ‘Create The Universe’, each contribution adds a unique flavor to the sonic tapestry, resulting in a must-listen body of work from beginning to end.
A Winter Sampler VI serves as a testament to All Day I Dream's dedication to providing cutting edge melodic house from select talent across the globe, providing a platform for both emerging and established artists to shine.
All Day I Dream invites music lovers to dive into the next edition of their compilation series with A Winter Sampler VI More
Label:Gudu Records
Cat-No:GUDU007
Release-Date:23.02.2024
Genre:House
Configuration:12"
Barcode:
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Last in:02.09.2024
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Last in:02.09.2024
Label:Gudu Records
Cat-No:GUDU007
Release-Date:23.02.2024
Genre:House
Configuration:12"
Barcode:
1
Peggy Gou - I Go
“I Go” is an incredible piece of club-focused electronic music and showcases a very different sound to previous single “Nabi”. Described by The FADER as “the kind of dazzlement you get from light dancing off of ocean water on a hot day: pure dopamine activating bliss” and Resident Advisor as “a refreshingly low-key jam”, “Nabi” was an evocative piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou's mother used to play at home during her childhood. “I Go” takes inspiration from a similar era but this time the energy comes from Gou’s love of 90’s dance anthems, many of which she revisited during lockdown and an enforced break from touring. Both retain the hallmarks of Peggy Gou’s unique take on electronic music; at once both nostalgic and totally modern. But on “I Go”, the tempo, 808s and 909s are dialled right up for a self-motivating anthem that is set, to soundtrack a summer when we can all hopefully dance together in our thousands again. TRACKLIST: A1. I Go, B1. I Go (Instrumental) ,B2. I Go (Acapella)
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Label:Crosstown Rebels
Cat-No:CRM305
Release-Date:23.02.2024
Configuration:12"
Barcode:
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Last in:18.07.2024
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Label:Crosstown Rebels
Cat-No:CRM305
Release-Date:23.02.2024
Configuration:12"
Barcode:
1
Made By Pete - Fires
2
Made By Pete - Fires (Bushwacka! Remix)
3
Made By Pete - Fires (Victor Calderone & Mykol Remix)
4
Made By Pete - Fires (Dub Mix)
Made By Pete makes a highly anticipated return to Crosstown Rebels with ‘Fires’, accompanied by remixes from Bushwacka! and Victor Calderone & Mykol.With the likes of Black Coffee, Solomun, and Damian Lazarus remixing his music and support from artists such as Sasha, Bedouin, the Keinemusik crew and Pete Tong, Made By Pete’s ascent across recent years has seen his global demand soar. Following on from his anthem ‘Horizon Red’ alongside Zoe Kypri, with the captivating record picking up international acclaim and featuring in DJ Mag’s Top Tracks of 2023’ the London-based DJ/producer makes a welcome return to Lazarus’ renowned Crosstown Rebels imprint as he unveils his latest single ‘Fires’.Emerging via a warping bassline and his own intoxicating vocals before launching into a twisting, heady trip, ‘Fires’ showcases a darker side to the exciting producer’s sound as he serves up a rousing cut crafted for hazy hours. UK house icon Bushwacka! delivers his ‘Magic Mix’ next, stripping the track back to work a tunnelling, snaking groove in amongst dreamy melodies, while NYC legend Victor Calderone and Mykol toughen the production up with reinforced kicks before layering trippy effects on top of the vocals. Not finished there, the package is rounded out with a Dub mix, providing another go-to dancefloor anthem across yet another stacked offering on Crosstown.
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Last in:20.03.2024
Label:Pampa
Cat-No:pampa030
Release-Date:08.09.2023
Genre:House
Configuration:12" Excl
Barcode:4260544821813
1
DJ Koze - Seeing Aliens (Extended Breakthrough Version)
2
DJ Koze - Nein König Nein
2023 repress
Tracklist:
A. Seeing Aliens (Extended Breakthrough Version)
B. Nein König Nein
Info:
DJ Koze exists both above and beyond club culture as we know it - his albums and remixes flying free from genre and trend - and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".
"Seeing Aliens" unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.
The exclusive b-side track, "Nein König Nein" ("No King No"!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.
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Tracklist:
A. Seeing Aliens (Extended Breakthrough Version)
B. Nein König Nein
Info:
DJ Koze exists both above and beyond club culture as we know it - his albums and remixes flying free from genre and trend - and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".
"Seeing Aliens" unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.
The exclusive b-side track, "Nein König Nein" ("No King No"!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.
