1
KZ1 - Last Trance
2
KZ1 - Edge Of Insanity
3
KZ1 - Feel The Bass
4
KZ1 - Let Yourself Go
KZ1 originally came from Fair Oak, Southampton and during the early 90’s he worked for Fantazia as their event photographer whilst also employed as a writer and record review for Mixmag, Blaze, Wax and Hit The Decks. Known locally as a solid DJ, his decks were used by the DJ Format and by Brent from Aquasky to practise on before they could afford their own.
He only released one record back in the day for Madison’s resident DJ Stu J’s label Adrenalin Records (Drop The Bass/I Know I Can Make It – repressed by Vinyl Fanatiks in 2022) and remixed a couple of tracks for 3rd Rail on Delirious Recordings (repressed by Vinyl Fanatiks in 2019). Then he vanished, work taking him away from the rave scene and to pastures new in Swindon.
Enjoying being back in the scene again via the represses, he decided he would hunt long and hard for some tracks that he wrote in 1993 but never released… and finally he found them. Using the mastering skills of Dapz at Compound Audio, the tracks were brought back to life and pressed on this beautiful bubblegum pink vinyl.
Own a slice of the nice… 4 tracks from an era of music that was made for partying… and partying hard!
Take me away! More
He only released one record back in the day for Madison’s resident DJ Stu J’s label Adrenalin Records (Drop The Bass/I Know I Can Make It – repressed by Vinyl Fanatiks in 2022) and remixed a couple of tracks for 3rd Rail on Delirious Recordings (repressed by Vinyl Fanatiks in 2019). Then he vanished, work taking him away from the rave scene and to pastures new in Swindon.
Enjoying being back in the scene again via the represses, he decided he would hunt long and hard for some tracks that he wrote in 1993 but never released… and finally he found them. Using the mastering skills of Dapz at Compound Audio, the tracks were brought back to life and pressed on this beautiful bubblegum pink vinyl.
Own a slice of the nice… 4 tracks from an era of music that was made for partying… and partying hard!
Take me away! More
More records from KZ1
1
KZ1 - Drop The Bass
2
KZ1 - I Know I Can Make It
Originally released on Southampton label Adrenalin Records run by Stu J. Stu J was a big shaker in the south coast rave industry in the early 90’s and played at all the top clubs in the area including Sterns, Kevins House and Madisons. It was Madisons though that he had the biggest impact, leaving a long-lasting legacy to this day. It was at this venue that Stu J caned this 12” which would later become an anthem at raves up and down the country in 1991 and 1992.
KZ1 was from Eastleigh, just outside of Southampton and this was his only release, though he did remix 3rd Rail on Delirious Recordings the following year (repressed in 2019 Vinyl fanatiks – VFS008). At the same time, he was a writer for Blaze, Wax and Hit The Decks magazines as well as a reviewer of rave releases at Mixmag. On top of that, he was Fantazia’s official photographer during this era. But he then disappeared from the industry, leaving this handstamped white label release as his only legacy, until now.
Repressed on 180g heavyweight vinyl. Take a trip back to 1991 and the high energy that was the UK rave scene. More
KZ1 was from Eastleigh, just outside of Southampton and this was his only release, though he did remix 3rd Rail on Delirious Recordings the following year (repressed in 2019 Vinyl fanatiks – VFS008). At the same time, he was a writer for Blaze, Wax and Hit The Decks magazines as well as a reviewer of rave releases at Mixmag. On top of that, he was Fantazia’s official photographer during this era. But he then disappeared from the industry, leaving this handstamped white label release as his only legacy, until now.
Repressed on 180g heavyweight vinyl. Take a trip back to 1991 and the high energy that was the UK rave scene. More
More records from Vinyl Fanatiks
1
DJ Fokus - Vexxed
2
DJ Fokus - Chill Out
Repress!
What a monster release... two total darkside classic by DJ Fokus and engineered by Pete Parsons at Monroe's. More
What a monster release... two total darkside classic by DJ Fokus and engineered by Pete Parsons at Monroe's. More
1
Justice & Mercy - Soothe My Soul
2
Justice & Mercy - Fake Lobsters
3
Justice & Mercy - Doin' What You're Doin' (Original Mix)
4
Justice & Mercy - Doin' What You're Doin' (Remix)
5
Justice & Mercy - Experience (Remix)
1
Tone Def - Can You Feel It ?
2
Tone Def - On The Attack
This record was originally released by us in 2019 on yellow vinyl, part of the Holy Quattro. Only 250 were pressed back then and sold out that year. We have done a limited repress of 150 units on 180g black vinyl.
More
1
Chalke - Moonbase Alpha
2
Chalke - Quosh Up
Chalke aka Life On Mars aka Forces Of Nature is a bit of a mystical legend in the drum & bass circles. An old school friend of LTJ Bukem, the two of them grew up together in North London and it is down to him that Bukem started to DJ, with Chalke as his original MC!
This is the second release Chalke has done with Vinyl Fanatiks – his first was VFS002 which has long since sold out and already a collectable repress on Discogs.
Chalke was so far ahead of the curve in his production and ability to create tracks that surprisingly these two tunes were written in 1993 and 1994 and pre-date the whole ‘intelligent’ drum and bass movement that took over the globe in the mid-90s!
