'Following the release of the critically acclaimed Random Access Memories 10th Anniversary Edition earlier this year, Daft Punk unveils a new iteration of their GRAMMY-award winning Album of the Year. This version strips away all drum and percussive elements from the album, giving listeners the ability to dive deeper into the layers of instrumentation on each track. Double Black LPV & single CD.

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Book!
After selling out the first edition more quickly than we could have imagined we have reprinted the book with a new foreword by David and Stephen Dewaele, better known as Soulwax and 2manydjs. Daft Punk featured often in the formative years of Jockey Slut magazine (including their first front cover). This tribute to the duo collates all the interviews and photos from the seminal magazine covering their early days on Soma up to the release of Discovery. Further articles cover the rest of their tenure as one of the globe’s most furtive, influential electronic acts right up to their unexpected split in February 2021.

? Their first ever interview, for Jockey Slut in 1994.
? Oral histories on their early years on Soma and the making of Homework and Discovery.
? Their first unmasked cover shot and interview for Jockey Slut in 1996.
? A Fax interview from Jockey Slut in 1995 including their doodles and handwriting.
? Long reads on Human After All, Random Access Memories and their Coachella performance.
? Vintage features from writers including Alexis Petridis, Calvin Bush and Ben Cardew.
? A History of Roule records and the duos' extra curricular activities.
? Exclusive Interview with Tony Gardner, the man behind the robots.
? Daft Punk in film: Interstella 5555, Electroma and Tron.
? Daft Punk was playing in my house - an exclusive interview with LCD Soundsystem's James Murphy.
? An exclusive interview with Pedro ‘Busy P’ Winter and Together’s DJ Falcon.
? Daft Punk superfans.

And much, much more!

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'Following the release of the critically acclaimed Random Access Memories 10th Anniversary Edition earlier this year, Daft Punk unveils a new iteration of their GRAMMY-award winning Album of the Year. This version strips away all drum and percussive elements from the album, giving listeners the ability to dive deeper into the layers of instrumentation on each track. Double Black LPV & single CD.

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collector 12'' re issue : new exclusive visual & packaging : Sleeve made in silver mirror cardboard printed in navy blue + gold stamping. A side : Originla version, recut from Original Vinyl Master. B Side : Exclsuive Etched Design.

TRACKLIST

A. Music Sounds Better With you (Long Version - Re Cut from the Oriignal Master )
B. Exclusive Etched Design

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Tracklisting
A1 ARKVS - Surcharge
A2 ARKVS - Neoprene
B1 ARKVS - Crave Slave
B2 ARKVS - Steam

Sales Note
The fifth release on Pleistocene Future is a powerful 4 tracker 12inch by ARKVS.

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Tracklisting
A1 Border One - Third Vision
A2 Border One - Optical Void
B1 Border One - Mind's Eye
B2 Border One - Inner Sight

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The Sekhem Versus project unites two producers with the aim of creating an unprecedented, strong, yet logical synergy. The duo of The Hacker and Stigma open this new series. SKM004 is a 5-track EP filled with vintage warmth, featuring techno/EBM and magnetic electro. This release is crafted for heavy dancefloor use. Classic vibes in our modern era.

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Repress!

2 tracks. 45 RPM. It's a steal!
Compiled by Rey Colino.
Mastered and Cut by Marco Pellegrino.
Design by AJAM.

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For his debut solo release on Not An Animal, label co-pilot Andy Bainbridge serves up a raw, late-night house dub, accompanied by sizzling remixes from Donald’s House & Komodo for good measure.

Up Too Much starts simply, evoking house classics of old. Dubby percussion sets the genre but don’t be fooled, the Buchla synth wobbles that form the track’s melody, delicately placed acid sprinkles and a vocal garnish A-typical to the host label bring the track squarely into the modern day to form a tough yet gentle roller.

Next off the pass is the Donald’s House remix, finely weaving the essence of the original mix into a proggy sidewinder, highlighting the acid arps previously lurking in the background and slowly melting the track into a delicious trancey mess.

