LP

- Debut album by French artist molto morbidi
- Cover painting by Swiss painter Flora Klein
- Mixed by Alexis Fugain (Biche)
- Includes the tracks Seven Leagues featuring Ed Dowie and The Wait, featuring Quentin Rollet (The Red Crayola, Nurse With Wounds, eRikm)


GENRE/S: Avant pop / Leftfield pop / art pop

TRACKLISTS:
Das Geschenk - Leo - Seven Leagues (feat. Ed Dowie) - Sorry Silly Girl - You Can't Make an Omelette Without Breaking a Few Egos - I'm Not There Yet - So Far, So Good - The Wait (feat. Quentin Rollet) - This Is Not This Is Not a Lovesong

4SHORT INFO:
Molto morbidi's debut album String Cheese Theory is filled with an organic warmth and has the feeling of quiet classics or cult records rediscovered years after their release. A certain sense of closeness, even intimacy, comes through the listening experience of String Cheese Theory, that lays claim to unbridled creativity, halfway between pop music and the avant-garde.


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LP

-Debut album by Icelandic artist Sunna Margrét

GENRE/S: Art pop / Leftfield pop / Experimental pop

TRACKLISTS: Chocolate / Come With Me / Í Kviði / 4 Year Itch / Figure / Hibiscus / I've Been Drinking / Those Who Wonder / I, Here In Distance

SHORT INFO:
Icelandic musician and visual artist Sunna Margrét is set to release her debut full-length album, Finger on Tongue, via No Salad Records. Citing influences from krautrock legends CAN and Neu!, outsider synth pop artist The Space Lady and electronic music pioneers Suzanne Ciani and Eliane Radigue, Finger on Tongue is a masterclass in experimental pop, capturing an authentic Icelandic essence through its electronic and spellbinding sounds. Some tracks offer softness and peace while others invite you to dance, and the album homogeneity is precisely ensured by the rigorous approach to writing.

VITAL SALES POINTS:

-Debut album by Icelandic artist Sunna Margrét
-Release on No Salad Records
-UK/US PR by Someone Great
-French PR by Le Gospel

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EP


GENRE/S: ART POP

TRACKLISTS:
Afloat / Out of Breath / Lullaby for Daydreamers / Wave / Ashore / When To Go

SHORT INFO:
Sunna Margrét releases 'Five Songs for Swimming' out on No Salad Records. It is the first release since her award winning EP 'Art of History' that won the annual Kraumur award in 2019 and was twice nominated at the Iceland Music Awards for best song and best album of the year.
'Five Songs for Swimming' includes 5 original songs and a cover. They follow a continuous thread of water and flow and yet Sunna Margre?t keeps close to her influences of bizarre human interactions, present in her lyrics throughout the EP and borrowing the words of New York legends the Feelies on the last song 'When To Go' cover.
It is safe to say that the new release comes to life after loss occurs. This composition of music and lyrics is written in memory of Sunna Margre?t's grandmother, Unnur A?gu?stsdo?ttir, who passed away in February 2021. She was a swimmer in her early life, a champion in Iceland in the 40's, as well as a soprano singer, teacher, bird lover and lifelong inspiration.


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Nonexclusive Release - Exportrights Only, 2LP in gatefold sleeve with CD included. EAN: 5060525433573

Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2001

Tracklisting:

A1. Syl Johnson – I Hear The Love Chimes
A2. Ann Peebles – I’m Gonna Tear Your Playhouse Down
A3. Baby Huey & The Baby Sitters – Hard Times
A4. The Emotions – I Like It
A5. Black Ivory – I keep Asking Your Questions

B1. Jackson 5 – Maybe Tomorrow
B2. Syl Johnson – I Hate I Walked Away
B3. Al Green – Something
B4. Eddie Holman – It’s Over
B5. Montana – Warp Factor II

C1. Detroit Emeralds – You’re Getting Too Smart
C2. Labi Siffre – I Got The (Blues)
C3. Southside Movement – I’ve Been Watching You
C4. The Sweet Inspirations – Why Marry?