Both tracks were never released and have sat on DAT for 30 years… until now. ‘Moonbase Alpha’ is a cult track in the drum and bass world as it was played by Bukem during the mid-90s, both in his sets and on his Kiss show. Deep, rolling and beautifully progressive for the era. ‘Quosh Up’ is equally as stunning, musical and rolling… like one of Bukem’s DJ sets during the Good Looking era.
Limited pressing on 180g heavyweight black vinyl, presented in a black inner sleeve with a Vinyl Fanatiks 3mm spined housebag. More
This is the second release Chalke has done with Vinyl Fanatiks – his first was VFS002 which has long since sold out and already a collectable repress on Discogs.
Chalke was so far ahead of the curve in his production and ability to create tracks that surprisingly these two tunes were written in 1993 and 1994 and pre-date the whole ‘intelligent’ drum and bass movement that took over the globe in the mid-90s!
Both tracks were never released and have sat on DAT for 30 years… until now. ‘Moonbase Alpha’ is a cult track in the drum and bass world as it was played by Bukem during the mid-90s, both in his sets and on his Kiss show. Deep, rolling and beautifully progressive for the era. ‘Quosh Up’ is equally as stunning, musical and rolling… like one of Bukem’s DJ sets during the Good Looking era.
Limited pressing on 180g heavyweight black vinyl, presented in a black inner sleeve with a Vinyl Fanatiks 3mm spined housebag. More
1
Steve C & DJ Monita - The Razors Edge
2
Steve C & DJ Monita - Full Cry
Brian Fenner, aka DJ Monita, first started to hit the clubs as a DJ in 1991, making his debut at the Paradise Club on a Thursday night, but when he first started to make his tapes, he didn’t have a DJ name and the tapes went out nameless, explaining why no one on the estate knew it was him behind the mixtapes. “An old girlfriend told me that I needed to sort myself out with a DJ name, so I did. Though I wasn’t very imaginative with it back then, I just named myself after monitor speakers!” Brian laughs “But I wish I didn’t change the spelling to Monita all those years ago as people keep thinking that I am a Spanish female DJ!”
This is was the 12th release that Monita put out on his Skeleton Recordings, released in 1994. Now remastered and repressed on heavyweight green vinyl. More
This is was the 12th release that Monita put out on his Skeleton Recordings, released in 1994. Now remastered and repressed on heavyweight green vinyl. More
1
KZ1 - Drop The Bass
2
KZ1 - I Know I Can Make It
Originally released on Southampton label Adrenalin Records run by Stu J. Stu J was a big shaker in the south coast rave industry in the early 90’s and played at all the top clubs in the area including Sterns, Kevins House and Madisons. It was Madisons though that he had the biggest impact, leaving a long-lasting legacy to this day. It was at this venue that Stu J caned this 12” which would later become an anthem at raves up and down the country in 1991 and 1992.
KZ1 was from Eastleigh, just outside of Southampton and this was his only release, though he did remix 3rd Rail on Delirious Recordings the following year (repressed in 2019 Vinyl fanatiks – VFS008). At the same time, he was a writer for Blaze, Wax and Hit The Decks magazines as well as a reviewer of rave releases at Mixmag. On top of that, he was Fantazia’s official photographer during this era. But he then disappeared from the industry, leaving this handstamped white label release as his only legacy, until now.
Repressed on 180g heavyweight vinyl. Take a trip back to 1991 and the high energy that was the UK rave scene. More
KZ1 was from Eastleigh, just outside of Southampton and this was his only release, though he did remix 3rd Rail on Delirious Recordings the following year (repressed in 2019 Vinyl fanatiks – VFS008). At the same time, he was a writer for Blaze, Wax and Hit The Decks magazines as well as a reviewer of rave releases at Mixmag. On top of that, he was Fantazia’s official photographer during this era. But he then disappeared from the industry, leaving this handstamped white label release as his only legacy, until now.
Repressed on 180g heavyweight vinyl. Take a trip back to 1991 and the high energy that was the UK rave scene. More
1
Ellis Dee - Big Up Your Chest (Remix)
2
Ellis Dee - Junglist Warrior
We have done a small repress of this mega Ellis Dee release that came out originally on his CAT Label in 1994 and was repressed by us in 2021. This has been sold out for a very long time but the demand has built up, so we have decided to repress one more time.
More
1
Lab-Tek - Dammed Nation
2
Lab-Tek - Weird Science
3
Lab-Tek - Tik Tok
This is a very collectable EP within the breakbeat/hardcore scene with copies changing hands in excess of £350.00. Written by London born Mixmaster Max whose first step into public life was that of a breakdancer in the early 80’s when he was just a kid with a crew called The Back Street Warriors, showcasing his talents at the infamous Covent Garden jams of the same era. He then got into DJing and scratching and entered the DMC Championships and is credited as the inventor of the Topsy Turvey – stacking turntables on top of each other for a DJ routine!
As like many DJ’s around the late 80’s in London he gravitated out of hip hop and into the rave culture and from here he started to perform at many events such as Fantazia, The Pirate Club, Turnmills and the Hacienda in Manchester as well as a residency on a Friday night alongside John Saunderson - the General Manager of DMC - at Camden Palace. From his club work he started to play on the London pirates Kool FM and Centreforce and on legal stations Peoples Choice and Avenues FM.
