GENRE/S: Ambient, Techno

TRACKLIST:
A1 - evocation_01
A2 - evocation_02
A3 - evocation_03
A4 - evocation_04
B1 - evocation_05
B2 - evocation_06
B3 - evocation_07
B4 - evocation_08
C1 - rhythm_01
C2 - rhythm_02
C3 - rhythm_03
C4 - rhythm_04
D1 - rhythm_05
D2 - rhythm_06
D3 - rhythm_07
D4 - rhythm_08

SHORT INFO:
Rupert Marnie’s debut album “Evocative Rhythm” is a singular object to begin with. Split over two parts, each one
working as an individual piece and under seemingly endless configurations when played together on a pair of
record players, “Evocative Rhythm” is an elusive piece of musical abstraction you will play a crucial role in
shaping, fashioning it as you dabble with it - certainly curious and cautious at first, then manipulating its raw clay
more firmly as you envision it with a clearer idea of where to go with it. Or is that just a mirage?
Fruit of geographical meanderings through Hamburg’s tentacular architecture, Rupert Marnie’s maiden full-length
effort reflects that of the city’s tonal, rhythmic and harmonic structures in a uniquely vibrant way: dancy and not,
ethereal and full-bodied, oneiric and anchored. From field recordings garnered here and there across town, then
either truncated, morphed, stretched out beyond recognition via a wide palette of technical means (granular
synthesis, time-stretching, use of resonators, delay, reverb, pitch-shifting…), Marnie weaves a narrative that
bridges the gap continually betwixt non-formulaic beatless meditation and proper club-focused functionality, plus
the countless possible creations that will emerge when combining both sides of the disc to form your own story
out the battery of elements at reach.
Evocative Rhythm” is much more than the sum of its parts. A mirage of ambient, techno, electro, whatever style
and labels that could be stuck all over it, yet never managing to say a true word of it.


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Genre: House

Tracklist 12“:
A1 - Robert Dietz - Salbung
A2 - Aii PS - Donteven
B1 - Vlad Stuparenko & Ghetto Sunrise - Pine Water
B2 - Sasha Zlykh - Pidozepam 21

Short Info:
For their ninth iteration, Hamburg's The Press Group punches back in with the sizzling hot debut to a VA series bound to scout and shed a broader light on exciting artists from various territories and backgrounds.
Pulsating to the bone, "Future Prospects vol.1" showcases a quartet of heaters courtesy of Germany-based Robert Dietz and Aii PS on the A-side and Kyiv-based Vlad Stuparenko & Ghetto Sunrise plus Sasha Zlykh on the flip. Either sides of the
disc inbound for optimal and non-pareil impact on the dance floor. Dietz's "Salbung" paves the way old-school style, grinding everything from lethal breaks to rowdy drums, via lysergic synth flights straight out a wild sci-fi scenario.
Aii PS' bouncy and oneiric contribution "Donteven" is more of a low-slung affair with its mischievous fusion of filtered synths and acid-informed bass spurts painting the sky all shades of radioactive green.
Flip it over and Stuparenko/Ghetto Sunrise's stealth, aqueous weapon "Pine Water" ushers us in a corridor of groove-enslaved echolocation, delayed stabs and propulsive bleepin' n bloopin' from the depths. A further dusty, shuffling affair
blazing with clanky hats on a Chicagoan tip and futuristic electroid inflections, Zlykh's "Pidozepam" tops it all off in implacable fashion, casting a spell of exquisitely thrilling menace upon the ravers.



