Nonexclusive Release - Exportrights Only, 2LP in gatefold sleeve with CD included. EAN: 5060525433580

Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2014

Tracklisting:

A1. The Jimmy Castor Bunch – Creation (Epilogue)
A2. Ann Peebles – The Handwriting Is On The Wall
A3. The Dells vs. The Dramatics – Tune Up
A4. Sydney Joe Qualls – How Can You Say Goodbye
A5. Jackie Moore – If

B1. The Supremes – It’s Time To Breakdown
B2. Judy Clay – It Ain’t Long Enough
B3. Barbara & The Browns – In My Heart
B4. Willie Mitchell – Mercy Mercy Mercy
B5. Joe Tex – I’ll Never Do You Wrong

C1. The Sweet Inspirations – You Roam When You Don’t Get It At Home
C2. Bobby Bland – Ain’t No Love In The Heart Of The City
C3. B.B. King – Chains And Things
C4. Rufus Thomas – The Breakdown Part 2
C5. Freddie Waters – Groovin’ On My Baby’s Love

D1. David Porter – Hang On Sloopy (Single Version)
D2. Dionne Warwick – You’re Gonna Need Me
D3. Ann Sexton – I’m His Wife (You’re Just His Friend)
D4. The Rimshots – Takin’ It
D5. The Persuasions – Gypsy Woman

Short Info

Legendary Deep Soul French complation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
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Nonexclusive Release - Exportrights Only, 2LP in gatefold sleeve with CD included. EAN: 5060525433573

Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2001

Tracklisting:

A1. Syl Johnson – I Hear The Love Chimes
A2. Ann Peebles – I’m Gonna Tear Your Playhouse Down
A3. Baby Huey & The Baby Sitters – Hard Times
A4. The Emotions – I Like It
A5. Black Ivory – I keep Asking Your Questions

B1. Jackson 5 – Maybe Tomorrow
B2. Syl Johnson – I Hate I Walked Away
B3. Al Green – Something
B4. Eddie Holman – It’s Over
B5. Montana – Warp Factor II

C1. Detroit Emeralds – You’re Getting Too Smart
C2. Labi Siffre – I Got The (Blues)
C3. Southside Movement – I’ve Been Watching You
C4. The Sweet Inspirations – Why Marry?

D1. Mad Lads – Gone! The Promise Of Yesterday
D2. George Jackson – Aretha, Sing One For Me
D3. Teddy Pendergrass – Come Go With Me
D4. Syl Johnson – That’s Just My Luck
D5. Al Green – Simply Beautiful

Short Info:

Legendary Deep Soul French compilation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
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Rights : World excluding Fr & UK

Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker

VINYL TRACKLISTING

A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO

C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE


SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.

QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while

BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.

"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.





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