These tracks are precursors to the soon to blossom jungle scene and highlight Max’s musical history with his creative sample play. You won’t find much more authentic hardcore than this EP, which really highlights the sound of London back in 1993. More
As like many DJ’s around the late 80’s in London he gravitated out of hip hop and into the rave culture and from here he started to perform at many events such as Fantazia, The Pirate Club, Turnmills and the Hacienda in Manchester as well as a residency on a Friday night alongside John Saunderson - the General Manager of DMC - at Camden Palace. From his club work he started to play on the London pirates Kool FM and Centreforce and on legal stations Peoples Choice and Avenues FM.
These tracks are precursors to the soon to blossom jungle scene and highlight Max’s musical history with his creative sample play. You won’t find much more authentic hardcore than this EP, which really highlights the sound of London back in 1993. More
1
Minds At Large - I'll Be Around
2
Minds At Large - Inverted Cosmos
3
Minds At Large - Tunnel Vision
4
Minds At Large - Dis And Dat
Minds At Large comprise of Zak and Hoj from Watford, North London who were active between 1992 – 1997, releasing on their label Choicest Music. Most of their releases were white label only releases, some handwritten, others stickered. Each release was a limited pressing and since they debuted over 30 years ago, they have become hugely popular and collectable.
Here is out first release with the group – 4 tracks of hardcore/early jungle.
Only 350 pressed on an incredible marbled vinyl. More
Here is out first release with the group – 4 tracks of hardcore/early jungle.
Only 350 pressed on an incredible marbled vinyl. More
1
Battery 03 - Kick It To 'Em
2
Battery 03 - Where Am I?
3
Battery 03 - Love Is...
4
Battery 03 - XL Stretch
This record was on our radar for quite some time, but we didn’t know who the artist actually was as it was incorrectly credited on Discogs. But as luck would have it, whilst speaking about this release to our artwork guy at the label, Diplomat, he said that he knew them! So, a few emails and phonecalls later and we had arranged this repress.
Originally this only came out as a white label in 1993 on Dance Bass Records out of Essex which was part owned by Battery 03! A highly sought after EP like all releases on Vinyl Fanatiks, these four tracks perfectly encapsulate the sound of the early 90’s Essex scene.
Only 350 pressed on an incredible marbled vinyl. More
Originally this only came out as a white label in 1993 on Dance Bass Records out of Essex which was part owned by Battery 03! A highly sought after EP like all releases on Vinyl Fanatiks, these four tracks perfectly encapsulate the sound of the early 90’s Essex scene.
Only 350 pressed on an incredible marbled vinyl. More
1
The Rave Doctor - Live With The Hardcore
2
The Rave Doctor - Shake Your Rump
3
The Rave Doctor - Annihilating Rhythm
4
The Rave Doctor - Ruff In The Jungle
The Rave Doctor – a pseudonym of Dave Wallace, who had a huge input and impact in the UK rave, hardcore, jungle and drum & bass scenes under numerous names such as Mad Dog, Fugitive as well as Aquasky, plus many, many others!
This is the second EP under his Rave Doctor alias that was originally released in 1993 on the Southampton label Adrenalin Records, that was run by Stu J (who also had a release on Vinyl Fanatiks a few years back). Featuring the track ‘Ruff In The Jungle’ that went on to become an anthem in Tenerife where 10,000 ravers will all throw their hands up and cheer when its dropped at a festival. I am reliably told that the track is bigger than Liquid’s ‘Sweet Harmony’ over there which came as quite a surprise to Dave who only recently found this out.
All four tunes are anthemic party tracks with that Dave Wallace melodic midas touch. If you like this, then grab a copy of The Rave Doctor ‘Lost In Bass’ EP which is still available via Sequence. More
This is the second EP under his Rave Doctor alias that was originally released in 1993 on the Southampton label Adrenalin Records, that was run by Stu J (who also had a release on Vinyl Fanatiks a few years back). Featuring the track ‘Ruff In The Jungle’ that went on to become an anthem in Tenerife where 10,000 ravers will all throw their hands up and cheer when its dropped at a festival. I am reliably told that the track is bigger than Liquid’s ‘Sweet Harmony’ over there which came as quite a surprise to Dave who only recently found this out.
All four tunes are anthemic party tracks with that Dave Wallace melodic midas touch. If you like this, then grab a copy of The Rave Doctor ‘Lost In Bass’ EP which is still available via Sequence. More
1
Spirits From An Urban Jungle - Inhabitants Of Pandemonium
2
Spirits From An Urban Jungle - Retribution
3
Spirits From An Urban Jungle - Epilogue To Freedom
Spirits From An Urban Jungle – A group consisting of JMJ & Richie (Moving Shadow/Good Looking) and Tekniq (Moving Shadow/Formation) who released two EPs on Whitehouse Records in 1994 and a recent, quickly sold out, EP on Vinyl Fanatiks sister label – Amen brother.
Their first release on Whitehouse was repressed by Vinyl Fanatiks in 2020 on red vinyl and sold out. This is a limited run on blue vinyl and is some deeper, Bukem styled tracks that pre-dated the ‘intelligent’ drum & bass sound that went stratospheric the following year.
Rolling in da shadows… More
Their first release on Whitehouse was repressed by Vinyl Fanatiks in 2020 on red vinyl and sold out. This is a limited run on blue vinyl and is some deeper, Bukem styled tracks that pre-dated the ‘intelligent’ drum & bass sound that went stratospheric the following year.
Rolling in da shadows… More
1
Silver Fox - Dreaded Beast
2
Silver Fox - Madam Sin
3
Silver Fox - Unknown Assailant
4
Silver Fox - The Dawndest Thing
One of the most imaginative, creative EP’s we have ever put out on Vinyl Fanatiks. Originally released on Three Scar Records in 1993, Silver Fox’s own label, hailing from Wolverhampton. Back in 2019 it was repressed on Vinyl Fanatiks on orange vinyl but sold out before it got to distribution, so grab a copy while you can.
This EP has incredible sample usage and amazing depth and texture for a hardcore release, I do not think there is another release like it from that era. Silver Fox use to rent a flat with Goldie when they lived in the city as they were both on a printing course. Silver Fox stayed in the Wolverhampton and put his printing course to good use, making rave t-shirts which he would sell at Club Kinetic and Quest in Wolverhampton – two rave clubs that were renowned across the UK at that time. He now runs Ricochet Print and does all the merch for Vinyl Fanatiks.
This is an EP you can listen from start to finish and be taken on a trip to a time when Akai samplers were being brutalised and Cubase was the king of the rollers.
Only 140 have been pressed on 180g pink marbled vinyl. More
This EP has incredible sample usage and amazing depth and texture for a hardcore release, I do not think there is another release like it from that era. Silver Fox use to rent a flat with Goldie when they lived in the city as they were both on a printing course. Silver Fox stayed in the Wolverhampton and put his printing course to good use, making rave t-shirts which he would sell at Club Kinetic and Quest in Wolverhampton – two rave clubs that were renowned across the UK at that time. He now runs Ricochet Print and does all the merch for Vinyl Fanatiks.
This is an EP you can listen from start to finish and be taken on a trip to a time when Akai samplers were being brutalised and Cubase was the king of the rollers.
Only 140 have been pressed on 180g pink marbled vinyl. More
1
Mad Dog - My God
2
Mad Dog - Rumbled
This is the third of the Mad Dog releases – and is often cited as the best release they did back in the day. Pure hardcore jungle flavours written in 1994 in sunny Bournemouth by Dave ‘Aquasky’ Wallace and Shaun ‘Aurora’ O’Hara.
Originally released by Olly on Underdog Recordings, who shared a house with Dave and also Brent from Aquasky. A hub of hardcore – the studio was on the ground floor, the bedrooms on the second floor and the top floor was the record label and pirate radio that ran for a while!
Around the same time this record was made, Dave was also producing as Fugitive and engineering for Kieron Aquasky’s various drum and bass tracks. On top of that he was making happy hardcore as Rebel Alliance and engineering hip hop for Brent Aquasky. A very busy guy who is still producing in 2024!
Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Neptune and part of a 4 vinyl Cosmik series.
OMG! More
Originally released by Olly on Underdog Recordings, who shared a house with Dave and also Brent from Aquasky. A hub of hardcore – the studio was on the ground floor, the bedrooms on the second floor and the top floor was the record label and pirate radio that ran for a while!
Around the same time this record was made, Dave was also producing as Fugitive and engineering for Kieron Aquasky’s various drum and bass tracks. On top of that he was making happy hardcore as Rebel Alliance and engineering hip hop for Brent Aquasky. A very busy guy who is still producing in 2024!
Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Neptune and part of a 4 vinyl Cosmik series.
OMG! More
1
Fruit & Veg - Dark Enough?
2
Fruit & Veg - 25%
We are extremely excited to share with you this wonderful piece of old skool hardcore. Created in Bristol in 1993 and released on a limited white label back then, this record has become a holy grail over the past 30 years. Very rare, very sought after and 100% original West Country vibes.
Written by Rich Williams, who emigrated to LA many years ago and James Towler – producer for John Lydon these days! These guys were on some next level vibes when they wrote this ultimate slice of darkcore rave!
Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Jupiter and part of a 4 vinyl Cosmik series.
Is it dark enough??? More
Written by Rich Williams, who emigrated to LA many years ago and James Towler – producer for John Lydon these days! These guys were on some next level vibes when they wrote this ultimate slice of darkcore rave!
Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Jupiter and part of a 4 vinyl Cosmik series.
Is it dark enough??? More
1
Aquasky - Don't Go
2
Aquasky - K-Rox
Aquasky are a trio that formed in Bournemouth in 1995, inspired by the likes of LTJ Bukem, DJ Krust and Roni Size. They were signed to Moving Shadow for a three-single deal by the strength of the first two tracks that they made together. But the label had a heavy release schedule back then, so it took 2 years for the 3 releases to come out. During that time though they wrote more music for R&S and Reinforced as well as untold remixes.
These two tracks were written whilst signed to Moving Shadow but were not released at the time as drum and bass was progressing in style and tempo. So, they were put to DAT and forgotten about until 2015 when the band put out a 20 year compilation, finding the tracks on one of their many DAT tapes.
The music will take you right back to the mid-90’s when the music was deep and rolling and there were no hard and fat rules on how to make drum & bass.
This release has a close connection to Vinyl Fanatiks as the label is run by Brent from Aquasky.
Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Mars and part of a 4 vinyl Cosmik series.
Keep em rollin’ More
These two tracks were written whilst signed to Moving Shadow but were not released at the time as drum and bass was progressing in style and tempo. So, they were put to DAT and forgotten about until 2015 when the band put out a 20 year compilation, finding the tracks on one of their many DAT tapes.
The music will take you right back to the mid-90’s when the music was deep and rolling and there were no hard and fat rules on how to make drum & bass.
This release has a close connection to Vinyl Fanatiks as the label is run by Brent from Aquasky.
Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Mars and part of a 4 vinyl Cosmik series.
Keep em rollin’ More
1
Mad Dog - Secret Garden
2
Mad Dog - Relapse
Digging back into the Vinyl Fanatiks catalogue, we travel back to 2019. One of the most popular groups that we release on Vinyl Fanatiks – Mad Dog – which is comprised of Dave Wallace from Aquasky and Shaun O’Hara from Aurora. The repress of this EP was funded by a Kickstarter campaign and each copy was hand stamped and numbered. Due to its popularity, this never went into distribution back then.
Originally released in 1993 on Underdog Recordings out of Bournemouth, this was a big Bukem track from that time, played twice in his Dreamscape New Years Eve set as midnight struck! Created in the Avon Studios in Charminster, Bournemouth, where two thirds of Aquasky lived and Underdog Recordings was based. There was even a pirate radio being broadcast from the attic too! The House Of Rave as we all use to call it.
This studio was also responsible for the Fugitive releases, the early Moving Shadow Aquasky releases as well as the home of Stormtrooper Recordings – a UK Happy Hardcore label featuring The Rebel Alliance (which was also Dave and Shaun!) Who would know Bournemouth was responsible for so much of the UK’s dance history!
Only 140 have been pressed on 180g pink marbled vinyl. More
Originally released in 1993 on Underdog Recordings out of Bournemouth, this was a big Bukem track from that time, played twice in his Dreamscape New Years Eve set as midnight struck! Created in the Avon Studios in Charminster, Bournemouth, where two thirds of Aquasky lived and Underdog Recordings was based. There was even a pirate radio being broadcast from the attic too! The House Of Rave as we all use to call it.
This studio was also responsible for the Fugitive releases, the early Moving Shadow Aquasky releases as well as the home of Stormtrooper Recordings – a UK Happy Hardcore label featuring The Rebel Alliance (which was also Dave and Shaun!) Who would know Bournemouth was responsible for so much of the UK’s dance history!
Only 140 have been pressed on 180g pink marbled vinyl. More
1
Mad Dog - Relapse
2
Mad Dog - Secret Garden
*Limited to 150 copies worldwide*
Dave Wallace and Shaun O’Hara created Mad Dog as their first collaboration project back in 1992, later to go on and also form Fugitive – both projects being released in the early 90’s by Bournemouth based Underdog Recordings.
In 2018 Vinyl Fanatiks repressed their first EP and in 2019 Mad Dog 2 was re-released. This 7” is the 7” edits of Mad Dog 2 – a huge release back in the day and more recently for us, selling out in a few months.
This jukebox holed release is one for the collectors and those who like to drop 7” selections in their sets.
King of the mini platters… More
Dave Wallace and Shaun O’Hara created Mad Dog as their first collaboration project back in 1992, later to go on and also form Fugitive – both projects being released in the early 90’s by Bournemouth based Underdog Recordings.
In 2018 Vinyl Fanatiks repressed their first EP and in 2019 Mad Dog 2 was re-released. This 7” is the 7” edits of Mad Dog 2 – a huge release back in the day and more recently for us, selling out in a few months.
This jukebox holed release is one for the collectors and those who like to drop 7” selections in their sets.
King of the mini platters… More
Customers who bought this also bought this
1
Robert Hood - Funky Souls (Club 246 Mix)
2
Robert Hood - Funky Souls (Original Mix)
*2021 repress* Back in 1996 Robert Hood launched his Floorplan monikor on this 12" through his own M-Plant sub-label Drama. This is probably the only time he really touched up a disco record and what a way to do it... Raw and minimal to the bone. This has to be one of the funkiest records to have emerged from Detroit in the last 25 years, and its unmistakably Robert Hood. BIG TIP!
More
More
1
D. Carbone & DSTM - Never Stop Raveolution
2
D. Carbone & d_b - The Bad Dance
3
D. Carbone & Hypnoskull - We Are Stronger
4
D. Carbone & Lucas Campagna - Social Pressure
5
D. Carbone & SDBX - Pitch You Back
6
D. Carbone & Valeriø Innørta - Push Your Back Spin
Tracklisting:
A1 D. Carbone & DSTM - Never Stop Raveolution
A2 D. Carbone & d_b - The Bad Dance
A3 D. Carbone & Hypnoskull - We Are Stronger
B1 D. Carbone & Lucas Campagna - Social Pressure
B2 D. Carbone & SDBX - Pitch You Back
B3 D. Carbone & Valeriø Innørta - Push Your Back Spin
Sales Note
We want to celebrate the 5th Volume of our best series "Raving Disorder" in a special way.
Our Boss D. Carbone choose 6 of his favorite Artists on the label to make a Collab with each one.
DSTM, d_b, Hypnoskull, Lucas Campagna, SDBX, and Valerio Innorta are the mans who joined the boss in this amazing feature it creates a don't-miss duty bomb for your night.
A1 Never Stop The Raveolution is a dark and heavy techno banger that takes the mentality of D. Carbone and DSTM and brings it furthermore in the Techno Revolution Aim.
A2 The boss meets the mysterious d_b again after their debuts on Green Fetish Records "The Bad Dance" is a groovy Banger singed by d_b himself accompanied by powerful kick and 90's groove with dystopian noises and bells deliver the Kaos.
A3 D. Carbone featuring one of the most underground legends in Techno Hypnoskull with "We are Stronger".