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Special remarks : 12” Vinyl + Poster

Tracklist 12":

A1 – back (Vinyl only)
A2 – runciter
B1 – I.D.E.
B2 – 6am Catwalk

Short Info:
Vinyl exclusive double-sided fold-out poster and vinyl-only track “back”!
Three years after his latest solo drop on TPG, Rupert Marnie is back with a vengeance. Punching in with a quartet of high-efficiency jams tailored to whip a frenzy amongst heavenly dancers and murky basement revellers, the Hamburg-based producer clears a new path towards utopian electronics yonder through another fine incarnation of his tricksy assemblages of laid-back Venusian house, breaks-laden ambient scapes and jazzed-up hi-tech heroics.
Wading deep in swampy acid grounds, 'Back' fires first with its liquid alloy of 303-marinated salvos, warped synth helixes and opaque harmonics, sure to have you levitating in a weird trance-y state of mind right away. A further hypnotic slab of deep diving techno, A2 'Runciter' flexes the verbed-out sub lines, muscular breaks and train-like groove whilst setting the bleep'o-meter to eleven. A feast of '90s infused carefreeness that shall rejoice both textbook old-school heads, spongy-bodied gymnasts and stranded aliens alike.
Flip it over and here's 'I.D.E.' - a repolished filtered-house, Roulé-style delight where handsomely FX-adulterated keys play footsie with classic Chi-town shuffling patterns and laser battle sounds to keep you 100% committed to the groove - from your dancing shoes to your melting brainpan. Final transition comes with the Latin rhythms of '6AM Catwalk', a straight out addictive slice of gently wasted after material, custom-cut to accompany you in your post-party morning routine as the sun caresses the nape of your gauzy, vampiric neck. Forget the fake tan, Rupert's toasty chuggers have you covered.




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Special remarks : CD [Mixed] + Downloadcode


Tracklist CD:

1. Christoph Friedmann - ledup
2. MF Earth Band - Softeis d’Amour
3. Dolomea - magnetic coil
4. ott - Hotel D
5. Ben Oyefeso - Truth
6. thcarp - !Xabbu
7. Matthias Wagner - Broke But Not Broken
8. RBDP - Untitled
9. Aii PS - solid vibes
10. Rupert Marnie - Olymp
11. Walt Ever - Tiphogal
12. Lucky Charmz - Amber Leaf (Take 3)
13. Youthman(29) - Moonlight
14. Europa - Summer Çem
15. Antep Haze - Good Feel
16. Primary Mystical Experience - Shimmer


Short Info:
The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Info:
Blurring the lines further between the CD mix and classic VA formats, The Press Group's newest volume is a most spitting image of what the label has been pushing since establishing four years ago: a sound both atmospheric but no short of danceable, equally geared toward oneiric mind-wandering and playful foot-shuffling sessions in the club. A bespoke sample of the Hamburg's imprint DNA, it also witnesses the growth of the featured artists both individually and as a collective of like-minded artists - tirelessly experimenting, emulating and re-inventing their own shared and personal creative universes under various configurations and aliases.

Spinning out of the calibrated dance music's orbit, TPG here present no less than sixteen cuts courtesy of a wide array of mostly German talents, new and confirmed, capturing a much compelling snap of the parties involved's common vision and idiosyncrasies. Obviously part of the trip, imprint mainstays Rupert Marnie and Youthman(29) each deliver a piece, slapping rhythmic and texturally ethereal as get (tell us that Y(29) jam hasn't got the taste of dreams), and so does Christoph Friedmann's jaunty tropical number, sure to awaken the shamelessly wiggly dancefloor operator in you, whilst the mysterious thcarp and Lehult boss Lucky Charmz wing out a pair of deep-diving workouts to get down to - preferably with your aqualung on so you don't resurface blue-ish.

Local players MF Earth Band and French border duo RBDP go spaced-out jazzy when OTT goes in with a fruity sino squasher and Aii PS gives its all in the gut-melting subs. Mischievous, off-kilter acid lovers take note, Dolomea's joint is the one. If you're in the train, though, we recommend taking Ben Oyefeso with you, as he's sure to have you drifting off the rails into his strangely familiar realm. If you're in need for some high-powered electro pumper, wobbly warbles ace Matthias Wagner's got you covered, but if it's bleepy, bloopy, blurpy post Hawtin'ian minimalism tinged with a solid hint of Dam Funk-esque synths, go check our buddy Walt Ever.

More of an AFX and Autechre fan? No worries, geezer - Europa's feeling, glitchy cybernetics are there to please and your senses will thank you for the journey. Antep Haze's synthetic bird calls and glaring chimey streams will ease you into a much enticing last stretch across a fantasized forest of sorts, before the all-engulfing finale takes us well off into the galaxy's masters' own Area 51. Press play and just let your gravity-free body glide with the stars. Effortless.




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Special remarks : 12"Vinyl + Downloadcode

Tracklist 12":

A1 - 3:36
A2 - 5:03
A3 - 6:32
B1 - 5:08
B2 - 6:34
B3 - 3:00
B4 - 2:36

Short Info:
Youthman(29) dishes out his debut 12'' on TPG, comprised of seven cuts that yo-yo between revamped breaksy house tropes, sample-heavy intricacies and lo-lidded ethereality. Maintaining a fine balance between danceability and daydreaming, 'Untitled' holds its listener in a hazed-out hypnagogic state of body-&-mind symbiosis that's best suited for moments of transition and sense-awakening, when the lights begin to flicker and the club seems to fold up in a strange, otherworldly halo of sorts.



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Special remarks : 12" colored Vinyl + Downloadcode

Tracklist 12":

A1 - Lie To Your Mom
A2 - R'n'B Ritual
B1 - Lie To Your Mom - Rupert Marnies Ethno Mix
B2 - Lie To Your Mom - Youthman(29) Mix

Short Info:
Fresh off their latest VA, The Press Group hand the reins over to up-and-coming Ukrainian producer Sasha Zlykh, here delivering his debut 12" effort. Clocking in with a quartet of club-oriented weapons and off-road house-y pumpers that shall bring dancefloors to a slow but steady simmer, the Kyiv-based producer blends in an avalanche of breaks-strewn rhythms, bleepy melodies and reshuffled UK bass patterns to create his own distinctive hybrids, halfway straight dance functionality and non-formulaic experimentality.

As playful in essence as it is serious in its execution, 'Lie To Your Mom' EP starts off with the title-cut, which works a wonky swagger that proves all the more infectious as bars fly by. Engineering a finely-woven mix of off-kilter drum programming, raucous analogue belches and volatile harp stabs distorted to the max, the track's shadowy intro is eventually offset by overlapping tides of luminous pads, released as one lets the light break through a vampire den. 'RnB Ritual' follows up close in the vein, meshing a brooding late-night-ish atmosphere with playful percussive mechs and sustained rhythmic accidents.

Flip sides and you'll be treated to a choice pair of remixes from in-house groove traders Rupert Marnie and Youthman. First in line, Marnie turns 'Lie To Your Mum' into a straight jacking and shuffling Chicagoan chugger. Going deeper into soulful terrains and lavishly-textured expanses, TPG's main operator exploits the whole melodic potential of Zlykh's original, bringing its anthemic power to further completion beautifully. More on the dubby end of things, Youthman adds his uniquely vibey touch to the main cut, deftly navigating betwixt a classic deep house kinda vibe, post-rave'y electronics and a Basic Channel-esque sound spectrum, which all in all should have people instinctively clapping their hands as their mind begins to sink into a weirdly introspective sense of euphoria.


Vital Sales Points:

First 12? from Ukranian DJ and Producer Sasha Zlykh with Remixes by the TPG crew.


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Special remarks : 12” Vinyl + Downloadcode

Tracklist 12":

A1 – YouthMan(29) – Aemilia
A2 – Ten Letu - Ah, You Shot Me!
B1 – Rupert Marnie – Health
B2 – DJ Dodo - The Machine
B3 – AAAclimax – WifiOnIce


Short Info:
After a triplet of solo 12"s, all courtesy of label main man Rupert Marnie, Hamburg-based imprint The Press Group are set to break 2018 in with the multi-flavoured TPG004 - a versatile debut VA that offers a fine close up on the label's whole cast of operating forces with some choice contributions from TPG's core tetrad including Youthman(29), Ten Letu, DJ Dodo and Marnie himself. Mind your backs!

Shape-shifting yet coherent as a whole, this collective effort puts together a swinging confluence of sounds and aesthetics – clearly aimed at the dancefloor but equally poised for laid-back chill sessions. First release on the label to reunite the entire crew, TPG004 mashes up a wide-spanning array of grooves and tempi in exploded view, giving full vent to each artist's idiosyncratic universe whilst establishing a hyper-modern sound ID, both infectiously funky and undeniably potent.

Casting its net far and wide: from the pared-down astronautical breakbeat of Youthman's 'Aemilia' to DJ Dodo's breezy jacking jazz-footwork hybrid 'The Machine' via Rupert Marnie's lithe ganjah-smelling shuffler 'Health' and Ten Letu's muscle-flexing acid roller 'Ah, You Shot Me!', it's a feast of feelgood beats that you’re invited to, neatly connecting the dots between the guys' shared love for video game soundtracks, liquid dubstep, heavy jungle breaks, minimal house and further daydreaming, hazy harmonics to drape yourself into.

Vital Sales Points:

First 12? from The Press Groups whole cast of members including a locked groove on the
B-side.


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Special remarks : 12" with transparent sleeve, 180g Vinyl

The Press Group's new issue is a tale of lost love and broken hearts. 'Blaine Mcconchie' is a con-stantly evolving minimal-heyday-inspired trip through bleeping artifacts driven by an organ chord, while on the flipside 'Dog Park' is a classic groover for lush summer evenings. On B2 Frankfurt's Phil Evans gives 'Blaine Mcconchie' his treatment taking the central melody and building a sparse rhythm workout around it.

Tracklist: A1 Blaine Mcconchie, B1 Dog Terminal, B2 Blaine Mcchonchie (Phil Evans Remix)

Vital Sales Points:
- Third 12" from The Press Group co founder Rupert Marnie including a remix by Phil Evans (Pager Records/GOSU)



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Special remarks : Singelsided, marbeld 160gr vinyl, limited to 150

Tracklist: A1 - CDboy (UFOhagen)
Info:
It was in June of 1980. After a long and intense journey through time and space, Rupert Marnie met spiritual highness Frater loannis and became his apprentice. The Magus told him invaluable things, like controlling his precious bodily fluids and the holistic mastery of others' endocrine glands. The greatest wisdom though reached him on his seventh day, when Frater loannis professed him an an-cient ritual that would allow him to meet the Titan Ufohagen, also known as CDboy. It was the 4th, when he appeared, dressed in a long, slim silk cloak, a sprinkling wand in his right. Rupert stood in awe, immediately losing his newly gained fluid control, and started crafting a piece of music, that would remind mankind that not all is lost, as long as there is almighty Ufohagen.





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Special remarks : 12" with transparent sleeve, 180g Vinyl -- Second 12" from The Press Group from co founder Rupert Marnie

Tracklist: A1 Toshi, A2 00_222, B1 TTA, B2 12hours
The Press Groups new issue moves into the sinister territory of pre-postmodern robotics, Japanese swamps and the bird call of the ending of a century. An opaque surface reflecting a tremble in the mist. Onibaba's gaze dipped in thickness. Ligeia's call.



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Special remarks : 12" with transparent sleeve, 180g Vinyl -- First 12" from The Press Group from co founder Rupert Marnie

Shortinfo:
Hamburg based label The Press Group spreads 300 copies of fine, raw and modern house cuts. "Masala EP" is not only the labels first release, but also the debut of Press Groups co founder Rupert Marnie. The record brings three tracks for the dancefloor. Starting with some dubbed out 115bpm, followed by more peak time friendly material to a melodious track for after hours.

Tracklist: A1 Masala, A2 ham (on rye), B1 Kruger60


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Born and raised in Berlin, with a dedication to divine music and the raw, authentic sound of Acid, Acida Dominga has carved out a unique niche, both visually and musically. Lose yourself in the raw, unfiltered power of her music.

Tracklist:

01 - Imagination Creates Reality 04:32
02 - Lost Highways 06:19
03 - State Of Consciousness 04:45
04 - Coin Of Heaven 04:47


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Genre: Techno, Tribal, Electronic


TRACKLIST

Al Yarra
A2 Water Sirens
B1 Yacu
B2 Sun Bleed

Special thanks to Joern Wilkens for his didgeridoo performance on Yarra.


ALBUM OVERVIEW

A scorched expanse, the air thick, sand shifting in slow waves. Didgeridoo rises from the dust, circling in dry spirals. The earth cracks open, voices calling from below. Drums roll, electric currents move like eels. Sunlight bleeds through the haze.
From arid to humid, SDM006 unfolds in four movements-ritualistic, tactile, lost between fire and flood. Percussive, club-ready heat.



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Genre: Deep House, Jazzy House, Detroit House, Chicago House, Soulful House

Tracklist:
A1. Alfonso Bottone - On Hilly Earth (06:52)
A2. Alfonso Bottone – Teach me the way you walk (06:19)

B1. Alfonso Bottone - Beggin' For Love (07:27)
B2. Alfonso Bottone - It's a Heart Feeling (07:44)

Info text:
Yore returns with Alfonso Bottone bringing it so Deep, it literally hurts.

This four track EP is by far the deepest shit we've heard in quite some time. Fans of the Deep4Life sound will love this. Deep, Bright and with so much warmth.

Strictly limited to 200 Copies worldwide (no repress). Grab yours while they last.


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REPRESS

2LP - RE MASTER - Part of the V.I.R.U.S series


GENRE/S: Ambient/ Electronic

Info
Originally released in 2005, 'Insen' is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.

Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.' Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 'Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. ?
In 'Insen', Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of 'Aurora,' you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty.

Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx

In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.

TRACKLIST:

Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Aurora
Playtime: 00:08:51
Explicit Lyrics: No
ISRC: UK6821719490
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Logic Moon
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719492
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Morning
Playtime: 00:05:27
Explicit Lyrics: No
ISRC: UK6821719491
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Moon
Playtime: 00:06:07
Explicit Lyrics: No
ISRC: UK6821719493
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Berlin
Playtime: 00:06:16
Explicit Lyrics: No
ISRC: UK6821719494
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Avaol
Playtime: 00:02:54
Explicit Lyrics: No
ISRC: UK6821719496
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Iano
Playtime: 00:06:52
Explicit Lyrics: No
ISRC: UK6821719495
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Barco
Playtime: 00:04:14
Explicit Lyrics: No
ISRC: UK6821719497
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------




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Tracklist:
A1 / Karolina Bnv feat. Karina Jilaz - Unforgivable Decisions
A2 / Karolina Bnv - Germany Calling
B1 / Karolina Bnv - Context Abuse
B2 / Karolina Bnv - 1988


Key Selling Points

The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come', an industrial-infused, masterful exploration deeper into her ever unfolding sound. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.



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- 12", ltd

Special remarks :
Tracklist

A1. dOP and Logdam - Barry White
A2. Sil - Inclination
B1. Sapurra - Co Weed
B2. Baltazar - Johnny Ibiza

Shortinfo:

The Bird Which Never Wants To Doze with the big help of dOP&Logdam, Sil, Sapurra and Baltazar.



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Genre: House

Tracklist 12":
A1 Love Is Always
A2 Love Is Always Dub

Short Info:
Second release of the mountain people white label spinoff. Strictly limited.


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Format Notes: Newly commissioned music, mastered for vinyl under the supervision of Frank Maston

Territories: Worldwide no restrictions

Track List:

A1 : First Class (1:58)
A2 : Easy Money (2:24)
A3 : Storm (2:19)
A4 : You Shouldn’t Have (2:28)
A5 : Fling (2:09)
A6 : Fool Moon (2:32)

B1 : Medusa (2:33)
B2 : Morning Paper (1:57)
B3 : Scenic (2:18)
B4 : Adieu (2:43)
B5 : Hydra (2:02)
B6 : Jet Lag (2:21)

Release Notes:

With Panorama, Frank Maston pays homage to the classic era of library records and Italian soundtracks of the 70s. A blissed-out, grooving collection of filmic cues, it continues the unique brilliance of Tulips and Darkland. Elegant and easy, subtle and stylish, breezy and beautiful; this is his Maston-piece. Commissioned by legendary label KPM, Panorama cements Maston as a master of modern classics and the most mesmeric of contemporary composers.

In early 2020, Be With suggested to Frank that he should make a KPM record. He wasn't aware that they were still putting out new library records - but he was super keen: "It was completely surreal and it still hasn't fully sank in that I have a record in that catalog, sitting alongside those incredible albums that were so influential to me."

Frank was visiting family in his hometown of LA in March 2020 when the world ground to a halt so the KPM project arrived at a fortuitous moment. Having fantasised about committing to a record with no distractions, with a proper budget, access to his gear and space to work in - to really dig in and try to write and arrange the best work he could possibly make - it was a real "be careful what you wish for" moment. But, as Frank explained, "it completely saved my year and sanity to have something to focus on and get excited about. It was my lifeline." He spent seven months on it, working almost every day.

Maston had already been making library-influenced music so when KPM outlined the criteria for the tracks it was exactly what he had been doing all along. He thought the best approach would be to make a follow-up to Tulips that had a parallel life as a KPM record. Enjoying complete creative freedom, “gave me the drive to power through and dig in deep. I'm not sure if I could have kept myself on such a rigorous recording schedule under my own steam, and I think the momentum I had writing and recording it is part of the strength of this record."

Maston’s sleek retro-groove instrumentals emulate the classic KPM “Greensleeve” reel-to-reel recordings that provided mood-setting music for mid-century cinema, television, and radio programs. Apparently in close conversation with the John Cameron-Keith Mansfield KPM pastoral masterclass Voices In Harmony, Maston's Panorama could be heard as that record's funky follow-up. Yes, it's *that good*. Another reference point from the hallowed library would be Francis Coppieter's wonderful Piano Viberations.

Opener "First Class" is a blissed-out groove, featuring the soothing vocals of Molly Lewis and a glistening harp over drums, a two-note bass motif (from Eli Ghersinu of L'Eclair) and an assemblage of guitars, synths, French horn and glowing vibraphone. Acid Lounge, anyone? The irresistibly funky "Easy Money" is a gorgeous cut led by more of Molly's vocals, pastoral flute and Rhodes, underpinned by drums and percussion, grooving bass, chilled guitars and synth strings. Kicking the tempo up, the percussive "Storm" is a vibin' filmic-fusion jam where psychedelic guitars (courtesy of Pedrum of Allah Las/Paint) organ, jazzy flute, Rhodes and vibes all compete for a place in the sun, over drums and walking bassline.

The heavenly "You Shouldn't Have" is a delicate, melancholic wonder; a dreamy instrumental where the melody is shared by a whistle, harpsichord and celeste, over a cyclical piano chord sequence and bass, synths, guitars, organ and distant French horn. The tempo rises again with the passionate, sticky "Fling", a summery, nostalgic groove with skipping drums and percussion, warm bass and electric guitar, yearning flute and synth strings. The brilliantly titled "Fool Moon" has that Voices In Harmony sound down pat. A romantic slow-mo dreamscape of Rhodes and harpsichord, piano, light drums and softly strummed acoustic guitar.

Side B opens with "Medusa", a hopeful, mellowed-out track with shuffling drums, feel-good flute, muted horns, glowing Rhodes and synth strings. The soft and gentle "Morning Paper" is an elegant way to start the day; a beatless blend of flute, guitar, percussion, ambient synths and vibes. The upbeat head-nod jam "Scenic" has that widescreen car-chase feel, uptempo drums and percussion, grooving bass, piano, synths and ambient electric guitar. "Adieu" is a smooth summer vibe, relaxing with brushed drums, Rhodes, flutes and horns. Molly Lewis's gorgeous vocals steal the show, alongside vibes, jamming organ and synth strings.

"Hydra" is another laid-back 70s-sounding retro cinema cue with light drums and percussion, walking bass, spacey synths, clavinet, glowing vibraphone, vintage organ and electric guitar. Closer "Jet Lag" is a laconic bow out; bass-driven drum machine soul, featuring hand percussion, Rhodes, vibes, synths and organ.

Multi-instrumentalist Frank played a bit of everything across Panorama. Yet, humble as ever, he believes the time, energy, and enthusiasm of all of the musicians invited to the sessions helped him realise his vision: "There were two Italian flautists who really understood what I was going for. Two french horn players, cor anglais, a vibraphonist and a flügel horn player. I've never involved this many people in my projects before, and yet the result is the most "me" record I've ever made."

Musically, a strong Italian theme runs through the record. Frank is fascinated by ancient Rome and both his parents are Italian (Maston was originally Mastrantonio before anglicisation). So, it felt natural to fully embrace these strands and tie everything together with the striking artwork. The Romans were influenced by Greek culture, emulating their art and architecture, which, in turn, influenced Renaissance era artists. Frank acknowledged this tradition when reflecting on his place in the lineage of library and soundtrack composers. He then asked his friend Mattea Perrotta, a painter and sculptor, for some sketches. What he received was exactly what he had in mind: "Especially the theater mask, which really captures the range of moods on the album". Frank arranged them as per the cover and it soon felt right: "I wanted to make a cover that was reminiscent of the classic KPM albums without making it too pastiche - so it has its own identity and looks at home alongside other library records, while still fitting in nicely in the KPM catalogue." The last step was for us to introduce Frank to Be With-KPM’s Rich Robinson, who helped put together the back and centre labels and align it all within the KPM standard.

Panorama is a perfect title for the album. With no opportunity to travel for tours or recording projects, Frank arranged postcards from his collection on his desk with beautiful views of the mediterranean coast, the Roman Colosseum and Cinque Terre. These also served as visual prompts: "That was part of the sonic concept - imagining myself driving down the mediterranean coast with this music on, with the top down." Additionally, the range of moods and vibes - "I tried to make each song very different from the previous one in terms of tempo and arrangement and feeling" - speaks to the idea of a Panorama of music and sounds and emotions. The last track was originally called Panorama, but KPM already had that title in their catalogue so it was changed to "Jet Lag", which, as Frank notes, "is perhaps even more fitting, since the trip is over".


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GENRE/S: House, Dance

Vinyl:
A. Disko Lena (07.49)
B. Panta Tanta (8.45)
C. Mango Lasse (7.49)
D. Bogges Bubblor (7.24)

Short Info:
It's been a long (and fun) time but finally Ari Bald & CJ Scott are getting the international recognition they deserve, after years of meticulously crafting their own brand of pure, guilt-free, locally sourced house music, through regular releases on a
string of illustrious underground labels and, more recently, two striking EPs on their hometown label Studio Barnhus outta Stockholm, Sweden.
On the dynamic duo's new Studio Barnhus release Humble Jumble, cheekiness levels and BPM counts are pushed to their limits, with ingenious sample choices and floor-friendly arrangements spread across two slabs of DJ-optimised vinyl, arriving on February 7 2025. Comes in yellow, red and green sleeves. Stamped and numbered by the artists themselves. Limited edition of 300 copies.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2x12"

Liner Notes by Gerd Janson

Tracklist

A1. Surprise - Original
A2. Surprise – Isolée Remix
B1. Surprise – Fake Jazz Mix
C1. Surprise – Holy Bassline Mix
D1. Surprise – Losoul Remix

In its main mix, Surprise is a classic early nineties house track that heavily nods towards the Big Apple, house music’s disco roots and the power of swinging drum programming, albeit with meticulous production work and engineering. In short, it sounded and sounds as un-German as Germans can. The Holy Bassline Mix on the other hand is already in the shape of things to come. Carried by a Roland TB-303, sprinkled with trance bits and elegiac pads, its in perfect balance.
Others thought so as well. Heavily supported by David Holmes and Andrew Weatherall, it was the manager of the latter who licensed it to Eye-Q Records UK with the addition of the Fake Jazz Mix and ordered remixes by freshmen Isoleé and Losoul who became pillars of Playhouse. The first known for his idiosyncratic and sculptural ways of creating dance music meets the irresistible funk of his peer and both add spice to the already great menu. Here you have the chance to listen and digest Surprise in all its glory and entirety for the first time. Carefully remastered and processed by Lopazz and packaged by Running Back. Remember the good times and get some more.





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WAS - Word and Sound Medien GmbH
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12" vinyl with full cover print

TRACKLIST:

A1. Delirium
A2. Vicious Night

B1. Voltaris
B2. What Is Not Born Cannot Die



INFO:

The latest addition to the Figure roster comes in form of French producer Arkan. A musician from young age, he combines minimalist, deep-cut grooves with understated harmonies.

His first release on the label arrives as part one of his Lightworker double EP, giving the artist ample room to showcase his own vision of contemporary, „mental techno“ as he dubs it himself.

Fitting this description, opener Delirium is a deeply hypnotic tune, mastering the subtle art of sustain and release to effortlessly cycle its own energy. Vicious Night then tips towards a more percussively lead momentum yet stays true to the less-is-more approach of Arkan.
On the flip he gets to further build on his musical ideas, whether it be the melodic fragments echoing pensively in and out of the 4/4 grid over the galopping beat of Voltaris or eventually the saccharine, IDM-reminiscent ambient closer What Is Born Cannot Die.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Tracklist

A1. Haus It Going
A2. Warehaus
B1. 4th Floor
B2. Chicagostrasse
B3. Empty Warehaus

Release Info:
Dial D for Digitalism. The return of Hamburg’s most prolific and bewitching production duo is a two-sided one. Back To Haus is their second outing for Running Back after Reality 2 in 2020. And on top of that, it does what it says on the tin. Based on the roots of house, which was the sound that Ismail Tuefekci and Jens Moelle started their DJ careers with, their modern day interpretation of it is far from nostalgic, boring or conservative.

Take the title track for instance. Now a track-id favorite, it was meant to be a sound test. It’s recipe is as simple as it is infectious. Mix some Roland drum machines with a few piano chords and expertly arrange the rest with a marathon intro and a corresponding break down. Voilá! Patience might be bitter, but its fruits are sweet.

Chicagostrasse is not only an existing street in the warehouse district of Hamburg’s harbor, but also a nod to all-time heroes Johnny D and Nicky P of Henry Street fame and their samplers-and-beats approach. Heavy hypno house.

4TH Floor sees the duo sampling themselves (again) for a fast paced and open-airy party jam the references one of their favorite New York labels, when they met at Hamburg’s late house music record store institution Underground Solution beginning of this millennium. Happiness is just a state of mind.

Closing it all off, but not winding it down is Warehaus and its convoying beat tool Empty Warehaus. Like Todd Terry visiting a Summer of Love rave in the UK. Descriptive and positively destructive. All in all, a worthy double, a DJ’s delight and a dancer’s delight.













Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore