1
Maria Rita - Cântico Brasileiro No.3 (Kamaiurá)
2
Maria Rita - Felicidade
3
Maria Rita - Cântico Brasileiro No.6 (Temporá)
4
Maria Rita - Canção De Garoa
5
Maria Rita - Lamento Africa / Rictus
6
Maria Rita - A Cidade
7
Maria Rita - Cântico Brasileiro No.1
8
Maria Rita - Relhaços
9
Maria Rita - Trilhas
10
Maria Rita - Melodia De Veludo
11
Maria Rita - Canção De Barco E De Olvido
12
Maria Rita - O Amor
Maria Rita is a musical pioneer that was ahead of her time. On first hearing her song, 'Cântico Brasileiro No.3 (Kamaiurá)’, we thought it sounded like a contemporary remix that an artist such as Carl Craig could have produced. In fact, it came out in 1988 and was taken from Maria's 'Brasileira' album, released on the Brazilian, independent Acorde imprint. The song would go on to gain cult status with its inclusion on John Gomez's superb 'Outro Tempo' compilation, released on the Music From Memory label in 2017.
The album fuses new-age electronics with indigenous vocals and Amazonian rhythms. It is beautiful and unique and takes you on a journey through different moods, textures and ethereal planes. Through the sounds Maria created, you join her on a timeless voyage gazing into the future whilst embracing her powerful roots.
Maria Rita Stumpf was born in the southern inland of Brazil, in the mountains of Aparados da Serra. She started writing music at the age of 14, and through participation in festivals and song contests, she developed her material and sound. A move to Rio de Janeiro in 1985 furthered her career and led to the release of the 'Brasileira' album. The record features the legendary pianist Luiz Eça, alongside the group Uaktí and Ricardo Bordini.
1993 saw the release of 'Mapa das Nuvens (Map of the Clouds)' on CD via the Leblon label, but soon after, Maria would have a hiatus from the music industry, dedicating herself to her cultural and arts agency, Acorde. She left the stage and recordings behind, but quality always shines through and years after its original release, international diggers, producers and DJs rediscovered the greatness of Maria's music. This would lead to a re-issue of the ‘Brasileira’ LP, and later Optimo Music/Selva Discos released a 12” EP of ‘Brasileira’ remixes by Selvagem, Carrot Green and Joakim. Maria also spoke at the Red Bull Music Academy Festival in São Paulo, performed at both the Kino Beat Festival and the Brazilian leg of the Dutch festival, Dekmantel. Her two latest albums received critical acclaim, ’Inkiri Om’ in 2020 and ‘Ver Tente’ in 2022. At last, Maria has got the credit and kudos she deserves, inspiring new and future generations of producers and music lovers.
Though previously re-issued, it was after a conversation with Maria that we learned that she wanted to keep this sublime record in press, and this was something that we couldn’t wait to put into action. So here it is, the Mr Bongo pressing of ‘Brasileira’, housed in a gatefold cover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The album fuses new-age electronics with indigenous vocals and Amazonian rhythms. It is beautiful and unique and takes you on a journey through different moods, textures and ethereal planes. Through the sounds Maria created, you join her on a timeless voyage gazing into the future whilst embracing her powerful roots.
Maria Rita Stumpf was born in the southern inland of Brazil, in the mountains of Aparados da Serra. She started writing music at the age of 14, and through participation in festivals and song contests, she developed her material and sound. A move to Rio de Janeiro in 1985 furthered her career and led to the release of the 'Brasileira' album. The record features the legendary pianist Luiz Eça, alongside the group Uaktí and Ricardo Bordini.
1993 saw the release of 'Mapa das Nuvens (Map of the Clouds)' on CD via the Leblon label, but soon after, Maria would have a hiatus from the music industry, dedicating herself to her cultural and arts agency, Acorde. She left the stage and recordings behind, but quality always shines through and years after its original release, international diggers, producers and DJs rediscovered the greatness of Maria's music. This would lead to a re-issue of the ‘Brasileira’ LP, and later Optimo Music/Selva Discos released a 12” EP of ‘Brasileira’ remixes by Selvagem, Carrot Green and Joakim. Maria also spoke at the Red Bull Music Academy Festival in São Paulo, performed at both the Kino Beat Festival and the Brazilian leg of the Dutch festival, Dekmantel. Her two latest albums received critical acclaim, ’Inkiri Om’ in 2020 and ‘Ver Tente’ in 2022. At last, Maria has got the credit and kudos she deserves, inspiring new and future generations of producers and music lovers.
Though previously re-issued, it was after a conversation with Maria that we learned that she wanted to keep this sublime record in press, and this was something that we couldn’t wait to put into action. So here it is, the Mr Bongo pressing of ‘Brasileira’, housed in a gatefold cover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Mr Bongo
1
Julia Mestre - Maravilhosamente Bem
2
Julia Mestre - Sou Fera
3
Julia Mestre - Vampira
4
Julia Mestre - Pra Lua
5
Julia Mestre - Veneno Da Serpente
6
Julia Mestre - Canto De Sereia
7
Julia Mestre - Sentimento Blues
8
Julia Mestre - Interlúdio Dos Amantes
9
Julia Mestre - Seu Romance
10
Julia Mestre - Marinou, Limou Feat. Marina Lima
11
Julia Mestre - Cariñito
Proudly presenting Maravilhosamente Bem the powerful, female-centred third album by Brazilian singer, songwriter, actress, and creative director, Julia Mestre. Alongside being a member of the Latin Grammy-winning Brazilian supergroup, Bala Desejo, Julia has been steadily building a solo career where her unique vision and alluring soft, sultry voice take centre stage. Drawing inspiration from ‘80s ballads, MPB, pop and disco productions, each song on this third album finds Julia creatively exploring different characters and tones.
A love-song-driven LP at its core, Maravilhosamente Bem holds a playful mirror up to blissful days gone by, artfully reimagined with Julia’s own modern twist. An album filled with love and nostalgia, it pays homage to her love of classic female disco divas such as Donna Summer, Sade, Alcione, Lady Zu, and the Brazilian rock queens Rita Lee and Marina Lima. Of that latter pairing, the late iconic Brazilian vocalist and musician Rita Lee (Os Mutantes) is referenced in the music video for the first single, ‘Sou Fera’, blessing Julia with a magical guitar. Marina Lima then provides guest vocals on the album’s closing track, ‘Marinou, Limou’, with her name transformed into a mantra by Julia.
Channelling a lo-fi ‘80s ballad aesthetic, Julia navigates a multitude of themes across the nine sublime tracks. From the sexy, whispered performances on vintage horror movie-inspired tunes ‘Vampira’ and ‘Pra Lua’ to the delicate, fragile love lullabies of ‘Sentimento Blues’ and ‘Cariñito’, and the seductive disco diva embodiment on dance tracks ‘Veneno de Serente’ and title track ‘Maravilhosamente Bem’. Another hidden highlight is the palette-cleansing mini-suite, ‘Interlúdio dos Amantes’. A luscious strings instrumental piece that lends to the beautiful Sade-esque ‘Seu Romance’.
Produced by Julia and longtime collaborators Gabriel Quirino, Gabriel Quinto, and João Moreira, Maravilhosamente Bem sees Julia embarking on a new era of her musical career. This sensational third album is a captivating showcase of the creative vision and versatility of one of Brazil’s finest stars. Released on Mr. Bongo (ROW) and Altafonte (Brazil/Portugal).
Music Conception/Production: Julia Mestre, Gabriel Quinto, Gabriel Quirino and João Moreira
Mixing and Mastering: Martin Scian
Audio Engineers:
Recording Technician (Drums, Guitar, Bass and Piano): Luis Paulo Serafim
Recording Technician (strings): Willian Luna
Recording Technician (Vocals, Steel Guitar, Winds and Percussion): Antonio Nunes
Recording Technician (Guitars, Keyboards and Vocals): Gabriel Quinto and Gabriel Quirino
Recording Technician (Vocals): Angelo Wolf
Recording studios: Estúdio Veloso, Estúdio CIA TEC, Wolf Records, Toca do Ogrow, Estúdio Renato Neto
Vocal Design: Gabriel Quinto and Gabriel Quirino
Vocal Arrangement: Gabriel Quinto and Julia Mestre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A love-song-driven LP at its core, Maravilhosamente Bem holds a playful mirror up to blissful days gone by, artfully reimagined with Julia’s own modern twist. An album filled with love and nostalgia, it pays homage to her love of classic female disco divas such as Donna Summer, Sade, Alcione, Lady Zu, and the Brazilian rock queens Rita Lee and Marina Lima. Of that latter pairing, the late iconic Brazilian vocalist and musician Rita Lee (Os Mutantes) is referenced in the music video for the first single, ‘Sou Fera’, blessing Julia with a magical guitar. Marina Lima then provides guest vocals on the album’s closing track, ‘Marinou, Limou’, with her name transformed into a mantra by Julia.
Channelling a lo-fi ‘80s ballad aesthetic, Julia navigates a multitude of themes across the nine sublime tracks. From the sexy, whispered performances on vintage horror movie-inspired tunes ‘Vampira’ and ‘Pra Lua’ to the delicate, fragile love lullabies of ‘Sentimento Blues’ and ‘Cariñito’, and the seductive disco diva embodiment on dance tracks ‘Veneno de Serente’ and title track ‘Maravilhosamente Bem’. Another hidden highlight is the palette-cleansing mini-suite, ‘Interlúdio dos Amantes’. A luscious strings instrumental piece that lends to the beautiful Sade-esque ‘Seu Romance’.
Produced by Julia and longtime collaborators Gabriel Quirino, Gabriel Quinto, and João Moreira, Maravilhosamente Bem sees Julia embarking on a new era of her musical career. This sensational third album is a captivating showcase of the creative vision and versatility of one of Brazil’s finest stars. Released on Mr. Bongo (ROW) and Altafonte (Brazil/Portugal).
