GENRE/S: Ambient, Techno

TRACKLIST:
A1 - evocation_01
A2 - evocation_02
A3 - evocation_03
A4 - evocation_04
B1 - evocation_05
B2 - evocation_06
B3 - evocation_07
B4 - evocation_08
C1 - rhythm_01
C2 - rhythm_02
C3 - rhythm_03
C4 - rhythm_04
D1 - rhythm_05
D2 - rhythm_06
D3 - rhythm_07
D4 - rhythm_08

SHORT INFO:
Rupert Marnie’s debut album “Evocative Rhythm” is a singular object to begin with. Split over two parts, each one
working as an individual piece and under seemingly endless configurations when played together on a pair of
record players, “Evocative Rhythm” is an elusive piece of musical abstraction you will play a crucial role in
shaping, fashioning it as you dabble with it - certainly curious and cautious at first, then manipulating its raw clay
more firmly as you envision it with a clearer idea of where to go with it. Or is that just a mirage?
Fruit of geographical meanderings through Hamburg’s tentacular architecture, Rupert Marnie’s maiden full-length
effort reflects that of the city’s tonal, rhythmic and harmonic structures in a uniquely vibrant way: dancy and not,
ethereal and full-bodied, oneiric and anchored. From field recordings garnered here and there across town, then
either truncated, morphed, stretched out beyond recognition via a wide palette of technical means (granular
synthesis, time-stretching, use of resonators, delay, reverb, pitch-shifting…), Marnie weaves a narrative that
bridges the gap continually betwixt non-formulaic beatless meditation and proper club-focused functionality, plus
the countless possible creations that will emerge when combining both sides of the disc to form your own story
out the battery of elements at reach.
Evocative Rhythm” is much more than the sum of its parts. A mirage of ambient, techno, electro, whatever style
and labels that could be stuck all over it, yet never managing to say a true word of it.


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Genre: House

Tracklist 12“:
A1 - Robert Dietz - Salbung
A2 - Aii PS - Donteven
B1 - Vlad Stuparenko & Ghetto Sunrise - Pine Water
B2 - Sasha Zlykh - Pidozepam 21

Short Info:
For their ninth iteration, Hamburg's The Press Group punches back in with the sizzling hot debut to a VA series bound to scout and shed a broader light on exciting artists from various territories and backgrounds.
Pulsating to the bone, "Future Prospects vol.1" showcases a quartet of heaters courtesy of Germany-based Robert Dietz and Aii PS on the A-side and Kyiv-based Vlad Stuparenko & Ghetto Sunrise plus Sasha Zlykh on the flip. Either sides of the
disc inbound for optimal and non-pareil impact on the dance floor. Dietz's "Salbung" paves the way old-school style, grinding everything from lethal breaks to rowdy drums, via lysergic synth flights straight out a wild sci-fi scenario.
Aii PS' bouncy and oneiric contribution "Donteven" is more of a low-slung affair with its mischievous fusion of filtered synths and acid-informed bass spurts painting the sky all shades of radioactive green.
Flip it over and Stuparenko/Ghetto Sunrise's stealth, aqueous weapon "Pine Water" ushers us in a corridor of groove-enslaved echolocation, delayed stabs and propulsive bleepin' n bloopin' from the depths. A further dusty, shuffling affair
blazing with clanky hats on a Chicagoan tip and futuristic electroid inflections, Zlykh's "Pidozepam" tops it all off in implacable fashion, casting a spell of exquisitely thrilling menace upon the ravers.



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Special remarks : 12” Vinyl + Poster

Tracklist 12":

