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New Scene - Open
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New Scene - New Age
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New Scene - The Whale
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New Scene - Sucken
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New Scene - PSG 22
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New Scene - Impuls
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New Scene - Waves
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New Scene - Tonight
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New Scene - The Walk
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New Scene - Machine
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New Scene - The Fog
New Scene was a project created in the late 80’s by Arno Müller and Markus Barth. They were part of the roaster of the German label BOY Records together with acts like Time Modem, Cybex Factor and “O”. New Scene released in 1989/90 two singles/mega-mixes under the title of “Out of Control”, becoming both classics in the German Techno scene. Their third single “Tonight” also turned to a big success in the clubs and pushed New Scene to release their debut and only full-length album “Waves” in 1992.
Limited edition re-release with remastered audio and expanded double vinyl including as bonus the b-side “The Fog”. More
Limited edition re-release with remastered audio and expanded double vinyl including as bonus the b-side “The Fog”. More
More records from Mecanica
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Dive - There's No Hope
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Dive - Dead Or Alive
3
Dive - Right
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Dive - So Hard
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Dive - Attack
6
Dive - Turn Me On
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Dive - Run
8
Dive - Ghostcity
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Dive - 31
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Dive - Menticide
11
Dive - Final Report
12
Dive - We Rule The World
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Dive - Go Overhead
14
Dive - Mercy
15
Dive - Ritmo Montana
16
Dive - On Your Knees
17
Dive - Wake Up Screaming
18
Dive - Are You Real?
19
Dive - Abo
20
Dive - Bloodmoney
21
Dive - The City Never Sleeps
22
Dive - Timezone
23
Dive - Shadows Of You
Debut album by the harsh-industrial project of Dirk Ivens originally released in 1990 by Body Records (Antler-Subway). Just after leaving The Klinik, Dirk focused to develop his own ideas with Dive creating a perfect melting between early industrial and noise with minimal electronics and Belgian Electronic Body Music. This first work is considered as groundbreaking and highly influential for the EBM and electro-industrial scene.
Limited edition of 555 copies on red vinyl with gatefold sleeve, printed inner sleeves and numbered card. Includes all tracks from the original edition plus some bonus from the CD edition (1992), “Final Report” EP (1991) and “Images” EP (1993). More
Limited edition of 555 copies on red vinyl with gatefold sleeve, printed inner sleeves and numbered card. Includes all tracks from the original edition plus some bonus from the CD edition (1992), “Final Report” EP (1991) and “Images” EP (1993). More
1
Carlos Perón - Re^ve De Mer
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Carlos Perón - Eugenik
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Carlos Perón - Golden Shower
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Carlos Perón - Sling Schidji
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Carlos Perón - Nothing Is True
6
Carlos Perón - Gee Gee Fazzi
7
Carlos Perón - Go To Hell
8
Carlos Perón - Toasted Lunch
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Carlos Perón - Comba-Sou
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Carlos Perón - Touristes
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Carlos Perón - Normenausschuss
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Carlos Perón - Kir Royal
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Carlos Perón - Blue Lupin
40th anniversary edition of this seminal work by the multi-talented musician and producer Carlos Perón. After the release of “Impersonator” and the score of the film “Die Schwarze Spinne”, “Nothing Is True; Everything Is Permitted” is his third album released in the beginning of 1984. While still being an active member of Yello, it was around the start of the recording of “You Gotta Say Yes To Another Excess” that Carlos met the American musician Chris Lunch in Hamburg. He invited Chris to Zurich and together played with projects such as Romantic Rubber, Heavymetallen and recorded some sessions that become the basis of “Nothing Is True; Everything Is Permitted”. After the release of “You Gotta Say Yes To Another Excess”, Carlos decided to leave Yello and focused to finish the recording and mixing of his new solo album.
“Nothing Is True; Everything Is Permitted” has gone down in music history as a dark soundtrack without a film, influenced many artists and helped to develop diverse genders of electronic experimental and dance music.
Limited edition of 300 copies including all original tracks and new artwork. More
“Nothing Is True; Everything Is Permitted” has gone down in music history as a dark soundtrack without a film, influenced many artists and helped to develop diverse genders of electronic experimental and dance music.
Limited edition of 300 copies including all original tracks and new artwork. More
1
Cetu Javu - Dame Tu Mano
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Cetu Javu - Where
3
Cetu Javu - Un Día Normal
4
Cetu Javu - News
5
Cetu Javu - Tiempo
6
Cetu Javu - Caribbean Dream
7
Cetu Javu - Sometimes
8
Cetu Javu - Una Mujer
9
Cetu Javu - Segregation
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Cetu Javu - Another Step
11
Cetu Javu - Por Qué
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Cetu Javu - Dame Tu Mano (Long Version)
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Cetu Javu - Una Mujer (Vocal Remix)
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Cetu Javu - Por Qué (Long Version)
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Cetu Javu - Heads Or Tails
16
Cetu Javu - Don't Leave Me
17
Cetu Javu - Time
Cetu Javu was a German synth-pop band lead by singer Javier Revilla Diez and synth wizard and composer Chris Demere. They started with the band in 1984 and in the spring next year surprisingly reached the third place in a young talent festival in Hanover. Several other shows followed but the highlight was a concert in December of 1986 as the opening act of Erasure. Their first maxi single “Help Me Now” was released in the spring of 1987 on their own label’s. Through the mediation of Talla 2XLC, Cetu Javu got a record contract with major company ZYX Records and released their debut album “Southern Lands” in 1990.
When the song “A Dónde”, a B-side sung in Spanish included on the single “So Strange”, hit number two in Spain, the band surprisingly achieved a great success and toured all this country. The second full-length, “Where Is Where”, was released in 1992 in Spain. The success did not stop here and led Cetu Javu became very popular in some other countries such as Argentina and Mexico. Unfortunately, in 1994, between problems and having to make decisions about the future, the group withdrew from the music scene and each member moved to focus to other activities.
“Where is Where” is re-released contains the original album along with some extended versions and remixes from the singles “¿Por Qué?”, “Dame Tu Mano” and “Una Mujer”. Limited edition of 500 copies on gatefold sleeve and a poster. More
When the song “A Dónde”, a B-side sung in Spanish included on the single “So Strange”, hit number two in Spain, the band surprisingly achieved a great success and toured all this country. The second full-length, “Where Is Where”, was released in 1992 in Spain. The success did not stop here and led Cetu Javu became very popular in some other countries such as Argentina and Mexico. Unfortunately, in 1994, between problems and having to make decisions about the future, the group withdrew from the music scene and each member moved to focus to other activities.