The track is a Hymn against capitalism, a selfish attitude, and all the bad things of the Modern Era.
Listen deep to it!
B1 Starts with "Social Pressure" along with boy Lucas Campagna who meets the boss to create an absurd heavy banger, dreamy, powerful, complex, and modern make this a don't-miss bomb in your collection.
B2 is "Pitch You Back" along with SDBX a truly hit played by D. Carbone in almost every set during last year, is the first of long series of heavy hitters by this duo who is already working on EP, since the first listen to this track will be unforgettable.
B3 "Push Your Back Spin" is the Collaboration with the Roman hardcore boy Valerio Innorta, as the title says this track will let your back spin a heavy dance, the track came out after last Valerio's release on Carbone Records and blends in a perfect way this new style with the D. Carbone powerful sound.
Don't miss this vinyl, limited to 300 Marbled blue.
Release Date 22.09.23
Rave On! More
A1 D. Carbone & DSTM - Never Stop Raveolution
A2 D. Carbone & d_b - The Bad Dance
A3 D. Carbone & Hypnoskull - We Are Stronger
B1 D. Carbone & Lucas Campagna - Social Pressure
B2 D. Carbone & SDBX - Pitch You Back
B3 D. Carbone & Valeriø Innørta - Push Your Back Spin
Sales Note
We want to celebrate the 5th Volume of our best series "Raving Disorder" in a special way.
Our Boss D. Carbone choose 6 of his favorite Artists on the label to make a Collab with each one.
DSTM, d_b, Hypnoskull, Lucas Campagna, SDBX, and Valerio Innorta are the mans who joined the boss in this amazing feature it creates a don't-miss duty bomb for your night.
A1 Never Stop The Raveolution is a dark and heavy techno banger that takes the mentality of D. Carbone and DSTM and brings it furthermore in the Techno Revolution Aim.
A2 The boss meets the mysterious d_b again after their debuts on Green Fetish Records "The Bad Dance" is a groovy Banger singed by d_b himself accompanied by powerful kick and 90's groove with dystopian noises and bells deliver the Kaos.
A3 D. Carbone featuring one of the most underground legends in Techno Hypnoskull with "We are Stronger".
The track is a Hymn against capitalism, a selfish attitude, and all the bad things of the Modern Era.
Listen deep to it!
B1 Starts with "Social Pressure" along with boy Lucas Campagna who meets the boss to create an absurd heavy banger, dreamy, powerful, complex, and modern make this a don't-miss bomb in your collection.
B2 is "Pitch You Back" along with SDBX a truly hit played by D. Carbone in almost every set during last year, is the first of long series of heavy hitters by this duo who is already working on EP, since the first listen to this track will be unforgettable.
B3 "Push Your Back Spin" is the Collaboration with the Roman hardcore boy Valerio Innorta, as the title says this track will let your back spin a heavy dance, the track came out after last Valerio's release on Carbone Records and blends in a perfect way this new style with the D. Carbone powerful sound.
Don't miss this vinyl, limited to 300 Marbled blue.
Release Date 22.09.23
Rave On! More
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
1
Cybotron - Maintain 04:56
2
Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
1
Alarico - AF 97
2
Alarico - Chromo
3
Alarico - Lost In Lima
4
Alarico - Nisba
Known for fast paced rhythms and kinky grooves he left his signature on labels such as Newrhytmic Records, Mutual Rytm, his imprint Katana Records and he now continues to explore the depths and possibilities of sound with his debut on Ben Klock's Klockworks. Over four tracks he cycles between classy, minimalistic effectiveness and rough edged grimy vibes perfectly matching the label's sound with his unique take on techno.
TRACKLIST
A1. AF 97
A2. Chromo
B1. Lost In Lima
B2. Nisba
INFO
Alarico debuts on Klockworks with a flawless four tracker of classy yet gritty pure driving techno. The Milan based DJ and producer Alarico started his journey in 2015 with a style strongly shaped by the raw and forward-leaning sound of 90’s Techno. Known for fast paced rhythms and kinky grooves he left his signature on labels such as Newrhytmic Records, Mutual Rytm, his imprint Katana Records and he now continues to explore the depths and possibilities of sound with his debut on Ben Klock’s Klockworks.
Over four tracks he cycles between classy, minimalistic effectiveness and rough edged grimy vibes perfectly matching the label’s sound with his unique take on techno. The EP kicks off with the raw stomping groove of ‘AF 97’ building up the tension to be followed by the unstoppable rolling drift of ‘Chromo’, while on the flip-side ‘Lost In Lima’ takes the listener on a sonic journey of frenetic tribal rhythms and closing track ‘Nisba’ is a restless techno track showcasing droning, hypnotic sound design and effortless elegance.
More
TRACKLIST
A1. AF 97
A2. Chromo
B1. Lost In Lima
B2. Nisba
INFO
Alarico debuts on Klockworks with a flawless four tracker of classy yet gritty pure driving techno. The Milan based DJ and producer Alarico started his journey in 2015 with a style strongly shaped by the raw and forward-leaning sound of 90’s Techno. Known for fast paced rhythms and kinky grooves he left his signature on labels such as Newrhytmic Records, Mutual Rytm, his imprint Katana Records and he now continues to explore the depths and possibilities of sound with his debut on Ben Klock’s Klockworks.
