GENRE/S: Ambient, Techno

TRACKLIST:
A1 - evocation_01
A2 - evocation_02
A3 - evocation_03
A4 - evocation_04
B1 - evocation_05
B2 - evocation_06
B3 - evocation_07
B4 - evocation_08
C1 - rhythm_01
C2 - rhythm_02
C3 - rhythm_03
C4 - rhythm_04
D1 - rhythm_05
D2 - rhythm_06
D3 - rhythm_07
D4 - rhythm_08

SHORT INFO:
Rupert Marnie’s debut album “Evocative Rhythm” is a singular object to begin with. Split over two parts, each one
working as an individual piece and under seemingly endless configurations when played together on a pair of
record players, “Evocative Rhythm” is an elusive piece of musical abstraction you will play a crucial role in
shaping, fashioning it as you dabble with it - certainly curious and cautious at first, then manipulating its raw clay
more firmly as you envision it with a clearer idea of where to go with it. Or is that just a mirage?
Fruit of geographical meanderings through Hamburg’s tentacular architecture, Rupert Marnie’s maiden full-length
effort reflects that of the city’s tonal, rhythmic and harmonic structures in a uniquely vibrant way: dancy and not,
ethereal and full-bodied, oneiric and anchored. From field recordings garnered here and there across town, then
either truncated, morphed, stretched out beyond recognition via a wide palette of technical means (granular
synthesis, time-stretching, use of resonators, delay, reverb, pitch-shifting…), Marnie weaves a narrative that
bridges the gap continually betwixt non-formulaic beatless meditation and proper club-focused functionality, plus
the countless possible creations that will emerge when combining both sides of the disc to form your own story
out the battery of elements at reach.
Evocative Rhythm” is much more than the sum of its parts. A mirage of ambient, techno, electro, whatever style
and labels that could be stuck all over it, yet never managing to say a true word of it.


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Genre: House

Tracklist 12“:
A1 - Robert Dietz - Salbung
A2 - Aii PS - Donteven
B1 - Vlad Stuparenko & Ghetto Sunrise - Pine Water
B2 - Sasha Zlykh - Pidozepam 21

Short Info:
For their ninth iteration, Hamburg's The Press Group punches back in with the sizzling hot debut to a VA series bound to scout and shed a broader light on exciting artists from various territories and backgrounds.
Pulsating to the bone, "Future Prospects vol.1" showcases a quartet of heaters courtesy of Germany-based Robert Dietz and Aii PS on the A-side and Kyiv-based Vlad Stuparenko & Ghetto Sunrise plus Sasha Zlykh on the flip. Either sides of the
disc inbound for optimal and non-pareil impact on the dance floor. Dietz's "Salbung" paves the way old-school style, grinding everything from lethal breaks to rowdy drums, via lysergic synth flights straight out a wild sci-fi scenario.
Aii PS' bouncy and oneiric contribution "Donteven" is more of a low-slung affair with its mischievous fusion of filtered synths and acid-informed bass spurts painting the sky all shades of radioactive green.
Flip it over and Stuparenko/Ghetto Sunrise's stealth, aqueous weapon "Pine Water" ushers us in a corridor of groove-enslaved echolocation, delayed stabs and propulsive bleepin' n bloopin' from the depths. A further dusty, shuffling affair
blazing with clanky hats on a Chicagoan tip and futuristic electroid inflections, Zlykh's "Pidozepam" tops it all off in implacable fashion, casting a spell of exquisitely thrilling menace upon the ravers.



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Special remarks : 12” Vinyl + Poster

Tracklist 12":

A1 – back (Vinyl only)
A2 – runciter
B1 – I.D.E.
B2 – 6am Catwalk

Short Info:
Vinyl exclusive double-sided fold-out poster and vinyl-only track “back”!
Three years after his latest solo drop on TPG, Rupert Marnie is back with a vengeance. Punching in with a quartet of high-efficiency jams tailored to whip a frenzy amongst heavenly dancers and murky basement revellers, the Hamburg-based producer clears a new path towards utopian electronics yonder through another fine incarnation of his tricksy assemblages of laid-back Venusian house, breaks-laden ambient scapes and jazzed-up hi-tech heroics.
Wading deep in swampy acid grounds, 'Back' fires first with its liquid alloy of 303-marinated salvos, warped synth helixes and opaque harmonics, sure to have you levitating in a weird trance-y state of mind right away. A further hypnotic slab of deep diving techno, A2 'Runciter' flexes the verbed-out sub lines, muscular breaks and train-like groove whilst setting the bleep'o-meter to eleven. A feast of '90s infused carefreeness that shall rejoice both textbook old-school heads, spongy-bodied gymnasts and stranded aliens alike.
Flip it over and here's 'I.D.E.' - a repolished filtered-house, Roulé-style delight where handsomely FX-adulterated keys play footsie with classic Chi-town shuffling patterns and laser battle sounds to keep you 100% committed to the groove - from your dancing shoes to your melting brainpan. Final transition comes with the Latin rhythms of '6AM Catwalk', a straight out addictive slice of gently wasted after material, custom-cut to accompany you in your post-party morning routine as the sun caresses the nape of your gauzy, vampiric neck. Forget the fake tan, Rupert's toasty chuggers have you covered.




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Special remarks : CD [Mixed] + Downloadcode


Tracklist CD:

1. Christoph Friedmann - ledup
2. MF Earth Band - Softeis d’Amour
3. Dolomea - magnetic coil
4. ott - Hotel D
5. Ben Oyefeso - Truth
6. thcarp - !Xabbu
7. Matthias Wagner - Broke But Not Broken
8. RBDP - Untitled
9. Aii PS - solid vibes
10. Rupert Marnie - Olymp
11. Walt Ever - Tiphogal
12. Lucky Charmz - Amber Leaf (Take 3)
13. Youthman(29) - Moonlight
14. Europa - Summer Çem
15. Antep Haze - Good Feel
16. Primary Mystical Experience - Shimmer


Short Info:
The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Info:
Blurring the lines further between the CD mix and classic VA formats, The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Spinning out of the calibrated dance music's orbit, TPG here present no less than sixteen cuts courtesy of a wide array of mostly German talents, new and confirmed, capturing a much compelling snap of the parties involved's common vision and idiosyncrasies. Obviously part of the trip, imprint mainstays Rupert Marnie and Youthman(29) each deliver a piece, slapping rhythmic and texturally ethereal as get (tell us that Y(29) jam hasn't got the taste of dreams), and so does Christoph Friedmann's jaunty tropical number, sure to awaken the shamelessly wiggly dancefloor operator in you, whilst the mysterious thcarp and Lehult boss Lucky Charmz wing out a pair of deep-diving workouts to get down to - preferably with your aqualung on so you don't resurface blue-ish.

Local players MF Earth Band and French border duo RBDP go spaced-out jazzy when OTT goes in with a fruity sino squasher and Aii PS gives its all in the gut-melting subs. Mischievous, off-kilter acid lovers take note, Dolomea's joint is the one. If you're in the train, though, we recommend taking Ben Oyefeso with you, as he's sure to have you drifting off the rails into his strangely familiar realm. If you're in need for some high-powered electro pumper, wobbly warbles ace Matthias Wagner's got you covered, but if it's bleepy, bloopy, blurpy post Hawtin'ian minimalism tinged with a solid hint of Dam Funk-esque synths, go check our buddy Walt Ever.

More of an AFX and Autechre fan? No worries, geezer - Europa's feeling, glitchy cybernetics are there to please and your senses will thank you for the journey. Antep Haze's synthetic bird calls and glaring chimey streams will ease you into a much enticing last stretch across a fantasized forest of sorts, before the all-engulfing finale takes us well off into the galaxy's masters' own Area 51. Press play and just let your gravity-free body glide with the stars. Effortless.




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Special remarks : 12"Vinyl + Downloadcode

Tracklist 12":

A1 - 3:36
A2 - 5:03
A3 - 6:32
B1 - 5:08
B2 - 6:34
B3 - 3:00
B4 - 2:36

Short Info:
Youthman(29) dishes out his debut 12'' on TPG, comprised of seven cuts that yo-yo between revamped breaksy house tropes, sample-heavy intricacies and lo-lidded ethereality. Maintaining a fine balance between danceability and daydreaming, 'Untitled' holds its listener in a hazed-out hypnagogic state of body-&-mind symbiosis that's best suited for moments of transition and sense-awakening, when the lights begin to flicker and the club seems to fold up in a strange, otherworldly halo of sorts.



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Special remarks : 12" colored Vinyl + Downloadcode

Tracklist 12":

A1 - Lie To Your Mom
A2 - R'n'B Ritual
B1 - Lie To Your Mom - Rupert Marnies Ethno Mix
B2 - Lie To Your Mom - Youthman(29) Mix

Short Info:
Fresh off their latest VA, The Press Group hand the reins over to up-and-coming Ukrainian producer Sasha Zlykh, here delivering his debut 12" effort. Clocking in with a quartet of club-oriented weapons and off-road house-y pumpers that shall bring dancefloors to a slow but steady simmer, the Kyiv-based producer blends in an avalanche of breaks-strewn rhythms, bleepy melodies and reshuffled UK bass patterns to create his own distinctive hybrids, halfway straight dance functionality and non-formulaic experimentality.

As playful in essence as it is serious in its execution, 'Lie To Your Mom' EP starts off with the title-cut, which works a wonky swagger that proves all the more infectious as bars fly by. Engineering a finely-woven mix of off-kilter drum programming, raucous analogue belches and volatile harp stabs distorted to the max, the track's shadowy intro is eventually offset by overlapping tides of luminous pads, released as one lets the light break through a vampire den. 'RnB Ritual' follows up close in the vein, meshing a brooding late-night-ish atmosphere with playful percussive mechs and sustained rhythmic accidents.

Flip sides and you'll be treated to a choice pair of remixes from in-house groove traders Rupert Marnie and Youthman. First in line, Marnie turns 'Lie To Your Mum' into a straight jacking and shuffling Chicagoan chugger. Going deeper into soulful terrains and lavishly-textured expanses, TPG's main operator exploits the whole melodic potential of Zlykh's original, bringing its anthemic power to further completion beautifully. More on the dubby end of things, Youthman adds his uniquely vibey touch to the main cut, deftly navigating betwixt a classic deep house kinda vibe, post-rave'y electronics and a Basic Channel-esque sound spectrum, which all in all should have people instinctively clapping their hands as their mind begins to sink into a weirdly introspective sense of euphoria.


Vital Sales Points:

First 12? from Ukranian DJ and Producer Sasha Zlykh with Remixes by the TPG crew.


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Special remarks : 12” Vinyl + Downloadcode

Tracklist 12":

A1 – YouthMan(29) – Aemilia
A2 – Ten Letu - Ah, You Shot Me!
B1 – Rupert Marnie – Health
B2 – DJ Dodo - The Machine
B3 – AAAclimax – WifiOnIce


Short Info:
After a triplet of solo 12"s, all courtesy of label main man Rupert Marnie, Hamburg-based imprint The Press Group are set to break 2018 in with the multi-flavoured TPG004 - a versatile debut VA that offers a fine close up on the label's whole cast of operating forces with some choice contributions from TPG's core tetrad including Youthman(29), Ten Letu, DJ Dodo and Marnie himself. Mind your backs!

Shape-shifting yet coherent as a whole, this collective effort puts together a swinging confluence of sounds and aesthetics – clearly aimed at the dancefloor but equally poised for laid-back chill sessions. First release on the label to reunite the entire crew, TPG004 mashes up a wide-spanning array of grooves and tempi in exploded view, giving full vent to each artist's idiosyncratic universe whilst establishing a hyper-modern sound ID, both infectiously funky and undeniably potent.

Casting its net far and wide: from the pared-down astronautical breakbeat of Youthman's 'Aemilia' to DJ Dodo's breezy jacking jazz-footwork hybrid 'The Machine' via Rupert Marnie's lithe ganjah-smelling shuffler 'Health' and Ten Letu's muscle-flexing acid roller 'Ah, You Shot Me!', it's a feast of feelgood beats that you’re invited to, neatly connecting the dots between the guys' shared love for video game soundtracks, liquid dubstep, heavy jungle breaks, minimal house and further daydreaming, hazy harmonics to drape yourself into.

Vital Sales Points:

First 12? from The Press Groups whole cast of members including a locked groove on the
B-side.


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Special remarks : 12" with transparent sleeve, 180g Vinyl

The Press Group's new issue is a tale of lost love and broken hearts. 'Blaine Mcconchie' is a con-stantly evolving minimal-heyday-inspired trip through bleeping artifacts driven by an organ chord, while on the flipside 'Dog Park' is a classic groover for lush summer evenings. On B2 Frankfurt's Phil Evans gives 'Blaine Mcconchie' his treatment taking the central melody and building a sparse rhythm workout around it.

Tracklist: A1 Blaine Mcconchie, B1 Dog Terminal, B2 Blaine Mcchonchie (Phil Evans Remix)

Vital Sales Points:
- Third 12" from The Press Group co founder Rupert Marnie including a remix by Phil Evans (Pager Records/GOSU)



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Special remarks : Singelsided, marbeld 160gr vinyl, limited to 150

Tracklist: A1 - CDboy (UFOhagen)
Info:
It was in June of 1980. After a long and intense journey through time and space, Rupert Marnie met spiritual highness Frater loannis and became his apprentice. The Magus told him invaluable things, like controlling his precious bodily fluids and the holistic mastery of others' endocrine glands. The greatest wisdom though reached him on his seventh day, when Frater loannis professed him an an-cient ritual that would allow him to meet the Titan Ufohagen, also known as CDboy. It was the 4th, when he appeared, dressed in a long, slim silk cloak, a sprinkling wand in his right. Rupert stood in awe, immediately losing his newly gained fluid control, and started crafting a piece of music, that would remind mankind that not all is lost, as long as there is almighty Ufohagen.





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Special remarks : 12" with transparent sleeve, 180g Vinyl -- Second 12" from The Press Group from co founder Rupert Marnie

Tracklist: A1 Toshi, A2 00_222, B1 TTA, B2 12hours
The Press Groups new issue moves into the sinister territory of pre-postmodern robotics, Japanese swamps and the bird call of the ending of a century. An opaque surface reflecting a tremble in the mist. Onibaba's gaze dipped in thickness. Ligeia's call.



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Special remarks : 12" with transparent sleeve, 180g Vinyl -- First 12" from The Press Group from co founder Rupert Marnie

Shortinfo:
Hamburg based label The Press Group spreads 300 copies of fine, raw and modern house cuts. "Masala EP" is not only the labels first release, but also the debut of Press Groups co founder Rupert Marnie. The record brings three tracks for the dancefloor. Starting with some dubbed out 115bpm, followed by more peak time friendly material to a melodious track for after hours.

Tracklist: A1 Masala, A2 ham (on rye), B1 Kruger60


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Rights: World excluding FR & UK

Packaging: 1 x Black, vinyl, printed 3 mm spine sleeve, Black polylined inner sleeve, marketing sticker.


OVERVIEW
" Rufige Kru return with Alpha Omega Remixes, featuring 4 heavyweight re-imaginings of their recent jungle / drum and bass belters.

" One of the most revered names in breakbeat science, Rufige Kru rewired the dancefloor for the first time back in 1992 with hardcore classics such as 'Darkrider', 'Beachdrifta' and 'Terminator', key moments in the evolution of drum n bass.

" Alpha Omega Remixes takes the project's tracks to a new-level, with fresh reworks from Metalheadz residents Phase, Seba & Paradox, Special Request and Rufige Kru's very own Submotive. Each remix twists the raw intensity and deep atmospherics of the originals into something darker, harder, and sharper.

