GENRE/S: Ambient, Techno

TRACKLIST:
A1 - evocation_01
A2 - evocation_02
A3 - evocation_03
A4 - evocation_04
B1 - evocation_05
B2 - evocation_06
B3 - evocation_07
B4 - evocation_08
C1 - rhythm_01
C2 - rhythm_02
C3 - rhythm_03
C4 - rhythm_04
D1 - rhythm_05
D2 - rhythm_06
D3 - rhythm_07
D4 - rhythm_08

SHORT INFO:
Rupert Marnie’s debut album “Evocative Rhythm” is a singular object to begin with. Split over two parts, each one
working as an individual piece and under seemingly endless configurations when played together on a pair of
record players, “Evocative Rhythm” is an elusive piece of musical abstraction you will play a crucial role in
shaping, fashioning it as you dabble with it - certainly curious and cautious at first, then manipulating its raw clay
more firmly as you envision it with a clearer idea of where to go with it. Or is that just a mirage?
Fruit of geographical meanderings through Hamburg’s tentacular architecture, Rupert Marnie’s maiden full-length
effort reflects that of the city’s tonal, rhythmic and harmonic structures in a uniquely vibrant way: dancy and not,
ethereal and full-bodied, oneiric and anchored. From field recordings garnered here and there across town, then
either truncated, morphed, stretched out beyond recognition via a wide palette of technical means (granular
synthesis, time-stretching, use of resonators, delay, reverb, pitch-shifting…), Marnie weaves a narrative that
bridges the gap continually betwixt non-formulaic beatless meditation and proper club-focused functionality, plus
the countless possible creations that will emerge when combining both sides of the disc to form your own story
out the battery of elements at reach.
Evocative Rhythm” is much more than the sum of its parts. A mirage of ambient, techno, electro, whatever style
and labels that could be stuck all over it, yet never managing to say a true word of it.


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Genre: House

Tracklist 12“:
A1 - Robert Dietz - Salbung
A2 - Aii PS - Donteven
B1 - Vlad Stuparenko & Ghetto Sunrise - Pine Water
B2 - Sasha Zlykh - Pidozepam 21

Short Info:
For their ninth iteration, Hamburg's The Press Group punches back in with the sizzling hot debut to a VA series bound to scout and shed a broader light on exciting artists from various territories and backgrounds.
Pulsating to the bone, "Future Prospects vol.1" showcases a quartet of heaters courtesy of Germany-based Robert Dietz and Aii PS on the A-side and Kyiv-based Vlad Stuparenko & Ghetto Sunrise plus Sasha Zlykh on the flip. Either sides of the
disc inbound for optimal and non-pareil impact on the dance floor. Dietz's "Salbung" paves the way old-school style, grinding everything from lethal breaks to rowdy drums, via lysergic synth flights straight out a wild sci-fi scenario.
Aii PS' bouncy and oneiric contribution "Donteven" is more of a low-slung affair with its mischievous fusion of filtered synths and acid-informed bass spurts painting the sky all shades of radioactive green.
Flip it over and Stuparenko/Ghetto Sunrise's stealth, aqueous weapon "Pine Water" ushers us in a corridor of groove-enslaved echolocation, delayed stabs and propulsive bleepin' n bloopin' from the depths. A further dusty, shuffling affair
blazing with clanky hats on a Chicagoan tip and futuristic electroid inflections, Zlykh's "Pidozepam" tops it all off in implacable fashion, casting a spell of exquisitely thrilling menace upon the ravers.



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Special remarks : 12” Vinyl + Poster

Tracklist 12":