Music Conception/Production: Julia Mestre, Gabriel Quinto, Gabriel Quirino and João Moreira
Mixing and Mastering: Martin Scian
Audio Engineers:
Recording Technician (Drums, Guitar, Bass and Piano): Luis Paulo Serafim
Recording Technician (strings): Willian Luna
Recording Technician (Vocals, Steel Guitar, Winds and Percussion): Antonio Nunes
Recording Technician (Guitars, Keyboards and Vocals): Gabriel Quinto and Gabriel Quirino
Recording Technician (Vocals): Angelo Wolf
Recording studios: Estúdio Veloso, Estúdio CIA TEC, Wolf Records, Toca do Ogrow, Estúdio Renato Neto
Vocal Design: Gabriel Quinto and Gabriel Quirino
Vocal Arrangement: Gabriel Quinto and Julia Mestre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Don Glori - Disaster
2
Don Glori - Brown Eyes (Ft. ML Hall)
3
Don Glori - Flicker (Ft. ML Hall, Bianca Kyriacou)
4
Don Glori - Janet (Ft. ML Hall)
5
Don Glori - Song For Ants
6
Don Glori - Power
7
Don Glori - Precious
8
Don Glori - Ron Song
9
Don Glori - Saturn's Return
Preview: https://www.youtube.com/watch?v=2BnIsUtVgw4
Mr Bongo proudly presents the third album by Melbourne/Naarm multi-instrumentalist, Don Glori, entitled ‘Paper Can’t Wrap Fire’. A kaleidoscopic genre-surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it’s an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.
Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with ‘Paper Can’t Wrap Fire’. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It’s an album enriched with more soul, R&B, and funk-oriented songs than his previous jazz-rooted productions, yet there’s still plenty of jazz material for those familiar fans of Don's earlier works.
The album’s title is an old Chinese proverb, roughly translated as 'you can’t deny the truth'. This underlying thread is woven between the songs. “A lot of them are in some way about truth-seeking, observations and the masks you put on to deal with life (hence the cover art)”, Don mentions. Take, for instance, the sensational soul single 'Brown Eyes' featuring silky lead vocals by ML Hall. A dissection of the minority experience, and the power and comfort in building those communities. Elsewhere, 'Disaster' is a satirical take on the structures serving everyone but the artists, and 'Flicker' tackles notations of truth and clarity after introspection.
To marry that meaning with the level of musicianship on these tracks is what really stands out. Don has set out his stall here as an artist who can write songs that hit home in the heart, as much as they do in the head. It’s a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul.
Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album are trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto who sprinkles some Brazilian magic into the record.
Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Mr Bongo proudly presents the third album by Melbourne/Naarm multi-instrumentalist, Don Glori, entitled ‘Paper Can’t Wrap Fire’. A kaleidoscopic genre-surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it’s an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.
Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with ‘Paper Can’t Wrap Fire’. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It’s an album enriched with more soul, R&B, and funk-oriented songs than his previous jazz-rooted productions, yet there’s still plenty of jazz material for those familiar fans of Don's earlier works.
The album’s title is an old Chinese proverb, roughly translated as 'you can’t deny the truth'. This underlying thread is woven between the songs. “A lot of them are in some way about truth-seeking, observations and the masks you put on to deal with life (hence the cover art)”, Don mentions. Take, for instance, the sensational soul single 'Brown Eyes' featuring silky lead vocals by ML Hall. A dissection of the minority experience, and the power and comfort in building those communities. Elsewhere, 'Disaster' is a satirical take on the structures serving everyone but the artists, and 'Flicker' tackles notations of truth and clarity after introspection.
To marry that meaning with the level of musicianship on these tracks is what really stands out. Don has set out his stall here as an artist who can write songs that hit home in the heart, as much as they do in the head. It’s a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul.
Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album are trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto who sprinkles some Brazilian magic into the record.
Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Manteca - Rumbon En Casa De Cando
2
Manteca - Afro Funky
3
Manteca - Sabor A Mantecado
4
Manteca - Abacua
5
Manteca - Son Montuno
6
Manteca - Cosas De Manteca
7
Manteca - Gozando El Timbal
Proudly presenting our reissue of the sought-after 1978 album 'Ritmo Y Sabor' from Cuban, master bongo player, Manteca. A deep, hypnotic, sonic excursion of Afro-Cuban/mambo rhythms to get lost within. Released in 1978, there are a number of different pressings of the album coming out on labels including GRC, Desca Records and Sound Triangle Records. Stripped-back and low-fi, this is a pulsating hit of instrumental Latin-jazz dance magic.
Predominantly made up of just percussion and bass, the album comes courtesy of Carlos "Rico" Ramirez on bass, Carlos Patato on congas, timbales by Nelson Padron and Lazaro Pla aka Manteca as band leader. A Cuban legend, Manteca rose to fame playing with Ernesto Lecuona and the Cuban Boys. Although he featured on numerous recordings in his home of Cuba, only a handful exist of his as featured soloist or band leader.
A whirlwind of percussive brilliance, ‘Ritmo Y Sabor’ is brimming with energy regardless of the tempo of the track. An instantaneous ability to make you move, the grooves come alive with each new rhythm introduced. Take for instance, the track 'Afro Funky' that more than lives up to its name. A breakbeat Latin-funk workout, with a mighty fine walking bass line that provides the basis for the drummers to vibe off. Elsewhere, 'Rumbon En Casa De Cando' is fast and furious perfect for the jazz dance specialist, whilst 'Sabor A Mantecado' keeps you on your toes with its trance-like repetitive bassline and percussive interplay. 'Cosa De Manteca' is another heavy-Latin funk gem with a rough and raw feeling of relentless yet groove-driven percussion.
A must-have Afro-Cuban, rhythmic funk triumph, that shows Manteca and his band in full flight.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Predominantly made up of just percussion and bass, the album comes courtesy of Carlos "Rico" Ramirez on bass, Carlos Patato on congas, timbales by Nelson Padron and Lazaro Pla aka Manteca as band leader. A Cuban legend, Manteca rose to fame playing with Ernesto Lecuona and the Cuban Boys. Although he featured on numerous recordings in his home of Cuba, only a handful exist of his as featured soloist or band leader.
A whirlwind of percussive brilliance, ‘Ritmo Y Sabor’ is brimming with energy regardless of the tempo of the track. An instantaneous ability to make you move, the grooves come alive with each new rhythm introduced. Take for instance, the track 'Afro Funky' that more than lives up to its name. A breakbeat Latin-funk workout, with a mighty fine walking bass line that provides the basis for the drummers to vibe off. Elsewhere, 'Rumbon En Casa De Cando' is fast and furious perfect for the jazz dance specialist, whilst 'Sabor A Mantecado' keeps you on your toes with its trance-like repetitive bassline and percussive interplay. 'Cosa De Manteca' is another heavy-Latin funk gem with a rough and raw feeling of relentless yet groove-driven percussion.
A must-have Afro-Cuban, rhythmic funk triumph, that shows Manteca and his band in full flight.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Coke - Na Na
2
Coke - You Turn Me On
3
Coke - Got To Touch Your Face
4
Coke - Que Seria De Mi
5
Coke - Bun Bun Bun
6
Coke - Bang Bang
7
Coke - Sabor A Mi
8
Coke - Te Amo Mas
9
Coke - Nuestro Amor
10
Coke - Quiero Decirte
Presenting an official reissue of Coke’s audacious, engrossing self-titled album from 1972, originally released on Manuel J. Mato’s collectible Sound Triangle Records imprint. It’s a heavy hit of Miami Latin-funk, dosed up with psychedelic garage rock and gritty soul excellence, making for an intoxicating blend of styles and genres on this highly sought-after LP.
Predominately sung in English, Coke’s only album under this moniker is a sumptuous melting pot of influences, tied together with bright funk drumming, flavourful organs and zesty horns. With a garage band attitude and sensibility, the lineup consisted of Paul Garcia on guitar, Ariel Hernandez on bass, Ruben Perez on drums, Jose Rubio on the keys, a host of guest horn players and Peter Fernandez on vocals, whose tone and delivery was often mistaken for that of a woman.
Produced by Mato, the record and band were well-received in Miami and Southern Florida at the time. Due to a lack of promotion outside of Florida and the threat of a lawsuit from the Coca-Cola corporation for usage of their name, the band fell into relative obscurity, becoming Opus following the dispute.
They say the cream always rises to the top though, with Coke being rediscovered by diggers and collectors searching for a rare groove. One of the standout cuts on the album 'Na Na' was recently featured on the soundtrack to the Netflix drama 'Griselda' (a biopic of Miami/Cuban crime boss Griselda Blanco). Other highlights include the crooner-jazz-rock ‘Got to Touch Your Face’, the psych ballad 'You Turn Me On' with a guitar line reminiscent of The Doors, and the Latin-rock groover, 'Te Amo Mas'.
Coke is a sensational crossover record, that draws from a sea of different influences. Fans of early Santana, garage-pysch, Nu Yorican and Latin-funk productions should all investigate this cherished album - it will have something for you.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Predominately sung in English, Coke’s only album under this moniker is a sumptuous melting pot of influences, tied together with bright funk drumming, flavourful organs and zesty horns. With a garage band attitude and sensibility, the lineup consisted of Paul Garcia on guitar, Ariel Hernandez on bass, Ruben Perez on drums, Jose Rubio on the keys, a host of guest horn players and Peter Fernandez on vocals, whose tone and delivery was often mistaken for that of a woman.
Produced by Mato, the record and band were well-received in Miami and Southern Florida at the time. Due to a lack of promotion outside of Florida and the threat of a lawsuit from the Coca-Cola corporation for usage of their name, the band fell into relative obscurity, becoming Opus following the dispute.
