Label:deadbeat Records
Cat-No:DBR002
Release-Date:01.12.2023
Genre:Breaks
Configuration:12"
Barcode:
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Label:deadbeat Records
Cat-No:DBR002
Release-Date:01.12.2023
Genre:Breaks
Configuration:12"
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1
Farsight - Sorry Mate!
2
Farsight - 3rd Degree (w/ Eradicate)
3
Farsight - Runneth Over (w/ Eradicate)
4
Farsight - Empty Agent
5
Farsight - If You See Me Getting Smaller
deadbeat Records is pleased to announce the launch of their highly anticipated second release, "Farsight - Sorry Mate! EP". Following the success of their debut release, the label continues to push a playfully energetic and late-night sound with this latest offering.
Marshall Smith AKA Farsight brings his characteristically unique flair and top-notch production skills to each track. The release is already getting DJ support from the likes of Emerald, Nikki Nair, Jay Carder, Rnbws, Hunter Starkings, Lex G, Dawn Razor, Plot 45 and Oldfield to name a few - and there are a limited number of records available. More
Marshall Smith AKA Farsight brings his characteristically unique flair and top-notch production skills to each track. The release is already getting DJ support from the likes of Emerald, Nikki Nair, Jay Carder, Rnbws, Hunter Starkings, Lex G, Dawn Razor, Plot 45 and Oldfield to name a few - and there are a limited number of records available. More
More records from Farsight
Label:Breaks 'N' Pieces
Cat-No:BRKN023
Release-Date:07.10.2022
Genre:Breaks
Configuration:12"
Barcode:
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Label:Breaks 'N' Pieces
Cat-No:BRKN023
Release-Date:07.10.2022
Genre:Breaks
Configuration:12"
Barcode:
1
Farsight - Triangulation
2
Farsight - Mr Right
3
Farsight - Leaving Las Vegas
4
Farsight - Lesser Light
5
Farsight - Water Margin
6
Farsight - Fulminous Ledge
Tracklisting:
A1 Farsight - Triangulation
A2 Farsight - Mr Right
A3 Farsight - Leaving Las Vegas
B1 Farsight - Lesser Light
B2 Farsight - Water Margin
B3 Farsight - Fulminous Ledge
Release Note:
San Francisco based DJ and bass extraordinaire Farsight knows how to make an entrance, first bursting onto the scene with his adventurous and daring EP 'Wisdom' back in 2016. At the time Farsight's music sounded like it had been beamed from another planet and has played an important role in the crosspollination of genres we've seen in recent years. Farsight has gone on to release on Scuffed Recordings, Maloca and Noire State, remaining firmly fixed on the future of club music. Now his blend of trap, jersey club, reggaeton and dancehall makes its way across the Atlantic with six mind-sizzling cuts for Brakes 'N' Pieces vol. 23.
Opening track 'Triangulation' combines rolling drums with party-starting vocal samples and steady whistles, letting listeners know we're really off! 'Mr Right' then enters the fray with throbbing subs, ravey stabs and a vocal that sits halfway between fun and outright menacing. The A side comes to a close with 'Leaving Las Vegas' a dubstep infused cut of choppy breaks and wide-eyed melodies. A masterclass in raising tension, this track will shut down any club, please use wisely.
'Lesser Light' shows Farsight's love for bass exploration; it's looming shadow pressing amongst some of the darkest corners of electronic. A unique brand of grime infused techno. 'Water Margin' delves even further, adopting a more measured pace for those heads down moments. The record comes to a close with 'Fulminous Edge' and is a reflection of the artist's darkest material. The drums still have a familiar spring in their step but the track's melodic bassline is mesmerizing; resulting in a melancholy trance that deserves a second play.
More
A1 Farsight - Triangulation
A2 Farsight - Mr Right
A3 Farsight - Leaving Las Vegas
B1 Farsight - Lesser Light
B2 Farsight - Water Margin
B3 Farsight - Fulminous Ledge
Release Note:
San Francisco based DJ and bass extraordinaire Farsight knows how to make an entrance, first bursting onto the scene with his adventurous and daring EP 'Wisdom' back in 2016. At the time Farsight's music sounded like it had been beamed from another planet and has played an important role in the crosspollination of genres we've seen in recent years. Farsight has gone on to release on Scuffed Recordings, Maloca and Noire State, remaining firmly fixed on the future of club music. Now his blend of trap, jersey club, reggaeton and dancehall makes its way across the Atlantic with six mind-sizzling cuts for Brakes 'N' Pieces vol. 23.
Opening track 'Triangulation' combines rolling drums with party-starting vocal samples and steady whistles, letting listeners know we're really off! 'Mr Right' then enters the fray with throbbing subs, ravey stabs and a vocal that sits halfway between fun and outright menacing. The A side comes to a close with 'Leaving Las Vegas' a dubstep infused cut of choppy breaks and wide-eyed melodies. A masterclass in raising tension, this track will shut down any club, please use wisely.