A1 – back (Vinyl only)
A2 – runciter
B1 – I.D.E.
B2 – 6am Catwalk

Short Info:
Vinyl exclusive double-sided fold-out poster and vinyl-only track “back”!
Three years after his latest solo drop on TPG, Rupert Marnie is back with a vengeance. Punching in with a quartet of high-efficiency jams tailored to whip a frenzy amongst heavenly dancers and murky basement revellers, the Hamburg-based producer clears a new path towards utopian electronics yonder through another fine incarnation of his tricksy assemblages of laid-back Venusian house, breaks-laden ambient scapes and jazzed-up hi-tech heroics.
Wading deep in swampy acid grounds, 'Back' fires first with its liquid alloy of 303-marinated salvos, warped synth helixes and opaque harmonics, sure to have you levitating in a weird trance-y state of mind right away. A further hypnotic slab of deep diving techno, A2 'Runciter' flexes the verbed-out sub lines, muscular breaks and train-like groove whilst setting the bleep'o-meter to eleven. A feast of '90s infused carefreeness that shall rejoice both textbook old-school heads, spongy-bodied gymnasts and stranded aliens alike.
Flip it over and here's 'I.D.E.' - a repolished filtered-house, Roulé-style delight where handsomely FX-adulterated keys play footsie with classic Chi-town shuffling patterns and laser battle sounds to keep you 100% committed to the groove - from your dancing shoes to your melting brainpan. Final transition comes with the Latin rhythms of '6AM Catwalk', a straight out addictive slice of gently wasted after material, custom-cut to accompany you in your post-party morning routine as the sun caresses the nape of your gauzy, vampiric neck. Forget the fake tan, Rupert's toasty chuggers have you covered.




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Special remarks : CD [Mixed] + Downloadcode


Tracklist CD:

1. Christoph Friedmann - ledup
2. MF Earth Band - Softeis d’Amour
3. Dolomea - magnetic coil
4. ott - Hotel D
5. Ben Oyefeso - Truth
6. thcarp - !Xabbu
7. Matthias Wagner - Broke But Not Broken
8. RBDP - Untitled
9. Aii PS - solid vibes
10. Rupert Marnie - Olymp
11. Walt Ever - Tiphogal
12. Lucky Charmz - Amber Leaf (Take 3)
13. Youthman(29) - Moonlight
14. Europa - Summer Çem
15. Antep Haze - Good Feel
16. Primary Mystical Experience - Shimmer


Short Info:
The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Info:
Blurring the lines further between the CD mix and classic VA formats, The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Spinning out of the calibrated dance music's orbit, TPG here present no less than sixteen cuts courtesy of a wide array of mostly German talents, new and confirmed, capturing a much compelling snap of the parties involved's common vision and idiosyncrasies. Obviously part of the trip, imprint mainstays Rupert Marnie and Youthman(29) each deliver a piece, slapping rhythmic and texturally ethereal as get (tell us that Y(29) jam hasn't got the taste of dreams), and so does Christoph Friedmann's jaunty tropical number, sure to awaken the shamelessly wiggly dancefloor operator in you, whilst the mysterious thcarp and Lehult boss Lucky Charmz wing out a pair of deep-diving workouts to get down to - preferably with your aqualung on so you don't resurface blue-ish.

Local players MF Earth Band and French border duo RBDP go spaced-out jazzy when OTT goes in with a fruity sino squasher and Aii PS gives its all in the gut-melting subs. Mischievous, off-kilter acid lovers take note, Dolomea's joint is the one. If you're in the train, though, we recommend taking Ben Oyefeso with you, as he's sure to have you drifting off the rails into his strangely familiar realm. If you're in need for some high-powered electro pumper, wobbly warbles ace Matthias Wagner's got you covered, but if it's bleepy, bloopy, blurpy post Hawtin'ian minimalism tinged with a solid hint of Dam Funk-esque synths, go check our buddy Walt Ever.

More of an AFX and Autechre fan? No worries, geezer - Europa's feeling, glitchy cybernetics are there to please and your senses will thank you for the journey. Antep Haze's synthetic bird calls and glaring chimey streams will ease you into a much enticing last stretch across a fantasized forest of sorts, before the all-engulfing finale takes us well off into the galaxy's masters' own Area 51. Press play and just let your gravity-free body glide with the stars. Effortless.




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Special remarks : 12"Vinyl + Downloadcode

Tracklist 12":

A1 - 3:36
A2 - 5:03
A3 - 6:32
B1 - 5:08
B2 - 6:34
B3 - 3:00
B4 - 2:36

Short Info:
Youthman(29) dishes out his debut 12'' on TPG, comprised of seven cuts that yo-yo between revamped breaksy house tropes, sample-heavy intricacies and lo-lidded ethereality. Maintaining a fine balance between danceability and daydreaming, 'Untitled' holds its listener in a hazed-out hypnagogic state of body-&-mind symbiosis that's best suited for moments of transition and sense-awakening, when the lights begin to flicker and the club seems to fold up in a strange, otherworldly halo of sorts.