They say the cream always rises to the top though, with Coke being rediscovered by diggers and collectors searching for a rare groove. One of the standout cuts on the album 'Na Na' was recently featured on the soundtrack to the Netflix drama 'Griselda' (a biopic of Miami/Cuban crime boss Griselda Blanco). Other highlights include the crooner-jazz-rock ‘Got to Touch Your Face’, the psych ballad 'You Turn Me On' with a guitar line reminiscent of The Doors, and the Latin-rock groover, 'Te Amo Mas'.
Coke is a sensational crossover record, that draws from a sea of different influences. Fans of early Santana, garage-pysch, Nu Yorican and Latin-funk productions should all investigate this cherished album - it will have something for you.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Harmony Cats - Harmony Cats' Theme
2
Luiza Maura - Sorriso Vermelho
3
Gretchen - Ela Tem Raça, Charme, Talento E Gostosura
4
Coisa Quente - Edmundo (In the Mood)
5
Zé Carlos - Venha (Remix)
6
Robson Jorge & Lincoln Olivetti - Suspira
7
Os Carbonos - Pássaro Selvagem
8
San Rodrigues - Fofa
9
Marcos Valle - Parabéns (Dança Do Daniel)
10
Lafayette - Sol De Verão
11
Roberto Cesar - Fevereiro (O Bamba)
12
Arlete - Quero Ser Sua Mulher
13
Waldirene - Queima Como Fogo
14
Luiza Maura - Deixa Girar
15
Jorge Ben - Rio Babilônia
16
Carlos Bivar - Elo
13 years in the making, Mr Bongo proudly presents a new compilation of beloved Brazilian disco and boogie finds from the legendary London disco connoisseurs, Horse Meat Disco. A labour of love, it showcases a tantalising cross-section of disco, funk, boogie, samba and MPB, from past to present. Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as Jorge Ben, Gretchen, Marcos Valle and Robson Jorge & Lincoln Olivetti, alongside unsung heroes including Zé Carlos and Carlos Bivar.
Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
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1
Juan Pablo Torres - Cacao (Dan Tyler NAD Bulto Versión)
2
Juan Pablo Torres Y Algo Nuevo - Pastel En Descarga (Dan Tyler NAD Pepino Versión)
3
Grupo Los Yoyi - Paco La Calle (Nick The Record Re-Edit)
Good friends and Record Mission co-captains, Dan Tyler (one half of the Idjut Boys) and Nick The Record, take the reins for the third volume of the Mr Bongo Edits 12" series. With previous editions coming courtesy of Danny Krivit and Luke Una, Dan and Nick set their sights on a hand-picked selection of iconic ‘70s Cuban recordings for this three-track cosmic whirlwind. Across the A side, Dan picks out two Juan Pablo Torres tracks, with Nick taking on Grupo Los Yoyi on the B. Tweaking, extending and reworking the recordings with a dose of extra magic they remould the tracks to fit the sounds and structure of today’s dancefloors.
Having formed the Idjut Boys in the early ‘90s, Dan and Conrad McDonnell have crafted a dubbed-out, disco-tinged style that permeates their countless productions, remixes and DJ sets. Speaking of the two tracks Dan has chosen to rework for this EP he mentions, “Having been caught under an avalanche of good music from Mr Bongo, I took it upon myself to extend and add effects to a couple of the fantastic tracks from the Juan Pablo Torres LPs they recently re-issued. Just for disco jockey and barn dance use.”
First, Dan looks to Cuban maestro Juan Pablo Torres’ 1978 album 'Algo Nuevo', taking one of the standout tracks ‘Cacao’ and giving it more space to breathe. Teasing out the scatting vocal line and percussive climax that nods to George Kranz's ’83 electronic disco anthem 'Din Daa Daa', whilst adding more cosmic tripped-out synths and space echoed dubs, Dan builds the tension to fine effect. This track sounds immense on a big club system and the swirling synths felt like they were lifting the ceiling off when we played it at the amazing La Paloma ballroom in Barcelona.
Dan then turns his attention to Torres’ 1977 'Super Son' album, giving the psych-Latin-funk track 'Pastel En Descarga' a dub makeover. Rich in delay and drama, whilst maintaining and extending the breakers funk intro, he juices it up into a punchy, no-nonsense, cosmic-funk delight.
On the B side, Tangent co-founder, long-standing Life Force resident and seasoned rework master, Nick The Record, revisits an edit that he originally constructed in 2009. Clocking in at over double the length of the original cut, Nick’s edit of Grupo Los Yoyi’s 1977 cut 'Paco La Calle', is made with dancers firmly in mind. This secret weapon builds and simmers, with the drums and percussion pushing and pulling before the psychedelic synth lines return in a sweltering fashion. In this new 2025 version, Dan is drafted in to work some brilliant new synth lines into the mix.
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Having formed the Idjut Boys in the early ‘90s, Dan and Conrad McDonnell have crafted a dubbed-out, disco-tinged style that permeates their countless productions, remixes and DJ sets. Speaking of the two tracks Dan has chosen to rework for this EP he mentions, “Having been caught under an avalanche of good music from Mr Bongo, I took it upon myself to extend and add effects to a couple of the fantastic tracks from the Juan Pablo Torres LPs they recently re-issued. Just for disco jockey and barn dance use.”
First, Dan looks to Cuban maestro Juan Pablo Torres’ 1978 album 'Algo Nuevo', taking one of the standout tracks ‘Cacao’ and giving it more space to breathe. Teasing out the scatting vocal line and percussive climax that nods to George Kranz's ’83 electronic disco anthem 'Din Daa Daa', whilst adding more cosmic tripped-out synths and space echoed dubs, Dan builds the tension to fine effect. This track sounds immense on a big club system and the swirling synths felt like they were lifting the ceiling off when we played it at the amazing La Paloma ballroom in Barcelona.
Dan then turns his attention to Torres’ 1977 'Super Son' album, giving the psych-Latin-funk track 'Pastel En Descarga' a dub makeover. Rich in delay and drama, whilst maintaining and extending the breakers funk intro, he juices it up into a punchy, no-nonsense, cosmic-funk delight.
On the B side, Tangent co-founder, long-standing Life Force resident and seasoned rework master, Nick The Record, revisits an edit that he originally constructed in 2009. Clocking in at over double the length of the original cut, Nick’s edit of Grupo Los Yoyi’s 1977 cut 'Paco La Calle', is made with dancers firmly in mind. This secret weapon builds and simmers, with the drums and percussion pushing and pulling before the psychedelic synth lines return in a sweltering fashion. In this new 2025 version, Dan is drafted in to work some brilliant new synth lines into the mix.
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1
Herman Kelly & Life - Dance To The Drummer's Beat
2
Herman Kelly & Life - Time After Time
3
Herman Kelly & Life - A Refreshing Love
4
Herman Kelly & Life - Who's The Funky D.J.
5
Herman Kelly & Life - Share Your Love
6
Herman Kelly & Life - Do The Handbone
Source of an all-time 'Breaks and Beats' classic, Mr Bongo reissue Herman Kelly’s timeless 1978 album Percussion Explosion!. Immortalised in hip-hop folklore, when the anthemic 'Dance To The Drummer's Beat’ was featured on the influential Ultimate Breaks & Beats compilation series in 1986.
Percussion Explosion! was the brainchild of drummer, percussionist, producer and arranger, Herman Kelly and his percussive disco-funk group from Miami, 'Life', that featured Aaron McCarthy, Oliver Well, John DeMonica, Michal Cordoza and Travis Biggs. The album houses a collection of disco, funk and Latin-inspired cuts that were destined for greatness. Nestled within the grooves is the B-Boy and B-Girl’s anthem, 'Dance To The Drummer's Beat’, which contains a now legendary break. A cursory glance at Whosampled will show that it has been sampled in over 125+ songs. These include Double Dee & Steinski on their groundbreaking 1985 production 'Lesson 3 (History Of Hip Hop Mix)', as well as by DJ Shadow, N.W.A, Masters At Work, Run D.M.C. and a whole host of heavyweights across hip-hop, dance and pop music.
When the album was released in 1978 it came out on two different labels, Alston Records and Electric Cat. Each label pressed different versions of 'Dance To The Drummer's Beat’, with the former featuring a 4:12 version and the latter a longer 5:09 version that has a different structure, crowd noise at the start and overdubbed percussion.
For this Mr Bongo reissue, we have chosen the classic 4:12 version from the Alston Records release, which would later find its way on to the illustrious Ultimate Breaks & Beats compilation. To make matters even more confusing the Alston version art on the back cover also states the track length as 5:09, whilst the centre label lists it correctly as 4:12.
Aside from the much celebrated 'Dance To The Drummer's Beat’, the album includes a range of other fantastic overlooked cuts. From the percussive soul stepper 'Share Your Love', to the beautiful Latin-flavoured 'A Refreshing Love' or the party disco-funk groover 'Who's The Funky D.J.?'.
This wonderful and inspirational record features an important piece of hip-hop heritage and deserves a place in every collection.
Housed in a tip-on sleeve.
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Percussion Explosion! was the brainchild of drummer, percussionist, producer and arranger, Herman Kelly and his percussive disco-funk group from Miami, 'Life', that featured Aaron McCarthy, Oliver Well, John DeMonica, Michal Cordoza and Travis Biggs. The album houses a collection of disco, funk and Latin-inspired cuts that were destined for greatness. Nestled within the grooves is the B-Boy and B-Girl’s anthem, 'Dance To The Drummer's Beat’, which contains a now legendary break. A cursory glance at Whosampled will show that it has been sampled in over 125+ songs. These include Double Dee & Steinski on their groundbreaking 1985 production 'Lesson 3 (History Of Hip Hop Mix)', as well as by DJ Shadow, N.W.A, Masters At Work, Run D.M.C. and a whole host of heavyweights across hip-hop, dance and pop music.
When the album was released in 1978 it came out on two different labels, Alston Records and Electric Cat. Each label pressed different versions of 'Dance To The Drummer's Beat’, with the former featuring a 4:12 version and the latter a longer 5:09 version that has a different structure, crowd noise at the start and overdubbed percussion.