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Label:Scissor And Thread
Cat-No:sat062
Release-Date:26.01.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4250382451075
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Last in:30.04.2024
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Last in:30.04.2024
Label:Scissor And Thread
Cat-No:sat062
Release-Date:26.01.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4250382451075
1
Will Long - Too Much
2
Will Long - Too Much (Francis Harris Reform)
3
Will Long - Too Much (DJ Aakmael Remix)
GENRE/S: Deep House, Lo-Fi House, Electronica
TRACKLISTS:
A1. Too Much
B1. Too Much (Francis Harris Reform)
B2. Too Much (DJ Aakmael Remix)
SHORT INFO:
Will Long is an American artist. He curates and manages the label Two Acorns, as well as producing music since 2005, in various forms under his own name for Terre Thaemiltz's Comatonse Recordings, and as Celer for his own label and many others.
Here he joins the perfectly aligned Scissor and Thread label of Francis Harris and Anthony Collins for the Too Much EP.
"Too Much" is a deep cut from the same grooves as the Long Trax series," says Will Long, "a further entry for the downtrodden, the overwhelmed, and those that think change has come. A midnight meditation of intentional simplicity, strained, and on that night train."
The title track is lush, loose deep jam that combines wistful, warm pads with an insistent groove and choice samples.
Francis Harris steps up to provide one of his signature reforms, adding a little more percussion and drive to the track, while DJ Aakmael (Greg Stewart) offers up another version that takes the track somehow even deeper, adding some additional instrumentation and raw sounds.
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TRACKLISTS:
A1. Too Much
B1. Too Much (Francis Harris Reform)
B2. Too Much (DJ Aakmael Remix)
SHORT INFO:
Will Long is an American artist. He curates and manages the label Two Acorns, as well as producing music since 2005, in various forms under his own name for Terre Thaemiltz's Comatonse Recordings, and as Celer for his own label and many others.
Here he joins the perfectly aligned Scissor and Thread label of Francis Harris and Anthony Collins for the Too Much EP.
"Too Much" is a deep cut from the same grooves as the Long Trax series," says Will Long, "a further entry for the downtrodden, the overwhelmed, and those that think change has come. A midnight meditation of intentional simplicity, strained, and on that night train."
The title track is lush, loose deep jam that combines wistful, warm pads with an insistent groove and choice samples.
Francis Harris steps up to provide one of his signature reforms, adding a little more percussion and drive to the track, while DJ Aakmael (Greg Stewart) offers up another version that takes the track somehow even deeper, adding some additional instrumentation and raw sounds.
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Label:hot creations
Cat-No:HOTC224
Release-Date:19.01.2024
Genre:techhouse
Configuration:12"
Barcode:197190493191
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Last in:10.10.2024
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Last in:10.10.2024
Label:hot creations
Cat-No:HOTC224
Release-Date:19.01.2024
Genre:techhouse
Configuration:12"
Barcode:197190493191
1
Gabriele Toma - You See Me
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Gabriele Toma - Move Your Body
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Gabriele Toma - Muevete
4
Gabriele Toma - Magic Flute
Breakout artist Gabriele Toma brings his thumping house sounds to Hot Creations with the four-track EP, ‘You See Me’. Italian DJ/producer Gabriele Toma is shaking up the scene with releases on established labels such as Trick, CUFF, and Hellbent Records, swiftly capturing the attention of industry giants such as The Martinez Brothers, Cloonee and Hot Creations label head Jamie Jones, to name a few. Positioning himself as an exciting newcomer to watch, having previously released his bouncing ‘Lit Bit’ EP on sister label Hottrax, Toma now makes his Hot Creations debut with his knockout four-track EP, ‘You See Me’. ‘You See Me’ opens the release with a low-slung bassline, bustling drum funk, and addictive rap-style vocals that propel the track as a certified bouncer. ‘Move Your Body’ delivers another groove-led house beat with bouncy bass hits and skittering female calls, while ’Muevete’ sets the dance floor ablaze with vibrant bongo beats in true Hot Creations style. To close, ‘Magic Flute’ lives up to its name, with whistling flutes at the core alongside pumping bass to craft an irresistible afterhours workout.