Over four tracks he cycles between classy, minimalistic effectiveness and rough edged grimy vibes perfectly matching the label’s sound with his unique take on techno. The EP kicks off with the raw stomping groove of ‘AF 97’ building up the tension to be followed by the unstoppable rolling drift of ‘Chromo’, while on the flip-side ‘Lost In Lima’ takes the listener on a sonic journey of frenetic tribal rhythms and closing track ‘Nisba’ is a restless techno track showcasing droning, hypnotic sound design and effortless elegance.
More
1
V.A. - 999999999 - "Alarm 303
2
V.A. - Jastice - "Hey You"
3
V.A. - Kontain - "Neck Crank"
4
V.A. - Grafin - "Chatty Echoes"
(part 1/3 featuring 999999999, Jastice, Kontain & Gräfin) Amelie Lens' EXHALE Records continues to deliver fiercely dynamic techno from the underground's most promising, rising and established artists with its second VA compilation.
TRACKLISTING
A1. 999999999 - Alarm 303
A2. Jastice - Hey You
B1. Kontain - Neck Crank
B2. Gräfin - Chatty Echoes More
TRACKLISTING
A1. 999999999 - Alarm 303
A2. Jastice - Hey You
B1. Kontain - Neck Crank
B2. Gräfin - Chatty Echoes More
1
V.A. - No Title
2
V.A. - No Title
3
V.A. - No Title
4
V.A. - No Title
5
V.A. - No Title
(MRD, Mehen (aka Hadone), Francois X, Grace Dahl, DYEN) Amelie Lens' EXHALE imprint launches with a myriad of uncompromising techno tracks from the underground's finest established and aspiring artists. EXHALE's much anticipated first releasecontinues the legacy of the EXHALE event series with a fifteen original track compilation featuring old and new friends from each avenue of the underground.
TRACKLISTING
A1. MRD - Reach My Hand
A2. Mehen - Broken Whisper
B1. Francois X - Clarity Bell
B2. Grace Dahl - Vermilion Empire
B3. DYEN - Fantasy
More
TRACKLISTING
A1. MRD - Reach My Hand
A2. Mehen - Broken Whisper
B1. Francois X - Clarity Bell
B2. Grace Dahl - Vermilion Empire
B3. DYEN - Fantasy
More
1
OFF / GRID - Funk In The Trunk
2
OFF / GRID - Respect The Technique
3
OFF / GRID - Known Surroundings
4
OFF / GRID - Fast Forward
Tracklisting:
A1 OFF / GRID - Funk In The Trunk
A2 OFF / GRID - Respect The Technique
B1 OFF / GRID - Known Surroundings
B2 OFF / GRID - Fast Forward More
A1 OFF / GRID - Funk In The Trunk
A2 OFF / GRID - Respect The Technique
B1 OFF / GRID - Known Surroundings
B2 OFF / GRID - Fast Forward More
1
Moritz von Oswald - Silencio 12:34
2
Moritz von Oswald - Luminoso 08:53
3
Moritz von Oswald - Librarsi 03:04
4
Moritz von Oswald - Infinito 06:17
5
Moritz von Oswald - Colpo 05:05
6
Moritz von Oswald - Volta (Version) 04:02
7
Moritz von Oswald - Infinito (Version) 06:25
8
Moritz von Oswald - Luminoso (Version) 04:49
9
Moritz von Oswald - Volta 05:47
10
Moritz von Oswald - Opaco 08:57
11
Moritz von Oswald - Opaco (Version) 01:54
Territories: World excl. UK + North America
FORMAT 2x12" 180g vinyl, full printed sleeve, artwork by Cyprien Gaillard
TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54
What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries. More
FORMAT 2x12" 180g vinyl, full printed sleeve, artwork by Cyprien Gaillard
TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54
What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries. More
(transparent vinyl in custom transparent sleeve) Lenske Records mainstay Farrago delivers 'Flashpoint' EP, a hefty 4 track peak-time workout.
TRACKLISTING
A1. Farrago - Quieto (Flashpoint Mix)
A2. Farrago - No Competition
B1. Farrago - Beleiv
B2. Farrago - Disc 1
INFO
Farrago returns to his resident label Lenske Records with 'Flashpoint EP'. A pillar of the Lenske imprint and regular at the likes of EXHALE and Awakenings, Farrago's heavy-hitting sets and production have had an extensive influence on Belgium's techno scene.
Leading the A side is the cosmic expedition 'Quieto'. An energizing cut that incorporates the key ingredients of a true Farrago track - rave elements, a spiking vocal, eccentric hi-hats and a determined, driving beat that urges listeners to move. Following is 'No Competition', an exercise in wild percussion, thundering bass and the deep, dark synths that Lenske is known for. A smug voice calls out the track title repeatedly over the oscillating and menacing main horn synth.
On the flip is 'Beleiv' - a malevolent mix of dense bass, eerie sirens and slamming percussion. Arguably the heaviest track on the record, the hi-hats, echoing keys and fleeting breakdowns add an ethereal dimension, taking listeners on a mesmeric journey. Next up is the celestial 'Disc 1', produced entirely using Playstation 1 sound effects. Doomy pads are accompanied by twinkling keys and a growling bass that creates a feeling of euphoria as the track crescendos. A deep & hypnotic cut that closes out the record on a high. More
TRACKLISTING
A1. Farrago - Quieto (Flashpoint Mix)
A2. Farrago - No Competition
B1. Farrago - Beleiv
B2. Farrago - Disc 1
INFO
Farrago returns to his resident label Lenske Records with 'Flashpoint EP'. A pillar of the Lenske imprint and regular at the likes of EXHALE and Awakenings, Farrago's heavy-hitting sets and production have had an extensive influence on Belgium's techno scene.