For this Mr Bongo reissue, we have chosen the classic 4:12 version from the Alston Records release, which would later find its way on to the illustrious Ultimate Breaks & Beats compilation. To make matters even more confusing the Alston version art on the back cover also states the track length as 5:09, whilst the centre label lists it correctly as 4:12.
Aside from the much celebrated 'Dance To The Drummer's Beat’, the album includes a range of other fantastic overlooked cuts. From the percussive soul stepper 'Share Your Love', to the beautiful Latin-flavoured 'A Refreshing Love' or the party disco-funk groover 'Who's The Funky D.J.?'.
This wonderful and inspirational record features an important piece of hip-hop heritage and deserves a place in every collection.
Housed in a tip-on sleeve.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Rosa Maria - Deixa Não Deixa
2
Rosa Maria - Avenida Atlantica
Back in stock due to popular demand, the 41st release in our signature Brazil 45’s series. Turning the spotlight to two monster funk/bossa nova cuts from Rosa Maria, we reissued a double header of firm favourites here at Mr Bongo HQ. Originally released on 7” in 1972 via Tapecar, copies of the OG are extremely difficult to get your hands on.
The A side houses ‘Deixa Nao Deixa’, with its distinct afro-Latin feel courtesy of the guitar, horns and percussion. Add in the catchy lead vocal, strong harmonies, funk/bossa drum grooves, shuffling percussion and the continuous build to the end, and you have one of the greatest Brazilian funk records ever pressed.
‘Avenida Atlantica’ takes the B side. Funk and bossa drum grooves alternate underneath the layers of vocals, horns, piano and percussion for a fiery, energetic dancefloor heater.
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The A side houses ‘Deixa Nao Deixa’, with its distinct afro-Latin feel courtesy of the guitar, horns and percussion. Add in the catchy lead vocal, strong harmonies, funk/bossa drum grooves, shuffling percussion and the continuous build to the end, and you have one of the greatest Brazilian funk records ever pressed.
‘Avenida Atlantica’ takes the B side. Funk and bossa drum grooves alternate underneath the layers of vocals, horns, piano and percussion for a fiery, energetic dancefloor heater.
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1
Célia - Na Boca Do Sol
2
Célia - A Hora É Essa
Back in stock due to popular demand, the 50th release in our signature Brazil 45’s series. For this edition we reissued two tracks from Célia’s awesome, sought after, second self-titled LP from 1972.
‘Na Boca Do Sol’ was written and arranged by Arthur Verocai and Vitor Martins, the original of which appeared on Verocai’s brilliant self-titled album. Fuzz guitar, drums, strings and Célia’s vocal combine to create an epic Brazilian masterstroke.
On the B side ‘A Hora é Essa’ is the first track from the Célia’s second self-titled LP. A lively samba-funk workout, doused in jazzy piano licks, strutting guitars and punchy horns.
These two classics were also given a 7” pressing in 1972 on Continental, which is very difficult to get hold of now.
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‘Na Boca Do Sol’ was written and arranged by Arthur Verocai and Vitor Martins, the original of which appeared on Verocai’s brilliant self-titled album. Fuzz guitar, drums, strings and Célia’s vocal combine to create an epic Brazilian masterstroke.
On the B side ‘A Hora é Essa’ is the first track from the Célia’s second self-titled LP. A lively samba-funk workout, doused in jazzy piano licks, strutting guitars and punchy horns.
These two classics were also given a 7” pressing in 1972 on Continental, which is very difficult to get hold of now.
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1
Hanna - Deixa Rodar
2
Almir Ricardi - To Parado Na Tua
Back in stock due to popular demand, the 54th release in our signature Brazil 45’s series. For this 7” double header we turned our attention to two outstanding boogie gems from Hanna and Almir Ricardi.
Up first, ‘Deixa Rodar’ is an essential midtempo disco/boogie jam taken from Hanna’s 1979 Deixa Rodar LP from 1979. A tip off from our good friend Mark ‘GV’ Taylor, this is a sure-fire way to light up any dancefloor and was featured in DJ Koco’s incredible Brazil 45’s mix.
On the B side, ‘To Parado Na Tua’ is another killer midtempo disco/boogie cut, this time from Almir Ricardi in 1984. Produced by the legendary duo of Lincoln Olivetti and Robson Jorge it exudes that feel-good boogie flavour they are famous for. Taken from the sought after and now fairly pricey ‘Festa Funk’ LP on RGE.
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Up first, ‘Deixa Rodar’ is an essential midtempo disco/boogie jam taken from Hanna’s 1979 Deixa Rodar LP from 1979. A tip off from our good friend Mark ‘GV’ Taylor, this is a sure-fire way to light up any dancefloor and was featured in DJ Koco’s incredible Brazil 45’s mix.
On the B side, ‘To Parado Na Tua’ is another killer midtempo disco/boogie cut, this time from Almir Ricardi in 1984. Produced by the legendary duo of Lincoln Olivetti and Robson Jorge it exudes that feel-good boogie flavour they are famous for. Taken from the sought after and now fairly pricey ‘Festa Funk’ LP on RGE.
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Claudia - Deixa O Morro Cantar
2
Claudia - Mas Que Nada
Back in stock due to popular demand, the 66th release in our signature Brazil 45’s series. Two supreme MPB/bossa-nova cuts courtesy of our leading Brazil 45’s lady, Claudia.
On the A side, ‘Deixa o Morro Cantar’ features on Claudia’s very first 7”, released in 1965 by RGE Brazil. A classy, horn-infused number that really brings out the warming tone of Claudia’s iconic voice.
Take to the flip for Claudia’s version of the legendary ’Mas Que Nada’. It’s a jazzier, folk-funk take on the Jorge Ben classic, that provides a great alternative version of this timeless song.
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On the A side, ‘Deixa o Morro Cantar’ features on Claudia’s very first 7”, released in 1965 by RGE Brazil. A classy, horn-infused number that really brings out the warming tone of Claudia’s iconic voice.
Take to the flip for Claudia’s version of the legendary ’Mas Que Nada’. It’s a jazzier, folk-funk take on the Jorge Ben classic, that provides a great alternative version of this timeless song.
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1
Alfredo De La Fe - Toca Alfredo Toca
2
Alfredo De La Fe - El Casabe
3
Alfredo De La Fe - Charangueandao
4
Alfredo De La Fe - Que Rico Bailo Yo
5
Alfredo De La Fe - Hot To Trot
6
Alfredo De La Fe - My Favorite Things
7
Alfredo De La Fe - Canto Del Corazon
Proudly presenting our reissue of a bona fide Latin classic from 1979 by the Cuban-born violinist Alfredo De La Fe. Based in New York and Colombia, Alfredo worked with some of the greats in Latin music including Eddie Palmieri, Willie Colon and Roberto Roena, alongside disco and soul icons like Sylvester and Aquarian Dream.
His debut album, Alfredo, is sublime and comprises two distinct halves. The A-side is a fine outing of Latin dancefloor workouts, with Alfredo innovatively incorporating the violin as a key element of his songwriting. Take to ‘Toca Alfredo Toca’ or ‘Charangueando’ to hear Alfredo’s violin solos placed centre stage, a unique dimension to Latin music which he helped to pioneer at the time.
Side two though is where things get interesting and unexpected. ‘Hot To Trot’ is a string-laden, Latin groover with a heavy dose of disco-funk and bubbling Brazilian percussion. It is sheer genius and still ignites a dancefloor to this day. The track became a favourite with the iconic New York DJ Larry Levan and was spun in one of the ground zero blueprints of modern clubbing, the Paradise Garage. This tune has been a mainstay amongst DJs ever since its release, has featured on compilations by Louie Vegas, Dave Lee and Danny Krivit over the years and is a record that never leaves our bag.
Other highlights include the cosmic, layered string, Latin jazz version of 'My Favourite Things' that opens into a psychedelic percussive jam and the mesmerising ‘Que Rico Bailo Yo’. Also be sure to check the epic closer 'Canto Del Corazon', which fuses avant-garde elements into a bass-gliding funk before morphing into a brilliant Latin final section.
This is a true masterpiece from the trailblazing “El violín de la salsa” and one that deserves a place in every collection.
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His debut album, Alfredo, is sublime and comprises two distinct halves. The A-side is a fine outing of Latin dancefloor workouts, with Alfredo innovatively incorporating the violin as a key element of his songwriting. Take to ‘Toca Alfredo Toca’ or ‘Charangueando’ to hear Alfredo’s violin solos placed centre stage, a unique dimension to Latin music which he helped to pioneer at the time.
Side two though is where things get interesting and unexpected. ‘Hot To Trot’ is a string-laden, Latin groover with a heavy dose of disco-funk and bubbling Brazilian percussion. It is sheer genius and still ignites a dancefloor to this day. The track became a favourite with the iconic New York DJ Larry Levan and was spun in one of the ground zero blueprints of modern clubbing, the Paradise Garage. This tune has been a mainstay amongst DJs ever since its release, has featured on compilations by Louie Vegas, Dave Lee and Danny Krivit over the years and is a record that never leaves our bag.
Other highlights include the cosmic, layered string, Latin jazz version of 'My Favourite Things' that opens into a psychedelic percussive jam and the mesmerising ‘Que Rico Bailo Yo’. Also be sure to check the epic closer 'Canto Del Corazon', which fuses avant-garde elements into a bass-gliding funk before morphing into a brilliant Latin final section.
This is a true masterpiece from the trailblazing “El violín de la salsa” and one that deserves a place in every collection.