“Where is Where” is re-released contains the original album along with some extended versions and remixes from the singles “¿Por Qué?”, “Dame Tu Mano” and “Una Mujer”. Limited edition of 500 copies on gatefold sleeve and a poster. More
1
Cetu Javu - Southern Lands
2
Cetu Javu - Love Me
3
Cetu Javu - Oye
4
Cetu Javu - Words Without Thoughts
5
Cetu Javu - So Strange
6
Cetu Javu - Get It
7
Cetu Javu - Situations
8
Cetu Javu - Bad Dreams
9
Cetu Javu - Have In Mind
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Cetu Javu - A Dónde
11
Cetu Javu - Quién Lo Sabía
12
Cetu Javu - Fight Without A Reason
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Cetu Javu - Situations (Extended Version)
14
Cetu Javu - Have In Mind (Kalimba Mix)
15
Cetu Javu - China Girl (Dino Mix)
16
Cetu Javu - Quiero Verte!
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Cetu Javu - So Strange (Extended Version)
18
Cetu Javu - A Dónde (Extended Version)
Javier Revilla and Chris Demere, both from Hanover and inspired by electronic music of Kraftwerk and Jean-Michel Jarre, started to experiment with sounds since the late 70’s. The arrival of New Wave with bands like Heaven 17, The Human League, Soft Cell and Depeche Mode influenced these teenagers to began Cetu Javu in 1984 with Javier on vocals, Chris on synths, guitar, programming, Torsten Engelke on keyboards and Stefen Engelke on bass. In 1985, the band won the third place in a contest, a year later opened for Erasure and released their first single “Help Me Now!” in 1987 on their own label Deme Records.
Like their compatriots Camouflage, Cetu Javu were unapologetically Depeche Mode-like in their sound, but with a fairly original twist on their synth pop formula. Their extremely catchy 1988 singles “Situations” and “Have in Mind” were instant hits on dance clubs and even received airplay on U.S. alternative radio stations. The band signed a contract with ZYX Records and released their debut album “Southern Lands” in 1990 followed by a tour together with Wolfsheim and Blind Passengers as supporting acts.
“Southern Lands” is re-released including all original songs plus some extended versions, remixes and bonus tracks from the accompanying singles “Situations”, “Have in Mind” and “So Strange”. Limited edition of 500 copies on gatefold sleeve with a sticker. More
Like their compatriots Camouflage, Cetu Javu were unapologetically Depeche Mode-like in their sound, but with a fairly original twist on their synth pop formula. Their extremely catchy 1988 singles “Situations” and “Have in Mind” were instant hits on dance clubs and even received airplay on U.S. alternative radio stations. The band signed a contract with ZYX Records and released their debut album “Southern Lands” in 1990 followed by a tour together with Wolfsheim and Blind Passengers as supporting acts.
“Southern Lands” is re-released including all original songs plus some extended versions, remixes and bonus tracks from the accompanying singles “Situations”, “Have in Mind” and “So Strange”. Limited edition of 500 copies on gatefold sleeve with a sticker. More
1
Techniques Berlin - I Desire [Dave Vocal Version]
2
Techniques Berlin - Love Declaration
3
Techniques Berlin - Pieces Of Glass
4
Techniques Berlin - Dancing To The Fall Of The Berlin Wall
5
Techniques Berlin - Love Via Computer
6
Techniques Berlin - Planet 21
7
Techniques Berlin - Just One Look
8
Techniques Berlin - Metropolis
9
Techniques Berlin - Secret Lies
10
Techniques Berlin - And You [LinnDrum Version]
11
Techniques Berlin - Erotica
12
Techniques Berlin - Machine Language
13
Techniques Berlin - Watching You
14
Techniques Berlin - Run Away
15
Techniques Berlin - My Suburban Playground [Extended Remix]
16
Techniques Berlin - She Fades Away
17
Techniques Berlin - Beats Like A Machine
18
Techniques Berlin - Time Fades To Nothing
Formed by high school buddies Andreas Gregor and David Rout, Techniques Berlin started in 1984 experimenting with synthesizers, drum machines and guitars. In the early stages, the band was heavily influenced by UK new romantic acts The Human League, Visage, Yazoo, OMD and Depeche Mode, as well as rising Canadian synth-pop bands Rational Youth, Men Without Hats and Trans-X. It took them a few years to master their electronic toys and create a unique blend of addictive electro-pop melodies and beautifully crafted alternative beats.
In the late 80s, Techniques Berlin played live on a regular basis and their 3 self-released tapes received frequent local airplay in Canada. Despite their moderate success, the band failed to secure a record deal. Eventually both members had developed a strong interest in the burgeoning electro-industrial scene. Dave and Andreas founded !Bang Elektronika and were working with Digital Poodle as live drummers. Both of these projects were soon picked up by record labels. Techniques Berlin played their last show in November of 1991 at the University of Toronto, debuting the last track they had recorded, fittingly called ‘Time Fades to Nothing’. Or so they thought…
The proliferation of Internet radio and streaming music platforms introduced the band to a new generation of fans, enabling Techniques Berlin to stage a remarkable comeback. Within the next years they released the compilation “Suburban Playgrounds and Concrete Beaches” (Fabrika Records), recorded a new album “Breathing” (Nadanna) in 2018 and offered a series of shows in Toronto, Montreal, Mexico City and Leipzig.
“The Language of Machines” compiles a selection of original recordings between 1985 and 1991, including some favourite tunes like ‘Dancing to the Fall of the Berlin Wall’, ‘Metropolis’, ‘Watching You’ and a few unreleased tracks/versions. Limited edition of 500 copies on double vinyl with gatefold sleeve. More
In the late 80s, Techniques Berlin played live on a regular basis and their 3 self-released tapes received frequent local airplay in Canada. Despite their moderate success, the band failed to secure a record deal. Eventually both members had developed a strong interest in the burgeoning electro-industrial scene. Dave and Andreas founded !Bang Elektronika and were working with Digital Poodle as live drummers. Both of these projects were soon picked up by record labels. Techniques Berlin played their last show in November of 1991 at the University of Toronto, debuting the last track they had recorded, fittingly called ‘Time Fades to Nothing’. Or so they thought…
The proliferation of Internet radio and streaming music platforms introduced the band to a new generation of fans, enabling Techniques Berlin to stage a remarkable comeback. Within the next years they released the compilation “Suburban Playgrounds and Concrete Beaches” (Fabrika Records), recorded a new album “Breathing” (Nadanna) in 2018 and offered a series of shows in Toronto, Montreal, Mexico City and Leipzig.
