1
CoA-A - The Purple Plane
2
CoA-A - Regional Form
3
CoA-A - Sp33ch
0*0: See ya!
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Mammo - Variable
2
Mammo - Plate
101*3: The clouds drift by gently and there's a smell in the air reminiscent of apollo fruits. I lay down in the grass and for a brief moment everything is at peace.
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A8x - CERAMIC CITY
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A8x - REI III
62*2: Ice crystals decorate the well-worn machines. There's a positive buzz in the air, as construction on the purple plane is progressing smoothly. I'm still getting used to my new form, but I feel like I can be of help.
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Customers who bought this also bought this
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Altinbas - Hunt
2
Altinbas - Good Intentions
3
Altinbas - Reshape
4
Altinbas - Sphaere
2024 Repress
Tracklisting:
A1 Altinbas - Hunt
A2 Altinbas - Good Intentions
B1 Altinbas - Reshape
B2 Altinbas - Sphaere
Sales Note
Introducing Fuse Imprint - The New Record Label from Fuse Club, Brussels
Fuse Club, the beating heart of Brussels' techno scene, is thrilled to announce the launch of its new record label, Fuse Imprint. Known for its cutting-edge music and unforgettable nights, Fuse is extending its influence beyond the dancefloor and into the realm of music production. The label aims to be a platform for both emerging and established artists, showcasing the best in techno and electronic music.
The inaugural release is a dancefloor-focused EP by Altinbas, aptly titled "Reshape". As a resident DJ at Fuse Club, Altinbas has been instrumental in shaping the club's sonic landscape. His new EP encapsulates the essence of a Fuse night - intense, immersive, and irresistibly danceable. More
Tracklisting:
A1 Altinbas - Hunt
A2 Altinbas - Good Intentions
B1 Altinbas - Reshape
B2 Altinbas - Sphaere
Sales Note
Introducing Fuse Imprint - The New Record Label from Fuse Club, Brussels
Fuse Club, the beating heart of Brussels' techno scene, is thrilled to announce the launch of its new record label, Fuse Imprint. Known for its cutting-edge music and unforgettable nights, Fuse is extending its influence beyond the dancefloor and into the realm of music production. The label aims to be a platform for both emerging and established artists, showcasing the best in techno and electronic music.
The inaugural release is a dancefloor-focused EP by Altinbas, aptly titled "Reshape". As a resident DJ at Fuse Club, Altinbas has been instrumental in shaping the club's sonic landscape. His new EP encapsulates the essence of a Fuse night - intense, immersive, and irresistibly danceable. More
1
Moritz von Oswald - Silencio 12:34
2
Moritz von Oswald - Luminoso 08:53
3
Moritz von Oswald - Librarsi 03:04
4
Moritz von Oswald - Infinito 06:17
5
Moritz von Oswald - Colpo 05:05
6
Moritz von Oswald - Volta (Version) 04:02
7
Moritz von Oswald - Infinito (Version) 06:25
8
Moritz von Oswald - Luminoso (Version) 04:49
9
Moritz von Oswald - Volta 05:47
10
Moritz von Oswald - Opaco 08:57
11
Moritz von Oswald - Opaco (Version) 01:54
Territories: World excl. UK + North America
FORMAT 2x12" 180g vinyl, full printed sleeve, artwork by Cyprien Gaillard
TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54
What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries. More
FORMAT 2x12" 180g vinyl, full printed sleeve, artwork by Cyprien Gaillard
TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54
What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries. More
1
Ferdinger & Introversion - Air France
2
Ferdinger - Bottom Lines
3
Ferdinger & JakoJako - Second Nature
4
Ferdinger - Heart Break
Tracklisting:
A1 Ferdinger & Introversion - Air France
A2 Ferdinger - Bottom Lines
B1 Ferdinger & JakoJako - Second Nature
B2 Ferdinger - Heart Break
Sales Note
Ferdinger returns to his own label with an eagerly anticipated 8th vinyl release, an EP titled "Second Nature." This captivating EP features two original tracks from Ferdinger himself, as well as two remarkable collaborations with renowned artists Introversion and JakoJako, who shouldn't require any introduction.
The EP begins with the collaborative tour de force "Air France," where Introversion and Ferdinger effortlessly blend percussive elements, groovy rhythms, and dubby chords. Intricate layers of delay create a mesmerizing atmosphere, delivering on the ethereal promise suggested by the title. Following this captivating opener is "Bottom Lines", a relentless and uncompromising pounder infused with hypnotic acid lines that will leave listeners spellbound.
Flipping over to the other side of the record, we encounter the title track "Second Nature", a high-octane and melodic journey that showcases the artistic synergy between JakoJako and Ferdinger. With finesse and elegance, they expertly merge their individual styles, building up to a breathtaking climax that will undoubtedly leave a lasting impression.
Closing out the EP is the introspective and somber track "Heart Break", which transports us back to the dubby stratosphere first introduced in the A-Side. Its more intimate nature provides a reflective and introspective conclusion to the EP, leaving listeners in a contemplative state. More
A1 Ferdinger & Introversion - Air France
A2 Ferdinger - Bottom Lines
B1 Ferdinger & JakoJako - Second Nature
B2 Ferdinger - Heart Break
Sales Note
Ferdinger returns to his own label with an eagerly anticipated 8th vinyl release, an EP titled "Second Nature." This captivating EP features two original tracks from Ferdinger himself, as well as two remarkable collaborations with renowned artists Introversion and JakoJako, who shouldn't require any introduction.
The EP begins with the collaborative tour de force "Air France," where Introversion and Ferdinger effortlessly blend percussive elements, groovy rhythms, and dubby chords. Intricate layers of delay create a mesmerizing atmosphere, delivering on the ethereal promise suggested by the title. Following this captivating opener is "Bottom Lines", a relentless and uncompromising pounder infused with hypnotic acid lines that will leave listeners spellbound.
Flipping over to the other side of the record, we encounter the title track "Second Nature", a high-octane and melodic journey that showcases the artistic synergy between JakoJako and Ferdinger. With finesse and elegance, they expertly merge their individual styles, building up to a breathtaking climax that will undoubtedly leave a lasting impression.
Closing out the EP is the introspective and somber track "Heart Break", which transports us back to the dubby stratosphere first introduced in the A-Side. Its more intimate nature provides a reflective and introspective conclusion to the EP, leaving listeners in a contemplative state. More
1
Roger Gerressen - Other Dimensions
2
Roger Gerressen - Oceans Of Ganymede
3
Roger Gerressen - Solar Flare
4
Roger Gerressen - Future Visions
5
Roger Gerressen - Moons Of Mercury
6
Roger Gerressen - User Interface
Elevating the paradigms of electronic music, Chapelle XIV Music unveils “The First Android Church Of Claude Shannon,” an immersive LP from Yoyaku household Roger Gerressen. Bathed in the aesthetic allure of retro-futurism and the imaginative dimensions of classic sci-fi cinema, this opus synthesizes the arcane with the avant-garde in a masterful tapestry of sound.
Comprising six intricately crafted tracks, the album serves as an auditory odyssey that transcends the borders of genre. Whether enveloped in the nebulous ambience of a discerning DJ set or fueling introspective home listening marathons, these compositions resonate with an arresting quality that’s evocative yet profoundly innovative.
Within the multi-dimensional soundscapes of this album, listeners find a harmonious blend of homage and innovation. Drawing inspiration from Claude Shannon—the mathematical genius and pioneering mind behind modern digital circuit design theory—”The First Android Church Of Claude Shannon” stands as a testament to the synthesis of past and future. With Roger Gerressen at the helm, the boundaries of electronic music are redefined, creating an aural experience that is both cerebral and soul-stirring, beckoning the listener into an uncharted territory of sonic exploration. More
Comprising six intricately crafted tracks, the album serves as an auditory odyssey that transcends the borders of genre. Whether enveloped in the nebulous ambience of a discerning DJ set or fueling introspective home listening marathons, these compositions resonate with an arresting quality that’s evocative yet profoundly innovative.
Within the multi-dimensional soundscapes of this album, listeners find a harmonious blend of homage and innovation. Drawing inspiration from Claude Shannon—the mathematical genius and pioneering mind behind modern digital circuit design theory—”The First Android Church Of Claude Shannon” stands as a testament to the synthesis of past and future. With Roger Gerressen at the helm, the boundaries of electronic music are redefined, creating an aural experience that is both cerebral and soul-stirring, beckoning the listener into an uncharted territory of sonic exploration. More
1
Analog~1 aka JS Zeiter - Mirage
2
Analog~1 aka JS Zeiter - Virtual
3
Analog~1 aka JS Zeiter - Haunted
4
Analog~1 aka JS Zeiter - Solano
MCMLXV welcomes back Analog~1 for a third outing here. It is an alias of JS Zeiter and one that is reserved more for esoteric and electronica tracks following notable outings on labels such as Furthur Electronix, Meandyou and We're Going Deep. 'Mirage' kicks off with melancholic pads and dubby chords over crisp minimal drums that sink you into a reverie. That vibe continues through 'Virtual' and 'Haunted' which care both sophisticated atmospheres with subtle electro-tinged rhythms and quietly emotive pads. 'Solano' closes down with another icy and cavernous space that is filled with meaningful synth craft to make for another classy EP.
More
1
blackbody_radiation - Rhyolite
2
blackbody_radiation - Soft Fascination
3
blackbody_radiation - Ferric Oxide
4
blackbody_radiation - Silica
5
blackbody_radiation - Xeskouriasma
6
blackbody_radiation - Particle Float
Faitiche welcomes Andrew Black aka blackbody_radiation. His debut album Ultra Materials gathers six ghostly drones, created with the help of sound masking.
Andrew Black, who hails from one of the UK's post industrial North West Milltowns has a sensitive feeling for space and its acoustics. Having trained as a designer and operated within the realms of architecture and public space, it was only natural to extend his interest to manipulating field recordings.
The six pieces collected on Ultra-Materials provide an insight into Black's highly sensitive minimalism: they stand for a subtly meandering mediation on room acoustics and place, which are manipulated with the help of sound masking, among other things - that is, the addition and superimposition of artificially generated frequencies to mask unwanted sounds.
Sometimes the pieces are reminiscent of warm engine noise, sometimes one thinks of carefully captured natural phenomena. Their strength lies in their elusiveness: free of concrete attributions or musical location, they can unfold their hypnotic pull without revealing anything about their origins. Harmonics at times shimmer, at times warble and at times coexist. It is an attempt to get in touch with our listening abilities. More
Andrew Black, who hails from one of the UK's post industrial North West Milltowns has a sensitive feeling for space and its acoustics. Having trained as a designer and operated within the realms of architecture and public space, it was only natural to extend his interest to manipulating field recordings.
The six pieces collected on Ultra-Materials provide an insight into Black's highly sensitive minimalism: they stand for a subtly meandering mediation on room acoustics and place, which are manipulated with the help of sound masking, among other things - that is, the addition and superimposition of artificially generated frequencies to mask unwanted sounds.
Sometimes the pieces are reminiscent of warm engine noise, sometimes one thinks of carefully captured natural phenomena. Their strength lies in their elusiveness: free of concrete attributions or musical location, they can unfold their hypnotic pull without revealing anything about their origins. Harmonics at times shimmer, at times warble and at times coexist. It is an attempt to get in touch with our listening abilities. More
1
Horror Inc. - An Unusual Encounter (Intro)
2
Horror Inc. - An Unusual Encounter
3
Horror Inc. - Going There With Or Without You
4
Horror Inc. - Firmament
5
Horror Inc. - Wandering Souls Of Griffintown
6
Horror Inc. - The Fox And The Lion
7
Horror Inc. - Strange Times
8
Horror Inc. - The Soul (The Essence Of Breath)
9
Horror Inc. - Surrendering To Nothingness
10
Horror Inc. - In Limbo
11
Horror Inc. - Turning The Tables
12
Horror Inc. - The Faded Heart
13
Horror Inc. - The TIme Has Come To Say Goodbye
14
Horror Inc. - There Is Only One Way To Find Out
A decade after his last musical masterpiece on Perlon, Montreal’s renowned electronic maestro, Horror Inc. (alias Marc Leclair or Akufen), returns to captivate with “A Soundtrack for Strange Times”. Released under Anoma, curated by the city’s own Ohm Hourani, this 4×12? offering is nothing short of a cinematic journey.
With each track, the album crafts a narrative that takes listeners through introspective valleys and exhilarating peaks, all without uttering a single word. It’s a seamless tapestry of sound, a testament to Horror Inc.’s matured artistry and profound understanding of the electronic landscape.
The influence of Montreal’s eclectic spirit is unmistakably infused throughout, giving the album a unique, resonant character. Truly, “ Soundtrack for Strange Times” stands as a monumental testament in electronic production – a magnum opus that transcends the ordinary.
For every lover of electronic music, this album is not merely an addition but a necessity. It’s not just sound; it’s an experience, an odyssey, and an affirmation of Horror Inc.’s unparalleled prowess in the world of music. More
With each track, the album crafts a narrative that takes listeners through introspective valleys and exhilarating peaks, all without uttering a single word. It’s a seamless tapestry of sound, a testament to Horror Inc.’s matured artistry and profound understanding of the electronic landscape.
The influence of Montreal’s eclectic spirit is unmistakably infused throughout, giving the album a unique, resonant character. Truly, “ Soundtrack for Strange Times” stands as a monumental testament in electronic production – a magnum opus that transcends the ordinary.
For every lover of electronic music, this album is not merely an addition but a necessity. It’s not just sound; it’s an experience, an odyssey, and an affirmation of Horror Inc.’s unparalleled prowess in the world of music. More