Leading the A side is the cosmic expedition 'Quieto'. An energizing cut that incorporates the key ingredients of a true Farrago track - rave elements, a spiking vocal, eccentric hi-hats and a determined, driving beat that urges listeners to move. Following is 'No Competition', an exercise in wild percussion, thundering bass and the deep, dark synths that Lenske is known for. A smug voice calls out the track title repeatedly over the oscillating and menacing main horn synth.
On the flip is 'Beleiv' - a malevolent mix of dense bass, eerie sirens and slamming percussion. Arguably the heaviest track on the record, the hi-hats, echoing keys and fleeting breakdowns add an ethereal dimension, taking listeners on a mesmeric journey. Next up is the celestial 'Disc 1', produced entirely using Playstation 1 sound effects. Doomy pads are accompanied by twinkling keys and a growling bass that creates a feeling of euphoria as the track crescendos. A deep & hypnotic cut that closes out the record on a high. More
1
Oxygeno - Veneno En Los Labios
2
Oxygeno - Condenados
3
Oxygeno - Grito Al Vacio
4
Oxygeno - As De Corazones
Tracklisting:
A1 Oxygeno - Veneno En Los Labios
A2 Oxygeno - Condenados
B1 Oxygeno - Grito Al Vacio
B2 Oxygeno - As De Corazones
Sales Note
"El Caos Reina" by Oxygeno is the new chapter of our label. This EP is made up of four raw, mental and introspective tracks where the creator tells us the story of a difficult and uncertain time.
Side A opens with "Veneno En Los Labios", an exercise with heavy drums, wrapped by a crunchy bass and a tense and nostalgic atmosphere. This track is followed by "Condenados", a more experimental, dark and anxious piece, where you can feel the terror of the situation.
On the B-side we first find "Grito Al Vacio", the most energetic track, with a strong kick and bassline, cutting percussions and a pad that appears as a desperate scream. In the last track but not least, "As De Corazones", is the hypnotic piece of the album but keeping the forcefulness of the rest. More
A1 Oxygeno - Veneno En Los Labios
A2 Oxygeno - Condenados
B1 Oxygeno - Grito Al Vacio
B2 Oxygeno - As De Corazones
Sales Note
"El Caos Reina" by Oxygeno is the new chapter of our label. This EP is made up of four raw, mental and introspective tracks where the creator tells us the story of a difficult and uncertain time.
Side A opens with "Veneno En Los Labios", an exercise with heavy drums, wrapped by a crunchy bass and a tense and nostalgic atmosphere. This track is followed by "Condenados", a more experimental, dark and anxious piece, where you can feel the terror of the situation.
On the B-side we first find "Grito Al Vacio", the most energetic track, with a strong kick and bassline, cutting percussions and a pad that appears as a desperate scream. In the last track but not least, "As De Corazones", is the hypnotic piece of the album but keeping the forcefulness of the rest. More
1
V.A. - Sept - "Beyond The Veil"
2
V.A. - Raven - "Metal On Metal"
3
V.A. - Frazi Er - "Systematic Ignorance
4
V.A. - Trym - "Kendall"
(part 2/3 featuring Sept, Raven, Frazi.er & Trym) Amelie Lens' EXHALE Records continues to deliver fiercely dynamic techno from the underground's most promising, rising and established artists with its second VA compilation.
TRACKLISTING
A1. Sept - Beyond The Veil
A2. Raven - Metal On Metal
B1. Frazi.er - Systematic Ignorance
B2. Trym - Kendall
More
TRACKLISTING
A1. Sept - Beyond The Veil
A2. Raven - Metal On Metal
B1. Frazi.er - Systematic Ignorance
B2. Trym - Kendall
More
1
Carbine - See-Saw (Bad Boy Pete remix)
2
Carbine - See-Saw (Bubbless remix)
3
Carbine - See-Saw (Benji 303 remix)
4
Carbine - See-Saw (OB1 remix)
Tracklisting
A1 Carbine - See-Saw (Bad Boy Pete remix)
A2 Carbine - See-Saw (Bubbless remix)
B1 Carbine - See-Saw (Benji 303 remix)
B2 Carbine - See-Saw (OB1 remix)
Sales Note
SUFR047 features brand new remixes of an old-school SUF classic SEE-SAW from Carbine (Chris Liberator & Geezer). All 4 remixes show off the thriving new-school Acid Techno producers at their best with a slamming Bad Boy Pete remix, a pumping acid Bubbless remix, a bouncy driving Benji303 remix, and an analogue 303 fest from OB1. Classic Stay Up Forever. More
A1 Carbine - See-Saw (Bad Boy Pete remix)
A2 Carbine - See-Saw (Bubbless remix)
B1 Carbine - See-Saw (Benji 303 remix)
B2 Carbine - See-Saw (OB1 remix)
Sales Note
SUFR047 features brand new remixes of an old-school SUF classic SEE-SAW from Carbine (Chris Liberator & Geezer). All 4 remixes show off the thriving new-school Acid Techno producers at their best with a slamming Bad Boy Pete remix, a pumping acid Bubbless remix, a bouncy driving Benji303 remix, and an analogue 303 fest from OB1. Classic Stay Up Forever. More