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1
Ousmane Kouyaté & Ambassadeurs Internati - Kefimba
2
Bouba et Sokona Sacko - Mamaniya
3
Les Ambassadeurs du Motel de Bamako - Get Up James
4
Allata Broulaye - Moussokéléyato
5
Tentemba Jazz du Mali - Yayoroba
6
Tjiwara Band de Kati - Kogola
7
Rail Band - Massaré Mousso
8
Les Ambassadeurs du Motel de Bamako - Matou Kagni
9
Mystère Jazz de Tombouctou - Sidi Yahia
10
Allata Broulaye - Yayoroba
11
Les Messagers du Mali - Diamana Diarra
12
Tjiwara Band de Kati - Midnight Hour
Following the success of ‘The Original Sound of Mali’ compilation, we return with another explorative delve into the wonders of Malian music compiled by French writer, journalist and Grammy-nominated compiler Florent Mazzoleni and Mr Bongo’s very own David Buttle. Restoring, reissuing and contextualising iconic tracks from Ousmane Kouyaté & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystère Jazz de Tombouctou and many more, the second compilation in this series dives ever further into the richness of post-independence music emanating out of Mali. One in which traditional foundations and instrumentation, blended with modern musical advances and influence.
Following Mali’s independence, after ten years of maturation, the 1970s saw modern Malian culture revealed to the world through musical anthologies and overviews of national and regional productions. It was a remarkably fertile period of the country’s musical history, with state-sponsored bands and orchestras now able to be documented and recorded by sound engineers.
Mali has always had a diverse storytelling tradition through music, with each province and ethnic group having its own unique character and nuances. As influences and sounds from the West drifted over the Atlantic, Malian musicians began hearing artists like John Lee Hooker, Wilson Pickett, Johnny Pacheco, Celia Cruz and James Brown. Elements and ideas from blues, soul, rock and funk led to bands covering artists they’d heard from these genres. The Tjiwara Band de Kati’s raw cover version of Pickett’s soul / R&B classic ‘In The Midnight Hour’ and the James Brown funk-channelling cut ‘Get Up James’ from Les Ambassadeurs du Motel de Bamako, are two such examples featured on this compilation.
Most bands also relied on playing in hotels in Mali’s capital, Bamako, which naturally became where they honed their sound. With guests wanting to hear the influence of foreign styles and modern instrumentation becoming more available, this fusion of Western ideas with traditional Malian rhythms and organic instruments led to a one-of-a-kind musical excellence.
The second volume in this series, captures the raw energy of Mali in this period, with a spread of sounds that radiated from Mali’s newly recorded musicians. The afrobeat rhythms of Ousmane Kouyaté and mesmerising Malian classic from Bouba and Sokona Sacko, sitting side by side with the swirling hypnotism of Tentemba Jazz du Mali and a ngoni-infused, percussive dancer from Allata Broulaye. Elsewhere, the deep African desert music of Mystère Jazz de Tombouctou rubs shoulders with the grandeur of the Rail Band, powered by Salif Keita’s iconic vocals.
Those are just a handful of the recordings highlighted on this compilation, which includes an extensive booklet looking at the history and relevance of the tracks written by Florent Mazzoleni. With so much enchanting, deep and mind-expanding music coming out of Mali in this period, ‘The Original Sound of Mali 2’ is a perfect aid to discovering the richness of music this country has to offer.
Vinyl LP housed in a gatefold sleeve with A5 booklet liner notes.
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Following Mali’s independence, after ten years of maturation, the 1970s saw modern Malian culture revealed to the world through musical anthologies and overviews of national and regional productions. It was a remarkably fertile period of the country’s musical history, with state-sponsored bands and orchestras now able to be documented and recorded by sound engineers.
Mali has always had a diverse storytelling tradition through music, with each province and ethnic group having its own unique character and nuances. As influences and sounds from the West drifted over the Atlantic, Malian musicians began hearing artists like John Lee Hooker, Wilson Pickett, Johnny Pacheco, Celia Cruz and James Brown. Elements and ideas from blues, soul, rock and funk led to bands covering artists they’d heard from these genres. The Tjiwara Band de Kati’s raw cover version of Pickett’s soul / R&B classic ‘In The Midnight Hour’ and the James Brown funk-channelling cut ‘Get Up James’ from Les Ambassadeurs du Motel de Bamako, are two such examples featured on this compilation.
Most bands also relied on playing in hotels in Mali’s capital, Bamako, which naturally became where they honed their sound. With guests wanting to hear the influence of foreign styles and modern instrumentation becoming more available, this fusion of Western ideas with traditional Malian rhythms and organic instruments led to a one-of-a-kind musical excellence.
The second volume in this series, captures the raw energy of Mali in this period, with a spread of sounds that radiated from Mali’s newly recorded musicians. The afrobeat rhythms of Ousmane Kouyaté and mesmerising Malian classic from Bouba and Sokona Sacko, sitting side by side with the swirling hypnotism of Tentemba Jazz du Mali and a ngoni-infused, percussive dancer from Allata Broulaye. Elsewhere, the deep African desert music of Mystère Jazz de Tombouctou rubs shoulders with the grandeur of the Rail Band, powered by Salif Keita’s iconic vocals.
Those are just a handful of the recordings highlighted on this compilation, which includes an extensive booklet looking at the history and relevance of the tracks written by Florent Mazzoleni. With so much enchanting, deep and mind-expanding music coming out of Mali in this period, ‘The Original Sound of Mali 2’ is a perfect aid to discovering the richness of music this country has to offer.
Vinyl LP housed in a gatefold sleeve with A5 booklet liner notes.
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1
Sonia Santos - Poema Ritmico Do Malandro (Balanço Do Crioulo)
2
João Donato - Cala Boca Menino
A. Sonia Santos - Poema Ritmico Do Malandro (Balanço Do Crioulo) / B. / João Donato - Cala Boca Menino
Back in stock due to popular demand, the 23rd release in our signature Brazil 45’s series served up a double header of classics from Sonia Santos and João Donato.
First up, 'Poema Ritmico Do Malandro (Balanço Do Crioulo)' is a beautiful track from the instantly recognisable Sonia Santos. A song that drifts from classic to psychedelic samba, laden with strings, horns and crowd noise. First released on 7” by Copacabana in 1971, but never on an album, originals fetch up to £100 per copy. A different version of this song also appears on the truly excellent Zito Righi Alucinolandia LP.
On the B side, 'Cala Boca Menino' is taken from João Donato’s much sought after and requested Quem É Quem LP. Quirky percussion, bubbling keys, horns and a hypnotic vocal. Donato is a hugely prolific force in Brazilian music and worked with the likes of including Tom Jobim, Astrud Gilberto, Cal Tjader, Dom Um Romao and Gilberto Gil amongst others. ‘Cala Boca Menino’ was released on a 7” in 1973 in Brazil, but is very difficult to find at a reasonable price and in good condition these days.
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Back in stock due to popular demand, the 23rd release in our signature Brazil 45’s series served up a double header of classics from Sonia Santos and João Donato.
First up, 'Poema Ritmico Do Malandro (Balanço Do Crioulo)' is a beautiful track from the instantly recognisable Sonia Santos. A song that drifts from classic to psychedelic samba, laden with strings, horns and crowd noise. First released on 7” by Copacabana in 1971, but never on an album, originals fetch up to £100 per copy. A different version of this song also appears on the truly excellent Zito Righi Alucinolandia LP.
On the B side, 'Cala Boca Menino' is taken from João Donato’s much sought after and requested Quem É Quem LP. Quirky percussion, bubbling keys, horns and a hypnotic vocal. Donato is a hugely prolific force in Brazilian music and worked with the likes of including Tom Jobim, Astrud Gilberto, Cal Tjader, Dom Um Romao and Gilberto Gil amongst others. ‘Cala Boca Menino’ was released on a 7” in 1973 in Brazil, but is very difficult to find at a reasonable price and in good condition these days.
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1
Georgette - Kiriê
2
Claudia - Com Mais De 30
A. Georgette - Kiriê / B. Claudia - Com Mais De 30
Back in stock due to popular demand, the 26th release in our signature Brazil 45’s series. For this 7 inch, we shone the light on two Brazilian masterpieces from Georgette and Claudia that are firm favourites of some of the biggest DJs in the business, including Gilles Peterson, Four Tet and Floating Points.
'Kiriê' by Georgette is simply one of ‘those’ tracks. It gets better with every listen and you hear something different every time. Taken from the hard to obtain ‘A Moca do Mar’ LP on Tapecar in 1976, previously unavailable on 7”, you won’t forget this one in a hurry. Long championed by Gilles Peterson and co, the tight uplifting guitar changes, layered percussion and super-subtle strings radiate under Georgette’s vocal, backed by a chorus of male vocals.
The flip features one of Claudia’s best, ‘Com Mais de 30’ a cover of Marcos Valle and Paulo Sérgio Valle’s original version. Fuzz guitars, joyous piano, huge drums, percussion and Claudia’s soaring vocal make for a heavy yet uplifting MPB/funk track of the highest order. Originally released on her hard to find ‘Jesus Cristo’ LP on Odeon in 1971. Also featured on Four Tet and Floating Points iconic Plastic People closing party mix.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Back in stock due to popular demand, the 26th release in our signature Brazil 45’s series. For this 7 inch, we shone the light on two Brazilian masterpieces from Georgette and Claudia that are firm favourites of some of the biggest DJs in the business, including Gilles Peterson, Four Tet and Floating Points.
'Kiriê' by Georgette is simply one of ‘those’ tracks. It gets better with every listen and you hear something different every time. Taken from the hard to obtain ‘A Moca do Mar’ LP on Tapecar in 1976, previously unavailable on 7”, you won’t forget this one in a hurry. Long championed by Gilles Peterson and co, the tight uplifting guitar changes, layered percussion and super-subtle strings radiate under Georgette’s vocal, backed by a chorus of male vocals.
The flip features one of Claudia’s best, ‘Com Mais de 30’ a cover of Marcos Valle and Paulo Sérgio Valle’s original version. Fuzz guitars, joyous piano, huge drums, percussion and Claudia’s soaring vocal make for a heavy yet uplifting MPB/funk track of the highest order. Originally released on her hard to find ‘Jesus Cristo’ LP on Odeon in 1971. Also featured on Four Tet and Floating Points iconic Plastic People closing party mix.
