P&F Recordings takes a quick break from original material to welcome back everyone’s favourite Episcopalian Minister/DJ: JAZ.

When it comes to left-field floor fillers, JAZ (née John Zahl) is in a league of his own. Over the past 13 years, he's churned out celebrated home listening mixes, jaw-dropping DJ sets, and extended edits with a pace that belies the usual slow-motion tempo of the majority of his selections.

Here, he serves up four colourful, cosmic, dance floor delights. EP opener ‘Cloud Worship’ marries a chugging prog-rock-esque bassline with virtuosic synth work. Then ‘Pick a Toy’ gets us sweating with some serious Caribbean flair.

On the flip side, ‘Puzzle’ delivers exotic chants and an infectious, serpentine beat and lastly ‘Friday Night’ closes things out with infectious, retro positivity.

While one might wonder how JAZ consistently unearths these obscure yet essential gems, it's obvious that he's driven by a higher purpose.

Let the ceremonies begin!

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Critical & hedonistic acclaim have already been lavished on this Charleston based sonic excavator of considerable note, so we won't bore you with an exhaustive biog, mainly because there isn't one.
The music is most definitely left to do the talking as this one man 'Folly Beach Psychemagik' fills the record boxes of the world's most discerning diggers with treasure beyond measure.
So, for this latest 3 piece for American Standard we're firmly in the FM synthesis musical district of early 80's planet earth.
70's session players still strung out from the previous decades' debauchery tried their hand at piloting these electricity powered units to wildly varying degrees of success.
Luckily for you, Jaz has been kind enough to find and reload three of the finest, more esoteric, obscure but eminently playable moments from this fertile era for some primo 'back to the future' frugging...

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Passport to Paradise continue their winning streak with an exclusive release from man of the cloth, digger extraordinaire, John Zahl / Jaz. If you've seen his video for Thump, you'll know that Jaz and his works are weird, wrong and wonderful: in a word, the ethos of PTP is alive and kicking in this release. First up, Geisha chugs along in the cosmic dust of 80s synth assortments and flourishes of koto. Scatter-brained brilliance from the deepest of Osaka basements. A2, Move to the Beach, heralds a sleeker, sleazier side to Jaz's episcopal offering. It builds itself out from a latent groove that ushers in the end of the night, carrying you to the empty seafront just before dawn, where a breeze ruffles the palm trees as you dig your eyes into the moon. Turning the page, we have a rework from the same post-Kraftwerk heritage, but this one is more potent synthpop roller, a straight-up, no frills edit for the toughest of dance floors.

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Nema Veza marks the highly anticipated new release from Death on Wax, featuring the inspired collaboration between global DJAY Masha Mar and Bertie, formerly of the acclaimed act Poolside. This vinyl-exclusive release blends their signature sensibilities into a sultry, genre-defying single, primed for dance floor DAYS, discerning selectors and listening adventurers alike in a powerful Serbian spoken sonic journey of sound.Limited to 500 Copies

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These tracks have been ripping through coast 2 coast and now are ready for a spin on a turntable near you !!!

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Get lost in the Jungle fighting over microchips or Taken away by a loan balloon to sail away on a pirate ship. Elephants will never forget Mac — Artwork by Chirs Maye

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You gonna want this one, straight from the OG artist studio tapes into the hands of Remain and soon on a turntable near you.

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The first release from JAZ & BERTIE (John Zahl & Albert Pearson) is here on Wax for your enjoyment!

With play time already from New York, Amsterdam and Ibiza, showcased by the likes of DJ Harvey, this is record has got the grooves that make people move.

In addition to these stupendous original tracks, we are excited to provide you with 2 tremendous remixes! One from Danilo Braca and another from some brand new cool cats on the block going by Physical Education and even a DJ tool to build your own take!

There is even the original Demo on B3, the track that started it all!

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Originally released in `96, TYREE is reissuing this classic DANCE MANIA EP for 2023. Released at the height of Chicago's infamous "Ghetto House Era," with tunes like "IT'S ALL GOOD," and "LET IT GO," this record has been in constant demand for over 20 years. Play it loud and play it now.

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Repress!

Bianca Binky only ever made a handful of records, the majority of which have long been forgotten by all but the most dedicated fans of late-‘80s European synth-pop and crossover house. ‘Tabu’, her final solo single from 1990, is different: a gorgeous, tactile chunk of piano-sporting Balearic house from the time when dancing under the stars at Amnesia was a rite of passage for clubbers from all over Europe, has undoubtedly stood the test of time. Something of a sought-after classic, with keen collectors willing to spend hundreds of Euros on an original 12” single, ‘Tabu’ remains a loved-up, life-affirming dance-floor gem.

It also happens to be a firm favourite of NuNorthern Soul founder Phil Cooper, who has gone to great lengths to produce a deluxe reissue of the hard-to-find Balearic anthem. Original producer Felix B Mangione, head of Blanco Y Negro Records, had long since lost the original master tapes, so Cooper flew from Ibiza to Barcelona to pick up one of the only mint copies still available, before forwarding high-quality digital transfers on to Robin Lee for remastering.

The results speak for themselves. The original mix, a breezy, sun-soaked fusion of synthesised marimba melodies, spine-tingling piano riffs, dreamy chords, Chicago-style TB-303 bass and Binky’s sensual spoken word vocals, naturally opens proceedings, and is joined on the A-side of the 12” by the original, alternative ‘House Mix’ - more club friendly version that beefs up the beats, emphasises the undulating bassline and offers occasional blasts of spacey synth.

This reissue edition also includes an exclusive, never-before-heard re-edit of the legendary ‘Caribbean Dub’ – first featured on the flip-side of the original release - from Manchester’s finest, Ruf Dug. Tough, effects-laden, bass-heavy and positively epic, Ruffy’s version is arguably the ultimate version of a piano-laden, TB-303 driven Balearic house classic: ten minutes of rising and falling, saucer-eyed dance-floor bliss that’s surely destined to be one of the most-played tracks of summer 2022.

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Repress!

Definitely one of the greatest techno records ever made. Please get your order in ASAP.

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Massimiliano Pagliara pays tribute to Manuel Göttsching in his first solo EP on his very own Funnuvojere Records, ‘All the VCOs You Can Eat’.

As a devoted fan of Göttsching’s groundbreaking work, Pagliara draws inspiration from his musical hero, crafting a mesmerizing EP that encapsulates the spirit and innovation of Göttsching’s influential sound. The release comprises three different interpretations of the same track, each imbued with exceptional artistry and technical knowledge.

The ceaselessly rolling piano chords in A1 Modulator Mix and B1 Traveler Dub are clear reminders of Göttsching’s E2E4 famous hypnotic refrain. The slight tonal variations, the stretched-out acid line and the uplifting drums conspire to create a sense of transcendence and euphoria. The infectious drums have their own space in B2 The Lonely Drums. This mix has an irresistible groove that will make all dance floors bounce.

The artwork captures the essence of Pagliara’s music through a vibrant and emotive visual language, reminiscent of the pioneers of abstract expressionism. The geometrical forms and patterns mirror the intricate melodies and pulsating beats of this future classic EP.

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Tracklisting:
A1 Soul Mass Transit System - Nobody Else But U
A2 Soul Mass Transit System - Break Ur Heart
B1 Soul Mass Transit System - Cookin Up Yer Brain
B2 Soul Mass Transit System - Stand By Me

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Repress!

Sometimes it’s easy to see why certain albums fail to reach a wider audience and sink without a trace not long after release, but why Fernando Falcão's Brazil-only debut album 'Memória das Águas' wasn't acknowledged as the masterpiece it is straight away at the time will forever remain a mystery. Maybe it's because it came out thirteen years after Falcão had to flee his motherland after actively protesting Brazil's military regime in 1968, not exactly making him the Brazilian household name he should have been. Chances are the fact that it was released more than two years after it was initially recorded in his new home France in 1979 didn't help sales either. So kudos to the good people at Selva Discos for making this rare-as-hens-teeth and criminally underrated album available once again, since it needs to be out there for all to hear.

'Memória das Águas' is a unique and compelling concoction of both traditional and modern Brazilian styles, postmodern classical, ambient, jazz, tape experiments and abstract sounds derived from Falcão's homemade instruments such as the balauê, a horizontal version of the berimbau string instrument that produces the watery, flowing sound the album was named after. The balauê is introduced in the stunning opening track, a miniature symphony that slowly spirals into dizzying depths. Falcão invokes both Afro-Brazilian and Latin-American spirits in a Jon Hassell-like Fourth World setting with 'Amanhecer Tabajara', before moving into Edu Lobo territory with 'Revoada' and capturing the sounds of a bustling bazar with 'Mercado'. The stunning 'Curimão' is the absolute centerpiece of this brilliant album - a fast-paced six minute samba attack with ripping horns, full-on percussion and dervish-like handclapping that will floor any unsuspecting listener. 'Solito' rounds off this wonderfully balanced album, revealing Falcão's painstaking attention to detail before finally pouring the remnants of his soul out with the grand artistic closing statement that is 'Danado Cantador'. 'Memória das Águas' is a beautifully produced masterpiece that is worthy of a new, more prominent place in history. (RO)

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Som Imaginário announce previously unreleased 1976 live album

TRACKLIST
A1. Rádio Guarany (Paulinho Braga, Nivaldo Ornelas) - 3:42
A2. Xá-Mate (Nivaldo Ornelas) - 1:57
A3. A Igreja Majestosa (Wagner Tiso, Nivaldo Ornelas) - 5:26
A4. Os Cafezais sem Fim (Wagner Tiso) - 7:53
A5. Armina (Wagner Tiso) - 5:39