D1. Mad Lads – Gone! The Promise Of Yesterday
D2. George Jackson – Aretha, Sing One For Me
D3. Teddy Pendergrass – Come Go With Me
D4. Syl Johnson – That’s Just My Luck
D5. Al Green – Simply Beautiful

Short Info:

Legendary Deep Soul French compilation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
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Tracklist 12":

A1 EDEN 123 (SUNDAY CLUB)
A2 CLUBBERS PARADISE (BE A CYBERSPACE CADET MIX)
B1 HOLISTIC HEAVEN (INTERNATIONAL)
B2 FREQUENCY OV TRUTH

In the annals of German techno history of the early 90s, Mannheim's Milk Club was always something like the dirty little brother between Berlin's Tresor and Frankfurt's Omen - not as cocky as the two big siblings, but secretly all the more clever. Less pretentious than the Äppelwoi metropolis, less dirty than the capital and, despite squaring the circle, less straightforward than both together. Instead, they delight with breakdancers of almost Wigan Casino-like elegance. Very British, even in the musical mix of house, techno and breakbeats, breakbeats, breakbeats. A club like a kind of mother raising the nightclubbers with her milk.

Devi g. pay tribute to this club with their MILK EP. on Pudel Produkte.
Devi g. are Dirk Mantei aka Dman (DJ and former manager of the Milk Club) and Oliver Bradford (one half of Thee Church Ov Acid House and resident DJ at the equally legendary Brückenkopf parties in Mainz). Pudel Produkte because, well, Golden Pudel Club - Legend binding.

A four-part promenade mix is on offer that has it all. It contains house, techno and, yes, breakbeats, breakbeats, breakbeats.

There are:

EDEN 123 (SUNDAY CLUB):
a light-footed breakbeat ride across psylocibin-laden summer meadows, driven by pyromaniac shamanistic power.

CLUBBERS PARADISE (BE A CYBERSPACE CADET MIX):
which wraps the rave classic We are i.e. around a sheet metal framework of breakbeats, drenching it in acid-soaked bass waves.

HOLISTIC HEAVEN (INTERNATIONAL):
where vacuum cleaner-carrying milk droids perform unheard-of rituals in the low-frequency forest before one of the finest 303 melodies dissolves everything into bliss.

FREQUENCY OV TRUTH:
which invites you to techno dance with a blunt droning bass drum and then stimulates your ov power with a back and forth twirling acid sequence.

Four tracks that transfer the milk legend into the 21st century with 90s-inspired rave finesse.
Dross for the posse. Or as the connoisseur says: effervescent tablet in the brain, highly recommended!

And did I mention the breakbeats?

Tim Lorenz aka Superdefekt



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Vinyl only.

Tracklist
A1 - Vibrate
A2 - Tarot Nouveau
B1 - Vibrate (Broke One Remix)
B2 - Ouija Dub

Shortinfo:

The Stone Tape EP is the fourth record in Session Victim's Pen & Paper series and sees Matthias Reiling's first solo outing for the vinyl only imprint.
Three original cuts betray Reiling's fascination with the mystic and occult, elevating the listener's perception and sending dancers into a spiritual and physical seance.
Fellow Sorcerer Leafar Legov's coproduction and Erobique's enchanting Melodica on Tarot Nouveau and Ouija Dub add more layers of depth and an extra set of black magic spells to the whole.
On top of that, italian beatsmith Broke One stuns everyone at Pen & Paper with his remix of the title track "Vibrate", boosting the original with an intense rhythm section and finally lighting up it's dark path with warm and hopeful harmonies.

Vital Sales Points:

Matthias Reiling is one half of Session Victim and has released his solo material under his own name on labels such as Giegling, Retreat and XK.