TRACKLISTING:

A1. Goldikus (feat. Cleveland Watkiss) (Phase Remix)
A2. Still The Same (feat. CASISDEAD) (Submotive Remix)

B1. Virgil (Seba & Paradox Remix)
B2. Still The Same (feat. CASISDEAD) (Special Request Remix)






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GENRE/S: Electronic, Dub

[Vinyl]
[Vinyl]
A1. Sottopassaggio Dub
A2. Gröna Dalen Dub
A3. ’Atra Dub
A4. Dub Grape
A5. One Two Dub
B1. Bhuka Dub
B2. Nowhere Good Dub
B3. Les Lèvres Dub
B4. My Dub Is Out Sailing
B5. Hold On Dub

SHORT INFO:
Axel Boman’s critically acclaimed double album LUZ/Quest for fire from 2022 gets a remix & dub treatment from one of Scandinavia's finest reggae-and-beyond soundsystems, Trensum Tribe.
”Great, now they sound better that the originals” said Axel when he heard the remixed versions for the first time, excitedly starting to collect the best ones for an album. Having been heavily inspired by Mad Professor’s work for Massive Attack since a young age (listen to No Protection for example), a project like this had been a dream of Axel Boman's for decades.
There is a certain freedom that comes with remixing, where you can step outside yourself as a producer and take risks and chances you might not in your own work, and Trensum Tribe really took an adventurous new path when they approached this music. On this homage to soundsystem and rave culture, jungle, dub, disco and house all become best friends in front of a huge stack of homemade speakers, standing tall on fresh dew in a Swedish forest on a cold summer night.

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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list :
A1 Fouk - Need my space (Detroit Swindle remix)
A2 Perdu - Sacramento (Makèz remix)
B1 Demuir - The 3nity returneth (Fouk remix)
B2 Detroit Swindle feat. Lorenz Rhode - Music for clubs (Perdu’s culture mix)
B3 Makèz - Random Visits (Demuir’s playboy edit)

Release Info:
It’s that time of the year again: we’re finishing our 6th year of Heist Recordings with our annual potpourri of remixes with this
year’s artists on ‘The Round up part VI’. This year, we’ve got a few really cool newcomers on the label like Demuir, Perdu and
Makèz, as well as label mainstays Fouk and yours truly delivering a great collection of remixes.
The EP starts off with label heads Detroit Swindle giving their high-energy take on Fouk’s ‘Need my Space’. They’ve chosen for
a stabby club version of the more introverted original, with different layers of synths building up alongside a pumping drum track
and a punchy Moog bassline. Check the break for a nice dreamy broken beat section before the track comes back into full
dancefloor madness.
Makèz have only just released their well-received debut EP and now they’re flanking Detroit Swindle on the A-side with their
remix of Perdu’s hit ‘Sacramento’. They replace the broken beat vibe of the original and instead go for a 4x4 track with a driving
bassline, warm pads and subtle placement of Perdu’s original elements.
On the B-side, we have Fouk reinterpreting Demuir’s take on Detroit Techno with their remix of ‘3nity returneth’. Their version is
a tom-heavy high-energy club track with a strong nod to the past, whilst still keeping that strong Fouk signature intact. They
mangle the vocal sample in a drunk and twisted break before setting the track back on fire with an extra acid line for good
measure.
The B2 goes to Perdu’s dreamy slow burning remix of Detroit Swindle’s classic house bomb ‘Music for clubs’. His version takes
the tempo down and dials the dreamy level up a notch. A mellow but punchy acid line and worldly synth hits give this remix it’s
cool twist and it’s a great showcase of Perdu’s view on the broad world of house music.
This year’s Round up finishes with Demuir’s trippy ‘playboy edit’ of ‘Random Visits’ by Makèz. He takes the vocal sample and
layers it behind a haunting string, dreamy keys and a steady groove. It’s got a funky vibe where Demuir’s knack for a good
groove fits perfectly with the fresh original.
The Round up is a special moment for us each year and we’re excited to share these reinterpretations of another year’s worth of
house from the world of Heist Recordings with you.
Yours Sincerely,
Lars & Maarten


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The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker

We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.

Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.

The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.


Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery


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Tracklist

A1- Mind Eclipse (TranceHouzzTool)
A2- HG
B1- Phoenix
B2- The Shore (808 Mix)

Release Info:
Mind Eclipse completes Deetron’s triptych for Running Back. After Body Electric and Ego Rave, it’s the missing part in a tale of youthful exuberance told by a seasoned raver and transported into the here and now. Taking the essence of the carefree energy of those days, its warehouses and fields minus the (sometimes!) aural clumsiness, Deetron delivers four studies in the transformation of said emotional states.
Mind Eclipse aka Trancehouzztool does exactly what it says on the tin: big synths, swirl and twirl during an extra long break down for an uproar – serotonin shower included. HG acts like an umbrella to that. Almost melancholic in its presence and meandering between highs and lows, it’s the perfect counterpoint and offset.
On the other side, Phoenix sounds like a lost Border Community hymn that found its way near a Roland 909 for peak time purposes, before The Shore closes the book in a hybrid state between electro and disco or the soundtrack to IDM supporters in a gym workout (also available in an alternative version digitally for those who like their beats straight).
It won’t eclipse your mind though that Deetron knows what he does in the studio, so expect finest artistry, crafty tricks and technical expertise. „’Til the sweatshirts are falling down of us…“








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12" EP

Tracklist
1. The Space Between
2. U Make Me Feel So Good
3. Rêve de Rave
4. Purple FX
5. Snakes Waves


Genres: Breakbeat, UK Rave, Electronica

A rising and genre-defying figure in the French electronic scene, Goldie B continues her
ascent with Who Says Night’s For Sleeping?, a five-track EP that asserts her distinctive
signature: an instinctive blend of club energy, cinematic storytelling and UK rave influences.
Conceived as the soundtrack to a night lived in full intensity, the record moves through the fire
of the dancefloor, the collective trance, and those suspended moments where one floats
between dream and wakefulness.

“I imagined this EP as the soundtrack to a night experienced in its entirety. From the first rush of
adrenaline on the dancefloor to that floating walk home, still carried by the music. My influences range
from Moby and Air to Floating Points and Joy Orbison, artists who know how to combine power and
emotion. I love connecting the raw energy of the club with more dreamlike textures, because you can
absolutely dream while dancing. Each track is an instinctive snapshot of my inner world.” Goldie B
The EP’s opening act, “The Space Between” blends ethereal pads, organic strings and a steady
crescendo, recalling the elegance of Air or Moby. It opens a suspended space, equally suited to inner
drift or physical release. “I wanted it to feel like a threshold, a gentle hand pulling you into a trance
state.”

On “U Make Me Feel So Good”, a sensual and narrative breakbeat track, a flowing bassline gradually
tightens into trancier energy. Seductive female vocals weave through broken rhythms, creating a
piece that is as tactile as it is hypnotic. “It’s about contrast, the softness and caress at the start, then a
tension that rises and electrifies.”
Instagram | Youtube | TikTok | SoundCloudAt the heart of the project, “Rêve de Rave” channels 90’s breakbeat spirit with old-school samples, an
euphoric central break and voices urging to move your feet. Urgent and liberating, it embodies the
dreamlike essence of the rave. “It’s how I imagine the rave: a lucid dream where joy and collective
energy feel almost unreal.”

Next comes the most incisive cut of the EP, “Purple FX”, driven by a grating central bassline that
evolves relentlessly until its explosive drop. Minimalist yet implacable, it captures the sheer force of a
peak-time track. “I wanted a track purely designed for the club, where the tension just keeps rising
until it explodes.”

Closing in chiaroscuro, “Snake Waves” shifts from breakbeat into a half-house, half-techno 4/4
groove, carried by a sinuous, hypnotic bassline. The track plays on tension and release, with a rich
harmonic break before fading like a suspended farewell, where the party recedes but the energy
lingers. “It’s a farewell piece that keeps the intoxication alive, like a final vertigo before slipping back
into the night.”

Goldie B is a multifaceted force on the French electronic scene. A producer, multi-instrumentalist,
singer, MC, DJ, and co-founder of the label Omakase Recordings, her sets blend bass, jungle, UKG,
and breakbeat, captivating audiences with their contagious energy. Based in Marseille, she has
released music on renowned labels such as D.KO, Banoffee Pies, and YUKU, and has performed on
some of the biggest French stages and festivals: Peacock Society, Astropolis, NDK, Marsatac, Delta,
Le Bon Air, and even the Festival d’Avignon. In 2024, she was selected by Apple Music for its
Women In Electronic series. Her new Who Says Night’s For Sleeping? EP confirms her status as an
instinctive and distinctive artist to watch on the French electronic scene.

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