Rights: World excluding France & UK

Packaging: 2 x 140 G Black LP, 5mm spine Sleeve (matt finish), 2x Printed Inner (matt finish), marketing sticker.

Short Product Infos: Double Vinyl : full set of the finale concert of their 1985 'Kick Over Apartheid!' tour + BBC broadcast tracks from their 1986 concert at the Town And Country Club. 2 x 140 grs Black LP , 25 tracks. Printed inners. introduction by Redskins founding member Martin Hewes + liner notes.

SHORT INFOS
In the mid '80s, in the midst and direct aftermath of the era defining Miner's Strike, the Redskins, as political activists, delivered their electrifying and radical Socialist Workers Party missives and broadsides through the ministry of their music - a unique post-punk rock/soul hybrid that gained their lead singer, Chris Dean, the sobriquet 'Tamla Motormouth'.

The Redskins were taking a stand for the working man and by standing up, they stood out - and never so forcefully as in the live arena! With their stellar musicianship and crack brass section honed through a never ending whorl of 'fighting fund' benefit gigs, they were the furious flames that kept the anti-Thatcher fires of dissent burning throughout those challenging years marked by her seeming unassailability.

'These Furious Flames!' is a 25 track documentation of the energy, commitment and drive of the Redskins as that campaigning live act. Issued in 2xCD capacity wallet, double vinyl and digital editions, each format couples together a recording of the full set of the finale concert of their 1985 'Kick Over Apartheid!' tour - including guest appearances from Jerry Dammers and Billy Bragg - with the BBC broadcast tracks from their 1986 concert at the Town And Country Club.

The double CD edition comes with a 40 page booklet that compiles new and period quotes by band members Martin Hewes, Chris Dean, Paul Hookham and Kevin Robertson as well as thoughts by an array of associates and celebrity fans including poet Atilla The Stockbroker, Billy Bragg, Colin Revolting, their studio album producers Pat Foley & Chris Silagyi and DJ Gary Crowley. The booklet also contains gig reviews, photographs and a condensed digest of media quotes about the band.

The double vinyl LP format has printed inner bags replete with evocative archive photographs and a written introduction by Redskins founding member Martin Hewes, with whose co-operation and input this celebratory release has been curated.


Tracklisting - Double Vinyl:
A1 Lean On Me! (Live in 1985 from the 'Kick Over Apartheid Tour')
A2 Reds Strike The Blues! (Live in 1985 from the 'Kick Over Apartheid Tour')
A3 Hold On! (Live in 1985 from the 'Kick Over Apartheid Tour')
A4 Unionize! (Live in 1985 from the 'Kick Over Apartheid Tour')
A5 Kick Over The Statues! (Live in 1985 from the 'Kick Over Apartheid Tour')
A6 99 And A Half (Won't Do) (Live in 1985 from the 'Kick Over Apartheid Tour')

B1 It Can Be Done! (Live in 1985 from the 'Kick Over Apartheid Tour')
B2 Turnin' Loose (These Furious Flames) (Live in 1985 from the 'Kick Over Apartheid Tour')
B3 Plateful Of Hateful (Live in 1985 from the 'Kick Over Apartheid Tour')
B4 Bring It Down! (This Insane Thing) (Live in 1985 from the 'Kick Over Apartheid Tour')
B5 Don't Talk To Me About Whether (Live in 1985 from the 'Kick Over Apartheid Tour')
B6 The Power Is Yours… (Live in 1985 from the 'Kick Over Apartheid Tour')

C1 Take No Heroes! (Live in 1985 from the 'Kick Over Apartheid Tour')
C2 Let's Make It Work! (Live in 1985 from the 'Kick Over Apartheid Tour')
C3 Tracks Of My Tears / People Get Ready* (Live in 1985 from the 'Kick Over Apartheid Tour') *with Billy Bragg & Jerry Dammers
C4 Back In The USSR (Live in 1985 from the 'Kick Over Apartheid Tour') with Billy Bragg & Jerry Dammers
C5 Skinhead Moonstomp (Live in 1985 from the 'Kick Over Apartheid Tour') with Jerry Dammers
C6 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour')

D1 The Power is Yours… (Live At The Town And Country Club, 22nd Apr, 1986)
D2 Kick Over the Statues! (Live At The Town And Country Club, 22nd Apr, 1986)
D3 Hold On! (Live At The Town And Country Club, 22nd Apr, 1986)
D4 The Crack (Live At The Town And Country Club, 22nd Apr, 1986)
D5 99 And A Half Won't Do (Live At The Town And Country Club, 22nd Apr, 1986)
D6 Let's Make It Work! (Live At The Town And Country Club, 22nd Apr, 1986)
D7 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour') (Speech Version with Bruce George, South African Activist)


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Rights: World excluding FR & UK

Packaging: 1 x CD, 4 page 4/4 Digisleeve, 4 page Booklet, marketing sticker.