'Lesser Light' shows Farsight's love for bass exploration; it's looming shadow pressing amongst some of the darkest corners of electronic. A unique brand of grime infused techno. 'Water Margin' delves even further, adopting a more measured pace for those heads down moments. The record comes to a close with 'Fulminous Edge' and is a reflection of the artist's darkest material. The drums still have a familiar spring in their step but the track's melodic bassline is mesmerizing; resulting in a melancholy trance that deserves a second play.
More
Label:Maloca Records
Cat-No:MLC002
Release-Date:26.06.2020
Genre:Techno
Configuration:12" Excl
Barcode:4062548056679
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Last in:14.08.2024
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Last in:14.08.2024
Label:Maloca Records
Cat-No:MLC002
Release-Date:26.06.2020
Genre:Techno
Configuration:12" Excl
Barcode:4062548056679
1
Farsight - Cadena
2
Farsight - While
3
Farsight - Not Half
4
Farsight - Mid-Winter Burning
5
Farsight - Sans Titre
6
Farsight - Door to the River
Tracklist
A1 Cadena
A2 While
A3 Not Half
B1 Mid-Winter Burning
B2 Sans Titre
B3 Door to the River
Release Info:
“There’s a space for each artist...
Kandinsky said it very good — Not here, not there, but somewhere.” - Willem De Kooning
For Farsight, California’s bucolic San Geronimo Valley was the space that allowed for the creation of this handpicked selection of artistic output. Following a period of deep interest in abstract painting and its relationship to music, the artist found this lush and sparsely populated region to be an ideal location for contemplation and composition. Although the majority of the work was executed in the first two months of 2020 in this forested setting, some of the pieces were based upon drafts created as early as Summer 2017.
United in their eclecticism, the six cuts that comprise “Not Here, But Somewhere'' reveal a broad spectrum of musical influences. They are statements in an age in which influence is omni-directional, and in which the pace of artistic invention outstrips the ability of observers to identify and reify sub-genres. Although each track presents a unique approach, “Cadena,” “Sans Titre,” and “Door to the River'' reflect the continuing global suffusion of Latin American and Carribean styles such as reggaeton and dancehall. Simultaneously, the duo of “While” and “Hot Half” suggest the ongoing dialogue of techno, electro, and industrial music and the interstices between them. “Mid-Winter Burning Sun” invokes the intensity of American trap music with its booming bass while touching equally upon the feel of early dubstep.
Ultimately, the idea that there is a “space for each artist” can be taken both in a literal sense— One’s physical environment— And also in the figurative sense that there is room enough for the ideas of all artists, who are kindred spirits in the endeavor of radical self-expression. In this way, “Not Here, But Somewhere” exists as an acknowledgement and gesture of goodwill towards every artist daring enough to explore the unknown.
More
A1 Cadena
A2 While
A3 Not Half
B1 Mid-Winter Burning
B2 Sans Titre
B3 Door to the River
Release Info:
“There’s a space for each artist...
Kandinsky said it very good — Not here, not there, but somewhere.” - Willem De Kooning
For Farsight, California’s bucolic San Geronimo Valley was the space that allowed for the creation of this handpicked selection of artistic output. Following a period of deep interest in abstract painting and its relationship to music, the artist found this lush and sparsely populated region to be an ideal location for contemplation and composition. Although the majority of the work was executed in the first two months of 2020 in this forested setting, some of the pieces were based upon drafts created as early as Summer 2017.
United in their eclecticism, the six cuts that comprise “Not Here, But Somewhere'' reveal a broad spectrum of musical influences. They are statements in an age in which influence is omni-directional, and in which the pace of artistic invention outstrips the ability of observers to identify and reify sub-genres. Although each track presents a unique approach, “Cadena,” “Sans Titre,” and “Door to the River'' reflect the continuing global suffusion of Latin American and Carribean styles such as reggaeton and dancehall. Simultaneously, the duo of “While” and “Hot Half” suggest the ongoing dialogue of techno, electro, and industrial music and the interstices between them. “Mid-Winter Burning Sun” invokes the intensity of American trap music with its booming bass while touching equally upon the feel of early dubstep.
Ultimately, the idea that there is a “space for each artist” can be taken both in a literal sense— One’s physical environment— And also in the figurative sense that there is room enough for the ideas of all artists, who are kindred spirits in the endeavor of radical self-expression. In this way, “Not Here, But Somewhere” exists as an acknowledgement and gesture of goodwill towards every artist daring enough to explore the unknown.