Meanwhile Komodo kicks things off in a classic Chicago style; claps, stabs and all, with vocal samples adding that extra texture for the knockout punch.

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The usual wide range of electronic music is featured with Drum & Bass don Calibre opening up the release with Dub, followed by Techno from Seroplexx and Costello, a more Detroit style vibe from Jim Rivers, Deep House from Subground_3000, while Marcellus, and Melatron & Ancient Artefacts complete the vinyl package with Leftfield beats.



TRACK LISTING
A1. Calibre (Artist Code 43414C) – "Sump Dub"
A2. Seroplexx (Artist Code 534552) – "Alerte Rouge"
A3. Costello (Artist Code 434F53) – "Timeline"
A4. Marcelus (Artist Code 4D4152) – "Forward"
B1. Subground_3000 (Artist Code 535542) – "Sound Migration (Lee Trax Garage Remix)"
B2. Jim Rivers (Artist Code 4A2E52) – "Cosmos"
B3. Melatron & Ancient Artefact (Artist Code 4D4141) – "I Get My Kicks"

INFO



The latest compilation album from COD3 QR is, as always, focused on eclecticism, open-mindedness, divergence and non-conformity, featuring the usual wide range of electronic music, all handpicked by Laurent Garnier and Scan X.



Calibre (Belfast-born Dominick Martin) should need little introduction. A painter, multi-instrumentalist, singer, writer, producer, DJ and general Drum & Bass don, with over 19 albums under his belt, opens up the release in fine style with the dubby "Sump Dub".



French DJ and Electro-Techno composer Seroplexx follows with "Alerte Rouge". Originally from an acoustic background, playing guitar, trumpet, drums, piano and clarinet he soon fell in love with electronic music and discovered modular synths.



There's more Techno in the form of "Timeline" by Costello, a versatile French electronic music producer, artist and DJ known for his cutting-edge sounds and technical prowess. His standout tracks have captured the attention of underground stalwarts as well as mainstream giants.



Heading in a Leftfield direction next is Marcelus with "Forward". Also hailing from France, he impressed early on with releases on DJ Deep's Deeply Rooted House before Tresor came calling. He describes his music as "personal and honest".



Staying with French producers, Subground 3000 delivers some Deep House on "Sound Migration (Lee Trax Garage Remix)" as well as the digital bonus track, "Little Reminder". Heavily influenced by Soul, Funk, Hip Hop, Electronica and Cold Wave, he has previously released on the likes of Frequency Shift, Naeba, Nice & Nasty Records and more.



In a more Detroit style is "Cosmos" by Jim Rivers. Crossing the many bridges between House and Techno, since his Saw Recordings debut back in 2006, he's gone on to release a plethora of music and remixes across notable labels including Intec, Renaissance, Bedrock, Tronic, King Street and Faith.



Hailing from Yorkshire (UK) and Amsterdam (NL), the dynamic duo of Melatron & Ancient Artefact are modern pioneers of the Punk-Electro sound. Melatron brings raw energy and gritty productions, while Ancient Artefact weaves intricate electronic textures to form an electrifying sound on "I Get My Kicks" which closes the vinyl EP.



A second bonus track rounds off the digital package as Oliver Way (EPM's co-founder and Detroit Grand Pubahs' Mr O) and Dany Rodriguez (LINK Audio and LINK Festival creator) join forces again for the melodious Techno of "Third Act".



COD3 QR wants to remain free of all expectations and all prejudices because only one thing counts: the music, The Music, THE MUSIC in every shape and form!

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The fourth release from Cartulis Music's sublabel, ALT, is brought to you by the freshly formed French duo known as AV1. This will be the first record of a 2-part series by the newly formed duo under ALT.

AV1 is a project helmed by the seasoned producer and DJ, Chris Carrier, who has been making waves in the music scene since the late '90s. Accompanied by Le Loup, another stalwart of the Parisian music scene, this dynamic duo shares a profound passion for acid and classicist house/techno grooves.

The EP kicks off with "Light Gate," a mesmerizing, steady techno journey infused with subtle trance elements and harmonious pads that captivate both the mind and the body. The A side follows with "Origins," an effortlessly flowing breakbeat composition adorned with just the right touch of acid, crafting an enigmatic yet inviting ambiance.