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DE - 22113 Hamburg
Germany
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1
Marcio Lott - Tema De Baby
2
Silvio Cesar - A Festa
A. Marcio Lott - Tema De Baby / B. Silvio Cesar - A Festa
Back in stock due to popular demand, the 33rd release in our signature Brazil 45’s series. A spellbinding pairing of Marcio Lott’s rarer than hen’s teeth, sun-soaked groover ‘Tema de Baby’ and the samba-rock fusion flavours of Silvio Cesar ‘A Festa’.
Marcio Lott’s ‘Tema de Baby’ is a REALLY rare one. We spent a long time trying to license this and were delighted to be able to release it as part of this series. Laid back sunshine samba-rock/funk/MPB, laced with Ramsey Lewis-esque piano and wah-wah guitars and lovely vocals top it off. Originally released on 7” by Tapecar in 1974.
Silvio Cesar’s ‘A Festa’ was brought to our attention - like many others in this series - by the almighty duo Brazilian Beats Brooklyn. A firm favourite here with everyone at Mr Bongo it’s a certified stormer from the opening beat. Jazzy, samba-rock fusion that touches on disco when the hi-hats open up. Floating synth lines, tough drums and crowd noise throughout add to the scintillating vibe. Taken from his LP ‘Som E Palavras’ released in 1977, as also featured on our Brazilian Beats Brooklyn compilation.
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Germany
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Back in stock due to popular demand, the 33rd release in our signature Brazil 45’s series. A spellbinding pairing of Marcio Lott’s rarer than hen’s teeth, sun-soaked groover ‘Tema de Baby’ and the samba-rock fusion flavours of Silvio Cesar ‘A Festa’.
Marcio Lott’s ‘Tema de Baby’ is a REALLY rare one. We spent a long time trying to license this and were delighted to be able to release it as part of this series. Laid back sunshine samba-rock/funk/MPB, laced with Ramsey Lewis-esque piano and wah-wah guitars and lovely vocals top it off. Originally released on 7” by Tapecar in 1974.
Silvio Cesar’s ‘A Festa’ was brought to our attention - like many others in this series - by the almighty duo Brazilian Beats Brooklyn. A firm favourite here with everyone at Mr Bongo it’s a certified stormer from the opening beat. Jazzy, samba-rock fusion that touches on disco when the hi-hats open up. Floating synth lines, tough drums and crowd noise throughout add to the scintillating vibe. Taken from his LP ‘Som E Palavras’ released in 1977, as also featured on our Brazilian Beats Brooklyn compilation.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Elza Soares - Mas Que Nada
2
Elizabeth - Vou Falar-Lhe Francamente
Back in stock due to popular demand, the 12th release in our signature Brazil 45’s series saw a reissue of two certified classics from Brazil’s rich musical tapestry.
On the A side, Brazilian Samba luminary Elza Soares, covers Jorge Ben’s classic ‘Mas Que Nada’. Originally featured on her brilliant 1970 Sambas & Mais Sambas LP on Odeon, it’s tougher drums, punchy piano and Elza’s stunning vocal tones make this a perfect dancefloor heater. With over 34 albums to her name in a career that spanned 60 years, Elza is a certified legend of Brazilian music.
Little is known about the artist responsible for the B side track, Elizabeth. Nicknamed ‘Gatinha do Mato’ (loosely translated as ‘Jungle Cat’) she was involved in the Jovem Guarda movement that fused rock n roll and youth culture with Brazilian styles in the ‘60s.
‘Vou Falar-Lhe Francamente’ is a majestic, horn-infused number laced with emotion, that we originally found at one of our favourite, now defunct, spots ‘Tony’s Hits’ in Sao Paulo. The record was originally released on 7” on RGE in 1970.
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Germany
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On the A side, Brazilian Samba luminary Elza Soares, covers Jorge Ben’s classic ‘Mas Que Nada’. Originally featured on her brilliant 1970 Sambas & Mais Sambas LP on Odeon, it’s tougher drums, punchy piano and Elza’s stunning vocal tones make this a perfect dancefloor heater. With over 34 albums to her name in a career that spanned 60 years, Elza is a certified legend of Brazilian music.
Little is known about the artist responsible for the B side track, Elizabeth. Nicknamed ‘Gatinha do Mato’ (loosely translated as ‘Jungle Cat’) she was involved in the Jovem Guarda movement that fused rock n roll and youth culture with Brazilian styles in the ‘60s.
‘Vou Falar-Lhe Francamente’ is a majestic, horn-infused number laced with emotion, that we originally found at one of our favourite, now defunct, spots ‘Tony’s Hits’ in Sao Paulo. The record was originally released on 7” on RGE in 1970.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Elys Camargo - Taieiras
2
Trio Esperança - Não Aguento Você
Back in stock due to popular demand, the 18th release in our signature Brazil 45’s series saw Elys Camargo’s ‘Taieiras’ and ‘Não Aguento Você’ by Trio Esperança issued for the first time on 7”.
First up, ‘Taieiras’ from Elys Camargo’s 1972 album Cantos Da Minha Gente on RCA. An infectious, folk-leaning, call and response number that transports you instantly to Brazil. Although Elys recorded 12 albums between 1960 and 1983, little is known about her. DJ Yoda sampled ‘Taieiras’ in his 2012 track ‘U No Likey Like That’ featuring Roots Manuva and Kid Creole & The Coconuts.
On the B side, ‘Não Aguento Você’ by Trio Esperança. A Rio vocal trio formed by siblings Mário, Regina and Evinha Correia José Maria (the latter of which recorded the stunning classic, ‘Esperar Pra Ver’), whose three older brothers we’re The Golden Boys.
‘Não Aguento Você’ is a sun-kissed, psychedelic stunner, taken from their self-titled 1971 album. The original line up recorded seven albums for Odeon Brazil between 1963 and 1975.
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DE - 22113 Hamburg
Germany
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First up, ‘Taieiras’ from Elys Camargo’s 1972 album Cantos Da Minha Gente on RCA. An infectious, folk-leaning, call and response number that transports you instantly to Brazil. Although Elys recorded 12 albums between 1960 and 1983, little is known about her. DJ Yoda sampled ‘Taieiras’ in his 2012 track ‘U No Likey Like That’ featuring Roots Manuva and Kid Creole & The Coconuts.
On the B side, ‘Não Aguento Você’ by Trio Esperança. A Rio vocal trio formed by siblings Mário, Regina and Evinha Correia José Maria (the latter of which recorded the stunning classic, ‘Esperar Pra Ver’), whose three older brothers we’re The Golden Boys.
‘Não Aguento Você’ is a sun-kissed, psychedelic stunner, taken from their self-titled 1971 album. The original line up recorded seven albums for Odeon Brazil between 1963 and 1975.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Earth People - Dance
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Earth People - Dub
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Earth People - Beats
It’s not a new release, but as it’s been out of press for over 3 years, AND has been remastered for 2024, we feel this classic house masterpiece should be offered out to you lucky people once again…but only if you’re worthy. So, now available on wax on what could be the last ever press of this Pal Joey House standard on Cabaret.
No DJ or House music record buyer can call their collection complete without a copy (or 2) of this!
A timeless classic that sounds as fresh as it did back in 1989.
Played and supported by anyone and everyone HOUSE for 4 decades.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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No DJ or House music record buyer can call their collection complete without a copy (or 2) of this!
A timeless classic that sounds as fresh as it did back in 1989.
Played and supported by anyone and everyone HOUSE for 4 decades.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Masako Ohta, Matthias Lindermayr - A1) Trudelutt
2
Masako Ohta, Matthias Lindermayr - A2) Oli's Balloon
3
Masako Ohta, Matthias Lindermayr - A3) All Good Things Are Four
4
Masako Ohta, Matthias Lindermayr - A4) Tolv
5
Masako Ohta, Matthias Lindermayr - A5) Sora
6
Masako Ohta, Matthias Lindermayr - A6) Kogia
7
Masako Ohta, Matthias Lindermayr - B1) Ayet
8
Masako Ohta, Matthias Lindermayr - B2) Penguin
9
Masako Ohta, Matthias Lindermayr - B3) La
LP
Special remarks:
180g
Tracklist:
A1) Trudelutt 05:03 min
A2) Oli's Balloon 02:22 min
A3) All Good Things Are Four 05:04 min
A4) Tolv 03:13 min
A5) Sora 03:45 min
A6) Kogia 05:39 min
B1) Ayet 08:49 min
B2) Penguin 04:29 min
B3) La 04:23 min
Info:
Pianist Masako Ohta and trumpet player Matthias Lindermayr's music flows in gentle waves, moving with ease between every theme they imagine. Their music is largely improvised, embracing chance and following sound down winding paths. Their debut collaborative album, MMMMH, highlights this loose process through its relaxed pace, surprising turns, and drifting style. The album presents small vignettes that each encapsulate their free-flowing motion and tranquil melodies, drawing from simple ideas to create a fully bloomed, radiant sound.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Special remarks:
180g
Tracklist:
A1) Trudelutt 05:03 min
A2) Oli's Balloon 02:22 min
A3) All Good Things Are Four 05:04 min
A4) Tolv 03:13 min
A5) Sora 03:45 min
A6) Kogia 05:39 min
B1) Ayet 08:49 min
B2) Penguin 04:29 min
B3) La 04:23 min
Info:
Pianist Masako Ohta and trumpet player Matthias Lindermayr's music flows in gentle waves, moving with ease between every theme they imagine. Their music is largely improvised, embracing chance and following sound down winding paths. Their debut collaborative album, MMMMH, highlights this loose process through its relaxed pace, surprising turns, and drifting style. The album presents small vignettes that each encapsulate their free-flowing motion and tranquil melodies, drawing from simple ideas to create a fully bloomed, radiant sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
nu guinea - No Title
2
nu guinea - No Title
3
nu guinea - No Title
4
nu guinea - No Title
5
nu guinea - No Title
6
nu guinea - No Title
7
nu guinea - No Title
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Label:Watergate Records
Cat-No:wgvinyl99
Release-Date:02.02.2024
Genre:House / Techno
Configuration:12" Excl
Label:Watergate Records
Cat-No:wgvinyl99
Release-Date:02.02.2024
Genre:House / Techno
Configuration:12" Excl
1
8Kays & Glowal - Matemática feat. Abrão
2
8Kays & Juan Hansen - Falling Down
3
8Kays & Juan Hansen - Falling Down (Colyn & Beswerda Remix)
4
8Kays & Juan Hansen - Falling Down (Chris Avantgarde Remix)
5
8Kays - Lyra
Tracklist
A1) 8Kays & Glowal - Matemática feat. Abrão
A2) 8Kays & Juan Hansen - Falling Down
B1) 8Kays & Juan Hansen - Falling Down (Colyn & Beswerda Remix)
B2) 8Kays & Juan Hansen - Falling Down (Chris Avantgarde Remix)
B3) 8Kays - Lyra
Release Info
8Kays delivers an inspiring label debut on Watergate Records, as the artistic project of Ukrainian sound-producer and live act Iryna Shvydka reinforces why there’s so much excitement surrounding her with the slick ‘Falling Down’ EP.
A collaborative rich EP, 8Kays links with Italian pair Glowal for the punchy ‘Matemática’, that brings plenty of eerie minor key vibes to the dancefloor thanks to the vocal contribution from Brasilian singer Abrão. ‘Falling Down’ sees 8Kays team up with the Buenos Aires-based producer and live act Juan Hansen for a captivating slice of electronic prog lit up by Hansen’s memorable vox and delicate strings. One for those special end-of-night moments.
Dutch pair Colyn & Beswerda suit up ‘Falling Down’ for a different occasion, adding a tougher backbone, while teasing out all the melodic flourishes to craft a remix that’s functional and stunning in equal doses. Man-of-the moment Chris Avantgarde then ramps up the intensity to eleven adding his own re-rub that’s everything we’ve come to love about the producer: bold, powerful and memorable. The EP ends with a terrific 8Kays solo cut, the luminescent ‘Lyra’, a dreamy arpeggio-driven gem that closes out the work beautifully.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1) 8Kays & Glowal - Matemática feat. Abrão
A2) 8Kays & Juan Hansen - Falling Down
B1) 8Kays & Juan Hansen - Falling Down (Colyn & Beswerda Remix)
B2) 8Kays & Juan Hansen - Falling Down (Chris Avantgarde Remix)
B3) 8Kays - Lyra
Release Info
8Kays delivers an inspiring label debut on Watergate Records, as the artistic project of Ukrainian sound-producer and live act Iryna Shvydka reinforces why there’s so much excitement surrounding her with the slick ‘Falling Down’ EP.
A collaborative rich EP, 8Kays links with Italian pair Glowal for the punchy ‘Matemática’, that brings plenty of eerie minor key vibes to the dancefloor thanks to the vocal contribution from Brasilian singer Abrão. ‘Falling Down’ sees 8Kays team up with the Buenos Aires-based producer and live act Juan Hansen for a captivating slice of electronic prog lit up by Hansen’s memorable vox and delicate strings. One for those special end-of-night moments.
Dutch pair Colyn & Beswerda suit up ‘Falling Down’ for a different occasion, adding a tougher backbone, while teasing out all the melodic flourishes to craft a remix that’s functional and stunning in equal doses. Man-of-the moment Chris Avantgarde then ramps up the intensity to eleven adding his own re-rub that’s everything we’ve come to love about the producer: bold, powerful and memorable. The EP ends with a terrific 8Kays solo cut, the luminescent ‘Lyra’, a dreamy arpeggio-driven gem that closes out the work beautifully.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Mihai Popoviciu - Jewel
2
Mihai Popoviciu - This
3
Mihai Popoviciu - Echo Audio (Vinyl Only)
4
Mihai Popoviciu - Only (Vinyl Only)
Special remarks: 2 VINYL ONLY TRACKS // 180G VINYL // VINYL // PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 Jewel
A2 This
B1 Echo Audio (Vinyl Only)
B2 Only (Vinyl Only)
Mihai Popoviciu returns to the label with an incredible new EP. Legendary Romanian producer Mihal Popoviciu broke into the scene way back in 2001, over 20 years later his back catalogue, including releases for Pokerflat, Berg Audio and Hedzup Records, showcases just why he’s considered one of eastern Europe’s most innovative artists. Given his gifted talents in the studio, it wasn’t long before he was travelling across the globe DJing at clubs and festivals as far flung as Thailand, Canada and everywhere inbetween.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist 12":
A1 Jewel
A2 This
B1 Echo Audio (Vinyl Only)
B2 Only (Vinyl Only)
Mihai Popoviciu returns to the label with an incredible new EP. Legendary Romanian producer Mihal Popoviciu broke into the scene way back in 2001, over 20 years later his back catalogue, including releases for Pokerflat, Berg Audio and Hedzup Records, showcases just why he’s considered one of eastern Europe’s most innovative artists. Given his gifted talents in the studio, it wasn’t long before he was travelling across the globe DJing at clubs and festivals as far flung as Thailand, Canada and everywhere inbetween.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Rogue D - The Vibe feat JOE LE GROOVE
2
Rogue D - The Vibe feat JOE LE GROOVE (Jack On Black REMIX)
3
Ruff Stuff - The Gathering
4
Ruff Stuff - Brighter Mood
Genre: House
TRACKLISTS:
A1. ROGUE D ‘The Vibe’ feat JOE LE GROOVE
A2. ROGUE D ‘The Vibe’ feat JOE LE GROOVE (Jack On Black REMIX)
B1. RUFF STUFF ‘The Gathering’
B2. RUFF STUFF ‘Brighter Mood’
For the sixth release of Stolen Goods Records, Lele Sacchi welcomes back Rogue D and Ruff Stuff for the first ‘B2B’ EP on the label, a shared release consisting of five top draw house tracks following their appearance on the Stolen Goods VA that launched the label in 2022.
First up, Snatch! & Classic Music Company artist Rogue D unveils ‘The Vibe’, a track of real style featuring the voice from London mainstay Joe Le Groove. The track is remixed by JOB AKA Jack On Black, an alias of Joe Le Groove and Jib Rafill, who join forces to infuse the original’s deep and groovy classic house vibes with acidsoaked psychedelica. Next, Ruff Stuff kicks off the B-side with ‘The Gathering’, a slow-burning chugger with smooth chord stabs and a
retro vocal sprinkled on top. This is before the Sloth Boogie, Shall Not Fade and !K7 artist finishes on ‘Brighter Mood’, a high-energy dub and acid track destined for late evenings and early mornings.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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TRACKLISTS:
A1. ROGUE D ‘The Vibe’ feat JOE LE GROOVE
A2. ROGUE D ‘The Vibe’ feat JOE LE GROOVE (Jack On Black REMIX)
B1. RUFF STUFF ‘The Gathering’
B2. RUFF STUFF ‘Brighter Mood’
For the sixth release of Stolen Goods Records, Lele Sacchi welcomes back Rogue D and Ruff Stuff for the first ‘B2B’ EP on the label, a shared release consisting of five top draw house tracks following their appearance on the Stolen Goods VA that launched the label in 2022.
First up, Snatch! & Classic Music Company artist Rogue D unveils ‘The Vibe’, a track of real style featuring the voice from London mainstay Joe Le Groove. The track is remixed by JOB AKA Jack On Black, an alias of Joe Le Groove and Jib Rafill, who join forces to infuse the original’s deep and groovy classic house vibes with acidsoaked psychedelica. Next, Ruff Stuff kicks off the B-side with ‘The Gathering’, a slow-burning chugger with smooth chord stabs and a
retro vocal sprinkled on top. This is before the Sloth Boogie, Shall Not Fade and !K7 artist finishes on ‘Brighter Mood’, a high-energy dub and acid track destined for late evenings and early mornings.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Tiger & Woods - Fake U
2
Tiger & Woods - Do It Do Me
3
Tiger & Woods - Silly Little Games feat. ‘Em
4
Tiger & Woods - Wild Stream
Tracklist
A1. Fake U
A2. Do It Do Me
B1. Silly Little Games feat. ‘Em
B2. Wild Stream
When it rains, it pours! Which is a good thing, if the soil is dry. The second return of Tiger & Woods in almost no time falls on fertile ground. After DJs on Film has been eagerly embraced, they keep the ingredients, but change the dishes. Consummate and catchy, sweeping and simple DJ music with a penchant for hooks and hits.
Silly Little Games (also featuring long-time collaborator ’Em) evokes the rescue of an unreleased Editainment reel with a hidden new beat feel. Wild Stream is the sort of shattered mirror ball that came out of Shake Shakiest studio and Claude Young would have needed two copies off, while Fake U and Do It to Me are eternal classics Again: No samples were harmed during the filming of this record!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Fake U
A2. Do It Do Me
B1. Silly Little Games feat. ‘Em
B2. Wild Stream
When it rains, it pours! Which is a good thing, if the soil is dry. The second return of Tiger & Woods in almost no time falls on fertile ground. After DJs on Film has been eagerly embraced, they keep the ingredients, but change the dishes. Consummate and catchy, sweeping and simple DJ music with a penchant for hooks and hits.