More
More records from deadbeat Records
Label:deadbeat Records
Cat-No:DBR004
Release-Date:20.09.2024
Genre:Techno
Configuration:12"
Barcode:
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Last in:16.09.2024
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Label:deadbeat Records
Cat-No:DBR004
Release-Date:20.09.2024
Genre:Techno
Configuration:12"
Barcode:
1
Dawn Razor - A1. Dawn Razor - Sixteen
2
Dawn Razor - A2. Dawn Razor - Sixteen (Kovyazin D Remix)
3
Dawn Razor - B1. Dawn Razor & Confluence - Panomatic Mono
4
Dawn Razor - B2. Dawn Razor & ArcheTech - Good Old Days
deadbeat Records are back with an EP from Dawn Razor. Five tracks of varying styles, including a rare remix from the elusive Kovyazin D.
EP title track Sixteen is an ethereal affair - designed to sweep you away on a wave of joyous confusion. One for the twilight hours.
The A2 is a remix of Sixteen by veteran producer Kovyazin D - a chugging electro house banger which you can expect to be hearing lots over the coming months.
Panomatic Mono is a rumbling breakbeat affair with bass that will knock your socks off, while Good Old Days chugs and sputters its way into the wee hours.
Only 150 records were pressed - they'll go fast. More
EP title track Sixteen is an ethereal affair - designed to sweep you away on a wave of joyous confusion. One for the twilight hours.
The A2 is a remix of Sixteen by veteran producer Kovyazin D - a chugging electro house banger which you can expect to be hearing lots over the coming months.
Panomatic Mono is a rumbling breakbeat affair with bass that will knock your socks off, while Good Old Days chugs and sputters its way into the wee hours.
Only 150 records were pressed - they'll go fast. More
Label:Deadbeat Records
Cat-No:DBR003
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:16.05.2024
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Label:Deadbeat Records
Cat-No:DBR003
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Posthuman - Extender
2
Posthuman - Head Wrench
3
Posthuman - Builder
4
Posthuman - Wobble Tool
The third major release from deadbeat Records – East London’s newest home for delinquent house, techno and breaks – sees I Love Acid heads Posthuman swagger out of the shadows with a wry smile, packing a full clip and one in the chamber.
DBR003 offers 4 peak cuts of early-hours madness. Pure and simple. And we are not talking fucking beautiful sunrises here. This is 4am, sanity wearing off, blurred vision, locked jaw, pumped fist, heart in your mouth kind of music. Where Extender drops in hard upfront with its jacked, high energy rave stabs,
Head Wrench’s relentless acid worm burrows a little deeper into your amygdala before splitting it wide open. On the flipside, Wobble Tool’s suitably drippy hook oozes over a brooding, proggy baseline, but only after Builder growls out the gate, an irresistible dancefloor-melting monster with an appetite for destruction More
DBR003 offers 4 peak cuts of early-hours madness. Pure and simple. And we are not talking fucking beautiful sunrises here. This is 4am, sanity wearing off, blurred vision, locked jaw, pumped fist, heart in your mouth kind of music. Where Extender drops in hard upfront with its jacked, high energy rave stabs,
Head Wrench’s relentless acid worm burrows a little deeper into your amygdala before splitting it wide open. On the flipside, Wobble Tool’s suitably drippy hook oozes over a brooding, proggy baseline, but only after Builder growls out the gate, an irresistible dancefloor-melting monster with an appetite for destruction More
Label:Deadbeat Records
Cat-No:DBR001
Release-Date:15.09.2023
Genre:Breaks
Configuration:12"
Barcode:
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Label:Deadbeat Records
Cat-No:DBR001
Release-Date:15.09.2023
Genre:Breaks
Configuration:12"
Barcode:
1
RNBWS - Slow Moving
2
RNBWS - 54321
3
RNBWS - Wake Up
4
RNBWS - Don't Say A Word
5
RNBWS - Spinner
The first release on deadbeat Records comes in the shape of an EP by Rnbws. Pressed on ltd edition 140g vinyl. Only 300 records pressed. All profits will go directly to the artist for this release.
DJ Support:
Jay Carder
“Rnbws wake up / don’t say a word - sweet Jesus what belters”
Adam Curtain
“Tracks are sounding wicked btw! Will play the A1 for sure, it's a great EP”
Adam Shelton
“DOPE trax! full support on this BOMB!”
Farsight
"Rnbws release is sounding sick! Been playing 5321 and Spinner"
Adam Antine / Dawn Razor
"Great release mates!"
Oldfield
"Sick release - been playing 54321 out loads" More
DJ Support:
Jay Carder
“Rnbws wake up / don’t say a word - sweet Jesus what belters”
Adam Curtain
“Tracks are sounding wicked btw! Will play the A1 for sure, it's a great EP”
Adam Shelton
“DOPE trax! full support on this BOMB!”
Farsight
"Rnbws release is sounding sick! Been playing 5321 and Spinner"
Adam Antine / Dawn Razor
"Great release mates!"
Oldfield
"Sick release - been playing 54321 out loads" More