“The Language of Machines” compiles a selection of original recordings between 1985 and 1991, including some favourite tunes like ‘Dancing to the Fall of the Berlin Wall’, ‘Metropolis’, ‘Watching You’ and a few unreleased tracks/versions. Limited edition of 500 copies on double vinyl with gatefold sleeve. More
1
Recall IV - Contrast (Boing Mix)
2
Recall IV - Contrast Part 2 (Dub Mix)
3
Recall IV - Contrast (Belgium-Mix 1)
4
Recall IV - Contrast Part 3
5
Recall IV - Aesthetic
6
Recall IV - Ecstacy Recall
7
Recall IV - Bass (Remix)
8
Recall IV - Energetic Reprise
9
Recall IV - Aesthetic Part 2
10
Recall IV - XTC-Recall
11
Recall IV - Aesthetic (US Mix)
12
Recall IV - Accelerated Reality
13
Recall IV - Aesthetic (Technoworld Mix)
14
Recall IV - Maschinen Leben
15
Recall IV - Contrast (Pure Trance)
16
Recall IV - Far Away From my Own Land
17
Recall IV - Theme of Recall IV
18
Recall IV - Recall IV Demo
Recall IV is the project created by Andre Fischer that reached a massive success in the German techno scene in 1990 with the release of the single “Contrast” on Techno Drome International / ZYX Records. This was shortly followed by two more releases in 1991 (“Contrast – Part 2” and the extended play “Aesthetic”) and contributions to various compilations.
Andre has been a very active techno composer and producer since the late 80’s working with people like Lars Janzik, Carlos Perón, Giora Schein & Holger Wick (Konzept), Volker Then (Friends Of Carlotta) on countless projects including Scope, Scrot, Technoline, Trust in 6, ADSX, etc.
“Interstate” compiles tracks from all Recall IV singles, some old compilations and a selection of unreleased cuts and remixes. Limited edition of 500 copies on double vinyl with insert (thick black cardboard with die-cut logo) and sticker. More
Andre has been a very active techno composer and producer since the late 80’s working with people like Lars Janzik, Carlos Perón, Giora Schein & Holger Wick (Konzept), Volker Then (Friends Of Carlotta) on countless projects including Scope, Scrot, Technoline, Trust in 6, ADSX, etc.
“Interstate” compiles tracks from all Recall IV singles, some old compilations and a selection of unreleased cuts and remixes. Limited edition of 500 copies on double vinyl with insert (thick black cardboard with die-cut logo) and sticker. More
1
The Overlords - Sundown (Sunshine And The 909 - Babymix)
2
The Overlords - Sundown (Sunshine And The 909 - Ionizer Redux)
3
The Overlords - Sundown (Ionizer Remix '92)
4
The Overlords - Sundown (Alpha*Beat)
Re-release of this timeless electronic anthem. A track that defies any classification. The perfect mix between Belgian techno, trance and EBM. “Sundown” was released as single in 1991 and instantly became a techno classic in Germany and all over the globe selling over 200,000 copies.
‘The Sunshine And The 909’ is without any doubt the most famous mix and a master piece remixed by Kenneth Baker, one of the pioneers of techno & house music movement in Denmark and founder of labels like Coma Records and Flex Records.
“…when I played Sundown for the first time at the Techno-Club in Dorian Gray, more than 25 people came to the DJ box and asked what it was…” (Talla 2XLC)
Limited edition of 500 copies including three classic remixes and one new re-edit. More
‘The Sunshine And The 909’ is without any doubt the most famous mix and a master piece remixed by Kenneth Baker, one of the pioneers of techno & house music movement in Denmark and founder of labels like Coma Records and Flex Records.
“…when I played Sundown for the first time at the Techno-Club in Dorian Gray, more than 25 people came to the DJ box and asked what it was…” (Talla 2XLC)
Limited edition of 500 copies including three classic remixes and one new re-edit. More
1
The Overlords - Organic!
2
The Overlords - Bolt
3
The Overlords - Holiday In Cambodia
4
The Overlords - Hell's Kitchen
5
The Overlords - Zensurround
6
The Overlords - Search & Destroy
7
The Overlords - Near Dark (Campfire Mix)
8
The Overlords - Moontrap
9
The Overlords - Ennui, Ennio
10
The Overlords - P.T.L (Pass The Lot)
11
The Overlords - Sundown (Instru-Mental Version)
12
The Overlords - Rhythm 000
13
The Overlords - Organic! (Single Version)
14
The Overlords - Frankfurt Goes Organic (Sven Väth Mosaic Remix)
15
The Overlords - Sundown (Single Version)
16
The Overlords - Moontrap (Adult Version)
17
The Overlords - Moontrap (Bonus Version)?
The Overlords is a pioneer electronic project coming from Denmark. Rune Bendixen, Carsten Pedersen and Ian Ion started to work together in the late 80’s inspired by Front 242 and Adrian Sherwood’s electronic dub. The ever-cheaper samplers allowed the band to record their debut album “Midnight at the Grooveyard II” (1988) and built their own studio The Grooveyard in Copenhagen. Next works started to get increasingly influenced by techno, new beat and innovative dance music. A new single “Moontrap” (1990) appeared on Belgium’s Antler Subway Records and led The Overlords to collaborate with Kenneth Baker who remixed the next single and massive club hit “Sundown” (1991). The full-length “Organic?” (1991) came shortly after also on Antler Subway in Belgium, ZYX Records in Germany and reached America with Caroline Records. The success continued to grow and a new EP for “Organic+” (1992) was out with the title track remixed by the legendary DJ and producer Sven Väth.
“From the first song, with it’s chorus of ‘We Are Genetic Engineers’ and it’s rich, catchy melody, “Organic?” throws the fetters of EBM off and soars to heady heights. The third track leaves the fresh energetic, colourful world of humour to create menace and dread with a brilliant cover version of “Holiday In Cambodia” which has the same threatening sound of the D.K.s original, and is perhaps even more danceable and disturbing. An exciting album full of catchy, tongue-in-cheeky chant-a-long tracks and the music has such depth, such stark, radiant colour, such brilliance that is unreservedly recommended.” (Soft Watch)
“Organic?” was originally released only on CD and cassette and is now available for the first time on vinyl record including all original tracks plus some bonus and remixes. Limited edition of 500 copies on double vinyl with gatefold sleeve and one postcard. More
“From the first song, with it’s chorus of ‘We Are Genetic Engineers’ and it’s rich, catchy melody, “Organic?” throws the fetters of EBM off and soars to heady heights. The third track leaves the fresh energetic, colourful world of humour to create menace and dread with a brilliant cover version of “Holiday In Cambodia” which has the same threatening sound of the D.K.s original, and is perhaps even more danceable and disturbing. An exciting album full of catchy, tongue-in-cheeky chant-a-long tracks and the music has such depth, such stark, radiant colour, such brilliance that is unreservedly recommended.” (Soft Watch)
“Organic?” was originally released only on CD and cassette and is now available for the first time on vinyl record including all original tracks plus some bonus and remixes. Limited edition of 500 copies on double vinyl with gatefold sleeve and one postcard. More
1
Tomo Akikawabaya - Mars, Afterwards...
2
Tomo Akikawabaya - Le Voleur
3
Tomo Akikawabaya - Objet d'Amour
4
Tomo Akikawabaya - Untitled
5
Tomo Akikawabaya - The Castle I
6
Tomo Akikawabaya - Machine d'Amour
7
Tomo Akikawabaya - The Steeple Of Lewdness
8
Tomo Akikawabaya - The Sea
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Tomo Akikawabaya - The April
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Tomo Akikawabaya - Ray
11
Tomo Akikawabaya - Boy A
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Tomo Akikawabaya - The Wine Of Heaven
13
Tomo Akikawabaya - The Castle II
“The Castle II” is a collection of works composed and recorded by the Japanese artist Tomo Akikawabaya between 1986 and 1989. An album filled with obscure atmospheres, hypnotic rhythms, electronic melodies, experimental interludes and the unique and mesmerizing voice of Akikawabaya.