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Special remarks : 12" colored Vinyl + Downloadcode

Tracklist 12":

A1 - Lie To Your Mom
A2 - R'n'B Ritual
B1 - Lie To Your Mom - Rupert Marnies Ethno Mix
B2 - Lie To Your Mom - Youthman(29) Mix

Short Info:
Fresh off their latest VA, The Press Group hand the reins over to up-and-coming Ukrainian producer Sasha Zlykh, here delivering his debut 12" effort. Clocking in with a quartet of club-oriented weapons and off-road house-y pumpers that shall bring dancefloors to a slow but steady simmer, the Kyiv-based producer blends in an avalanche of breaks-strewn rhythms, bleepy melodies and reshuffled UK bass patterns to create his own distinctive hybrids, halfway straight dance functionality and non-formulaic experimentality.

As playful in essence as it is serious in its execution, 'Lie To Your Mom' EP starts off with the title-cut, which works a wonky swagger that proves all the more infectious as bars fly by. Engineering a finely-woven mix of off-kilter drum programming, raucous analogue belches and volatile harp stabs distorted to the max, the track's shadowy intro is eventually offset by overlapping tides of luminous pads, released as one lets the light break through a vampire den. 'RnB Ritual' follows up close in the vein, meshing a brooding late-night-ish atmosphere with playful percussive mechs and sustained rhythmic accidents.

Flip sides and you'll be treated to a choice pair of remixes from in-house groove traders Rupert Marnie and Youthman. First in line, Marnie turns 'Lie To Your Mum' into a straight jacking and shuffling Chicagoan chugger. Going deeper into soulful terrains and lavishly-textured expanses, TPG's main operator exploits the whole melodic potential of Zlykh's original, bringing its anthemic power to further completion beautifully. More on the dubby end of things, Youthman adds his uniquely vibey touch to the main cut, deftly navigating betwixt a classic deep house kinda vibe, post-rave'y electronics and a Basic Channel-esque sound spectrum, which all in all should have people instinctively clapping their hands as their mind begins to sink into a weirdly introspective sense of euphoria.


Vital Sales Points:

First 12? from Ukranian DJ and Producer Sasha Zlykh with Remixes by the TPG crew.


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Special remarks : 12” Vinyl + Downloadcode

Tracklist 12":

A1 – YouthMan(29) – Aemilia
A2 – Ten Letu - Ah, You Shot Me!
B1 – Rupert Marnie – Health
B2 – DJ Dodo - The Machine
B3 – AAAclimax – WifiOnIce


Short Info:
After a triplet of solo 12"s, all courtesy of label main man Rupert Marnie, Hamburg-based imprint The Press Group are set to break 2018 in with the multi-flavoured TPG004 - a versatile debut VA that offers a fine close up on the label's whole cast of operating forces with some choice contributions from TPG's core tetrad including Youthman(29), Ten Letu, DJ Dodo and Marnie himself. Mind your backs!

Shape-shifting yet coherent as a whole, this collective effort puts together a swinging confluence of sounds and aesthetics – clearly aimed at the dancefloor but equally poised for laid-back chill sessions. First release on the label to reunite the entire crew, TPG004 mashes up a wide-spanning array of grooves and tempi in exploded view, giving full vent to each artist's idiosyncratic universe whilst establishing a hyper-modern sound ID, both infectiously funky and undeniably potent.

Casting its net far and wide: from the pared-down astronautical breakbeat of Youthman's 'Aemilia' to DJ Dodo's breezy jacking jazz-footwork hybrid 'The Machine' via Rupert Marnie's lithe ganjah-smelling shuffler 'Health' and Ten Letu's muscle-flexing acid roller 'Ah, You Shot Me!', it's a feast of feelgood beats that you’re invited to, neatly connecting the dots between the guys' shared love for video game soundtracks, liquid dubstep, heavy jungle breaks, minimal house and further daydreaming, hazy harmonics to drape yourself into.

Vital Sales Points:

First 12? from The Press Groups whole cast of members including a locked groove on the
B-side.