Silly Little Games (also featuring long-time collaborator ’Em) evokes the rescue of an unreleased Editainment reel with a hidden new beat feel. Wild Stream is the sort of shattered mirror ball that came out of Shake Shakiest studio and Claude Young would have needed two copies off, while Fake U and Do It to Me are eternal classics Again: No samples were harmed during the filming of this record!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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1
Bala Desejo - Baile De Máscaras (Recarnaval) (Jamz Supernova & Sam Interface Edit)
2
Bala Desejo - Baile De Máscaras (Recarnaval) (Jamz Supernova & Sam Interface Remix)
This release is a story of serendipitous stars aligning. Having released Bala Desejo’s anthemic single, 'Baile De Máscaras’, back in May 2023, we could sense that we had a summer classic on our hands. We always thought that it had the potential to find fans in a dance music audience, and thanks to a fortuitous moment whilst listening to Gilles Peterson's radio show, we heard a mysterious “Jamz” edit of the track. In a further twist of fate, the sensational DJ, producer, and radio presenter Jamz Supernova recently graced our Great Escape in-store event with a phenomenal DJ set. After some feverish digging and emailing to her team, we discovered that she was a fan of the original song and had made a personal edit to play in her DJ sets. Gilles had heard Jamz spinning the edit and asked for a copy, and by sheer coincidence and good fortune, it all fell into place.
For this release, we have included the original edit that Jamz and Sam Interface had made for personal use only. It is a beast of an edit that gets heavier and deeper as it progresses. It makes the track dancefloor ready and adds to the anthemic nature of the original. Additionally, Jamz and Sam wanted to deliver a further updated remix where the pair have added more percussive elements that take the song in a tropical house direction. So, a massive thank you to Jamz and Sam for allowing us to make these wonderful productions available for all.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
For this release, we have included the original edit that Jamz and Sam Interface had made for personal use only. It is a beast of an edit that gets heavier and deeper as it progresses. It makes the track dancefloor ready and adds to the anthemic nature of the original. Additionally, Jamz and Sam wanted to deliver a further updated remix where the pair have added more percussive elements that take the song in a tropical house direction. So, a massive thank you to Jamz and Sam for allowing us to make these wonderful productions available for all.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Monolink - A. Return to Oz - Artbat Remix – 8:00
2
Monolink - B1. Father Ocean - Ben Böhmer Remix – 7:56
3
Monolink - B2. Sirens - Patrice Bäumel Remix – 7:25
2024 repress
Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25
Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25
Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Rework - A1 Rework - You're So Just Just (Rework Just Edit)
2
Rework - A2 Rework - You're So Just Just (Troxler x Crosson Remix)
3
Rework - B Rework - You're So Just Just (Cinthie Remix)
12" / Vinyl made with 100% CO2 Reduced / 100% recycable / ISCC PLUS-certified "BioVinyl" by Optimal Media and Wordandsound
GENRE/S:
House, Minimal House, Deep House
TRACKLIST:
A1 Rework - You're So Just Just (Rework Just Edit)
A2 Rework - You're So Just Just (Troxler x Crosson Remix)
B Rework - You're So Just Just (Cinthie Remix)
SHORT INFO:
Rework's classic 2002 cut 'You're So Just Just' gets fresh remixes from Troxler X Crosson and Cinthie alongside an updated version from the act themselves.
Underground mainstays Rework released this standout track on the legendary Playhouse label and it is one that established them as pioneers right from the off. It was followed by several vital albums and releases on the same label, as well as the likes of Visionquest and exlove records.
Here, they revisit their original, which features vocals from Laetitia, and update its cold minimal grooves with fresh energy. The bass rolls deep, and the drums are snappy and upright as the edgy chords keep things full of suspense. Laetitia's soulful stylings are cut up and smeared through the mix to make for a brilliantly driving and emotive track.
Visionquest co-founders and long-time techno talents Seth Troxler and Ryan Crosson also pair off for a remix. Their version is full of trippy sound designs and wiggling hooks. It's a tightly interwoven minimal groove with an afterparty feel, and the original vocals bring their own seductive vibe.
The second remix comes from much-loved Berlin native Cinthie, who runs the Elevate store and 803 Crystal Grooves label. She recently served up a fantastic mix for the legendary DJ Kicks series and brings her timeless sound to this remix. It is raw, dusty and perfect for sweaty basements, as its hypnotic loops and punchy kick patterns are draped in old-school chord vamps.
This is a great update to a dance music classic from a fine selection of scene favourites.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S:
House, Minimal House, Deep House
TRACKLIST:
A1 Rework - You're So Just Just (Rework Just Edit)
A2 Rework - You're So Just Just (Troxler x Crosson Remix)
B Rework - You're So Just Just (Cinthie Remix)
SHORT INFO:
Rework's classic 2002 cut 'You're So Just Just' gets fresh remixes from Troxler X Crosson and Cinthie alongside an updated version from the act themselves.
Underground mainstays Rework released this standout track on the legendary Playhouse label and it is one that established them as pioneers right from the off. It was followed by several vital albums and releases on the same label, as well as the likes of Visionquest and exlove records.
Here, they revisit their original, which features vocals from Laetitia, and update its cold minimal grooves with fresh energy. The bass rolls deep, and the drums are snappy and upright as the edgy chords keep things full of suspense. Laetitia's soulful stylings are cut up and smeared through the mix to make for a brilliantly driving and emotive track.
Visionquest co-founders and long-time techno talents Seth Troxler and Ryan Crosson also pair off for a remix. Their version is full of trippy sound designs and wiggling hooks. It's a tightly interwoven minimal groove with an afterparty feel, and the original vocals bring their own seductive vibe.
The second remix comes from much-loved Berlin native Cinthie, who runs the Elevate store and 803 Crystal Grooves label. She recently served up a fantastic mix for the legendary DJ Kicks series and brings her timeless sound to this remix. It is raw, dusty and perfect for sweaty basements, as its hypnotic loops and punchy kick patterns are draped in old-school chord vamps.
This is a great update to a dance music classic from a fine selection of scene favourites.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
JOSS - Assessing
2
Emanuel Satie - When I First Met You (I Knew You Were The One)
3
Denis Horvat & Skarn - Triii
4
Aöcram x Ramsey Neville - Brooklyn Structure
5
Alex Bau - Antidot
6
Redshape - Ghost Story
7
Raxon - Year Zero
8
Harald Björk - Aluco
Tracklisting:
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)
Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)
Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Listen: https://on.soundcloud.com/B4a7F
Presenting the second thematic volume on the "Aquapelagos" series - a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities. After the initial release of the Anthology compila-tion Aquapelago in 2022 (Discrepant ,CREP91) and the split LP Atlantico by Lagoss & Banha da Cobra (Keroxen, KRXN027) we proudly introduce an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien.
This second volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Aus-tralia, to the south west.
From Philip Hayward and Matt Hill's liner notes:
''The album opens with Return To Chagos by emphasising human presence in the oceanic space, opening with gen-tle percussive taps and distant looped male vocalisation that gradually come into sharper focus, layered and thick-ened, accompanied by thicker percussion and mouth harp. The sense of departure is taken up in Trincomalee, which lifts over the oceanic textures, opening with slow, struck and scraped metallic sounds before thick low pitched wind instrument sounds enter, oscillating around shifting microtonal frequencies. The shore returns on Side 2, with the min-iature epic of Nicobar elaborated over looped 'atmos' sounds of birds and insects over which tonal, slightly distorted electric guitar lines enter before looped high pitched feedback squeals join the texture. Summoning tropical storms and the disruption to the region caused by western intrusion, strong and startling brass accents appear, melding with the looping guitar feedback, creating eeriness and a sense of alarm. Tuangku is permeated by restrained dynamics and an expressive, breathy, low pitched, animalistic melodic voice that offers intermittent and ambiguous utterances, Cobra (Keroxen, KRXN027) we proudly introduce an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien.
This second volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Aus-tralia, to the south west.
All songs by Mike Cooper & Pierre Bastien
Mike Cooper: Guitar, electronics
Pierre Bastien: Musical Robots, Trumpet
Artwork by Evan Crankshaw
Aquapelago concept by Phillip Wayward
Produced and Curated by Gonçalo F. Cardoso
Recorded at Espacio Cultural El Tanque, Santa Cruz de Tenerife by Jorge Lozano R.
Mastered & Cut by Kassian Troyer at D&M, Berlin
Part of the Aquapelago Residency Series for Keroxen 2022
Keroxen / Discrepant 2023
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Presenting the second thematic volume on the "Aquapelagos" series - a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities. After the initial release of the Anthology compila-tion Aquapelago in 2022 (Discrepant ,CREP91) and the split LP Atlantico by Lagoss & Banha da Cobra (Keroxen, KRXN027) we proudly introduce an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien.
This second volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Aus-tralia, to the south west.
From Philip Hayward and Matt Hill's liner notes:
''The album opens with Return To Chagos by emphasising human presence in the oceanic space, opening with gen-tle percussive taps and distant looped male vocalisation that gradually come into sharper focus, layered and thick-ened, accompanied by thicker percussion and mouth harp. The sense of departure is taken up in Trincomalee, which lifts over the oceanic textures, opening with slow, struck and scraped metallic sounds before thick low pitched wind instrument sounds enter, oscillating around shifting microtonal frequencies. The shore returns on Side 2, with the min-iature epic of Nicobar elaborated over looped 'atmos' sounds of birds and insects over which tonal, slightly distorted electric guitar lines enter before looped high pitched feedback squeals join the texture. Summoning tropical storms and the disruption to the region caused by western intrusion, strong and startling brass accents appear, melding with the looping guitar feedback, creating eeriness and a sense of alarm. Tuangku is permeated by restrained dynamics and an expressive, breathy, low pitched, animalistic melodic voice that offers intermittent and ambiguous utterances, Cobra (Keroxen, KRXN027) we proudly introduce an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien.
This second volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Aus-tralia, to the south west.
All songs by Mike Cooper & Pierre Bastien
Mike Cooper: Guitar, electronics
Pierre Bastien: Musical Robots, Trumpet
Artwork by Evan Crankshaw
Aquapelago concept by Phillip Wayward
Produced and Curated by Gonçalo F. Cardoso
Recorded at Espacio Cultural El Tanque, Santa Cruz de Tenerife by Jorge Lozano R.
Mastered & Cut by Kassian Troyer at D&M, Berlin
Part of the Aquapelago Residency Series for Keroxen 2022
Keroxen / Discrepant 2023
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore