GENRE/S: Ambient, Techno

TRACKLIST:
A1 - evocation_01
A2 - evocation_02
A3 - evocation_03
A4 - evocation_04
B1 - evocation_05
B2 - evocation_06
B3 - evocation_07
B4 - evocation_08
C1 - rhythm_01
C2 - rhythm_02
C3 - rhythm_03
C4 - rhythm_04
D1 - rhythm_05
D2 - rhythm_06
D3 - rhythm_07
D4 - rhythm_08

SHORT INFO:
Rupert Marnie’s debut album “Evocative Rhythm” is a singular object to begin with. Split over two parts, each one
working as an individual piece and under seemingly endless configurations when played together on a pair of
record players, “Evocative Rhythm” is an elusive piece of musical abstraction you will play a crucial role in
shaping, fashioning it as you dabble with it - certainly curious and cautious at first, then manipulating its raw clay
more firmly as you envision it with a clearer idea of where to go with it. Or is that just a mirage?
Fruit of geographical meanderings through Hamburg’s tentacular architecture, Rupert Marnie’s maiden full-length
effort reflects that of the city’s tonal, rhythmic and harmonic structures in a uniquely vibrant way: dancy and not,
ethereal and full-bodied, oneiric and anchored. From field recordings garnered here and there across town, then
either truncated, morphed, stretched out beyond recognition via a wide palette of technical means (granular
synthesis, time-stretching, use of resonators, delay, reverb, pitch-shifting…), Marnie weaves a narrative that
bridges the gap continually betwixt non-formulaic beatless meditation and proper club-focused functionality, plus
the countless possible creations that will emerge when combining both sides of the disc to form your own story
out the battery of elements at reach.
Evocative Rhythm” is much more than the sum of its parts. A mirage of ambient, techno, electro, whatever style
and labels that could be stuck all over it, yet never managing to say a true word of it.


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Genre: House

Tracklist 12“:
A1 - Robert Dietz - Salbung
A2 - Aii PS - Donteven
B1 - Vlad Stuparenko & Ghetto Sunrise - Pine Water
B2 - Sasha Zlykh - Pidozepam 21

Short Info:
For their ninth iteration, Hamburg's The Press Group punches back in with the sizzling hot debut to a VA series bound to scout and shed a broader light on exciting artists from various territories and backgrounds.
Pulsating to the bone, "Future Prospects vol.1" showcases a quartet of heaters courtesy of Germany-based Robert Dietz and Aii PS on the A-side and Kyiv-based Vlad Stuparenko & Ghetto Sunrise plus Sasha Zlykh on the flip. Either sides of the
disc inbound for optimal and non-pareil impact on the dance floor. Dietz's "Salbung" paves the way old-school style, grinding everything from lethal breaks to rowdy drums, via lysergic synth flights straight out a wild sci-fi scenario.
Aii PS' bouncy and oneiric contribution "Donteven" is more of a low-slung affair with its mischievous fusion of filtered synths and acid-informed bass spurts painting the sky all shades of radioactive green.
Flip it over and Stuparenko/Ghetto Sunrise's stealth, aqueous weapon "Pine Water" ushers us in a corridor of groove-enslaved echolocation, delayed stabs and propulsive bleepin' n bloopin' from the depths. A further dusty, shuffling affair
blazing with clanky hats on a Chicagoan tip and futuristic electroid inflections, Zlykh's "Pidozepam" tops it all off in implacable fashion, casting a spell of exquisitely thrilling menace upon the ravers.