B1. Banda da Capital (Wagner Tiso, Nivaldo Ornelas) - 11:21
B2. Sábado (Fredera) - 4:35
B3. Imaginados (Jamil Joanes) - 6:19


INFO
Som Imaginário are the stuff of MPB mythos. Integral to Brazil’s Clube Da Esquina movement in the early 1970s, a heady blend of progressive rock, folk, psychedelia, jazz and traditional Brazilian rhythm flows through the three studio albums the band recorded between ‘70 and ‘73. Flying the countercultural freak-flag amid the context of military dictatorship, the Brazilian prog lords shared much of the sense of experimentation and bountiful fuzz bequeathed by their tropicalismo forbearers. But armed with genius composers, arrangers and stupendously high-level musicianship, Som Imaginário introduced a potent harmonic complexity to Brazilian popular music, which would inspire generations of artists to come.

On 4th October 1976, having finished a spell of recording and touring with Milton Nascimento, Som Imaginário performed a concert in celebration of Nature Day in Brasília. The recordings of the show would become “Banda Da Capital”, which, for the past half century, has laid dormant, waiting for its mystical power to be untapped.

In the band that day were original members Wagner Tiso and Fredera, joined by Nivaldo Ornelas, Paulinho Braga and Jamil Joanes. Operating within such a hugely creative and free-spirited scene meant line-up fluctuations were inevitable and former Som Imaginário members also include Laudir de Oliveira (who left to join Chicago), Nana Vasconcelos (who also moved to work in the US), Zé Rodrix, Robertinho Silva, Novelli and Toninho Horta.

Titled after the Belo Horizonte radio station where they would practice during their youth, the show opens with “Rádio Guarany”, an improvisation led by Paulinho Braga and Nivaldo Ornelas. The track morphs into Nivaldo Ornelas’ composition “Xa Mate”, which also opens Milton Nascimento’s Milagre dos Peixes ao Vivo album, featuring Som Imaginário and a 32 piece orchestra.

Having grown up together in Minas Gerais, composer, arranger and keyboard player Wagner Tiso had been another close musical partner of Milton Nascimento’s. Some of their work together includes many of Bituca’s most beloved albums, including Clube Da Esquina, Milton Nascimento (1970) and Maria Maria / Ultimo Trem, as well as Native Dancer: Nascimento’s album with Wayne Shorter.

Explaining the inspiration behind two of the tracks on Banda Da Capital “Igreja Majestosa” (written with Nivaldo Ornelas) and “Os Cafezais sem fim”, Tiso remincies:

“On Sundays I used to watch the coffee plantation workers entering the church. I´d see them working all week, in their humble, dirty clothes. But I was always enchanted by their immaculate dress on Sundays. Taken from a line in a poem by my father, which became the hymn of the city of Três Pontas, the song “the majestic church and the endless coffee plantations ” became sacred for me, because it came from something joyful, from the workers.”

One of the album's most tender moments is a beautiful rendition of the post-tropicalista folk-rock classic “Sabado”, written by Fredera for Som Imaginiaro’s debut album. The lyrics are typical of the “desbunde”: those on the Brazilian left whose response to authoritarianism was a politics of pacifist, often psychedelic, non-conformity (similar to that of “dropping out” in the US)...

“Eu quero o céu e vou com guizos nos sapatos / Minha roupa em farrapos coloridos vou rasgar / E vou dançar entre os cristais azuis do tempo e esquecer”

“I want the sky and will go with bells on my shoes / I will tear my clothes into colourful rags / And I will dance among the blue crystals of time to forget”.

Jamil Joanes, best known as a member of Banda Black Rio, is another Minas Gerais native. His composition for the album is “Imaginados”, a stunning unplugged guitar and vocal performance, highlighting Som Imaginário’s south-eastern home state’s influence on their sound.



The CD and digital release of Banda Da Capital feature two bonus tracks from a separate concert at Museu de Arte Moderna, in Rio de Janeiro, on October 6th 1975. These are another arrangement of “Armina” and Toninho Horta’s stunning performance of his composition “Manuel o Audaz”, which he would later record with Pat Metheny and Lo Borges.



The recordings were taken direct from the sound desk at the show and have been restored and mastered by Frank Merritt @ The Carvery, London.



Banda Da Capital will be released on vinyl LP, CD and digitally on 2nd June 2023 via Far Out Recordings.

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Dance Floor Rituals kick things off strong with the first release on the label by a producer that will be no stranger to people in the know.

DJ and producer, Jorge Gamarra, has been crafting his skills for the best part of a decade. You can quickly notice his dedication to interesting sounds and strong baselines whilst listening to DFR’s first release. 4 tracks tailored for dark dance floors and long after hours. Emotional tracks with spiritual feeling and built intuition. The perfect music and artist to kick things off for this new label.

This is not one to be missed. Be quick!

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Russia's mellow music phenomenon Mikhail Khvasko aka A Vision Of Panorama teams up with lovely Japanese vocalist Eiko Hara for one of the smoothest yet danceable tunes of 2023.

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