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Special remarks : 12" with transparent sleeve, 180g Vinyl

The Press Group's new issue is a tale of lost love and broken hearts. 'Blaine Mcconchie' is a con-stantly evolving minimal-heyday-inspired trip through bleeping artifacts driven by an organ chord, while on the flipside 'Dog Park' is a classic groover for lush summer evenings. On B2 Frankfurt's Phil Evans gives 'Blaine Mcconchie' his treatment taking the central melody and building a sparse rhythm workout around it.

Tracklist: A1 Blaine Mcconchie, B1 Dog Terminal, B2 Blaine Mcchonchie (Phil Evans Remix)

Vital Sales Points:
- Third 12" from The Press Group co founder Rupert Marnie including a remix by Phil Evans (Pager Records/GOSU)



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Special remarks : Singelsided, marbeld 160gr vinyl, limited to 150

Tracklist: A1 - CDboy (UFOhagen)
Info:
It was in June of 1980. After a long and intense journey through time and space, Rupert Marnie met spiritual highness Frater loannis and became his apprentice. The Magus told him invaluable things, like controlling his precious bodily fluids and the holistic mastery of others' endocrine glands. The greatest wisdom though reached him on his seventh day, when Frater loannis professed him an an-cient ritual that would allow him to meet the Titan Ufohagen, also known as CDboy. It was the 4th, when he appeared, dressed in a long, slim silk cloak, a sprinkling wand in his right. Rupert stood in awe, immediately losing his newly gained fluid control, and started crafting a piece of music, that would remind mankind that not all is lost, as long as there is almighty Ufohagen.





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Special remarks : 12" with transparent sleeve, 180g Vinyl -- Second 12" from The Press Group from co founder Rupert Marnie

Tracklist: A1 Toshi, A2 00_222, B1 TTA, B2 12hours
The Press Groups new issue moves into the sinister territory of pre-postmodern robotics, Japanese swamps and the bird call of the ending of a century. An opaque surface reflecting a tremble in the mist. Onibaba's gaze dipped in thickness. Ligeia's call.



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Special remarks : 12" with transparent sleeve, 180g Vinyl -- First 12" from The Press Group from co founder Rupert Marnie

Shortinfo:
Hamburg based label The Press Group spreads 300 copies of fine, raw and modern house cuts. "Masala EP" is not only the labels first release, but also the debut of Press Groups co founder Rupert Marnie. The record brings three tracks for the dancefloor. Starting with some dubbed out 115bpm, followed by more peak time friendly material to a melodious track for after hours.

Tracklist: A1 Masala, A2 ham (on rye), B1 Kruger60


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Territories: WORLD

DLP: Limited Edition, 45rpm, Heavyweight Sleeve with Inside Out Print, Sticker

Tracklisting DLP
A1. Orphans
A2. Timejump
A3. In Captivity Of Soldiers
A4. Way To America
A5. Filmset
A6. Way To Kurdish People
A7. With Kurds
B1. Meeting Shepard And Way To Uncle
B2. Uncle First Part
B3. Uncle Second Part
B4. Leaving Cousin
B5. Hotel Lamar
B6. Jump To Freedom
B7. Mother's Death
B8. Swimming
B9. Train To Tbilisi
C1. Newspaper Brother
C2. Shepard
C3. Betrayal
C4. Aurora In School
C5. Devastation
C6. Aurora's Theme Gathering For Brother
C7. Finding The Gun
C8. River
D1. House Mrs. Harrimann
D2. Memories Jump
D3. Memories Train
D4. Aurora's Piano Theme Silk Cocons
D5. Aunt's Killing
D6. Stage Collaps
D7. Crucifixion


