Label:Hyperjazz Records
Cat-No:HJ011LP
Release-Date:29.09.2023
Genre:Jazz
Configuration:LP
Barcode:8018344310114
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Cat-No:HJ011LP
Release-Date:29.09.2023
Genre:Jazz
Configuration:LP
Barcode:8018344310114
1
Khalab - Drone Ra feat. Yazz Ahmed & Alessia Obino
2
Khalab - Conscious Friendship feat. Emanative, Tamar Osborn & Grove
3
Khalab - Tunnel Of Jealousy feat. Lady Blue Eyes
4
Khalab - Acid Vaccine feat. Clap! Clap!
5
Khalab - Layers feat. Joshua Idehen
6
Khalab - Female Side feat. Tommaso Cappellato
7
Khalab - Mental Coach feat. Gabin Dabiré
8
Khalab - Romantic Loco feat. Tenderlonious
9
Khalab - Tribal Noise
Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry — a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record, out on August 25th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music making as a collective art form. Over the past five years, Khalab has shared the stage at Italian and International festivals with many exceptional musicians, an experience which has sharpened the musicality of his compositions and enhanced the depth and complexity of his sound. “Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with” says Khalab. In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida. The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m’bira player Gabin Dabiré (passed away a few weeks ago), Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen. Layers still revolves around the key components of Khalab’s sound — dark and trancey electronics and his research into Black music and all its evolutions — but with a bigger emphasis on harmonic arrangements. Across the album, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope. The album will be preceded by three lead singles: “Layers” feat. Joshua idehen, “Tunnel Of Jealousy” feat. Lady Blue Eyes, and “Female Side” feat. Tommaso Cappellato.
For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”.
A1 - Drone Ra feat. Yazz Ahmed & Alessia Obino
A2 - Conscious Friendship feat. Emanative, Tamar Osborn & Grove
A3 - Tunnel Of Jealousy feat. Lady Blue Eyes
A4 - Acid Vaccine feat. Clap! Clap!
A5 - Layers feat. Joshua Idehen
B1 - Female Side feat. Tommaso Cappellato
B2 - Mental Coach feat. Gabin Dabiré
B3 - Romantic Loco feat. Tenderlonious
B4 - Tribal Noise More
For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”.
A1 - Drone Ra feat. Yazz Ahmed & Alessia Obino
A2 - Conscious Friendship feat. Emanative, Tamar Osborn & Grove
A3 - Tunnel Of Jealousy feat. Lady Blue Eyes
A4 - Acid Vaccine feat. Clap! Clap!
A5 - Layers feat. Joshua Idehen
B1 - Female Side feat. Tommaso Cappellato
B2 - Mental Coach feat. Gabin Dabiré
B3 - Romantic Loco feat. Tenderlonious
B4 - Tribal Noise More
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Last in:17.01.2022
Label:HYPERJAZZ
Cat-No:HJ995
Release-Date:10.12.2021
Genre:House
Configuration:12"
Barcode:8018344339955
1
Khalab - Olivine
2
Khalab - Neba
3
Khalab - Anaerobe (feat. Shigeto)
As debut on his own label Hyperjazz Records, with 'The Great Oxidation EP', electro-shaman Khalab comes back to his natural habitat: the dance floor. With these three instrumental tracks, the visionary artist aims to drive the listener on a backward journey, down to rediscover the most ancestral human rite: to dance. A return to the origin in a radical way to reach a brighter future, but also a bridge for another world - a new space where meet new life forms and uncover new feelings and new consciousness. To embellish this EP, the presence of two very special collaborations. His music evolution is a seamless journey – from the most ancestral tribes to the unexplored cosmos; from the black jungle to the skyscrapers; from the remotest subconscious to the furthest and real projection of future Africa. His wide-reaching musical tastes can be heard regularly on his monthly Worldwide FM show, Love from Rome. Already working on a new record ready in 2022, Khalab pulls out of his laboratory the first experiment with this EP.
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Label:On The Corner Records
Cat-No:otcr12013
Release-Date:08.02.2019
Genre:techhouse
Configuration:12"
Barcode:
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Label:On The Corner Records
Cat-No:otcr12013
Release-Date:08.02.2019
Genre:techhouse
Configuration:12"
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Khalab’s ‘Album of The Year’ has been re-worked! Ahead of a full remix LP (Summer 2019) On the Corner have opened the vault on 2019 hitters.