Since the release of the album “The Castle I” in 1984, Tomo Akikawabaya became disappointed with the music scene in Japan and thought that the only way to continue as a musician was to release his music abroad. After finish to record some new songs, he embarked on an adventurous trip to London in order to look for an opportunity for a new release. Unfortunately, after three months and despite meeting many artists and important people in the music industry, luck was not on Akikawabaya’s side and with time running out he had to return to Japan without a concrete proposal. In the following years, although he continued to work with his long-time partner Takaaki Han-ya with a project called Beata Beatrix, he never published anything and later focused to other activities. It was until 2015 that the New York label Minimal Wave released “The Invitation of The Dead” compiling songs from “The Castle” (1984) and “Anju” (1985), both originally released on his own label Castle Records. Tomo Akikawabaya is currently working under the moniker of Th, together with his wife Rinko, on a project called The Future Eve. They released an album in 2019 with the collaboration of the legendary Robert Wyatt.
Limited edition of 500 copies. Double vinyl record on gatefold sleeve with embossing and printed inner sleeves. More
Since the release of the album “The Castle I” in 1984, Tomo Akikawabaya became disappointed with the music scene in Japan and thought that the only way to continue as a musician was to release his music abroad. After finish to record some new songs, he embarked on an adventurous trip to London in order to look for an opportunity for a new release. Unfortunately, after three months and despite meeting many artists and important people in the music industry, luck was not on Akikawabaya’s side and with time running out he had to return to Japan without a concrete proposal. In the following years, although he continued to work with his long-time partner Takaaki Han-ya with a project called Beata Beatrix, he never published anything and later focused to other activities. It was until 2015 that the New York label Minimal Wave released “The Invitation of The Dead” compiling songs from “The Castle” (1984) and “Anju” (1985), both originally released on his own label Castle Records. Tomo Akikawabaya is currently working under the moniker of Th, together with his wife Rinko, on a project called The Future Eve. They released an album in 2019 with the collaboration of the legendary Robert Wyatt.
Limited edition of 500 copies. Double vinyl record on gatefold sleeve with embossing and printed inner sleeves. More
1
Randolph & Mortimer - Self-Medicator
2
Randolph & Mortimer - The Imcomplete Truth
3
Randolph & Mortimer - Resurrector Feat. Black Dahlia
4
Randolph & Mortimer - Yuppies
5
Randolph & Mortimer - Everything Was Forever Feat. Dominique Slva
6
Randolph & Mortimer - Dream Hack Feat. Neu-Romancer
7
Randolph & Mortimer - Flesh Style Feat. Andi
8
Randolph & Mortimer - Becoming Inoperative
Second full-length album by Sheffield-based project Randolph & Mortimer. An 8-track 40-minute-long sonic and emotional journey heavily influenced by 80’s propaganda and the parallels we face today involving politics, religion & conspiracy theories. Created half by machines and half by the mind of Sam Evans, “The Incomplete Truth” clings to the same roots that catapulted R&M to the forefront of the techno-EBM-industrial scene with their debut album “Manifesto for A Modern World” (2019) but takes this new work to a higher level in terms of composition and production. Born in the wake of depression resulting from a terrifying near-death experience in the workplace, Sam conceived this album as a live setlist from some alternate reality free of everyday working. Every track is a potential success and includes collaborations with artists like Andi, Neu-Romancer, Black Dahlia and Dominique Slva. All killer, zero filler.
Limited edition of 350 copies with two pages insert. More
Limited edition of 350 copies with two pages insert. More
1
Schicksal - Body Beat
2
Schicksal - The Question
3
Schicksal - Sex
4
Schicksal - Joy
5
Schicksal - Press Your Body (Edit)
6
Schicksal - Sound Of The Drums
7
Schicksal - I Sit Here Alone
8
Schicksal - Ride Across The Desert
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Schicksal - A Reason To Stay
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Schicksal - Turkish Night
Schicksal is the alias of Rudi Huybrechts from Belgium. Heavily inspired by Front 242 first album “Geography”, DAF’s elektronische körpermusik “Alles Ist Gut” and of course Kraftwerk’s “Man Machine” and “Computer World”, Rudi bought his first Roland SH-101 synthesizer and started in 1982 with Schicksal to experiment with synths and drum computers. He spent lot of hours programming and composing on his bedroom and recording everything on a tape recorder. A selection of these old tracks are included on “Perpetuum Cycle I”. You can definitely feel the vibe of this period and the place where the songs were created: the old industrial town of Hoboken, the culmination of the cold war and the aim of a young musician to combine melody and harmony into minimal electronic music. Recommended for fans of Absolute Body Control, The Klinik, minimal-synth and early EBM
More
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Schicksal - 24 Hours
2
Schicksal - 24 Hours (Acid)
3
Schicksal - Manipulations
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Schicksal - 24 Hours (New Version)
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Schicksal - 24 Hours (Bol Remix)
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Schicksal - Fate
Schicksal is the alias of Rudi Huybrechts coming from Hoboken, a small town near Antwerp. He started experimenting with synths and drum computers in 1982. Heavily inspired by Front 242 first album “Geography”, DAF’s elektronische körpermusik “Alles Ist Gut” and Kraftwerk’s “Man Machine” and “Computer World”, Rudi spent lot of hours programming and composing at home with just some gear and a tape recorder. Some of these tracks appeared on local compilations but it was not until the hype of New Beat in Belgium that Schicksal gained a real attention. In 1988 Rudi persuaded Marc Grouls, the resident DJ of discotheque Prestige in Antwerp, to play the track “24 hours”. All the people on the dancefloor just got wild and the next day Schicksal signed a contract with Maurice Engelen for the release of a maxi-single on Subway Records. This new edition includes all original tracks plus two new remixes of “24 Hours” and the new track “Fate”. Limited edition of 500 copies.
More
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Max & Intro - Ostavi Sve
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Max & Intro - Beogradska Devojka
Max & Intro was a short-lived duo formed by Vincent Max and Intro Johnnie in Belgrade. In 1984 they composed “Ostavi Sve” (in English: “Leave Everything”), probably the greatest ex-Yugoslavian minimal synth song of all times with heavy rotation on radio and even TV appearances. It was a tribute to Fairlight synthesizers, in that time non affordable for these young musicians and became an obsession, especially for Max. In 1985 was published their first and only release “We Design The Future” including “Ostavi Sve” and the B-side “Beogradska Devojka”, another synth gem.