A1 – back (Vinyl only)
A2 – runciter
B1 – I.D.E.
B2 – 6am Catwalk

Short Info:
Vinyl exclusive double-sided fold-out poster and vinyl-only track “back”!
Three years after his latest solo drop on TPG, Rupert Marnie is back with a vengeance. Punching in with a quartet of high-efficiency jams tailored to whip a frenzy amongst heavenly dancers and murky basement revellers, the Hamburg-based producer clears a new path towards utopian electronics yonder through another fine incarnation of his tricksy assemblages of laid-back Venusian house, breaks-laden ambient scapes and jazzed-up hi-tech heroics.
Wading deep in swampy acid grounds, 'Back' fires first with its liquid alloy of 303-marinated salvos, warped synth helixes and opaque harmonics, sure to have you levitating in a weird trance-y state of mind right away. A further hypnotic slab of deep diving techno, A2 'Runciter' flexes the verbed-out sub lines, muscular breaks and train-like groove whilst setting the bleep'o-meter to eleven. A feast of '90s infused carefreeness that shall rejoice both textbook old-school heads, spongy-bodied gymnasts and stranded aliens alike.
Flip it over and here's 'I.D.E.' - a repolished filtered-house, Roulé-style delight where handsomely FX-adulterated keys play footsie with classic Chi-town shuffling patterns and laser battle sounds to keep you 100% committed to the groove - from your dancing shoes to your melting brainpan. Final transition comes with the Latin rhythms of '6AM Catwalk', a straight out addictive slice of gently wasted after material, custom-cut to accompany you in your post-party morning routine as the sun caresses the nape of your gauzy, vampiric neck. Forget the fake tan, Rupert's toasty chuggers have you covered.




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Special remarks : CD [Mixed] + Downloadcode


Tracklist CD:

1. Christoph Friedmann - ledup
2. MF Earth Band - Softeis d’Amour
3. Dolomea - magnetic coil
4. ott - Hotel D
5. Ben Oyefeso - Truth
6. thcarp - !Xabbu
7. Matthias Wagner - Broke But Not Broken
8. RBDP - Untitled
9. Aii PS - solid vibes
10. Rupert Marnie - Olymp
11. Walt Ever - Tiphogal
12. Lucky Charmz - Amber Leaf (Take 3)
13. Youthman(29) - Moonlight
14. Europa - Summer Çem
15. Antep Haze - Good Feel
16. Primary Mystical Experience - Shimmer


Short Info:
The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Info:
Blurring the lines further between the CD mix and classic VA formats, The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Spinning out of the calibrated dance music's orbit, TPG here present no less than sixteen cuts courtesy of a wide array of mostly German talents, new and confirmed, capturing a much compelling snap of the parties involved's common vision and idiosyncrasies. Obviously part of the trip, imprint mainstays Rupert Marnie and Youthman(29) each deliver a piece, slapping rhythmic and texturally ethereal as get (tell us that Y(29) jam hasn't got the taste of dreams), and so does Christoph Friedmann's jaunty tropical number, sure to awaken the shamelessly wiggly dancefloor operator in you, whilst the mysterious thcarp and Lehult boss Lucky Charmz wing out a pair of deep-diving workouts to get down to - preferably with your aqualung on so you don't resurface blue-ish.

Local players MF Earth Band and French border duo RBDP go spaced-out jazzy when OTT goes in with a fruity sino squasher and Aii PS gives its all in the gut-melting subs. Mischievous, off-kilter acid lovers take note, Dolomea's joint is the one. If you're in the train, though, we recommend taking Ben Oyefeso with you, as he's sure to have you drifting off the rails into his strangely familiar realm. If you're in need for some high-powered electro pumper, wobbly warbles ace Matthias Wagner's got you covered, but if it's bleepy, bloopy, blurpy post Hawtin'ian minimalism tinged with a solid hint of Dam Funk-esque synths, go check our buddy Walt Ever.

More of an AFX and Autechre fan? No worries, geezer - Europa's feeling, glitchy cybernetics are there to please and your senses will thank you for the journey. Antep Haze's synthetic bird calls and glaring chimey streams will ease you into a much enticing last stretch across a fantasized forest of sorts, before the all-engulfing finale takes us well off into the galaxy's masters' own Area 51. Press play and just let your gravity-free body glide with the stars. Effortless.




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Special remarks : 12"Vinyl + Downloadcode

Tracklist 12":

A1 - 3:36
A2 - 5:03
A3 - 6:32
B1 - 5:08
B2 - 6:34
B3 - 3:00
B4 - 2:36

Short Info:
Youthman(29) dishes out his debut 12'' on TPG, comprised of seven cuts that yo-yo between revamped breaksy house tropes, sample-heavy intricacies and lo-lidded ethereality. Maintaining a fine balance between danceability and daydreaming, 'Untitled' holds its listener in a hazed-out hypnagogic state of body-&-mind symbiosis that's best suited for moments of transition and sense-awakening, when the lights begin to flicker and the club seems to fold up in a strange, otherworldly halo of sorts.