This 12” scorches the terrain built by ‘Black Noise 2084’. Hieroglyphic Being dominates the dancefloor with his 10 min sweater. Afrikan Sciences launch off from Khalab’s afrocentric soundscapes into a futuristic cosmos. Blood, Wine or Honey strip it back, break it down and leave bassments trembling with the
weighty jungle blows. After a stellar year for Khalab and On the Corner these three remixes bring knock-out blows for 2019 dancefloors.Hieroglyphic Being’s 10 min sledgehammer shakes the floor as the mythical producer runs a profound groove with three 808s pummelling the spine of Khalab’s track.
On the B side, Afrikan Sciences uses the Afrocentric theme of the original to strip it back and propel it into the cosmos. Khalab’s ‘Black Noise 2084’ has already racked up ‘Album of the Year’ status and we’re giving you a first glimpse of this earth scorching, dance destroyer that will prepare an onslaught for
2019.
More
This 12” scorches the terrain built by ‘Black Noise 2084’. Hieroglyphic Being dominates the dancefloor with his 10 min sweater. Afrikan Sciences launch off from Khalab’s afrocentric soundscapes into a futuristic cosmos. Blood, Wine or Honey strip it back, break it down and leave bassments trembling with the
weighty jungle blows. After a stellar year for Khalab and On the Corner these three remixes bring knock-out blows for 2019 dancefloors.Hieroglyphic Being’s 10 min sledgehammer shakes the floor as the mythical producer runs a profound groove with three 808s pummelling the spine of Khalab’s track.
On the B side, Afrikan Sciences uses the Afrocentric theme of the original to strip it back and propel it into the cosmos. Khalab’s ‘Black Noise 2084’ has already racked up ‘Album of the Year’ status and we’re giving you a first glimpse of this earth scorching, dance destroyer that will prepare an onslaught for
2019.
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Label:on the corner
Cat-No:OtCRLP004
Release-Date:13.06.2018
Configuration:Vinyl Album Excl
Barcode:4012957760315
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Cat-No:OtCRLP004
Release-Date:13.06.2018
Configuration:Vinyl Album Excl
Barcode:4012957760315
Khalab has summoned a futuristic afro-centric soundscape by weaving a poly-phonic tapestry of future bass, jazz and field recordings. The LP's title track tells hard truths from the mind of spoken word artist Tenesha The Wordsmith. Along with her words the LP's title has been augmented with a date marking the arrival of an emancipated future. 'Black Noise 2084' casts aside the worn and surface level cliché of black music being soul music. Khalab guides us to the beginning of a journey, the journey of rhythms and he takes us within earshot of the voices and spirits that carried them. Soul gained over aeons of terror and forced transportation, soul driving survival against systematic oppression, wholesale against a people. Khalab looks to the noise, the messages, the spirits, and evokes the light of 'Black Noise 2084' out of darkness
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Label:Hyperjazz Records
Cat-No:HJ012LP
Release-Date:26.01.2024
Genre:Jazz
Configuration:LP
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Cat-No:HJ012LP
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Genre:Jazz
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1
PS5 - Preludio
2
PS5 - Caldera
3
PS5 - Talea Nera
4
PS5 - Pajarito Perdido
5
PS5 - Scalinatella
6
PS5 - Interludio
7
PS5 - Trenta Dune
8
PS5 - Abela Danco
9
PS5 - Tufo
10
PS5 - Quando Maje
After two years and a half, Pietro Santangelo (formerly Nu Genea sax player) and his PS5 ensemble are back to Hyperjazz Records with a brand new album: Echologia.
'Echologia' draws inspiration from the idea of natural biodiversity as an expression of contamination, coexistence and balance. In the same way as the biological agents contribute to the life of a certain ecosystem, seemingly distant musical languages act as elements of balance in a fertile and blooming musical system. Multiculturalism becomes coexistence.
As in the previous 'Unconscious Collective' (Hyperjazz, 2021), suggestive saxophones textures interwine on a solid rhythmic equilibrium and move naturally along an imaginary line highlighting the ancestral connection between Africa and Mediterranean Sea. On the background, the tribute to the earlier Jamaican dub masters with a strong use of vintage echoes in the mixing phase.
Album cover by Sabrina Cirillo is inspired by the myth of the nymph Echo, the Oread condemned by Juno to be able to express herself by repeating only the last words of theinterlocutor, who died of pain due to the impossibility of communicating her love to Narcissus.