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Format: 7inch

Tracklist:
A1 Kipp das Acid in den Synth
B1 Du fandst' doch immer alles scheiße

Promo Text:

In the winter of 23/24, Friedrich Greiling a.k.a. MitteKill and Knarf Rellöm met up in a small village near Rathenow to record music, chop wood and go for walks together. They experimented with drum n' bass and acid and invented the Neptunsche Schule along the way. The result is this single with the songs "Tu das Acid in den Synth" and „Du fandst' doch immer alles Scheiße!" Things are moving forward.


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WORLDWIDE

SLEEVE ARTWORK VARIANT 1

Title: The White Lotus (Soundtrack from the HBO® Original Limited Series)

Genre: Soundtrack, Exotica, Ambient, Shamanic, Dance

DLP: 180g White Colored Vinyl, Heavy 350gsm Gatefold Sleeve, 3 Sleeve Artwork Variants, Inside Out Sleeve Printing, Obi, 12" x 12" Art Print Inlay

Tracklisting DLP
A1. Aloha!
A2. Pineapple Suite
A3. Jungle Fever
A4. Rejuvenated
A5. Pool Walk
A6. Dinner
A7. Courtship
A8. Special Chosen Baby Child
A9. Honeymoon
B1. Ocean Call
B2. Wtf!
B3. Sabotage
B4. Decadence
B5. Ashes
B6. Welcome to America
B7. Drugs
B8. Waves
B9. Manchild
C1. Human Remains
C2. Wake Up!
C3. Meds
C4. Mahalo
C5. Finally Jesus!
C6. A Way Out
D1. Fuck This Place!
D2. A Mistake & the Ocean
D3. Sea Turtle Song
D4. I Want to Live


Info

WRWTFWW Records is ecstatic to announce the first ever vinyl release for the remarkable soundtrack of HBO® hit series The White Lotus by Chilean born composer, arranger, music producer, multi-instrumentalist Cristobal “Cristo” Tapia de Veer (Utopia, Smile, Black Mirror and many many more).
This limited edition release is packed with 28 tracks, showcasing the complete music score of the cult series’ first season. It comes as a deluxe double LP with white-colored 180g vinyl housed in a heavyweight gatefold sleeve with an OBI strip and a double-sided 12x12 inches art print. It is available in a choice of 3 different sleeve artwork variants, each based on the series’ brilliant opening sequence concept by Plains of Yonder and illustrator Lezio Lopes.
Shamanic, feral, mysterious, sexual, sometimes very danceable, sometimes slightly frightening (in the best ways), and always insanely enjoyable, The White Lotus soundtrack is a roaring beast of its own and one of the most visceral listening experiences in recent memory. Tapia de Veer’s haunting score sensually blends tribal percussion with charango, bass, atmospherics, and organic vocals from humans and animals, bringing to life the tension, the wildness, as well as the rare but precious serenity and romance felt throughout the guests’ adventurous stay at The White Lotus Resort - with grace and a just the right amount of insolence. It’s big, wonderful and audacious music, sure to captivate a wide array of melomaniacs, from soundtrack collectors to exotica adventurers, library diggers, ambient dreamers, sorcerous dancers, and experimental pop bon vivants.
Included in the release is the series’ iconic theme song (S01 version), a bonafide hit and spellbinding sensation.
Cristobal Tapia de Veer’s work has been celebrated with numerous award wins, including 2 Emmy Awards for The White Lotus.

Points of interests

- For fans of soundtracks, tv series, ambient, percussion, exotica, library, experimental pop, shamanism, zeitgeist sensations, HBO, Cristobal Tapia de Veer, tension, wild animals, secret romance, luxury resorts, mystery, Alfred Hitchcock, Hawaiian shirts.