On the B side, we go deeper with "98% Safe," a dynamic track that seamlessly transitions from euphoric synths and bursts of color to mind-bending acid grooves and ominous undertones. This sonic tapestry is expertly woven together through innovative sampling techniques and a sense of fluidity. Bringing the record to a sublime close is "8 OG," a dreamy electro piece perfectly suited for a multitude of settings, it’s a sonic journey that beckons us to join in and experience it firsthand.

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Finnish ElectroBass and dark Vocoder Disco magic! Polytron's crispy analogue produced and 808-loaded Electro Empire theme song from 2003 for the first time on vinyl. Accompanied by another classic, the Polytron 2003 remix of Pimeyden Jousi (Bow of Darkness) by legendary gothic rockers Two Witches from 1988. With vocoderized Finnish vocals and dark synth work, this remix is pure Electro-Disco magic.

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Next in the Potency series, Cromby shows his darker side with 3 cuts of his brand of House and Techno.

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Official reissue from the catalog of legendary UMM Records. Sub Authority Records is back with a true anthem of all House music lovers: ""Desafinado"" from Rhythm 3 Request. This project draws on their unwavering knowledge of dancefloor culture and the quality of individual sounds. An ode to the legendary imprint of old school and house music, that builds infectious arrangements with ease before falling into an irresistible four-on-the-floor club sensation.




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6-track EP compilation with Terada's work for the Ape Escape games, tip!

Outside of the international house underground, where his early ‘90s works for the Far East Recording label he co-founded with Shinichiro Yokota are rightly celebrated as bona-fide classics, Soichi Terada is best-known for his work composing music for video games. Yet until now, few of his productions for video games have been released outside of Japan, especially on vinyl.

Apes In The Net, a six-track EP featuring music composed for the popular PlayStation 1 series Ape Escape, sets the record straight. It not only showcases Terada’s quality as a composer and producer, but also his versatility. Like much of Terada’s work on the Ape Escape series, the tracks featured don’t explore deep, New York and New Jersey influenced house sounds, but rather his lesser-celebrated love of jungle and drum & bass – a sound he fully explored on 1996 album Sumo Jungle.

“The producer of the Ape Escape games heard that and got in touch,” Soichi remembers. “They asked me to make the soundtrack, and then work on the music for the sequels after that. I used to love making music with AKAI hardware samplers, synthesisers, and computers, so I played and recorded the tracks using almost the same methods as I did when I made house music. Using breakbeats and audio samples with a sampler was the most useful way to make the soundtracks.”

The six tracks on show, which were originally recorded in the ‘90s but reconstructed and remastered for Japan-only CD and digital releases over a decade ago, mix elements of Terada’s familiar deep house style – think warming chords and pads, memorable melodies, and emotive musical motifs – with blistering D&B breakbeats, 16-bit synth sounds, electronic bleeps and undeniably weighty basslines. They’ve stood the test of time and arguably sound just as fresh now as they did at the turn of the millennium.

For proof, check the soaring, spellbinding ‘Spectors Castle’, where uplifting lead lines and sumptuous chords dance atop punchy beats and growling bass, the jazzy and saucer-eyed rush of ‘Mount Amazing’ (all twinkling piano motifs, alien synth sounds, squelchy bass and skittish drums) and the intergalactic, liquid D&B excellence of ‘Time Station’, whose whistling melodies and stargazing chords are undeniably alluring.

There are plenty of other delights to be found across the EP, too, from the bustling, race-to-the-finish breathlessness of D&B/bleep techno fusion workout ‘Spectors Factory In’, and the rumbling sub-bass, creepy pads and suspenseful melodies of ‘Haunted House’, to the bombastic, all-out-assault on the senses that is ‘Coaster’, the set’s most “purist” jungle workout – albeit one that also doffs a cap to the pulsating world of big room techno.

Apes In The Net, then, celebrates Soichi Terada’s mastery as a video games composer and early Japanese junglist. Props are well and truly overdue.

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