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Special remarks : 12” Vinyl + Poster

Tracklist 12":

A1 – back (Vinyl only)
A2 – runciter
B1 – I.D.E.
B2 – 6am Catwalk

Short Info:
Vinyl exclusive double-sided fold-out poster and vinyl-only track “back”!
Three years after his latest solo drop on TPG, Rupert Marnie is back with a vengeance. Punching in with a quartet of high-efficiency jams tailored to whip a frenzy amongst heavenly dancers and murky basement revellers, the Hamburg-based producer clears a new path towards utopian electronics yonder through another fine incarnation of his tricksy assemblages of laid-back Venusian house, breaks-laden ambient scapes and jazzed-up hi-tech heroics.
Wading deep in swampy acid grounds, 'Back' fires first with its liquid alloy of 303-marinated salvos, warped synth helixes and opaque harmonics, sure to have you levitating in a weird trance-y state of mind right away. A further hypnotic slab of deep diving techno, A2 'Runciter' flexes the verbed-out sub lines, muscular breaks and train-like groove whilst setting the bleep'o-meter to eleven. A feast of '90s infused carefreeness that shall rejoice both textbook old-school heads, spongy-bodied gymnasts and stranded aliens alike.
Flip it over and here's 'I.D.E.' - a repolished filtered-house, Roulé-style delight where handsomely FX-adulterated keys play footsie with classic Chi-town shuffling patterns and laser battle sounds to keep you 100% committed to the groove - from your dancing shoes to your melting brainpan. Final transition comes with the Latin rhythms of '6AM Catwalk', a straight out addictive slice of gently wasted after material, custom-cut to accompany you in your post-party morning routine as the sun caresses the nape of your gauzy, vampiric neck. Forget the fake tan, Rupert's toasty chuggers have you covered.




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Special remarks : CD [Mixed] + Downloadcode


Tracklist CD:

1. Christoph Friedmann - ledup
2. MF Earth Band - Softeis d’Amour
3. Dolomea - magnetic coil
4. ott - Hotel D
5. Ben Oyefeso - Truth
6. thcarp - !Xabbu
7. Matthias Wagner - Broke But Not Broken
8. RBDP - Untitled
9. Aii PS - solid vibes
10. Rupert Marnie - Olymp
11. Walt Ever - Tiphogal
12. Lucky Charmz - Amber Leaf (Take 3)
13. Youthman(29) - Moonlight
14. Europa - Summer Çem
15. Antep Haze - Good Feel
16. Primary Mystical Experience - Shimmer


Short Info:
The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Info:
Blurring the lines further between the CD mix and classic VA formats, The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Spinning out of the calibrated dance music's orbit, TPG here present no less than sixteen cuts courtesy of a wide array of mostly German talents, new and confirmed, capturing a much compelling snap of the parties involved's common vision and idiosyncrasies. Obviously part of the trip, imprint mainstays Rupert Marnie and Youthman(29) each deliver a piece, slapping rhythmic and texturally ethereal as get (tell us that Y(29) jam hasn't got the taste of dreams), and so does Christoph Friedmann's jaunty tropical number, sure to awaken the shamelessly wiggly dancefloor operator in you, whilst the mysterious thcarp and Lehult boss Lucky Charmz wing out a pair of deep-diving workouts to get down to - preferably with your aqualung on so you don't resurface blue-ish.

Local players MF Earth Band and French border duo RBDP go spaced-out jazzy when OTT goes in with a fruity sino squasher and Aii PS gives its all in the gut-melting subs. Mischievous, off-kilter acid lovers take note, Dolomea's joint is the one. If you're in the train, though, we recommend taking Ben Oyefeso with you, as he's sure to have you drifting off the rails into his strangely familiar realm. If you're in need for some high-powered electro pumper, wobbly warbles ace Matthias Wagner's got you covered, but if it's bleepy, bloopy, blurpy post Hawtin'ian minimalism tinged with a solid hint of Dam Funk-esque synths, go check our buddy Walt Ever.

More of an AFX and Autechre fan? No worries, geezer - Europa's feeling, glitchy cybernetics are there to please and your senses will thank you for the journey. Antep Haze's synthetic bird calls and glaring chimey streams will ease you into a much enticing last stretch across a fantasized forest of sorts, before the all-engulfing finale takes us well off into the galaxy's masters' own Area 51. Press play and just let your gravity-free body glide with the stars. Effortless.




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Special remarks : 12"Vinyl + Downloadcode

Tracklist 12":

A1 - 3:36
A2 - 5:03
A3 - 6:32
B1 - 5:08
B2 - 6:34
B3 - 3:00
B4 - 2:36

Short Info:
Youthman(29) dishes out his debut 12'' on TPG, comprised of seven cuts that yo-yo between revamped breaksy house tropes, sample-heavy intricacies and lo-lidded ethereality. Maintaining a fine balance between danceability and daydreaming, 'Untitled' holds its listener in a hazed-out hypnagogic state of body-&-mind symbiosis that's best suited for moments of transition and sense-awakening, when the lights begin to flicker and the club seems to fold up in a strange, otherworldly halo of sorts.



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Special remarks : 12" colored Vinyl + Downloadcode

Tracklist 12":

A1 - Lie To Your Mom
A2 - R'n'B Ritual
B1 - Lie To Your Mom - Rupert Marnies Ethno Mix
B2 - Lie To Your Mom - Youthman(29) Mix

Short Info:
Fresh off their latest VA, The Press Group hand the reins over to up-and-coming Ukrainian producer Sasha Zlykh, here delivering his debut 12" effort. Clocking in with a quartet of club-oriented weapons and off-road house-y pumpers that shall bring dancefloors to a slow but steady simmer, the Kyiv-based producer blends in an avalanche of breaks-strewn rhythms, bleepy melodies and reshuffled UK bass patterns to create his own distinctive hybrids, halfway straight dance functionality and non-formulaic experimentality.

As playful in essence as it is serious in its execution, 'Lie To Your Mom' EP starts off with the title-cut, which works a wonky swagger that proves all the more infectious as bars fly by. Engineering a finely-woven mix of off-kilter drum programming, raucous analogue belches and volatile harp stabs distorted to the max, the track's shadowy intro is eventually offset by overlapping tides of luminous pads, released as one lets the light break through a vampire den. 'RnB Ritual' follows up close in the vein, meshing a brooding late-night-ish atmosphere with playful percussive mechs and sustained rhythmic accidents.

Flip sides and you'll be treated to a choice pair of remixes from in-house groove traders Rupert Marnie and Youthman. First in line, Marnie turns 'Lie To Your Mum' into a straight jacking and shuffling Chicagoan chugger. Going deeper into soulful terrains and lavishly-textured expanses, TPG's main operator exploits the whole melodic potential of Zlykh's original, bringing its anthemic power to further completion beautifully. More on the dubby end of things, Youthman adds his uniquely vibey touch to the main cut, deftly navigating betwixt a classic deep house kinda vibe, post-rave'y electronics and a Basic Channel-esque sound spectrum, which all in all should have people instinctively clapping their hands as their mind begins to sink into a weirdly introspective sense of euphoria.


Vital Sales Points:

First 12? from Ukranian DJ and Producer Sasha Zlykh with Remixes by the TPG crew.


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Special remarks : 12” Vinyl + Downloadcode

Tracklist 12":

A1 – YouthMan(29) – Aemilia
A2 – Ten Letu - Ah, You Shot Me!
B1 – Rupert Marnie – Health
B2 – DJ Dodo - The Machine
B3 – AAAclimax – WifiOnIce


Short Info:
After a triplet of solo 12"s, all courtesy of label main man Rupert Marnie, Hamburg-based imprint The Press Group are set to break 2018 in with the multi-flavoured TPG004 - a versatile debut VA that offers a fine close up on the label's whole cast of operating forces with some choice contributions from TPG's core tetrad including Youthman(29), Ten Letu, DJ Dodo and Marnie himself. Mind your backs!

Shape-shifting yet coherent as a whole, this collective effort puts together a swinging confluence of sounds and aesthetics – clearly aimed at the dancefloor but equally poised for laid-back chill sessions. First release on the label to reunite the entire crew, TPG004 mashes up a wide-spanning array of grooves and tempi in exploded view, giving full vent to each artist's idiosyncratic universe whilst establishing a hyper-modern sound ID, both infectiously funky and undeniably potent.

Casting its net far and wide: from the pared-down astronautical breakbeat of Youthman's 'Aemilia' to DJ Dodo's breezy jacking jazz-footwork hybrid 'The Machine' via Rupert Marnie's lithe ganjah-smelling shuffler 'Health' and Ten Letu's muscle-flexing acid roller 'Ah, You Shot Me!', it's a feast of feelgood beats that you’re invited to, neatly connecting the dots between the guys' shared love for video game soundtracks, liquid dubstep, heavy jungle breaks, minimal house and further daydreaming, hazy harmonics to drape yourself into.

Vital Sales Points:

First 12? from The Press Groups whole cast of members including a locked groove on the
B-side.


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Special remarks : 12" with transparent sleeve, 180g Vinyl

The Press Group's new issue is a tale of lost love and broken hearts. 'Blaine Mcconchie' is a con-stantly evolving minimal-heyday-inspired trip through bleeping artifacts driven by an organ chord, while on the flipside 'Dog Park' is a classic groover for lush summer evenings. On B2 Frankfurt's Phil Evans gives 'Blaine Mcconchie' his treatment taking the central melody and building a sparse rhythm workout around it.

Tracklist: A1 Blaine Mcconchie, B1 Dog Terminal, B2 Blaine Mcchonchie (Phil Evans Remix)

Vital Sales Points:
- Third 12" from The Press Group co founder Rupert Marnie including a remix by Phil Evans (Pager Records/GOSU)



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Special remarks : Singelsided, marbeld 160gr vinyl, limited to 150

Tracklist: A1 - CDboy (UFOhagen)
Info:
It was in June of 1980. After a long and intense journey through time and space, Rupert Marnie met spiritual highness Frater loannis and became his apprentice. The Magus told him invaluable things, like controlling his precious bodily fluids and the holistic mastery of others' endocrine glands. The greatest wisdom though reached him on his seventh day, when Frater loannis professed him an an-cient ritual that would allow him to meet the Titan Ufohagen, also known as CDboy. It was the 4th, when he appeared, dressed in a long, slim silk cloak, a sprinkling wand in his right. Rupert stood in awe, immediately losing his newly gained fluid control, and started crafting a piece of music, that would remind mankind that not all is lost, as long as there is almighty Ufohagen.





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Special remarks : 12" with transparent sleeve, 180g Vinyl -- Second 12" from The Press Group from co founder Rupert Marnie

Tracklist: A1 Toshi, A2 00_222, B1 TTA, B2 12hours
The Press Groups new issue moves into the sinister territory of pre-postmodern robotics, Japanese swamps and the bird call of the ending of a century. An opaque surface reflecting a tremble in the mist. Onibaba's gaze dipped in thickness. Ligeia's call.



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Special remarks : 12" with transparent sleeve, 180g Vinyl -- First 12" from The Press Group from co founder Rupert Marnie

Shortinfo:
Hamburg based label The Press Group spreads 300 copies of fine, raw and modern house cuts. "Masala EP" is not only the labels first release, but also the debut of Press Groups co founder Rupert Marnie. The record brings three tracks for the dancefloor. Starting with some dubbed out 115bpm, followed by more peak time friendly material to a melodious track for after hours.

Tracklist: A1 Masala, A2 ham (on rye), B1 Kruger60


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GENRE/S: Electronic, Dub

[Vinyl]
[Vinyl]
A1. Sottopassaggio Dub
A2. Gröna Dalen Dub
A3. ’Atra Dub
A4. Dub Grape
A5. One Two Dub
B1. Bhuka Dub
B2. Nowhere Good Dub
B3. Les Lèvres Dub
B4. My Dub Is Out Sailing
B5. Hold On Dub

SHORT INFO:
Axel Boman’s critically acclaimed double album LUZ/Quest for fire from 2022 gets a remix & dub treatment from one of Scandinavia's finest reggae-and-beyond soundsystems, Trensum Tribe.
”Great, now they sound better that the originals” said Axel when he heard the remixed versions for the first time, excitedly starting to collect the best ones for an album. Having been heavily inspired by Mad Professor’s work for Massive Attack since a young age (listen to No Protection for example), a project like this had been a dream of Axel Boman's for decades.
There is a certain freedom that comes with remixing, where you can step outside yourself as a producer and take risks and chances you might not in your own work, and Trensum Tribe really took an adventurous new path when they approached this music. On this homage to soundsystem and rave culture, jungle, dub, disco and house all become best friends in front of a huge stack of homemade speakers, standing tall on fresh dew in a Swedish forest on a cold summer night.

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Rights: World excluding FR & UK

Packaging: 1 x Black, vinyl, printed 3 mm spine sleeve, Black polylined inner sleeve, marketing sticker.


OVERVIEW
" Rufige Kru return with Alpha Omega Remixes, featuring 4 heavyweight re-imaginings of their recent jungle / drum and bass belters.

" One of the most revered names in breakbeat science, Rufige Kru rewired the dancefloor for the first time back in 1992 with hardcore classics such as 'Darkrider', 'Beachdrifta' and 'Terminator', key moments in the evolution of drum n bass.

" Alpha Omega Remixes takes the project's tracks to a new-level, with fresh reworks from Metalheadz residents Phase, Seba & Paradox, Special Request and Rufige Kru's very own Submotive. Each remix twists the raw intensity and deep atmospherics of the originals into something darker, harder, and sharper.

TRACKLISTING:

A1. Goldikus (feat. Cleveland Watkiss) (Phase Remix)
A2. Still The Same (feat. CASISDEAD) (Submotive Remix)

B1. Virgil (Seba & Paradox Remix)
B2. Still The Same (feat. CASISDEAD) (Special Request Remix)






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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list :
A1 Fouk - Need my space (Detroit Swindle remix)
A2 Perdu - Sacramento (Makèz remix)
B1 Demuir - The 3nity returneth (Fouk remix)
B2 Detroit Swindle feat. Lorenz Rhode - Music for clubs (Perdu’s culture mix)
B3 Makèz - Random Visits (Demuir’s playboy edit)

Release Info:
It’s that time of the year again: we’re finishing our 6th year of Heist Recordings with our annual potpourri of remixes with this
year’s artists on ‘The Round up part VI’. This year, we’ve got a few really cool newcomers on the label like Demuir, Perdu and
Makèz, as well as label mainstays Fouk and yours truly delivering a great collection of remixes.
The EP starts off with label heads Detroit Swindle giving their high-energy take on Fouk’s ‘Need my Space’. They’ve chosen for
a stabby club version of the more introverted original, with different layers of synths building up alongside a pumping drum track
and a punchy Moog bassline. Check the break for a nice dreamy broken beat section before the track comes back into full
dancefloor madness.
Makèz have only just released their well-received debut EP and now they’re flanking Detroit Swindle on the A-side with their
remix of Perdu’s hit ‘Sacramento’. They replace the broken beat vibe of the original and instead go for a 4x4 track with a driving
bassline, warm pads and subtle placement of Perdu’s original elements.
On the B-side, we have Fouk reinterpreting Demuir’s take on Detroit Techno with their remix of ‘3nity returneth’. Their version is
a tom-heavy high-energy club track with a strong nod to the past, whilst still keeping that strong Fouk signature intact. They
mangle the vocal sample in a drunk and twisted break before setting the track back on fire with an extra acid line for good
measure.
The B2 goes to Perdu’s dreamy slow burning remix of Detroit Swindle’s classic house bomb ‘Music for clubs’. His version takes
the tempo down and dials the dreamy level up a notch. A mellow but punchy acid line and worldly synth hits give this remix it’s
cool twist and it’s a great showcase of Perdu’s view on the broad world of house music.
This year’s Round up finishes with Demuir’s trippy ‘playboy edit’ of ‘Random Visits’ by Makèz. He takes the vocal sample and
layers it behind a haunting string, dreamy keys and a steady groove. It’s got a funky vibe where Demuir’s knack for a good
groove fits perfectly with the fresh original.
The Round up is a special moment for us each year and we’re excited to share these reinterpretations of another year’s worth of
house from the world of Heist Recordings with you.
Yours Sincerely,
Lars & Maarten


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Territories: Worldwide no restrictions

Format Notes: First time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide.


Track List:


A1 Bright And Shining 2:25
A2 Fly Me High 2:29
A3 Affluence 3:00
A4 Going On Holiday 2:41
A5 Alto Sex 2:59
A6 Stay With Me 2:39

B1 Feel Fine 2:17
B2 Canon 3:11
B3 Smooth And Soft 2:57
B4 Real Thing 3:39
B5 Voice Over Sax 2:34
B6 Feeling Free 2:45


Release Notes:

Finally, finally, FINALLY! After many years of fruitless praying, a true collector grail can finally grace every turntable the world over. Bright And Shining is a miraculous leftfield library classic from the genius mind of Barbara Moore. It's Highly Addictive Happiness Music TM and one of the coolest records to come out of anywhere...ever! With originals almost impossible to find - and, when they do, going for over £300 - you already know how crucial this beautiful reissue is.

Recorded in 1981 for Sylvester Music Company, Bright And Shining is breezy, dreamy and funky in a perfectly smooth jazzy-soul-groove fashion, with Moore's patented celestial male-female vocal harmonies this time benefitting from the addition of Fender Rhodes and pumping bass lines.

As one particularly enthusiastic Discogs user put it: "If Eno is responsible for Music for Airports, Moore is responsible for Music for Holidays." Indeed, this is brilliantly unique, "maximum happiness music". If you miss the sun-dappled soft-psych soul of Koushik, the heavenly vocal arrangements of the great Library Music doyenne Barbara Moore - her depth, richness, sophistication and warmth - will see you just right.

The gigantic title track, "Bright And Shining", gallops out the gate, all sophisticated, jazzy leisure-soul with sax and guitars backing Moore's effortless vocal swag in this relaxed, mid-tempo head-nod strut. Worth the price of admission alone. Up next, the sunny, vibey "Fly Me High" features strolling, "unworded" vocals (aside from the refrain of the title) alongside breezy alto sax and electric guitar. Pastoral and perfect. The slow'n'sultry "Affluence" presents a moody elegance, a classical "downlifting" gem. Another crucial highlight is the breezy "Going On Holiday". It's happy. It's sunny. It's lively. It's cool and happy. Did we say happy? A mid-tempo, romantic sax workout, "Alto Sex"presents smooth jazzy funk before the first side closes out with the soaring, jazzy "Stay With Me". Seriously uplifting.

Side B opens with "Feel Fine", an excellent uptempo and bright jazz groove. Up next, "Canon" is wracked with refinement, a peaceful, smooth vocal harmony over repeating bass making for an elegant, late-night classic. It's followed by the laconic "Smooth And Soft", a laidback, casual sophisticated soul and easy-feeling jazz gem. The jazzy "Real Thing" is another exercise in strolling sophistication, complete with wordless vocal harmonies. The fairly self-explanatory "Voice Over Sax" sounds precisely how you would expect; a relaxed sax number with heavenly vocal support! To close, the carefree "Feeling Free" is a pleasant, light and breezy mid-tempo groove.

The audio for Bright And Shining has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. We'll grant the final word to MillionDollars. on discogs from about 10 years ago: "If you listen to the record on a sunny day you feel like going out surfing in a white linen suit with a blunt on your lips, catching a cool breeze."