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Special remarks : 12" colored Vinyl + Downloadcode

Tracklist 12":

A1 - Lie To Your Mom
A2 - R'n'B Ritual
B1 - Lie To Your Mom - Rupert Marnies Ethno Mix
B2 - Lie To Your Mom - Youthman(29) Mix

Short Info:
Fresh off their latest VA, The Press Group hand the reins over to up-and-coming Ukrainian producer Sasha Zlykh, here delivering his debut 12" effort. Clocking in with a quartet of club-oriented weapons and off-road house-y pumpers that shall bring dancefloors to a slow but steady simmer, the Kyiv-based producer blends in an avalanche of breaks-strewn rhythms, bleepy melodies and reshuffled UK bass patterns to create his own distinctive hybrids, halfway straight dance functionality and non-formulaic experimentality.

As playful in essence as it is serious in its execution, 'Lie To Your Mom' EP starts off with the title-cut, which works a wonky swagger that proves all the more infectious as bars fly by. Engineering a finely-woven mix of off-kilter drum programming, raucous analogue belches and volatile harp stabs distorted to the max, the track's shadowy intro is eventually offset by overlapping tides of luminous pads, released as one lets the light break through a vampire den. 'RnB Ritual' follows up close in the vein, meshing a brooding late-night-ish atmosphere with playful percussive mechs and sustained rhythmic accidents.

Flip sides and you'll be treated to a choice pair of remixes from in-house groove traders Rupert Marnie and Youthman. First in line, Marnie turns 'Lie To Your Mum' into a straight jacking and shuffling Chicagoan chugger. Going deeper into soulful terrains and lavishly-textured expanses, TPG's main operator exploits the whole melodic potential of Zlykh's original, bringing its anthemic power to further completion beautifully. More on the dubby end of things, Youthman adds his uniquely vibey touch to the main cut, deftly navigating betwixt a classic deep house kinda vibe, post-rave'y electronics and a Basic Channel-esque sound spectrum, which all in all should have people instinctively clapping their hands as their mind begins to sink into a weirdly introspective sense of euphoria.


Vital Sales Points:

First 12? from Ukranian DJ and Producer Sasha Zlykh with Remixes by the TPG crew.


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Special remarks : 12” Vinyl + Downloadcode

Tracklist 12":

A1 – YouthMan(29) – Aemilia
A2 – Ten Letu - Ah, You Shot Me!
B1 – Rupert Marnie – Health
B2 – DJ Dodo - The Machine
B3 – AAAclimax – WifiOnIce


Short Info:
After a triplet of solo 12"s, all courtesy of label main man Rupert Marnie, Hamburg-based imprint The Press Group are set to break 2018 in with the multi-flavoured TPG004 - a versatile debut VA that offers a fine close up on the label's whole cast of operating forces with some choice contributions from TPG's core tetrad including Youthman(29), Ten Letu, DJ Dodo and Marnie himself. Mind your backs!

Shape-shifting yet coherent as a whole, this collective effort puts together a swinging confluence of sounds and aesthetics – clearly aimed at the dancefloor but equally poised for laid-back chill sessions. First release on the label to reunite the entire crew, TPG004 mashes up a wide-spanning array of grooves and tempi in exploded view, giving full vent to each artist's idiosyncratic universe whilst establishing a hyper-modern sound ID, both infectiously funky and undeniably potent.

Casting its net far and wide: from the pared-down astronautical breakbeat of Youthman's 'Aemilia' to DJ Dodo's breezy jacking jazz-footwork hybrid 'The Machine' via Rupert Marnie's lithe ganjah-smelling shuffler 'Health' and Ten Letu's muscle-flexing acid roller 'Ah, You Shot Me!', it's a feast of feelgood beats that you’re invited to, neatly connecting the dots between the guys' shared love for video game soundtracks, liquid dubstep, heavy jungle breaks, minimal house and further daydreaming, hazy harmonics to drape yourself into.

Vital Sales Points:

First 12? from The Press Groups whole cast of members including a locked groove on the
B-side.


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Special remarks : 12" with transparent sleeve, 180g Vinyl

The Press Group's new issue is a tale of lost love and broken hearts. 'Blaine Mcconchie' is a con-stantly evolving minimal-heyday-inspired trip through bleeping artifacts driven by an organ chord, while on the flipside 'Dog Park' is a classic groover for lush summer evenings. On B2 Frankfurt's Phil Evans gives 'Blaine Mcconchie' his treatment taking the central melody and building a sparse rhythm workout around it.

Tracklist: A1 Blaine Mcconchie, B1 Dog Terminal, B2 Blaine Mcchonchie (Phil Evans Remix)

Vital Sales Points:
- Third 12" from The Press Group co founder Rupert Marnie including a remix by Phil Evans (Pager Records/GOSU)



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Special remarks : Singelsided, marbeld 160gr vinyl, limited to 150

Tracklist: A1 - CDboy (UFOhagen)
Info:
It was in June of 1980. After a long and intense journey through time and space, Rupert Marnie met spiritual highness Frater loannis and became his apprentice. The Magus told him invaluable things, like controlling his precious bodily fluids and the holistic mastery of others' endocrine glands. The greatest wisdom though reached him on his seventh day, when Frater loannis professed him an an-cient ritual that would allow him to meet the Titan Ufohagen, also known as CDboy. It was the 4th, when he appeared, dressed in a long, slim silk cloak, a sprinkling wand in his right. Rupert stood in awe, immediately losing his newly gained fluid control, and started crafting a piece of music, that would remind mankind that not all is lost, as long as there is almighty Ufohagen.





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Special remarks : 12" with transparent sleeve, 180g Vinyl -- Second 12" from The Press Group from co founder Rupert Marnie

Tracklist: A1 Toshi, A2 00_222, B1 TTA, B2 12hours
The Press Groups new issue moves into the sinister territory of pre-postmodern robotics, Japanese swamps and the bird call of the ending of a century. An opaque surface reflecting a tremble in the mist. Onibaba's gaze dipped in thickness. Ligeia's call.



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Special remarks : 12" with transparent sleeve, 180g Vinyl -- First 12" from The Press Group from co founder Rupert Marnie

Shortinfo:
Hamburg based label The Press Group spreads 300 copies of fine, raw and modern house cuts. "Masala EP" is not only the labels first release, but also the debut of Press Groups co founder Rupert Marnie. The record brings three tracks for the dancefloor. Starting with some dubbed out 115bpm, followed by more peak time friendly material to a melodious track for after hours.

Tracklist: A1 Masala, A2 ham (on rye), B1 Kruger60


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Format Notes:

2025 first time vinyl release, 140g vinyl


Track List:


A1 It Couldn't Be You
A2 You Can't Hide Always
A3 We'll Make It Again

B1 Walk Straight Ahead
B2 Painting My Life Blue
B3 Just Two Lovers

Release Notes:


Wally Badarou is a synth pioneer and musical polymath. But rarely does he sing over his sumptuous tracks. The 6 songs that comprise new record Simple Things finally realise Wally's vision for select backing tracks from his beloved Colors Of Silence.

The tracks were originally developed back in 2001 for the release of the original CD; here, Wally has “simply" added overdubs and vocals to their mastered mixes with some discerning edits. Simply put, Simple Things is another slice of simply stunning Wally Badarou genius.

Simple Things has been decades in the making. Indeed, Wally struggled not only with the idea of singing these wonderful songs himself but singing them in English and writing his own lyrics, while wrestling with the sensational backing tracks, which themselves seemed to have taken on a life of their own.

As Wally explained to us: "In addition to the instrumental artist I have been known as, so far, there has always been a singer who simply was not sure he was, up until now. Even though “Back To Scales Tonight”, my very first album, was, indeed, a song album."

Opener "It Couldn't Be You" embellishes the uptempo groove of soca-funk gem "The Lights Of Kinshasa". As Wally explained to us, it's about “a simple love story somewhere, one rainy night, under the lights of Kinshasa. A woman, a man, online dating, quite usual in our times. Then they meet, almost missing each other." The guide vocal Wally had laid for Colors Of Silence - with an organ sound - seemed striving for words in Linguala, a Congolese language he could not speak. Therefore the decision to do it himself was not an easy one, for it had to be in English to fit his singing. We think it turned out pretty good!