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Label:All Day I Dream
Cat-No:ADID088
Release-Date:27.01.2023
Genre:techhouse
Configuration:12"
Barcode:
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Last in:19.09.2024
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Last in:19.09.2024
Label:All Day I Dream
Cat-No:ADID088
Release-Date:27.01.2023
Genre:techhouse
Configuration:12"
Barcode:
1
Sébastien Léger - Regina Blue
2
Sébastien Léger - We Used To Laugh
3
Sébastien Léger - The Indian Gate
Today, modular synth expert and electronic music pioneer Sébastien Léger returns to All Day I Dream to release his ‘Regina Blue’ EP, A longtime All Day I Dream family member, Sébastien first joined the label in 2018, releasing his esteemed ‘Lost Miracle’ EP. Since then, Sébastien has been a consistent contributor to the label and performer at ADID events across the globe- making him a staple of All Day I Dream’s musical identity. He has released four EPs on the label prior to ‘Regina Blue’, and has participated in multiple All Day I Dream compilations. Sébastien’s most recent All Day I Dream EP, ‘Feel’, which includes hit tracks ‘Feel’ and ‘Son of Sun’, was released to much acclaim in 2021, leaving fans eager for his return to the label. The ‘Regina Blue’ EP offers three originals, which showcase Sébastien Léger’s production talent and emotive range. The EP begins with the title track, where Sébastien takes his time building the percussion-led rhythm, before bringing in joyous melodic elements through powerful synth riffs. On the B-side of the record, ‘We Used to Laugh’ kicks off with optimistic, fluttering synths around crisp percussion. As the track progresses, listeners are taken on a journey as Sébastien’s harmonies evokes a deep emotional response. Finally, the EP concludes with ‘The Indian Gate’, an energetic, rhythm-fueled track featuring filtered chanting over a funk driven beat.
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12" Excl
in stock
Label:Film Recordings
Cat-No:FILM013
Release-Date:23.02.2024
Genre:Electronic
Configuration:12" Excl
Barcode:4251804139205
in stock
Last in:15.12.2022
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in stock
Last in:15.12.2022
Label:Film Recordings
Cat-No:FILM013
Release-Date:23.02.2024
Genre:Electronic
Configuration:12" Excl
Barcode:4251804139205
1
Brainwaltzera - A. medal headz [G.B.D.F] Peshay Remix
2
Brainwaltzera - B1. medal headz [extended]
3
Brainwaltzera - B2. G.B.D.F [separated]
TRACKLIST:
A1: medal headz [G.B.D.F] Peshay Remix
B1: medal headz [extended]
B2: G.B.D.F [separated]
SHORT INFO:
Brainwaltzera gets the remix treatment from stalwart of UK underground music, Peshay, alongside alternate versions of original material.
Taking on Medal Headz [G.B.D.F.], lifted from the recent Brainwaltzera LP Itsame, British drum & bass producer Peshay turns in a driving remix in a classic UK style. Rolling breaks meet a heady reese bassline and wide-angle atmospherics, put together with all the aplomb of a skilled craftsman doing what he does best. It's music made for the dancefloor, delivered in a timeless style by one of the heads of the early Good Looking Records & Metalheadz years.
On the B1, Brainwaltzera takes the reigns with an extended version of the original album piece - a valuable reminder of the impressive source material, reimagined in a new context. For the B2, the artist offers a previously interconnected phase of Medal Headz [G.B.D.F.] up as a track in its own right. A spellbinding IDM reduction, it's wrought with all manner of synth flourishes, elegant drum machine rhythms, and warping synths - a neat closer that offers a new and intriguing approach to an LP highlight.
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A1: medal headz [G.B.D.F] Peshay Remix
B1: medal headz [extended]
B2: G.B.D.F [separated]
SHORT INFO:
Brainwaltzera gets the remix treatment from stalwart of UK underground music, Peshay, alongside alternate versions of original material.
Taking on Medal Headz [G.B.D.F.], lifted from the recent Brainwaltzera LP Itsame, British drum & bass producer Peshay turns in a driving remix in a classic UK style. Rolling breaks meet a heady reese bassline and wide-angle atmospherics, put together with all the aplomb of a skilled craftsman doing what he does best. It's music made for the dancefloor, delivered in a timeless style by one of the heads of the early Good Looking Records & Metalheadz years.
On the B1, Brainwaltzera takes the reigns with an extended version of the original album piece - a valuable reminder of the impressive source material, reimagined in a new context. For the B2, the artist offers a previously interconnected phase of Medal Headz [G.B.D.F.] up as a track in its own right. A spellbinding IDM reduction, it's wrought with all manner of synth flourishes, elegant drum machine rhythms, and warping synths - a neat closer that offers a new and intriguing approach to an LP highlight.
More