- First ever vinyl release of HBO® hit series The White Lotus soundtrack by Cristobal Tapia de Veer

- 28 tracks on double 180g white-colored vinyl

- Heavyweight gatefold sleeve with a choice of 3 artwork variants, with OBI, inside out sleeve printing, 12x12inches art print inlay







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Format: 4x12"LP

Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO



Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More

Format Notes: 2024 first time vinyl reissue, remastered audio with original artwork, 140g vinyl

Track List:

A1 Honey Pot
A2 Mess Around
A3 Calypsoul
A4 Long Gone
A5 Sweetlips
A6 Girl

B1 Love Ya' Baby
B2 Sunday-Goin' To Meetin' Time
B3 Snap Back
B4 Harlem Hendoo
B5 Ludwig

Release Notes:

Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.
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Territory: Europe only 2018 REISSUE - REMASTERED 2LP COLOURED VINYL (1 ORANGE / 1 PINK) W/BONUS TRACK "PARALLEL LIVES" (FIRST TIME VINYL APPEARANCE)

A singular presence in 21st Century pop, Róisín Murphy is a genuine maverick. Her seminal 2007 album Overpowered received widespread acclaim from music critics yet, arriving at a time of waning major label interest in vinyl, it was released only as a hyper-limited double LP. Accordingly, in the decade since, it has been obscenely difficult to find. It is a true honour to finally reissue this thoroughly modern dance-pop classic on Be With. Whilst remaining true to the loud pink and orange wax of the original release, this remastered edition enjoys the bonus inclusion of fan-favourite "Parallel Lives", finally making an appearance on vinyl.

A sumptuous, all-killer electro-disco gem, every song could've been a smash. With its heavy disco influence - deep beats, lush synths and subtle horns and strings - Overpowered was focused solely on the dancefloor. Inspired by the Eighties proto-house of D Train, Mantronix and Gwen Guthrie, but also recalling the intelligent pop of Yazoo and early Eurythmics, Overpowered presented sensual electronic soul for the heads and the hips.

Her collaborators, including Timbaland mentor Jimmy Douglass, Bugz In The Attic and Richard X, constructed a gleaming shrine to the spirit of Bobby O and Giorgio Moroder by stitching together crisp synthesised beats with the slicker tics of early house. The lead single and title track lifted the bassline squelch from the dawn of cosmic disco -- La Bionda's "I Wanna Be Your Lover" -- and the follow-up, "Let Me Know", effortlessly incorporated the chorus of Tracy Weber's 1981 boogie bomb "Sure Shot".

The wonderfully dank, sticky R&B of "Primitive" is Murphy's favourite track from the album: "I mean, who gets to put primordial soup in the first line of a song? That idea of not always being in control of the primitive parts of yourself, the bits that fall in love or the bits that dance or lose the plot or drink too much, and putting that across … that's pop for me. It's playing with all the different colours of the rainbow of life."

Murphy's blistering vocals are versatile enough to elevate the icy textures of "Dear Miami", the sexed up kaleidoscopic funk of "Footprints" and the grace of "You Know Me Better". Sharp, witty and heartbreaking, here Murphy laid claim to being the kind of strident disco singer "Dusty Springfield never quite had the abandon to become", as Pitchfork noted in their original, glowing "8.0" review.

Overpowered was considered an instant classic and, sounding deeply prescient, it has aged gloriously. There has long been an acknowledgement of Murphy's influence on other artists' gonzo fashion, and many musicians have spent the last decade crafting dancefloor tracks that embrace piano house and disco, even if they'd pale when held next to "Let Me Know". Shifting from the glam pop of "Movie Star" to the buzzing acid of "Cry Baby", when the dubby ballad for her dad, "Scarlet Ribbons", wends its way to the sweetest of endings, you realise you've been immersed in the best grown-up dance-pop album since Madonna's Ray of Light.

TRACKLISTING

SIDE A

Overpowered
You Know Me Better
Checkin' On Me

SIDE B

Let Me Know
Movie Star
Primitive

SIDE C

Footprints
Dear Miami
Cry Baby

SIDE D

Tell Everybody
Scarlet Ribbons
Body Language
Parallel Lives




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