Info
WRWTFWW Records is proud to announce a super limited vinyl release of Christine Aufderhaar and City of Prague Philharmonic Orchestra's original soundtrack for the critically acclaimed, multiple award-winning 2022 animated-documentary film Aurora's Sunrise. The release comes as a 45rpm double LP in a heavyweight sleeve with inside out print.
Aurora's Sunrise is directed by Inna Sahakyan, and tells the extraordinary true story of Aurora Mardiganian, a survivor of the Armenian genocide who later became an actress in the United States. The film combines animated storytelling, archival footage, interviews, and rediscovered scenes from the 1919 silent film, and one of Hollywood's first blockbusters, Auction of Souls, in which Aurora starred. Aurora's Sunrise was Armenia's official submission for the 95th Academy Awards for best international feature film. It has won over 20 international prizes.
The composer, Christine Aufderhaar, is an accomplished German composer based in Berlin and Los Angeles, with over 20 years of experience and more than 50 films to her name. Her background spans classical, jazz, film scoring, and contemporary orchestral work, and she has been the recipient of numerous awards for her work.
The soundtrack performed by the City of Prague Philharmonic Orchestra is deeply emotional, blending intimate melodies and majestic orchestral work, and weaving together themes of memory, survival, loss, and hope. A perfect fit for collectors of film scores, contemporary classical music, and limited vinyl releases.

Points of interest
" For fans of animated documentaries, historical narratives, deeply moving real-life stories, orchestral soundtracks, classical music, film scores, intimate melodies, big emotions, humans.
" The first ever vinyl release of Aurora's Sunrise (Original Motion Picture Soundtrack) by Christine Aufderhaar and City of Prague Philharmonic Orchestra.


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Daphni's fourth studio album Butterfly - to be released on 6 February 2026 - at first picks up where his last album, 2022's Cherry ("Bar for bar, this might be the most fun there is to be had on a dance record this year" - 8.2 'Best New Music' Pitchfork), left off.
LIMITED INDIES ONLY OPAQUE PINK + WHITE VINYL - NON RETURNABLE.

Listen to new single:
https://daphni.lnk.to/Butterfly

Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video

Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/

Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/

Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly

Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music

At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.

Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.

One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven


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LP non-returnable!

Tracklist:
A1 Soul Catcher
A2 Astral Traveler
A3 Low Rise (Original)
A4 Low Rise (Version)
B1 Glide
B2 Empire
B3 Long Time (Original)
B4 Long Time (Version)

Wood White Sessions, the new sub label of Berlin based Sushitech Records dedicated to laid back, atmospheric dub presents its second release.
Roots For Your Soul, the new 12” album from Bristol’s Tubby Isiah, marks their second full length outing.
Featuring right stunning tracks, the record blends fresh material with carefully unearthed, previously unreleased archive sessions.
Together, these pieces form a heartfelt dub journey, rich with warm textures and unmistakable sonic character that define the Tubby Isiah’s sound.
Mastered at Wood White Studios and beautiful finished with artwork by in-house designer Scott Cottrell.


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GENRE/S: Post-Punk / New Wave / Alternative

Were FEX the Wildest & Weirdest German New Wave Band in 1984?

Few cult mysteries in modern music have captured the internet's imagination quite like "The Most Mysterious Song on the Internet." Eventually identified as "Subways of Your Mind" by the elusive German band FEX, the track became a viral sensation decades after its creation-and even made its way into a recent Hollywood blockbuster (Black Phone 2).

Now, two more lost FEX recordings have emerged from an old demo cassette: "Dead End" and "Sarah." And they're every bit as electrifying as the legend suggests.

On both songs, guitarist and main songwriter Ture Rückwardt joins forces on lead vocals with his former wife and musical partner Ilona Rückwardt, forming a vocal pairing that channels raw energy and eerie chemistry. What they deliver are two of the most urgent, adrenaline-fueled post-punk artifacts you're likely to hear this year-even if they were recorded more than forty years ago.

Opening with a sharp, melodic guitar solo, "Dead End" bursts forward with uptempo drive-catchy, fierce, and full of momentum. Apparently inspired by Orwell's 1984, its lyrics depict urban desolation-loneliness, homelessness, hopelessness-yet still shimmer with defiance in lines like, "Truth is amazing - hoping is like waiting."

The second track, "Sarah," dives even deeper into darkness. Mixing post-punk intensity with psychedelic textures, Rückwardt tells an imaginary story of a couple lost in drugs and spiraling through a bad trip, only to wake and realize that sobriety offers little comfort-the real world itself can be just as brutal and offers no easy escape.