"You Can't Hide Always" vocalises Wally's deep concerns set to the propulsive "Smiles By The Millions": "Populism, ostracism, radicalism, ethics and values all turned upside down worldwide, are they all inevitably exacerbated by our social networks? It could all melt down one day, like a house of cards in the ocean of fake news and false prophecies”. Wally wanted to keep the track as bare as possible but, inevitably, the backing vocals and the synth-brass arrive ultimately to present a welcome 70s flavour, with no snare-drum added.

The bright and breezy "We'll Make It Again" adds vocals to "Where Were We", a tropical, reggae-tinged bounce through the islands. Here's Waly: "Where were we when we last said: "I love you"? Simple words to express something quite common, but never quite simple to deal with. A simple song about the resilience of the broken hearts.” The reggae came from it being conceived when Wally was scoring for “Third World Cop”, a 1999 Jamaican action movie.

"Walk Straight Ahead" provides Wally's gorgeous, contemplative and idiosyncratic vocals to the deep serenity of Colors Of Silence highlight, "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. As Wally describes, "it started as just whispers, sweet amber whispers. Then the colour turned darker, as darker skies seemed to fall upon us while the whole world keeps on walking ahead, straight ahead, regardless of the blatant warnings, feeling much too comfortable in conformity. Initially, the verses were to be spoken only. I realised they could be sung all the while, without overshadowing the ethereal atmosphere." Amen.

The serene, celestial "Painting My Life Blue" presents the vocal version of "Days To Wonder". Says Wally, "how does it feel when your second half is gone after decades of riding life together? Past the temporary loss of your bearings, you come to realise you've been blind to the essential, and suddenly you can see...For this most intimate song of mine, I had tried to come up with a melody on top of the existing backing track, long before realising the melody was in the keyboard part already. It just needed to be properly mixed with it."

The profoundly emotional "Just Two Lovers" works up the formerly-too-brief and glorious "Crystal Falls" into a much fuller masterpiece and features acoustic guitar sparkle before fully glistening with some gentle head-nod percussion. Waly explains further: "Dear little green men, please tell me, what is it about us that makes you want to come and visit us so often (contrary to Fermi's assertion)? And here is the reply I believe I heard them sing: "You've got the key you've been searching for: Love”. I reverted to the initial backing track I had made around 1985, which already bore the melody, and which I added acoustic guitars to, before singing it." An astounding closer.

A synth specialist, there can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

When we asked Wally about the significance of this collection's title, he explained: "These are "Simple things” that everyday’s life seems to build upon. The simplest are the harder to describe, but when satisfactorily described i.e. with simple words, they are the more genuine and authentic to express and share. I’ve immersed myself in other classic song lyrics, something I hardly did before, just to appreciate the genius behind the simple words they were made of, and had a great time studying how powerful they were in expressing complex ideas such as love."

Recording was twofold: first, most of the backing tracks were recorded in 2001, in Wally's studio in Normandy, mostly using hardware synths and Yamaha digital consoles. Then, he fine-tuned the melodies and wrote the lyrics in late 2023, then added some overdubs and sang them all during summer 2024. States Wally, "Digital Performer was and remains the DAW I’ve been using throughout, ever since the 80s."

Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Sometimes, the simple things are the most extraordinary.

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Format 12” (Vinyl Only)

Tracklist:

A1) Yo Yo Disco
B1) Yo Yo Disco (Extended)

Short info:

Text

ALARM. Wolfi & Josh take you to the Disco. ALARM




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12“ (+download, + sticker)

Tracklist:
01. Devil In a Skirt
02. Affaire de Coeur
03. Hide & Sick
04. We Are the Party
05. In Your Bed
06. AI Lover

Release Info:
Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts.
Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love - ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4x4 rhythms.
Kicking things off is the shadowy, death rock inspired, "Devil In a Skirt", an infectious ballad about a temptress that may not be what she seems. Next up, "Affaire de Coeur" delivers body fuelled stabs which elegantly bleeds into "Hide & Sick", a more high energy cut, set to scorch the floor. "We Are The Party" keeps the pulse pounding with your next EBM anthem while "In Your Bed" shatters sonic boundaries and leaves things drenched in acid rave. "AI Lover" closes things out with more future goth rave energy which acts as both a warning and a desire for more.
Love Cuts builds on Years of Denial’s previous work while setting the stage for what’s to come. Commanding vocals and dominating beats transmit a powerful message of both the dystopian and euphoric. Remaining uncategorizable, the project continues to evolve their unique sound while burning a path toward the future.


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LP, 2022 REPRESS EDITION, ORIGINAL ART

played by:
Gregor Schwellenbach /Hauschka/ Daniel Brauer/ Paul Frick (both of Brandt Brauer Frick) Erol Sarp / Lukas Vogel (both of Grandbrothers) / John Kameel Farah

Tracklist:
1. Steve Reich "Six Pianos" 22:09 mins
2. Terry Riley "Study #1" 19:50 mins

Info:
After the widely noticed performance at the "Acht Brücken Festival 2016" at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of "Grandbrothers"), Daniel Brandt, Paul Frick (both of "Brandt Brauer Frick") and John Kameel Farah will be releasing their interpretation of Steve Reich's "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich's composition but still far more than just that - it is a modern approach to his idea behind it.
The basic idea came up at the beginning of the 70s at "The Baldwin Piano & Organ Company" in New York. During a rehearsal phase Steve Reich spent in this very piano store, the idea emerged of writing a composition for all the grand pianos available to him at the company. By the time of the finished piece, the actual number of pianos had settled down to six, whereof "Six Pianos" developed in 1973.
On the occasion of his 80th birthday, the six pianists declare their love to Steve Reich and his composition with this release. Shaped by electronic club music as well as their classical education, they form "Six Pianos" in dignified modernity and top it off with today's sound esthetics and technical recording possibilities.
What you will be hearing is not the recording from the "Kölner Philharmonie" (Cologne Philharmonics) but the ensemble play of six different grand pianos in six different locations, throughout Germany. Each pianist performed his part on his piano using his typical studio equipment and passed the recording over to the next one. Thus the six characteristic and individual timbres of the performers overlay to create the overall picture - "Six Pianos" the way it should be looked at in 2016.
"Pianists are soloists and lone warriors by nature", as Gregor Schwellenbach once said. But the initiator not only won over solo artists to the greatest possible extent such as Hauschka or John Kameel Farah but also musicians from "Brandt Brauer Frick" and "Grandbrothers" as well as their ensemble partners: Jan Brauer mixed "Six Pianos" in the studio while Lukas Vogel provided delays for the b-side.
"Keyboard Study #1" by Terry Riley is a worthy b-side opposed to Reich's composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach's assumption: "Especially Terry Riley's and Steve Reich's music are open doors for pianists socialized by pop music and their audience."





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WORLDWIDE

DLP: 350gsm Sleeve, Sticker

Tracklisting DLP:
A1. Aranjuez
A2. Galaxy Deca
A3. Kiso Bushi
A4. Iyano Kobiki
A5. Kusatsu Bushi
B1. Nanbu Ushioi Uta
B2. Chakkiri Bushi
B3. Ryotsu Jinku
B4. Hyamikao
C1. Cantata no.147
C2. Kokiriko Bushi
C3. Fortunate 1mark
C4. Otemoyan
D1. Yosawya San
D2. Hietsuki Bushi
D3. Monkey Turn
D4. Kyoteidaiski
D5. Plum Song

Info

WRWTFWW Records is ecstatic to announce the first ever best-of compilation of Soichi Terada’s amazing project OMODAKA. including 14 songs never released on vinyl before. The 18-track ZENTSUU: Collected Works 2001-2019 album is available on double LP in heavy 350gsm sleeve with printed inner sleeves, as well as in CD and digital formats.

Initiated in 2001 while trying to create a "boat racing song", the OMODAKA project features sublime music by veteran electronic/house/jungle/video game music producer/DJ Soichi Terada and the vocals of Japanese folk min'yo & enka singer Akiko Kanazawa for a never-heard-before colorful blend of retro game 8bit/chiptune sounds and traditional Japanese music with wet electro rhythms, joyful 90s house grooves, and slick downtempo vibes. Feel-good, sexy, and fun, Terada’s project brings forth one of the most unique sounds in recent memory. The smile-inducing sonic adventure is packed with irresistible hits and a good dose of dancefloor-ready gems: a well deserved delivery of good times for 2022 and beyond!