A0 - Preludio
A1 - Caldera
A2 - Talea Nera
A3 - Pajarito Perdido
A4 - Scalinatella
B0 - Interludio
B1 - Trenta Dune
B2 - Abela Danco
B3 - Tufo
B4 - Quando Maje More
'Echologia' draws inspiration from the idea of natural biodiversity as an expression of contamination, coexistence and balance. In the same way as the biological agents contribute to the life of a certain ecosystem, seemingly distant musical languages act as elements of balance in a fertile and blooming musical system. Multiculturalism becomes coexistence.
As in the previous 'Unconscious Collective' (Hyperjazz, 2021), suggestive saxophones textures interwine on a solid rhythmic equilibrium and move naturally along an imaginary line highlighting the ancestral connection between Africa and Mediterranean Sea. On the background, the tribute to the earlier Jamaican dub masters with a strong use of vintage echoes in the mixing phase.
Album cover by Sabrina Cirillo is inspired by the myth of the nymph Echo, the Oread condemned by Juno to be able to express herself by repeating only the last words of theinterlocutor, who died of pain due to the impossibility of communicating her love to Narcissus.
A0 - Preludio
A1 - Caldera
A2 - Talea Nera
A3 - Pajarito Perdido
A4 - Scalinatella
B0 - Interludio
B1 - Trenta Dune
B2 - Abela Danco
B3 - Tufo
B4 - Quando Maje More
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Label:Above Board Projects
Cat-No:OPTIMO2501
Release-Date:09.02.2024
Genre:Electronic
Configuration:2LP
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Genre:Electronic
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1
Brainticket - - Places Of Light
2
T.J. Lawrence - - Fireplay
3
Robert Rental - - Double Heart
4
African Head Charge - - No, Don't Follow Fashion
5
Keith Hudson - - Nuh Skin Up Dub
6
Smokin' Cheeba - - When I Was A Youth
7
The Wad - - 15 inches
8
Idjut Boys & Laj - - Foolin' (Beatin on Dave)
9
JBB Et Soprann - - Tibi Lap
Optimo (Espacio) started life as a weekly club night. It was born at The Sub Club in Glasgow on a wet, windy, wintry November Sunday night in 1997. Run by JD Twitch and partner in crime Jonnie Wilkes. Optimo was a reaction against what felt like an increasingly conservative musical soundtrack in clubs here at that time. Clubland felt as if it had become very bland and a bit too serious; it was the era of the dawn of the Superstar DJ. Clubs often felt like bastions of male energy. It seemed dance music and culture was going somewhere far, far away from where it was meant to be. The notion of fun had got lost. It was no longer the world they had devoted ten years of their lives to already, and lots of their friends felt the same. When the opportunity came up to do a Sunday night at The Sub Club it felt like the perfect opportunity to rip it all up and start again. So they did. There was nothing in the city (or possibly anywhere) like it. As the club believed wholeheartedly in what they were doing, there was no pressure from The Sub Club to fill the club. So, they embraced the freedom. Groups of people who had never been in the same room at the same time before came together. A community of kindred spirits started to emerge. Word spread, slowly. Lots of people checked it out. Many loved it, some hated it. The core of the Optimo idea was to embrace music they loved that might work on the dancefloor from whatever era or genre they thought felt right. It might not seem very radical now but at that time it was revolutionary.After about a year and a half, the club went from having 100 people attending most nights to suddenly one week having 500 people turn up. It was very weird. It was as if a collective light bulb went off in people’s heads in Glasgow. From that week on, until the very last weekly Sunday night at the Sub Club, in 2010, over a decade later, it was packed. There were 550 Sunday Optimo nights. A LOT of music was played. So, what was the music? People often find it hard to pin down exactly what Optimo is. This has been a positive but also a negative as we live in a world where people want easily defined “brand identities”. The simplest definition of the music played is “music for dancing”, which of course is a very broad definition. Even better than trying to define it in words, we have these 2 volumes of music that give a hint of what that might be. This is not a “Best of Optimo” or a “Greatest Hits of Optimo” compilation. For people who come to, or used to come to the nights there are of course “Greatest Hits”. But, over such a long timespan they are “hits” belonging to a certain moment in time and space. Someone who came to Optimo in 1997 would have a completely different notion of the big tracks at the club to someone coming in 2003, or 2010, or today. This compilation is just a snap shot missing several genres that might make up the DNA of Optimo. There is though a broad sweep through lots of music Optimo loves, that they believe is amazing. Music that they know will rock a dancefloor, that they have played between 1997 and 2023. Of course Optimo nights were not all about rocking the dancefloor. The first hour was always a time for them to play music they loved that often was far removed from the dance. Side 1, Volume 1 of this compilation is the kind of music one might hear at the very start of an Optimo night. Optimo have always loved a good slogan. The most long lived, and fitting Optimo slogan is "We Love Your Ears", which is in essence what it is all about to them.