Neither song makes the slightest concession to commercial trends. Instead, they feel utterly uncompromising-wild, strange, and defiantly timeless. In a world obsessed with polish and playlists, "Dead End" and "Sarah" sound like transmissions from a different planet.

Both tracks were originally recorded as demos in 1984 in the band's rehearsal room, with Hase engineering. The newly restored versions preserve the raw spirit of the original tapes while adding subtle layers to enhance their atmosphere without losing the authentic 1980s sound. FEX hint that the untouched demo versions might surface later, possibly on a second volume of their archival EP "More Waves from the Past."

Side A
Dead End (with Ilona Rückwardt)

Side B
Sarah (with Ilona Rückwardt)


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Genre: Techno


Tracklist 12":
A1 Volpe - Inner Wisdom
A2 Volpe - Playful Spirit
B1 Volpe - Impermanence
B2 Volpe - Duality



Short Info:
Chord-driven and dubbed out uplifting Detroit inspired Techno workouts



Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin





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2024 Repress

TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30

The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.



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GENRE/S: Techno, Dub

TRACKLIST:
A1: Kyle Geiger - Save me
A2: Stojche - Dr. Jekyll
B1: Don Williams - Workout Drums A
B2: Mareena - Hingabe
B3: AVION - Haven

SHORT INFO:

The UKW club in north-east Germany and its street location number calling 49b.
A unique building and home for music enthusiasts where no fame exists.
The new inhouse label is now starting its output with music from friends and regulars of the club.
The label philosophy is simple: Music from the heart that moves.
This first release comes as a compilation splitted into two parts packed with chords, raw analog drums, dubby elements dreamy pads and bleepy elements









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Territories: Worldwide no restrictions

Format Notes: Hyper-limited (300 only!) ethereal ambient-guitar-soul, originally released on cassette only. 2025 first time ever vinyl release, 140g vinyl.


Track List:

A1 XI
A2 XII
A3 XIII
A4 XIV
A5 XV
A6 XVI
A7 XVII

B1 XVIII
B2 XIX
B3 XX

Release Notes:

On a "Balearic-Jazz trip", the phenomenally hyped Thought Leadership returns with another X ideas: the deck this time chooses the Ace of Swords. In the acclaim garnered by III of Pentacles, there were many whispers of “Balearic” from those in the know. As soon as you drop the needle on XI you will be basking in turbo Balearica.

Originally out on cassette only, we present the first ever vinyl issue. It's a hideously limited pressing of 300 for the world, so don't sleep on this.

The sonic palate has been augmented by the addition of synth and bass; there are more guitar layers, more pedals and more organic drums this time – a much fuller production. Still DIY, and still recorded straight to multitrack, just ever so slightly grander in scale; think a rough-hewn, long-lost Claremont 56 cut and you’ll have some idea of how XI opens this future classic LP.

The touchstones so key to the vision of Pentacles (Cocteau Twins, Dif Juz, Durutti Column) are all still present and correct; XII could be a piece from Extractions, XIII is pure Garlands-era Guthrie and, now with the shuffling jazz drums, XV makes TL even more LC – but more disparate influences are found this time out too. ECM guitar legends John Abercrombie and Pat Metheny in the more considered melodic phrasing and harmonic structure of the ideas and a nod to the cosmic Balearic spirit in the overall vibe, means more is offered to the listener across Swords.

XVI and XVII are the biggest indicators to Thought Leaderships’ new found love of The Real Book and their grasp of jazz chords. The former sounds like if Mike Hedges had produced on a heavily sedated ECM date in the early 80s, whilst the latter is Bright Size Life condensed into a most post-punk shard of Strat conversation. The syrupy Phase 90 on the lead parts lends much weight to the guitar melodies, a beautiful tonal counterpoint to the Vox-ish chimes of the plangent chords we’ve all come to love.

The flip again treats us to three extended, improvised jams. XVIII owes as much to Canterbury as it does to Krautrock, another modal voyage through the stars. Light the incense and drift away, guided by delayed cymbals and weaving ribbons of guitar. XIX has almost a New-Wave/Sophisti-Pop energy to it in tone, if not in structure and execution. Something almost Tears for Fears-esque in the chiming chorus guitars. An interesting outlier that has already received a lot of love from those that have heard it. XX is the starkest idea, and the only piece this time with no drums. What we do get, however, is a free exploration over a two chord-vamp. It’s Harvest Time meets Planet Caravan and a fitting end to this Balearic jazz trip.