KEY INFO

Depeche Mode, Yazoo, Erasure's Vince Clarke, Blancmange's Neil Arthur and the electronic producer-writer-synth-nerd Benge have joined forces to form the new project Doublespeak. Set to be released on May 29th, their self-titled debut album revisits eleven of their favourite songs from the past four decades, each reimagined and renewed in the timeless space of gleaming analogue electronica.

The 'Doublespeak' album is divided between songs from the postpunk netherworld brought blinking into the light (Fad Gadget, The Sound, Young Marble Giants), pop radio monsters ushered back down a dark stairway into the club (ABBA, David Essex, The Carpenters) and buried treasures from the 1990s onwards (The Magnetic Fields, Ed Dowie and Laptop).

Collectively, the album amounts to a shadow autobiography of the three collaborators' continuing musical education. Doublespeak is the great human songbook, synthesised.
Empathic vocals, bold arrangements and glowing analogue electronics turn familiar and forgotten songs into a personal, forward-looking electronic statement.


TRACKLISTINGS :
CD
1. Back to Nature (originally by Fad Gadget)
2. Brand New Life (originally by Young Marble Giants)
3. The Visitors (originally by ABBA)
4. I Can't Escape Myself (originally by The Sound)
5. Goodbye to Love (originally by Carpenters)
6. Rock On (originally by David Essex)
7. Smoke and Mirrors (originally by The Magnetic Fields)
8. Day Breaks, Night Heals (originally by Thomas Leer, Robert Rental)
9. Gentle on My Mind (originally by John Hartford)
10. Richard! (originally by Ed Dowie)
11. End Credits (originally by Laptop)


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Rights: World excluding FR & UK

Packaging: 1 x 140 Grs Black Vinyl, 33 mm spine sleeve, printed inner sleeve,marketing sticker.

KEY INFO

Depeche Mode, Yazoo, Erasure's Vince Clarke, Blancmange's Neil Arthur and the electronic producer-writer-synth-nerd Benge have joined forces to form the new project Doublespeak. Set to be released on May 29th, their self-titled debut album revisits eleven of their favourite songs from the past four decades, each reimagined and renewed in the timeless space of gleaming analogue electronica.

The 'Doublespeak' album is divided between songs from the postpunk netherworld brought blinking into the light (Fad Gadget, The Sound, Young Marble Giants), pop radio monsters ushered back down a dark stairway into the club (ABBA, David Essex, The Carpenters) and buried treasures from the 1990s onwards (The Magnetic Fields, Ed Dowie and Laptop).

Collectively, the album amounts to a shadow autobiography of the three collaborators' continuing musical education. Doublespeak is the great human songbook, synthesised.
Empathic vocals, bold arrangements and glowing analogue electronics turn familiar and forgotten songs into a personal, forward-looking electronic statement.


VINYL
Side One
1. Back to Nature (originally by Fad Gadget)
2. Brand New Life (originally by Young Marble Giants)
3. The Visitors (originally by ABBA)
4. I Can't Escape Myself (originally by The Sound)
5. Goodbye to Love (originally by Carpenters)
Side Two
1. Rock On (originally by David Essex)
2. Smoke and Mirrors (originally by The Magnetic Fields)
3. Day Breaks, Night Heals (originally by Thomas Leer, Robert Rental)
4. Gentle on My Mind (originally by John Hartford)
5. Richard! (originally by Ed Dowie)
6. End Credits (originally by Laptop)


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RSD 2026 - don't sell before 18th of April - Rights: World excluding France & UK

Packaging / Notes: 1LP Blue and numbered, includes special art prints. The very first reissue of a rare & cult record, 100% exclusive to RSD

Tracklisting

Side A

1. Dimstar
2. Joy!
3. Oh Jim
4. My Son Mystic
5. Black Ghost

Side B

1. To Earth With Love
2. Dateline
3. Pathfinder
4. Different Kind of Blue
5. Jesus Christ


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RSD 2026 - don't sell before 18th of April - Rights: World excluding France & UK

Packaging/Notes: 1 LP White. First re-issue since 2012, as exclusive colored LP to RSD

Tracklisting:

Side A

1. Bonafied Funk (feat. Main Source)
2. It's Getting Hectic (feat. Gang Starr)
3. Who Makes The Loot (feat. Grand Puba)
4. Wake Me When I'm Dead (feat. Masta Ace)
5. Jump N' Move (feat. Jamalski)

Side B

1. Death Threat (feat. Kool G. Rap)
2. State of Yo (feat. Black Sheep)
3. Do Whatta I Gotta Do (feat. Edo. G)
4. Whatgabouthat (feat. Tiger)
5. Soul Flower (feat. The Pharcyde)


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RSD 2026 - don't sell before 18th of April - Rights: World excluding France & UK

Packaging/Notes: 1 LP Black.Features for the first time on vinyl remixes commissioned for the recent Pickled Eggs & Sherbet album re-issue which had a great response from tastemaker DJs

Tracklisting:

Side A

1. 1st Crooked Man In Space (feat. Phil Oakey)
2. 1st Crooked Dub In Space (feat. Phil Oakey)

Side B

1. I Walk Crooked
2. Return of the Crooked Cat


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territories:WW-US,CA,UK, BENELUX

Black Vinyl LP, 2025 REPRESS

Tracklist

1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad

Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.

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Rights : World excluding FR,UK,Spain, Argentina, Uruguay,Chili,Bolivia

Product Informations: Picture Disc , 2 different visuals (1 per side), gatefold sleeve, 4 page 12'' booklet. "Viva Tu", Manu Chao's new album. Includes " Viva Tu ", "Sao Paulo Motoboy " and collaborations such as "Heaven's Bad Day" with Willie Nelson & "Tu Te Vas" with Laeti.

SHORT BIOG
For years, Manu Chao has been travelling the world to meet his fans in unusual venues, villages and small festivals. Elusive, but always accessible to those who cross his path, Manu now presents his new studio album 'Viva Tu', a collection of songs written at the heart of daily lives and struggles, and a fresh take on the state of the world, singing sunny, universal songs in Spanish, French, English and Portuguese, painting an unforgiving picture of social imbalances.
The lead song 'Viva Tu', a heartfelt rumba dedicated to the daily life heroes, has already made its mark. The second single, 'São Paulo Motoboy', is a colorful, sunny ode to the two-wheeled delivery people venturing the Latin American metropoles every day.
The album, to be released September 20th, also features some memorable collaborations, including 'Heaven's Bad Day' with country legend Willie Nelson and 'Tu Te Vas' with rising French rapper Laeti.
Available now in preorder (CD/Vinyls/Digital).

Vinyls Tracklisting:

SIDE A
1.Vecinos En El Mar
2.La Couleur du Temps
3.River Why
4.Viva Tu
5.Heaven's Bad Day (feat. Willie Nelson)
6.Tu Te Vas (feat. Laeti)
7.Coraçao No Mar
SIDE B
1.Cuatro Calles
2.La Colilla
3.São Paulo Motoboy
4.Tom et Lola
5.Lonely Night
6.Tantas Tierras






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Territory: WORLD (excluding France & UK) - 180gr black vinyl edition, gatefold sleeve with spot varnish and CD included
GATEFOLD LP incl CD


Tracklist:
A1. Ouverture. / A2. Le Premier Jour / A3. Istanbul Is Sleepy (feat. Anton Newcombe) / A4. Shadow People (feat. Emmanuelle Seigner) / A5. Dimanche (feat. Bertrand Belin)
B1. The Gift (feat. Peter Hook) / B2. Motorizatti Marie / B3. Pink Flamingos / B4. Trois Bancs / B5. De la Part des Copains
CD features the same tracks in the same order
Short info:
“What was old is new again”… The old adage is so tired that nobody takes its proper measure: all people
hear is the word “old”, when the important one is “new”. Making new things out of old things is an act of
alchemy.
The proof is in this fifth album – no rest for the wicked of Perpignan – which is blown right open here and
there by a few very contemporary guests. After the opener, ‘Ouverture’, with its almost surf-like guitars,
comes ‘Le Premier Jour’, where Lionel Limiñana talks about his rock baptism with the punks, the mods,
the skinheads and the Lambrettas of his youth in the South of France. What comes just after is the
seismic shock of ‘Istanbul is Sleepy’: the Imprimatur of Anton Newcombe of The Brian Jonestown
Massacre is simply enormous.
Then comes Emmanuelles Seigner’s super sexy tornado on the title track; and ‘Dimanche’ follows, with
Bertrand Belin. Lionel sees him as a “French Nick Cave who writes songs that resemble films.”. ‘The Gift’
features Peter Hook who scrapes his bass guitar again here; obviously a song reminiscent of an early
period New Order. Finally, the Limiñanas on their own send out an instrumental cavalcade with a furious
beat, like a Kraut Morricone, ‘Motorizzati Marie’ followed by ‘Pink Flamingos’, introduced with psych rock
pads played backwards forming a vaporous song bathed in acoustic arpeggios. A respite in the album…
before the fuzz and the abyssal bass of ‘Trois Bancs’ violently shakes the ghost of Gainsbourg: an
electroshock in talk over. And to close the scene, a love message: ‘De La Part Des Copains’; its organ, its
tambourine, its quaver and its brass place it in the classic soundtrack category revered by the band. An
ideal conclusion for this incredible faultless record. The rock’n’roll epiphany thus continues. It belongs to
those who will listen – full blast – to Shadow People and will doubtless feel the urge to plug a guitar into an
amp. A valve amp, of course.

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Back by Popular Demand in a 2025 Re Press Edition in /with Original 50th Anniversary Edition Art and Acessories :
LP, 180G Black Vinyl, Sticker, 50th Anniversary RE-Edition, f irst-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching
Quadro Fold Out Sleeve, exactly replicates complex/original OHR die-cut jacket, A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970)

2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics

3. TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24


Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics

Engineered by: Conny Plank
Artwork: Bernhard Bendig

Recorded in March 1971, Star Studio Hamburg





4. INFO:

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.


"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."



Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)


Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.



www.manuelgoettsching.com


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2023 repress


Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min

Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.





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- LP, GF, Sticker, 50th Anniversary Re-Edition with 4 page Inlay including original Manuscript by Timothy
Leary and photos from the recording session
- Recorded 1972, Original Release: 1973
- 2022 Re-Cut carefully overseen by Manuel Göttsching
- Cover painting by Walter Wegmüller

GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient.
TRACKLIST
Space (16:03)
Downtown
Power Drive
Right Hand Lover
Velvet Genes
Time (21:15)
Timeship
Neuron
SHe

SHORT INFO

After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of
the authorised 50th Anniversary “A.R.T.” Re-Edition Series.
“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown



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- LP , GATEFOLD, STICKER
- 50th Anniversary Re-Edition
- Includes Original Releasesheet Inlay
- Original Release: 1972
- 2021 Re-Cut carefully overseen by Manuel Göttsching


GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient


TRACKLIST:

Side A : Light And Darkness

A1. Light: Look At Your Sun 6:20
A2. Darkness: Flowers Must Die 12:20

Side B : Schwingungen 19:00

We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German
Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“


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Tracklist

A1. Sue Me
A2. License To Vibe feat. ‘Em
B1. Chicken Bone
B2. 16 Red

Release info:

Sometimes you go to take a step back to go forward. What sounds like a Ferris Bueller quote and can be as easily applied as a seatbelt, also holds true for the long over-due and outright return of Tiger & Woods. Four tracks that are as classic as they are catchy and as simple as the monochrome label that carries their titles. Drawing conclusions from an extended period as a DJ team and before going back to their esteemed and critically acclaimed live set, it’s all made for dance floors and with their conductors in mind. Going back to their roots, it marks the start of a series with raw takes and an authentic aesthetic. The job of feet is walking, but their hobby is dancing.
Sue Me and License To Vibe (featuring long-time collaborator ’Em) sound like they were ripped straight from an unreleased Editainment reel. On the other side, Chicken Bone and 16 Red are even straighter on the DJ tip: turning French House Italian. Powerful and punchy. No samples were harmed during the filming of this record!



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Genre: Techno

TRACKLIST:
Decka - Alignment (Original Mix)
Decka - Stationary (Original Mix)
Kameliia - Inoblitus (Original Mix)
Kameliia - Remains Mystery (Original Mix)

SHORT INFO:
The third release on the BINÄR-Label is a split between Decka and Kameliia. The EP starts with a tooly sound, continues with spicy claps and ends with two massaging and hypnotizing tunes. The tracks are mastered by Nihad Tule.









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Single 2

Tracklist:
A Dubfire - Bottom Dweller (Chris Liebing Remix)
B Dubfire - Deadbug (Nadia Struiwigh Remix)

EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.

The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.

With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.



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Special remarks: / 1.00 € of each sold record will be donated to the German nature conservation union (NABU) and the project "Seas without plastic".

Genre: Techno

Tracklist:

A - Keine Kunst 08:38
B - Keine Kunst (Markus Suckut Remix) 08:00


Short Info:

FDF RAW returns.



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2025 repress

UPC: 827170489462 Release : 18.03.2013
Tracklist: A. La Duquesa // ISRC: DEMM11300036 B. Burn with me // ISRC: DEMM11300049
"La Duquesa", the most tender and most refined piece of the album Amygdala, perfectly casual and serious, deep and euphoric, all at the same time, is dedicated to the Spanish Duquesa de Alba, who, as holder of 46 titles of nobility, is even more highly decorated than Queen Elisabeth. Koze is fascinated by this lady: With her peculiarly creepy appearance she seems like a relic from the past era of the Spanish nobility. She is the most pictured woman in Spain and a pop phenomenon. When, in 2011, she married a man 24 years younger than herself, the entire country badmouthed her. Sometimes Koze would love to be that younger man, who the Spaniards dismiss as a legacy hunter! Encore the needle is cookin'. Dj Koze did it again. His homage to Audrey Horne. "Burn with me" - a fucked up, deep and schizophrenic brainfoodbouncer with legato bass and hi hats way out of time. The beat burst like shagging, the dirty off hi-hat lashes remorseless in the twat-herd - everyone just wants to get laid straight away.


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