Tokyo born genius Soichi Terada has built an impressive career in different music genres. He co-founded respected label Far East Recording with Shinchiro Yokata, composed the soundtrack for cult video game series Ape Escape, released tons of amazing house music records (some included in the beautiful compilation Sounds from the Far East released by Rush Hour in 2015), and has been a celebrated world-touring DJ.


Points of interests

- For fans of folktonica, house, dance, Japanese traditional music meets video game music, chiptune, Soichi Terada, Far East Recording, good times, good times, and more good times.

- First ever vinyl release of collected works from Soichi Terada’s project OMODAKA!





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Tracklist:

A1. Inbetween 6:55
A2. Speak To Me 5:47
A3. No More 4:29

B1. Heartbeat 6:22
B2. Crisis 5:32
B3. Clusters 5:24

If Katsuhiro Otomo’s Akira were a utopia instead of its opposite, this EP could be a possible sound track. Using the ingredients of classic house as a platform (pianos anyone?), Nick Nikolov‘s imagination as a producer for his new new NKLV project is far too vivid to stay on the beaten track.

The sound design and nerdy attention of IDM and ambient (Clusters) connects with the brazen boogie approach of the French touch, micro-sampling manifestos have to stand up to the weirder moments of signature sounds like Basement Jaxx or KiNK‘s musical side (Heartbeat). Not too far off from his peer‘s early approach, the Bulgarian‘s take is emotionally charged, play- and powerful.

For instance, Speak to Me and No More hit their respective topical nails on the head and the EPs title track Inbetween is sultry serotonin soul. If you are looking for plain and pure euphoria in between all the hardships, happiness is just around the bend.






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Tracklist:
A1) Andras and Eden Burns – Wrangler (07:18 min)
A2) Mayurashka and Eden Burns – Obsession (05:39 min)
B1) Matisa and Eden Burns – Calvin Klein (06:43 min)

Short info:
Eden Burns & friends follow the Big Beats. For this volume of BBM, Eden invites
Andras, Matisa and Mayurashka to make some beats.
So much fun! „Beat moves feet, feet do dance, dance is joy, joy is life!“



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Tracklist:
A1. Looney - A2. Dancehall - B1. Girls – B2. Get Away

Release Info:
Bella Boo is back on Studio Barnhus with her most direct and club-focused
material yet. A veteran of the Stockholm underground, named “one of the most
promising new artists not only on Studio Barnhus, but in house music in general”
by Resident Advisor, Bella has channelled the energy of her recent DJ dates at
Berlin’s Panorama Bar and London’s Phonox into this Looney Talks EP, a
collection of four intoxicating dance trax full of intense rhythmic themes and
inventive new takes on classic rave sounds.
Looney Talks (12'' vinyl + digital release) is out on Studio Barnhus on March 24
2023.

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Format: 2LP, incl inlay - 2025 Re Edition

Tracklist

A1. A Sea Of Love
A2. Lifeblood (Naïve Melody)
B1. Hear Me Out
B2. Kraanvogel
C1. On The Embankment
C2. Marked For Life
C3. Cubist Camouflage
D1. Promises Of Fertility
D2. The Sacred Dance

Monolithic and stark but extremely warm, intensely personal, and for every one in every which way. We are very happy to present to you "For Those Of You Who Have Never (And Also Those Who Have), an album by Huerco S.”















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Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.

Tracklist :

A Eyes
B Morning Rain

Short Info:

Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.

We all have lost memories and dreams, shattered hopes we hide to people and try to live with. Like the feeling of missing someone you've cherished in the past but who doesn't need you anymore.
This obsessive melancholia infuses the two tracks of this now highly sought after record, while haunting lyrics and subtle production definitely set them apart from their contemporaries.

Coldreams was a french female fronted post-punk band hailing from Clermont-Ferrand. Instead of coldwave we prefer to named their music melancholic pop.

Reissue limited to 500 copies.



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LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"

2. GENRE/S: Electronic

3. TRACKLISTS:

> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:

The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.

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