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Tracklist:

Ataxia - Detroit Gospel
Ataxia & Andres - Pine Island
Ataxia - Language
Ataxia & Dj Minx – Maxia
Ataxia - Spit In Your Percolator
Ataxia - 98 Degrees
Ataxia - Number Streets
Ataxia - The Formulator
Ataxia - The Pusher
Ataxia & Mister Joshooa - Feels Like
Ataxia – WM
Ataxia - Dance the Bridge

Info:

Having torn up raves for well over a decade, the Detroit duo Rickers and Ted Krisko AKA Ataxia present their debut longplayer ‘Out Of Step’. Featuring guest spots from close peers DJ Minx, Andrés and Mr Joshooa, they twist house, techno, electro, breakbeat and rave into revitalized new shapes; embellished with a touch of soul, funk and hip hop. With backgrounds in hardcore and punk, Ataxia’s debut is suffused with that energy, attitude, and approach; this is raw, lean and unashamedly no-nonsense dance floor tackle that goes straight for the jugular. Heavily analogue, the album experiments with tape saturation, which harks back to the duo’s formative years in bands, recording demos to cassettes. These straight-up, in-the-red tracks give preference to overdriven drum machines, rather than generic polished sheen, but conversely, it’s all deceptively well-crafted too; ‘Out Of Step’ is a standout record that’s big in character, bringing to mind the renegade spirit of Underground Resistance, and the bombastic brilliance of The Prodigy and Chemical Brothers.

Defiantly optimistic despite the state of the world, a “life is good” vocal sample meets minor chords sliding over 808 hats on the exemplary house/techno pumper ‘Detroit Gospel’, before a lighter moment on the album, but no less impactful with its hefty low-end thump, is ‘Pine Island’ featuring Motor City hero Andrés. Together they cook up a Motown-inspired house cut awash with horn swells and backup singers, bouncing to wide swung funk bass, in classic 313 style. ‘Language’ turns the club on its head – busting out one of the most distinct basslines in recent times, and bristling with buzzy, undulating chords, whilst ‘Maxia’ features influential Detroit royalty DJ Minx. Inspired by her classic ‘A Walk In The Park’, with a fat distorted kick and stealthy bass groove, this is low-slung, stripped-back, heads-down coolness. The high-tech funk of ‘Spit In Your Percolator’, is laser-guided in its efficiency, with a strobe-like, increasingly intensifying energy, peppered with clever, tripped up vocal chops. With the next cut, conveyor belt noises and fast churning low-end gives way to a dubbed-out breakdown, on the deep breakbeat roller ‘98 Degrees’. Charged with a blistering, rave intensity, ‘Number Streets’, is a futuristic distorted techno workout that booms through the subs, whilst ‘The Formulator’ mixes filtered snippets, abstract synth noises and melodic bleeps with a bassline echoing Paperclip People’s ‘The Floor’. Closer to the UK definition of hardcore, combining 4/4 and breakbeat, ‘The Pusher’ evokes the spirit of late 80s orbital raves, adding a natty keys solo, and deadly bass used sparingly, for even deadlier effect. ‘Feels Like’ sees Rickers and Ted team up their studiomate and fellow TV Lounge resident and club booker, Mister Joshooa. Inspired by Photek but also almost UKG in style, this breakbeat session is stamped with MJ’s signature chopped vocals and intricate rhythmic interplay. The bubbling, wobbly loose swing of ‘WM’ is constructed around a classic chopped-up MTV cribs sample, with a filtered vocal creating a far out psychedelic effect – all of which is propelled apace by a huge bruising LFO. The LP concludes in fine style with ‘Dance The Bridge’, where bouncy beats and wigged-out keys meet bright, gently uplifting synth chords that bring a clear-skied mood; ending the record as it began, on an optimistic note.

‘Out Of Step’ marks another chapter in the ongoing relationship between Life and Death co-founder DJ Tennis and Ataxia. Their connection goes back to the earliest days of the label, where they played gigs together on some of Tennis’ initial visits to Detroit. It’s a friendship that’s blossomed organically over the last decade through their shared love of punk and hardcore, and led to the fruition of one of Ataxia’s most compelling projects to date. Labels to release Ataxia’s output include legendary Detroit techno imprints Planet E and KMS, plus the seminal American house label Nervous Records. Their catalogue also includes music for Visionquest, Leftroom, 20/20 Vision and Seth Troxler’s Play It Say It.



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