This re-release includes both tracks remastered from the original master tape. Limited edition of 500 copies. More
This re-release includes both tracks remastered from the original master tape. Limited edition of 500 copies. More
1
Deutsch Nepal - Deflagration Of Hell
2
Deutsch Nepal - Execursioner Angel
3
Deutsch Nepal - Holistix - Links Between God And Human
4
Deutsch Nepal - Glimpses Of War Part. I & II
5
Deutsch Nepal - The Heirophants Of Light
6
Deutsch Nepal - Energy - Not Orgasm
7
Deutsch Nepal - Impassive Metal Sex
8
Deutsch Nepal - Angel Impact
9
Deutsch Nepal - Benevolence (Of The Fittest God)
10
Deutsch Nepal - The Fire Within My Cold Heart
11
Deutsch Nepal - Carrions Still Walkin'
12
Deutsch Nepal - Mantra
13
Deutsch Nepal - Horses Give Birth To Flies
14
Deutsch Nepal - Manual To Utilization
15
Deutsch Nepal - Chip Chop
16
Deutsch Nepal - The Eagles Gift
17
Deutsch Nepal - Nonexistance
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Deutsch Nepal - Deathmanners
19
Deutsch Nepal - Benevolence -92
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Deutsch Nepal - Thomas 29 Needles
21
Deutsch Nepal - World Mirror
22
Deutsch Nepal - Gouge Free Market
23
Deutsch Nepal - Tender Lover
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Deutsch Nepal - Pain Is The Language We Use
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Deutsch Nepal - The Phlegethon Fish
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Deutsch Nepal - Aut Gamic Drummers
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Deutsch Nepal - Erosin
28
Deutsch Nepal - Surgery II
29
Deutsch Nepal - Faint Retard
30
Deutsch Nepal - Collapsing Surface
31
Deutsch Nepal - How Low...
32
Deutsch Nepal - You're Just A Toy
33
Deutsch Nepal - Bausteine Der Zukunft
34
Deutsch Nepal - Logo
35
Deutsch Nepal - Masters Of Disguises
36
Deutsch Nepal - Razor In Motion
37
Deutsch Nepal - We Are The Angels (Gabriel)
38
Deutsch Nepal - Poison Free Market
Peter Andersson, aka Lina Baby Doll, is the man that sustain the heavy structure behind Deutsch Nepal. A legend in the scene of industrialism, avant-garde, music and art in general. He is capable to re-create and re-design old school industrial and electronica, taking elements from apparently dissimilar concepts such as Dadaism and Tribalism, or “contradictory” ideas such as Heathenry and Christianity and converge them into a typical cocktail blend that characterises a unique and now famous style. Manic rhythmic redundancies, strange indefinable samplers, metallic sounds, distorted guitar chords are common elements found in all his works. His main goal?. Mesmerize the listener to subjugate the mind and put the spirit into reverberation mode.
It is difficult to reduce his works to a simple description. All of them seem to be the evolution of an early idea, a baby that grows old, getting monstrous and divine while doing so. The music itself is a never ending universal paradox in where beats and rhythms have a primary role. Deutsch Nepal is surreal landscapes strongly conducted and cut through with the violent and precise pounding of the repetitive aspect of percussion. It’s a black and white obsession, changing shapes and tonality.
This boxset compiles the first five albums released by Deutsch Nepal throughout the 90’s (“Deflagration of Hell”, “Benevolence”, “Tolerance”, “¡Comprendido!… Time Stop! …And World Ending” and “Erosion”) plus an extra record (“Dystopian Selection”) with a selection of tracks taken from old compilations. Limited edition of 535 copies with six vinyl records on individual sleeves, three postcards set, numbered certificate and a sticker. More
It is difficult to reduce his works to a simple description. All of them seem to be the evolution of an early idea, a baby that grows old, getting monstrous and divine while doing so. The music itself is a never ending universal paradox in where beats and rhythms have a primary role. Deutsch Nepal is surreal landscapes strongly conducted and cut through with the violent and precise pounding of the repetitive aspect of percussion. It’s a black and white obsession, changing shapes and tonality.
This boxset compiles the first five albums released by Deutsch Nepal throughout the 90’s (“Deflagration of Hell”, “Benevolence”, “Tolerance”, “¡Comprendido!… Time Stop! …And World Ending” and “Erosion”) plus an extra record (“Dystopian Selection”) with a selection of tracks taken from old compilations. Limited edition of 535 copies with six vinyl records on individual sleeves, three postcards set, numbered certificate and a sticker. More
1
Sigbefia Five - Behind The Garden
2
Sigbefia Five - Digital And Unmask
3
Institue For The Crinally Insane - FireIce
4
Institute For The Criminally Insane - Rip Cristo
5
Lights Of Euphoria - Subjection (Violent Mix)
6
Lights Of Euphoria - Deal In Sex (Protection Mix)
7
Birmingham 6 - Israel (Razormaid Mix)
8
Birmingham 6 - Sweet 17
9
Kevorkian Death Cycle - Veal
10
Kevorkian Death Cycle - Discipline
11
Fiction 8 - In The Dark (Remix)
12
Fiction 8 - Break The Line (Demo Version)
13
Sleepwalk - Your Decision
14
Sleepwalk - Timebomb
15
Brigade Werther - Killbeat
16
Brigade Werther - Technologie
“The Brutality Of Rhythm” is a compilation series focused to rescue EBM-electro-industrial jewels from the 90’s. On the first installment have been included some hits, remixes and rare tracks by Sigbefia Five (Germany), Institute For The Criminally Insane (Denmark), Lights of Euphoria (Germany), Birmingham 6 (Denmark), Kevorkian Death Cycle (USA), Fiction 8 (USA), Sleepwalk (Germany) and Brigade Werther (Germany). 100% Aggrepo for your Body Mechanic!
Limited edition of 500 copies with deluxe jacket and printed inner sleeves. More
Limited edition of 500 copies with deluxe jacket and printed inner sleeves. More
1
Dive - Your God
2
Dive - Lost Inside You
3
Dive - This Is Me
4
Dive - Behind The Sun
5
Dive - Nobody Else
6
Dive - No, Nothing
7
Dive - Not Alone
8
Dive - Heart And Soul
9
Dive - Deadman
10
Dive - This Is The World
11
Dive - Frozen
12
Dive - Do You Believe It
13
Dive - Dead End Street
14
Dive - Everything Is Fine
15
Dive - Lost Horizon
16
Dive - Command Him
17
Dive - Insanity
18
Dive - Lies In Your Eyes
19
Dive - Under Attack
20
Dive - Poison Kiss
Re-release for the first time on vinyl for this album originally from 2004 on Daft Records. “Behind The Sun” marked the return of Dirk Ivens after five years focused on other projects (The Klinik and Sonar). This time in collaboration with the Spanish musician Rafael M. Espinosa (Geistform) and with production skills of Eric van Wonterghem (Monolith, Insekt). All gained experience by Dirk shapes this album in a perfect way and the Dive-typical sobriety is not long in coming on every track with a sense of electronic menace, shown through a blaze of squeaks, hisses and subliminal aggressiveness. “Behind The Sun” is a first class work and Mr. Ivens once again confirms his exceptional position in the EBM-industrial scene.