Be With is honoured to present the first ever vinyl release of Ace Of Swords, carefully remastered by Be With's engineer Simon Francis to ensure it sounds better than ever after its initial tape release. Cicely Balston's expert skills have made sure nothing is lost in the cut at Abbey Road Studios whilst the records have been pressed to the highest possible standard at Record Industry, in Holland. The original tape cover artwork, so crucial to Thought Leadership's striking visual aesthetic, has been rejigged for vinyl issue here at Be With.

The last one flew. You have been warned.

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A Tempest Of Intimacy.
It's part of the nature of man to start with romance and build to a reality
and this is what System Olympia has done with this new 4 track EP.
Love, longing, and the restlessness of the heart and body are the foundation forces of this record.
"Luce Rossa" presents itself as an emblem of a credo, an irreverent manifesto delivered via daring melodies and empowering vocals.
System Olympia inhabits a world in which human senses are mightier than religion and "Sanctified" feat Working Men's Club is an ecstatic and highly articulated fusion of passion and redemption - a new truth about reality, whispered to your ear with infinite sweetness.
Poetic desire as a force of beauty and vitality is all over Lenzuola Di Raso. Fantasising in between satin sheets on the hottest day of the year because art and imagination mean freedom from the solitude of the mind.
Mi Dimentico makes beauty out of melancholy, and nostalgia out of the oscillation between resignation and demand.
Sanctified EP is naked skin over a sunken heart, and a soaring mind.

Tracklist:
A1 - Luce Rossa
A2 - Sanctified feat Working Men's Club
B1 - Lenzuola Di Raso
B2 - Mi Dimentico


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Tracklist:

A1 – Repeater
B1 – Nobody
B2 – Repeater (DJ Seinfeld remix)


Release Info:
Life and Death founder Manfredi Romano aka DJ Tennis debuts on Aus with ‘Repeater’ - here he delves deep into his own cosmos creating two cuts that are uniquely spacey whilst playful and powerful. DJ Seinfeld needs no introduction. His DJ Kicks mix and debut album for Ninja Tune have both been critically acclaimed. His ravey mix of 'Repeater' is a tension builder, his version simmers away for seven minutes patiently dropping metallic stabs and detroit fm synths licks. Manfredi’s career spans over two decades as agent, manager, promoter, label owner, dj and producer. His releases are few and far between so, it’s an honour for him to trust us with his art.







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Special remarks : LP with download code

Tracklist
1 Relatos de Praga
2 Por Una No Clara Razón
3 Días de Infancia
4 Decay
5 La Vida Esta En Otra Parte
6 Faints
7 Atardecer
8 Otonno
9 Petalos y Cenizas

Short info:

Bélver Yin's soul mining odysseys have been unjustly overlooked for three decades. An anomaly in the Spanish alt-pop scene, their forlorn instrumentals and ethereal romanticism would have struck a chord in the British league of Felt, The Chameleons, Cocteau Twins and Dif Juz, leaving their 1991 debut Luz Bel deserving of reappraisal.

While coining their band name from a Jesús Ferrero novel and quoting Laozi philosophy on album sleeves, Bélver Yin create illuminating textures that unlock a wordless language of memory and adolescent emotion. Formed in Salamanca by self-taught musicians Pedro Ortega Sánchez and José María Martín, the guitar-bass duo spent two years crafting their divine interplay with interim drummers before submitting a demo to Noisex Music, their only attempt at label courting. The phone rang mere days later with owner and producer Bernar Marks (The Dust Sessions) offering to cut an album and the band ventured to Valencia with cloud-touching optimism soon after.

Championed by local press, the release fell short of expectation, fueling the mythology of a vanished band known only to the initiated. Varying lineups would, however, continue to work in the shadows under Pedro's direction, recording two spatially arranged follow-ups at their own pace in 1996 and 2005.

A glorious debut that undeniably set a high watermark, Luz Bel is finally available again, faithfully remastered by Mikey Young and featuring bilingual liner notes from John Gómez, the authoritative ear behind Outro Tempo.


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