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2LP
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Label:Above Board Projects
Cat-No:OPTIMO2502
Release-Date:09.02.2024
Genre:Electronic
Configuration:2LP
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Genre:Electronic
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1
Chris & Cosey - - Take Control
2
Isolators - - Concentrate On Us
3
Mike Dunn - - Life Goes On
4
KC Flight - - Voices (Original Dub Mix)
5
Faze Action - - Good Lovin' (Special Disco Mix)
6
Hannah Holland - - Ekotypic
7
Divine - - Shake It Up
8
XS-5 - - I Need More (Extended Dance Version)
9
Liquid Liquid - - Optimo
Optimo (Espacio) started life as a weekly club night. It was born at The Sub Club in Glasgow on a wet, windy, wintry November Sunday night in 1997. Run by JD Twitch and partner in crime Jonnie Wilkes. Optimo was a reaction against what felt like an increasingly conservative musical soundtrack in clubs here at that time. Clubland felt as if it had become very bland and a bit too serious; it was the era of the dawn of the Superstar DJ. Clubs often felt like bastions of male energy. It seemed dance music and culture was going somewhere far, far away from where it was meant to be. The notion of fun had got lost. It was no longer the world they had devoted ten years of their lives to already, and lots of their friends felt the same. When the opportunity came up to do a Sunday night at The Sub Club it felt like the perfect opportunity to rip it all up and start again. So they did. There was nothing in the city (or possibly anywhere) like it. As the club believed wholeheartedly in what they were doing, there was no pressure from The Sub Club to fill the club. So, they embraced the freedom. Groups of people who had never been in the same room at the same time before came together. A community of kindred spirits started to emerge. Word spread, slowly. Lots of people checked it out. Many loved it, some hated it. The core of the Optimo idea was to embrace music they loved that might work on the dancefloor from whatever era or genre they thought felt right. It might not seem very radical now but at that time it was revolutionary.After about a year and a half, the club went from having 100 people attending most nights to suddenly one week having 500 people turn up. It was very weird. It was as if a collective light bulb went off in people’s heads in Glasgow. From that week on, until the very last weekly Sunday night at the Sub Club, in 2010, over a decade later, it was packed. There were 550 Sunday Optimo nights. A LOT of music was played. So, what was the music? People often find it hard to pin down exactly what Optimo is. This has been a positive but also a negative as we live in a world where people want easily defined “brand identities”. The simplest definition of the music played is “music for dancing”, which of course is a very broad definition. Even better than trying to define it in words, we have these 2 volumes of music that give a hint of what that might be. This is not a “Best of Optimo” or a “Greatest Hits of Optimo” compilation. For people who come to, or used to come to the nights there are of course “Greatest Hits”. But, over such a long timespan they are “hits” belonging to a certain moment in time and space. Someone who came to Optimo in 1997 would have a completely different notion of the big tracks at the club to someone coming in 2003, or 2010, or today. This compilation is just a snap shot missing several genres that might make up the DNA of Optimo. There is though a broad sweep through lots of music Optimo loves, that they believe is amazing. Music that they know will rock a dancefloor, that they have played between 1997 and 2023. Of course Optimo nights were not all about rocking the dancefloor. The first hour was always a time for them to play music they loved that often was far removed from the dance. Side 1, Volume 1 of this compilation is the kind of music one might hear at the very start of an Optimo night. Optimo have always loved a good slogan. The most long lived, and fitting Optimo slogan is "We Love Your Ears", which is in essence what it is all about to them.
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Label:Hyperjazz Records
Cat-No:HJ012LP
Release-Date:26.01.2024
Genre:Jazz
Configuration:LP
Barcode:
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Cat-No:HJ012LP
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Genre:Jazz
Configuration:LP
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1
PS5 - Preludio
2
PS5 - Caldera
3
PS5 - Talea Nera
4
PS5 - Pajarito Perdido
5
PS5 - Scalinatella
6
PS5 - Interludio
7
PS5 - Trenta Dune
8
PS5 - Abela Danco
9
PS5 - Tufo
10
PS5 - Quando Maje
After two years and a half, Pietro Santangelo (formerly Nu Genea sax player) and his PS5 ensemble are back to Hyperjazz Records with a brand new album: Echologia.
'Echologia' draws inspiration from the idea of natural biodiversity as an expression of contamination, coexistence and balance. In the same way as the biological agents contribute to the life of a certain ecosystem, seemingly distant musical languages act as elements of balance in a fertile and blooming musical system. Multiculturalism becomes coexistence.
As in the previous 'Unconscious Collective' (Hyperjazz, 2021), suggestive saxophones textures interwine on a solid rhythmic equilibrium and move naturally along an imaginary line highlighting the ancestral connection between Africa and Mediterranean Sea. On the background, the tribute to the earlier Jamaican dub masters with a strong use of vintage echoes in the mixing phase.
Album cover by Sabrina Cirillo is inspired by the myth of the nymph Echo, the Oread condemned by Juno to be able to express herself by repeating only the last words of theinterlocutor, who died of pain due to the impossibility of communicating her love to Narcissus.
A0 - Preludio
A1 - Caldera
A2 - Talea Nera
A3 - Pajarito Perdido
A4 - Scalinatella
B0 - Interludio
B1 - Trenta Dune
B2 - Abela Danco
B3 - Tufo
B4 - Quando Maje More
'Echologia' draws inspiration from the idea of natural biodiversity as an expression of contamination, coexistence and balance. In the same way as the biological agents contribute to the life of a certain ecosystem, seemingly distant musical languages act as elements of balance in a fertile and blooming musical system. Multiculturalism becomes coexistence.
As in the previous 'Unconscious Collective' (Hyperjazz, 2021), suggestive saxophones textures interwine on a solid rhythmic equilibrium and move naturally along an imaginary line highlighting the ancestral connection between Africa and Mediterranean Sea. On the background, the tribute to the earlier Jamaican dub masters with a strong use of vintage echoes in the mixing phase.
Album cover by Sabrina Cirillo is inspired by the myth of the nymph Echo, the Oread condemned by Juno to be able to express herself by repeating only the last words of theinterlocutor, who died of pain due to the impossibility of communicating her love to Narcissus.
A0 - Preludio
A1 - Caldera
A2 - Talea Nera
A3 - Pajarito Perdido
A4 - Scalinatella
B0 - Interludio
B1 - Trenta Dune
B2 - Abela Danco
B3 - Tufo
B4 - Quando Maje More
LP
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Label:180g
Cat-No:180GWALP06
Release-Date:26.01.2024
Configuration:LP
Barcode:5050580816824
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Last in:07.05.2024
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Label:180g
Cat-No:180GWALP06
Release-Date:26.01.2024
Configuration:LP
Barcode:5050580816824
1
Godiego - The Birth Of The Odyssey - - Monkey Magic
2
Ikue Sakakibara - - This is Hot
3
Soul Media - - I Will Give You Samba
4
Hatsumi Shibata - - Purple Shadow
5
Yumi Murata - - Krishna
6
Yoshito Machida·Godiego - - Ame Wa Knife No Yo Sa
7
Pink Parachute - - Disco Great Tokyo
8
Hatsumi Shibata - - Hazumi De Daite (A Woman In A Man's World)
In the mid-seventies, discotheques were booming in Tokyo and all over Japan. When the Fatback Band topped the 1975 US charts with their infectious "Do The Bus Stop" hit, Japanese label Victor put out the following year the first Japan made Disco tune with "Sexy Bus Stop", released under the mysterious name Dr. Dragon & Oriental Express, a pseudonym for successful Japanese pop composer Kyohei Tsutsumi. "Sexy Bus Stop" became an instant hit in the country and, taking this opportunity, various Japanese record companies started releasing Disco music. From 1976 until the early 1980s the music was often recorded by skilled studio musicians, rather than by computer input, providing a really solid sound to the dancefloor. Disco music was also spreading into TV series, commercials and anime. From Godiego's monster hit "The Birth Of The Odyssey - Monkey Magic" to Pink Parachute's obscure (and excellent!) "Disco Great Tokyo" tune, this selection explores some of the finest Disco and Boogie music released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!