Limited edition of 500 numbered copies on double orange vinyl record, gatefold and printed inner sleeves. Includes all original album tracks plus a bunch of extras taken from the “Frozen” EP recorded together with Diskonnekted, the complete “Lies In Your Eyes” EP and the rare song “Lost Horizon”. More
Limited edition of 500 numbered copies on double orange vinyl record, gatefold and printed inner sleeves. Includes all original album tracks plus a bunch of extras taken from the “Frozen” EP recorded together with Diskonnekted, the complete “Lies In Your Eyes” EP and the rare song “Lost Horizon”. More
1
Front Line Assembly - Lurid Sensation
2
Front Line Assembly - Right Hand Of Heaven
3
Front Line Assembly - Concussion
4
Front Line Assembly - On The Cross
5
Front Line Assembly - Conflict
6
Front Line Assembly - Controversy
7
Front Line Assembly - Dark Dreams
8
Front Line Assembly - The Wrack
9
Front Line Assembly - Body Count
10
Front Line Assembly - Obsession
11
Front Line Assembly - Aggression
12
Front Line Assembly - Die-Sect
13
Front Line Assembly - The Wrack Part III - Wisdom
14
Front Line Assembly - Solitude Of Confinement
15
Front Line Assembly - Headcase Fargone
16
Front Line Assembly - Collision
17
Front Line Assembly - Teardown
This album compiles some of the earliest hits of Front Line Assembly including the classic “Body Count” for which the band prepared their first official video-clip. “Corroded Disorder” was originally released in 1995 as a hybrid of the EP’s “Corrosion” and “Disorder” from 1988, along with some extra tracks taken from the compilation “Convergence” and a couple of new bonus songs.
Deluxe re-release one a limited edition of 500 copies with double vinyl record, deluxe gatefold sleeve and new vintage artwork. More
Deluxe re-release one a limited edition of 500 copies with double vinyl record, deluxe gatefold sleeve and new vintage artwork. More
1
Front Line Assembly - Total Terror
2
Front Line Assembly - A Decade
3
Front Line Assembly - Rebels In Afghanistan
4
Front Line Assembly - Eternal
5
Front Line Assembly - Developing Suicide
6
Front Line Assembly - Black Fluid
7
Front Line Assembly - Falling There
8
Front Line Assembly - All You Do
9
Front Line Assembly - Seeing Is Believing
10
Front Line Assembly - Empty Walls
11
Front Line Assembly - Enemy Number One
12
Front Line Assembly - On The Cross
13
Front Line Assembly - Freedom
14
Front Line Assembly - Distorted Vision
15
Front Line Assembly - Cleanser
16
Front Line Assembly - Persecution
“Total Terror” is the second of two self-released cassette tapes by EBM-industrial act Front Line Assembly. At this point, Bill Leeb was the band's only dedicated member, with some help from Rhys Fulber. Most of the original cassette was remixed and remastered to be commercially released on CD in 1993 as “Total Terror 1”. This edition added three previously-unreleased bonus tracks from other old sessions: "Freedom", "Distorted Vision" and "Cleanser”. The original recordings of these songs were done in 1986 using nothing more than a four track recording system. This would be quite primitive for today's standards and sound quality will not be so effective, however the ideas are all there letting us enjoy some of the first songs created by Front Line Assembly.
Deluxe re-release including all tracks from “Total Terror 1” plus the rare song “Eternal” and some bonus taken from old compilations. Limited pressing of 500 copies with double vinyl record, deluxe gatefold sleeve and new vintage artwork. More
Deluxe re-release including all tracks from “Total Terror 1” plus the rare song “Eternal” and some bonus taken from old compilations. Limited pressing of 500 copies with double vinyl record, deluxe gatefold sleeve and new vintage artwork. More
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The Countach - Dance Club Version
2
The Countach - Sweet Dream
3
The Countach - Paradise Version
4
The Countach - Original Studio Version
Repress!
Beautiful Balearic house vibes on this Best Record release, a label that is best known for soul-boogie and Italo-disco reissues, but it also comes with forgotten gems from the Italian deep house scene, such as Aqua Marina by The Countach! They have been in active service only in 1990 releasing just two singles... but two singles that are not forgotten! "Aqua Marina" has plenty of lashings of jazz funk rubbed into its loins, not least on the "Sweet Dream Version". The "Paradise Version" nudges the key of the club mixes and ramps up the reverb, and then the "Original Studio Version" switches up the mood with an organic, live band groove on this crucial 12inch. A timeless masterpiece by DJ-producers Giampiero Malvatani (aka Giampi) and Davide Domenella (aka D.Dee), developed by M Giancarlo Ragni at the Vallemania Studio in Genga. Precious classic Balearic beat, 100% pure for which even today we shed sweet tears of nostalgia for this sound of the early 90s! Classic stuff! More
Beautiful Balearic house vibes on this Best Record release, a label that is best known for soul-boogie and Italo-disco reissues, but it also comes with forgotten gems from the Italian deep house scene, such as Aqua Marina by The Countach! They have been in active service only in 1990 releasing just two singles... but two singles that are not forgotten! "Aqua Marina" has plenty of lashings of jazz funk rubbed into its loins, not least on the "Sweet Dream Version". The "Paradise Version" nudges the key of the club mixes and ramps up the reverb, and then the "Original Studio Version" switches up the mood with an organic, live band groove on this crucial 12inch. A timeless masterpiece by DJ-producers Giampiero Malvatani (aka Giampi) and Davide Domenella (aka D.Dee), developed by M Giancarlo Ragni at the Vallemania Studio in Genga. Precious classic Balearic beat, 100% pure for which even today we shed sweet tears of nostalgia for this sound of the early 90s! Classic stuff! More
(2023 Repress) Safe Trip is taking one final deep dive into the warm waters of Italian dream house with Welcome To Paradise Volume 3, the concluding chapter in the label’s journey through the previously overlooked world of one of dance music’s most vibrant and influential underground movements.While the influence of dream house continues to echo through the ages, the style was at its peak between 1989 and ’94, when producers across Italy delivered a high volume of loved-up, wavy and occasionally blissful productions that fused contemporary deep house tropes – most notably from Chicago, New York and New Jersey – with elements borrowed from ambient, jazz and Balearica. It’s this six-year period that provides the focus for Welcome To Paradise Volume 3, which draws together a spine-tingling mixture of sought-after classics, unheralded gems and little-known delights from the original Italian dream house movement. Thrillingly, Welcome to Paradise Volume 3 co-curator Young Marco has managed to source two previously unreleased tracks during the dream house period: the gently unfurling, sunrise-friendly bliss of Jacy’s “Resounding Seashell” and a special “Longer Edit” of Neurostate’s brilliant “Dance To The House”, a track that – somewhat surprisingly – has never previously been issued on vinyl before. Elsewhere, there are plenty of treats to set the pulse racing, from the must-have deep house brilliance of Leo Anibaldi’s “Universe” – a rare foray into dream house territory from the Italian techno pioneer – and the Afro-bleep-goes-dream-house trip of Golem’s “Sun City”, to the cowbell-driven, New Jersey garage-influenced warmth of Deep Choice’s “Children Trip” and Cosmic Galaxy’s “Walkin’ On The Moon”, a Detroit techno-influenced outing with a deliciously saucer-eyed, extended ambient intro. You’ll also struggle to find a more inspired house record than Green Baize’s “Tramp Heart”, which mixes familiar dream house elements with spacey electronics and tribal chants that recall Italy’s early ‘80s Afro-cosmic scene. It all adds up to another essential selection of rich, glassy-eyed dream house treats tailor-made for sound-tracking drawn-out Adriatic sunsets, Mediterranean sunrises and loved-up parties the world over.
More
(2023 Repress) Safe Trip is taking one final deep dive into the warm waters of Italian dream house with Welcome To Paradise Volume 3, the concluding chapter in the label’s journey through the previously overlooked world of one of dance music’s most vibrant and influential underground movements.While the influence of dream house continues to echo through the ages, the style was at its peak between 1989 and ’94, when producers across Italy delivered a high volume of loved-up, wavy and occasionally blissful productions that fused contemporary deep house tropes – most notably from Chicago, New York and New Jersey – with elements borrowed from ambient, jazz and Balearica. It’s this six-year period that provides the focus for Welcome To Paradise Volume 3, which draws together a spine-tingling mixture of sought-after classics, unheralded gems and little-known delights from the original Italian dream house movement. Thrillingly, Welcome to Paradise Volume 3 co-curator Young Marco has managed to source two previously unreleased tracks during the dream house period: the gently unfurling, sunrise-friendly bliss of Jacy’s “Resounding Seashell” and a special “Longer Edit” of Neurostate’s brilliant “Dance To The House”, a track that – somewhat surprisingly – has never previously been issued on vinyl before. Elsewhere, there are plenty of treats to set the pulse racing, from the must-have deep house brilliance of Leo Anibaldi’s “Universe” – a rare foray into dream house territory from the Italian techno pioneer – and the Afro-bleep-goes-dream-house trip of Golem’s “Sun City”, to the cowbell-driven, New Jersey garage-influenced warmth of Deep Choice’s “Children Trip” and Cosmic Galaxy’s “Walkin’ On The Moon”, a Detroit techno-influenced outing with a deliciously saucer-eyed, extended ambient intro. You’ll also struggle to find a more inspired house record than Green Baize’s “Tramp Heart”, which mixes familiar dream house elements with spacey electronics and tribal chants that recall Italy’s early ‘80s Afro-cosmic scene. It all adds up to another essential selection of rich, glassy-eyed dream house treats tailor-made for sound-tracking drawn-out Adriatic sunsets, Mediterranean sunrises and loved-up parties the world over.
More
1
The Overlords - Sundown (Sunshine And The 909 - Babymix)
2
The Overlords - Sundown (Sunshine And The 909 - Ionizer Redux)
3
The Overlords - Sundown (Ionizer Remix '92)
4
The Overlords - Sundown (Alpha*Beat)
Re-release of this timeless electronic anthem. A track that defies any classification. The perfect mix between Belgian techno, trance and EBM. “Sundown” was released as single in 1991 and instantly became a techno classic in Germany and all over the globe selling over 200,000 copies.
‘The Sunshine And The 909’ is without any doubt the most famous mix and a master piece remixed by Kenneth Baker, one of the pioneers of techno & house music movement in Denmark and founder of labels like Coma Records and Flex Records.
“…when I played Sundown for the first time at the Techno-Club in Dorian Gray, more than 25 people came to the DJ box and asked what it was…” (Talla 2XLC)
Limited edition of 500 copies including three classic remixes and one new re-edit. More
‘The Sunshine And The 909’ is without any doubt the most famous mix and a master piece remixed by Kenneth Baker, one of the pioneers of techno & house music movement in Denmark and founder of labels like Coma Records and Flex Records.
“…when I played Sundown for the first time at the Techno-Club in Dorian Gray, more than 25 people came to the DJ box and asked what it was…” (Talla 2XLC)
Limited edition of 500 copies including three classic remixes and one new re-edit. More
1
Key Tronics Ensemble - Calypso Of House (Paradise Mix)
2
Dreamatic - Audio Trip
3
Night Communication - Nocturne Seduction
4
Agua Re - Holy Dance (Large Sound Mix)
5
Deep Choice - Fix Of 4:38 PM
6
High Tide - Time Unlimited
7
Don Pablo's Animals - Paranoia
8
Open Spaces - Sunrise Paradise Garage
9
Jacy - Trax
10
K2 - In My Garden
11
Last Rhythm - Last Rhythm (Ambient Mix)
(2023 Repress) Young Marco mines deep into the 90s era Italian house underground and strikes absolute gold... Part 1 of 2..
This spring, Safe Trip will release Welcome To Paradiso, an expansive retrospective of the Italian dream house sound co-compiled by label founder Young Marco.
At the tail end of the 1980s, a new take on deep house began to emerge from Italian studios. 'Dream house' drew inspiration from key U.S deep house records of the period � the spacey melodiousness of Larry Heard's productions, and the rich jazziness of tracks originating in New Jersey in particular � but sounded distinctly different. Its' 'head-in-the-clouds' feel � all rich chords, tactile basslines, fluid piano lines and starry electronics � made 'dream house' a uniquely Italian proposition.
First and foremost, the style echoed the wavy, glassy-eyed positivity of the period more than any other. While music in the UK and the low countries was getting faster and heavier, Italy's 'dream house' producers continued to create music shot through with warmth and colourful musicality until 1993. While few 'dream house' records were made after then, its' sounds and loose aesthetic influenced subsequent styles such as trance and progressive house.
During its' peak, dream house � or, as it was tagged by leading Italian label DFC, 'ambient house' (echoing the similarly minded work of UK pioneers such as The Orb and The KLF) � could be heard blaring from club sound systems across Europe. The style's popularity was fuelled, in part at least, by the runaway international success of "Sueno Latino".
Welcome To Paradiso gathers together some of the finest examples of the style for the first time since the turn of the 90s. It includes a smattering of scene anthems � Key Tronics Ensemble's peerless "Calypso of House", Morenas's "Sonnambulism", the ambient mix of Last Rhythm's Italo-house classic "Last Rhythm" � alongside a swathe of hard-to-find, in-demand and forgotten gems.
There are cuts from key players in the movement � the likes of Don Pablos Animals, Sasha (later to find fame with a strong of bouncy, piano-heavy Italo-house cuts), and Dreamatic � plus a string of lesser-known names whose contribution to the evolution of the sound should not be overlooked. Young Marco has also found space for Leo Anibaldi's "Elements", a rare deep house outing from a producer who later helped define the sound of Roman techno.