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Label:Stroom
Cat-No:STRCAS-083
Release-Date:08.03.2024
Genre:Electronic
Configuration:MC
Barcode:
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Last in:18.03.2024
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Label:Stroom
Cat-No:STRCAS-083
Release-Date:08.03.2024
Genre:Electronic
Configuration:MC
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1
Florian T M Zeisig - 85805
2
Florian T M Zeisig - TG10 (Feat PVAS)
3
Florian T M Zeisig - 9P
4
Florian T M Zeisig - Matrix Perseids
5
Florian T M Zeisig - Angel Désirée
6
Florian T M Zeisig - Lapis
7
Florian T M Zeisig - Temple 3
8
Florian T M Zeisig - Wave Guide
"Recorded and produced during late night sessions from 2019-2022 while re-watching archive episodes of the German TV show Space Night from the late 90s."
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Label:Malka Tuti
Cat-No:MT0035
Release-Date:23.02.2024
Genre:Electronic
Configuration:12"
Barcode:
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Cat-No:MT0035
Release-Date:23.02.2024
Genre:Electronic
Configuration:12"
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1
Andrei Rusu - I've Lost Control (Original Mix)
2
Andrei Rusu - I've Lost Control (Philipp Otterbach Remix)
3
Andrei Rusu - Hedesch feat. Decha (Original Mix)
4
Andrei Rusu - Hedesch feat. Decha (Black Merlin Remix)
Malka Tuti is proud to present the solo debut EP by mister Andrei Rusu, ? one half of Khidja.
After a series of stellar remixes in the past year to Cosmo Vitelli (on Im a Cliché), Dadalus & Bikarus, Santaka & Nic Arizona, Rusu is finally ready to present his own original solo materials to the world.?
Ahead of a full LP planned on MT for later this year, Rusu is presenting us with 2 fresh new tracks. The A-side is a 120bpm dirty and distorted super- trippy banger for the biggest floors and the darkest rooms.
On the B-side Rusu collaborates with an artist known to the followers of the label - Decha, who contributes her signature expressive vocals on this half time industrial dub track. This time however, the vocals run through the hands of Rusu who soaks them with distortion and even more punk attitude, almost echoing the energies of the late Genesis P-Orridge.
The release includes 2 remixes by a couple of master remixers who also happen to be part of our extended family. ?
Remixing the title track, and off the success of his 2 incredible albums
released on 2023 (Music From Memory & Offen), Philipp Otterbach supplies a remix for the books, channeling the original track’s intensity through oceans of reverb, whimsical samples and addictive trippy rhythms.
For the Hedesch Remix we’ve asked one of our favourite remixers out there aka Black Merlin to contribute his cut and boy he didn’t disappoint (does he ever?)?
Black Merlin supplied us with a long and addictive psychedelic synthetic and very dubby journey for the b-side. More
After a series of stellar remixes in the past year to Cosmo Vitelli (on Im a Cliché), Dadalus & Bikarus, Santaka & Nic Arizona, Rusu is finally ready to present his own original solo materials to the world.?
Ahead of a full LP planned on MT for later this year, Rusu is presenting us with 2 fresh new tracks. The A-side is a 120bpm dirty and distorted super- trippy banger for the biggest floors and the darkest rooms.
On the B-side Rusu collaborates with an artist known to the followers of the label - Decha, who contributes her signature expressive vocals on this half time industrial dub track. This time however, the vocals run through the hands of Rusu who soaks them with distortion and even more punk attitude, almost echoing the energies of the late Genesis P-Orridge.
The release includes 2 remixes by a couple of master remixers who also happen to be part of our extended family. ?
Remixing the title track, and off the success of his 2 incredible albums
released on 2023 (Music From Memory & Offen), Philipp Otterbach supplies a remix for the books, channeling the original track’s intensity through oceans of reverb, whimsical samples and addictive trippy rhythms.
For the Hedesch Remix we’ve asked one of our favourite remixers out there aka Black Merlin to contribute his cut and boy he didn’t disappoint (does he ever?)?
Black Merlin supplied us with a long and addictive psychedelic synthetic and very dubby journey for the b-side. More
Label:First Word Records
Cat-No:FW288
Release-Date:26.01.2024
Genre:Jazz
Configuration:2LP
Barcode:5050580815933
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Label:First Word Records
Cat-No:FW288
Release-Date:26.01.2024
Genre:Jazz
Configuration:2LP
Barcode:5050580815933
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Takuya Kuroda - Rising Son
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Takuya Kuroda - Afro Blues
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Takuya Kuroda - Piri Piri
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Takuya Kuroda - Mala
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Takuya Kuroda - Everybody Loves The Sunshine
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Takuya Kuroda - Green & Gold
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Takuya Kuroda - Sometime….
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Takuya Kuroda - Call
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Takuya Kuroda - Everybody Loves The Sunshine (Joe Armon-Jones Remix)
Label:Dark Entries
Cat-No:DE-053
Release-Date:02.02.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:
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Last in:05.11.2024
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Label:Dark Entries
Cat-No:DE-053
Release-Date:02.02.2024
Genre:Alternative/Electronic
Configuration:LP
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Figure Study - Answers
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Figure Study - Wait
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Figure Study - Bad Side
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Figure Study - Paralyzed
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Figure Study - Maze
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Figure Study - Interaction
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Figure Study - Station
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Figure Study - Invisible
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Figure Study - Divide
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Figure Study - Window
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Figure Study - Rain
Dark Entries is proud to present the debut album by Figure Study, a contemporary band from New York. Figure Study is the Manhattan-based duo of Nathan Antolik and April Chalpara. They formed in 2009, after meeting through the Wierd Records weekly party, where they would play their first concert soon after. For their debut self-titled album, Figure Study utilizes a carefully tailored set up of vintage analog synthesizers and drum machines. Figure Study creates a lush sound where haunting vocals echo over dark melodies that reflect an isolated and disintegrating world. Songs flux between dissonant dance numbers and more sparse, somber compositions, each carrying a sense of urgency and modernism. Figure Study's sound includes influences from such early underground artists as Kirlian Camera, Nine Circles, and The Actor. The album was recorded in their small Chinatown studio using a sparse set-up of analog synthesizers, drum machines and sequencers. Each LP is packaged in a specially designed jacket and includes an insert with lyrics. Figure Study draw their own model using shapes and forms from the synthetic landscape.
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LP
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Label:Optimo Music
Cat-No:OMLP28
Release-Date:16.02.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:4250101460944
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Label:Optimo Music
Cat-No:OMLP28
Release-Date:16.02.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:4250101460944
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Open Yellow Circle / O Yuki Conjugate - Dark Blue Trees
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Open Yellow Circle / O Yuki Conjugate - Spiral Jetty
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Open Yellow Circle / O Yuki Conjugate - Cold Stars
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Open Yellow Circle / O Yuki Conjugate - Hireath
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Open Yellow Circle / O Yuki Conjugate - Left Home
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Open Yellow Circle / O Yuki Conjugate - Below Mono
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Open Yellow Circle / O Yuki Conjugate - Fogou
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Open Yellow Circle / O Yuki Conjugate - The Chasmic
In 1994, UK ambient pioneers O Yuki Conjugate recorded their landmark Equator album. To mark the 30th anniversary of this musical milestone, many of the same personnel – Roger Horberry (co-founder of O Yuki Conjugate), Dan Mudford (ex-Sons of Silence and co-creator of the Shaun of the Dead soundtrack), Joe Lamb (ex-Sons of Silence) and Malcolm McGeorge – came together to make New Meridian, reflecting the range of influences they’ve picked up over the intervening years.
Generously described as “almost like normal music”, the eight tracks of New Meridian feature instrumentation ranging from classic analogue to actual wooden logs. The result takes you on a rain-drenched, open-top ride from Electronica Avenue to the drone caverns of Uranus, with various Fourth World ambi-dub diversions along the way. File under: duress. More
Generously described as “almost like normal music”, the eight tracks of New Meridian feature instrumentation ranging from classic analogue to actual wooden logs. The result takes you on a rain-drenched, open-top ride from Electronica Avenue to the drone caverns of Uranus, with various Fourth World ambi-dub diversions along the way. File under: duress. More
Label:ZamZam Sounds
Cat-No:ZAMZAM94
Release-Date:23.02.2024
Genre:Dubstep
Configuration:7"
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Label:ZamZam Sounds
Cat-No:ZAMZAM94
Release-Date:23.02.2024
Genre:Dubstep
Configuration:7"
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Traces - No One (Can Tell I)
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Traces - Listen
ZamZam 94 is a long-awaited plate from South London duo Traces, fresh from a pair of releases last year on Innamind. Laser-focused on a stripped-down, essentialist strain of UK bass music, Traces’ ZamZam outing showcases two distinct facets of their approach.
“No One (Can Tell I)” is a perfect slice of eyes-down spiritual dubstep for the ages, a sound we always crave here at ZamZam. Waterhouse-flavored rusted metal hi-hats, reverb thick like smoke, expertly-crafted bassweight, subtly ricocheting percussion, perfectly minimal stabs, and a sampled spirit of Jamaica Past… Utterly timeless, “No One” is a masterclass in restraint and depth over flash and slickness.
Equally direct and unfussy, “Listen” flips the vibe utterly, running off a winking slice of badman soundtape, shakers and siren, earworming midrange melody, and a mirror-image bassline with more swagger per bar than anyone in a 140 session will be able to resist. Battle-tested on dubplate & ready for early, late, or anywhere in between, “Listen” is a guaranteed sheller More
“No One (Can Tell I)” is a perfect slice of eyes-down spiritual dubstep for the ages, a sound we always crave here at ZamZam. Waterhouse-flavored rusted metal hi-hats, reverb thick like smoke, expertly-crafted bassweight, subtly ricocheting percussion, perfectly minimal stabs, and a sampled spirit of Jamaica Past… Utterly timeless, “No One” is a masterclass in restraint and depth over flash and slickness.
Equally direct and unfussy, “Listen” flips the vibe utterly, running off a winking slice of badman soundtape, shakers and siren, earworming midrange melody, and a mirror-image bassline with more swagger per bar than anyone in a 140 session will be able to resist. Battle-tested on dubplate & ready for early, late, or anywhere in between, “Listen” is a guaranteed sheller More
LP
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Label:Astral Industries
Cat-No:AI-09
Release-Date:16.02.2024
Configuration:LP
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Last in:13.02.2024
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Label:Astral Industries
Cat-No:AI-09
Release-Date:16.02.2024
Configuration:LP
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The Chi Factory - Part One
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The Chi Factory - Part Two
Repress!
"I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It’s the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic “old speaker” effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - ‘Red Lantern at the Kallkatsou’”.
Hanyo van Oosterom More
"I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It’s the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic “old speaker” effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - ‘Red Lantern at the Kallkatsou’”.
Hanyo van Oosterom More
Label:Astral Industries
Cat-No:AI-36
Release-Date:02.02.2024
Configuration:2LP
Barcode:
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Label:Astral Industries
Cat-No:AI-36
Release-Date:02.02.2024
Configuration:2LP
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Ear To Ear - Live Recording A
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Ear To Ear - Live Recording B
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Ear To Ear - Live Recording C
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Ear To Ear - Live Recording D
2 x 12" 180g Gatefold Vinyl (digital download included)
AI-36 comes from Ear to Ear - the debut collaboration between label regular Samuel van Dijk (Multicast Dynamics) and Ukrainian artist Yevgen Chebotarenko. Taken from a series of live recording sessions, the album explores in four parts a markedly darker realm of soundscape music. A cornucopia of abstract morphing scenes and heady synesthesia, the album brims with rich sonic detail and evocative gestures. Deftly blending organic sound textures with an experimental austerity, ‘Live Recordings’ displays potent and accomplished storytelling.
The album opens to a grey overcast vista, a natural landscape that slowly melts into a descending chasmic dysphoria. The mood transitions to a drone-based piece on the B-side, characterised by a more psychologically suspenseful framework and exotic blend of sound design. The atmosphere lightens, yet equally pensive as side C takes on a more elemental form, invoking water and its array of microbial and metabolic ecosystems. Brief cathartic moments in the final section pave the way for deeper wayfaring on the D-side. Stray signals and unknowable artefacts skitter across a vast subaqueous domain, a fathomless womb of potentialities that ebbs into eternity.
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AI-36 comes from Ear to Ear - the debut collaboration between label regular Samuel van Dijk (Multicast Dynamics) and Ukrainian artist Yevgen Chebotarenko. Taken from a series of live recording sessions, the album explores in four parts a markedly darker realm of soundscape music. A cornucopia of abstract morphing scenes and heady synesthesia, the album brims with rich sonic detail and evocative gestures. Deftly blending organic sound textures with an experimental austerity, ‘Live Recordings’ displays potent and accomplished storytelling.
The album opens to a grey overcast vista, a natural landscape that slowly melts into a descending chasmic dysphoria. The mood transitions to a drone-based piece on the B-side, characterised by a more psychologically suspenseful framework and exotic blend of sound design. The atmosphere lightens, yet equally pensive as side C takes on a more elemental form, invoking water and its array of microbial and metabolic ecosystems. Brief cathartic moments in the final section pave the way for deeper wayfaring on the D-side. Stray signals and unknowable artefacts skitter across a vast subaqueous domain, a fathomless womb of potentialities that ebbs into eternity.
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