Over the course of two double-vinyl compilations (and one extended digital download package), Welcome To Paradiso celebrates one of the most evocative and imaginative musical styles of electronic music's golden era. Kick off your shoes, turn your gaze skywards, and immerse yourself in the music. More
This spring, Safe Trip will release Welcome To Paradiso, an expansive retrospective of the Italian dream house sound co-compiled by label founder Young Marco.
At the tail end of the 1980s, a new take on deep house began to emerge from Italian studios. 'Dream house' drew inspiration from key U.S deep house records of the period � the spacey melodiousness of Larry Heard's productions, and the rich jazziness of tracks originating in New Jersey in particular � but sounded distinctly different. Its' 'head-in-the-clouds' feel � all rich chords, tactile basslines, fluid piano lines and starry electronics � made 'dream house' a uniquely Italian proposition.
First and foremost, the style echoed the wavy, glassy-eyed positivity of the period more than any other. While music in the UK and the low countries was getting faster and heavier, Italy's 'dream house' producers continued to create music shot through with warmth and colourful musicality until 1993. While few 'dream house' records were made after then, its' sounds and loose aesthetic influenced subsequent styles such as trance and progressive house.
During its' peak, dream house � or, as it was tagged by leading Italian label DFC, 'ambient house' (echoing the similarly minded work of UK pioneers such as The Orb and The KLF) � could be heard blaring from club sound systems across Europe. The style's popularity was fuelled, in part at least, by the runaway international success of "Sueno Latino".
Welcome To Paradiso gathers together some of the finest examples of the style for the first time since the turn of the 90s. It includes a smattering of scene anthems � Key Tronics Ensemble's peerless "Calypso of House", Morenas's "Sonnambulism", the ambient mix of Last Rhythm's Italo-house classic "Last Rhythm" � alongside a swathe of hard-to-find, in-demand and forgotten gems.
There are cuts from key players in the movement � the likes of Don Pablos Animals, Sasha (later to find fame with a strong of bouncy, piano-heavy Italo-house cuts), and Dreamatic � plus a string of lesser-known names whose contribution to the evolution of the sound should not be overlooked. Young Marco has also found space for Leo Anibaldi's "Elements", a rare deep house outing from a producer who later helped define the sound of Roman techno.
Over the course of two double-vinyl compilations (and one extended digital download package), Welcome To Paradiso celebrates one of the most evocative and imaginative musical styles of electronic music's golden era. Kick off your shoes, turn your gaze skywards, and immerse yourself in the music. More
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
1
Lex Wolf - Tell Me
2
Lex Wolf - Magnifique
3
Lex Wolf - Aril
4
Lex Wolf - Mess Around
Excitement levels are reaching their absolute peak here at M.A.D Towers as we present the first in the Lextended series. Lex Wolf is no stranger to dance music, being one half of Acid Mondays with releases on iconic labels such as Warp Records and R&S, as well as hosting his own night at Pikes in Ibiza. A serious selector with an ear for gold, his latest offering shows that off in full force, with four roaring edits that roll through new beat and cosmic, to proto house and electro.
Vinyl only, these edits are sure to become a permanent fixture in your record bag. Full support from Seth Troxler and Skream on this one. More
Vinyl only, these edits are sure to become a permanent fixture in your record bag. Full support from Seth Troxler and Skream on this one. More
1
Mendes & Mendes - Mitamiyo
2
Mendes & Mendes - Mas Qui Sabe
3
Mendes & Mendes - Ninguem
4
Mendes & Mendes - Woyel Sunugal
5
Mendes & Mendes - Woasah
6
Mendes & Mendes - Evoluçâo
7
Mendes & Mendes - Sambinha de Vovo
8
Mendes & Mendes - Riqueza & Valor
9
Mendes & Mendes - Mîndelo
10
Mendes & Mendes - Deus Qui Mi Deu
CREOLE PORTUGUESE-AFRICAN POLYRHYTHMS, AMERICAN BOOGIE AND BRAZILIAN SAMBA
Brothers Gerard Mendes (also known as Boy Ge Mendes) and Jean-Claude Mendes display the intriguing combination of Creole Portuguese-African polyrhythms, American boogie, and Brazilian samba; the duo became massive stars among the Cabo Verde diaspora.
This LP includes the killer boogie anthem “Mitamiyo” More
Brothers Gerard Mendes (also known as Boy Ge Mendes) and Jean-Claude Mendes display the intriguing combination of Creole Portuguese-African polyrhythms, American boogie, and Brazilian samba; the duo became massive stars among the Cabo Verde diaspora.
This LP includes the killer boogie anthem “Mitamiyo” More
1
Valentino Mora - Diatom
2
Valentino Mora - Polarization
3
Valentino Mora - Plasma
4
Valentino Mora - Portal
TRACKLIST:
A1. Valentino Mora - Diatom
A2. Valentino Mora - Polarization
B1. Valentino Mora - Plasma
B2. Valentino Mora - Portal
Non Series welcomes Valentino Mora with a great 4 tracker percussive, deep, minimalistic techno EP. More
A1. Valentino Mora - Diatom
A2. Valentino Mora - Polarization
B1. Valentino Mora - Plasma
B2. Valentino Mora - Portal
Non Series welcomes Valentino Mora with a great 4 tracker percussive, deep, minimalistic techno EP. More
1
Last Life - Hidden (Donato Dozzy remix)
2
Last Life - Tensor (Reeko remix)
Tracklisting
A1 Last Life - Hidden (Donato Dozzy remix)
B1 Last Life - Tensor (Reeko remix)
Sales Note
We wanted to celebrate the music of integral Samurai family member Last Life by revisiting his Samurai contributions with remixes from artists Mauro saw as best candidates for adding a new perception.
The first in this 2 part series enlists two fellow Samurai Music family members and titans of the Techno / wider electronic musical sphere - Donato Dozzy & Reeko.
Donato flips Hidden into a driving 4/4 170 terse wind out, while Reeko rebuilds Tensor into a serpent-like groove around a thunderous kick. More
A1 Last Life - Hidden (Donato Dozzy remix)
B1 Last Life - Tensor (Reeko remix)
Sales Note
We wanted to celebrate the music of integral Samurai family member Last Life by revisiting his Samurai contributions with remixes from artists Mauro saw as best candidates for adding a new perception.
The first in this 2 part series enlists two fellow Samurai Music family members and titans of the Techno / wider electronic musical sphere - Donato Dozzy & Reeko.
Donato flips Hidden into a driving 4/4 170 terse wind out, while Reeko rebuilds Tensor into a serpent-like groove around a thunderous kick. More
1
Silent Servant - M-87 (04:02)
2
Silent Servant - M-90 (04:32)
3
Silent Servant - M-99 (06:08)
4
Silent Servant - M-00 (04:45)
Territories: World excl. UK + North America
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More