Born in Recife, Brazil, and currently residing in Lisbon, Sam Nóbrega is a singer-songwriter, multi-instrumentalist, arranger, and producer.Influenced by the Brazilian melodies his parents sang and listened to at home and on the radio, and driven by his love for Brazilian folk songs, street culture, and genres and movements like samba funk, forró, Ijexá, Manguebeat, and Bossa Nova, Sam embarked on a journey of musical self-discovery. In 2017, he took the stage with his first shows presenting his original music, performing at the Misturada festival in Florianópolis, southern Brazil, and at renowned venues in his hometown. However, it was in 2019 that Sam Nóbrega unveiled his debut single, "A Vida Vai e Volta," showcasing his instrumental prowess in a live video on top of a building. Subsequent releases like "Ruas Desertas," an independent release during the pandemic, demonstrated Sam's versatility. His debut album "Ponta de Dois Lados," produced by Sam and Pedro Diniz, is slated for release by the British label Freestyle Records late November 2024. It is a rich sonic tapestry of Brazilian culture, blending traditional and popular elements with an indie and contemporary touch, creating an intriguing fusion of old and new sounds. Influences from João Donato, Marcos Valle, Milton Nascimento, Jorge Ben, Gilberto Gil, Novos Baianos, to the Manguebeat, Tropicalismo, and Vanguarda Paulista movements.

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Freestyle Records drop another UK boogie 12" rarity from Eddie Capone's Treatment, this time the previously white label-only "Only You Know What I Like" from 1985. Limited to 300 copies worldwide.A mainstay of the UK's reggae, soul, funk & rock circuits since the early 1970s, Eddie Capone has played with a diverse and revered collection of acts; Chairmen of the Board, The Foundations, Black Velvet, The Elgins, Arthur Brown's Kingdom Come, Arthur Lee's Love, Billy Preston and Edwin Starr to name but a few. Eddie was also part of short-lived group Casablanca, with David Costa & Barry Clarke of early 70's folk-rockers Trees, signed to Elton John's Rocket Record Company.

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Fronted by former South London lovers rock vocal harmony group, Alpha (sisters Jackie & Jean Heron and Marlene Richardson), Take Three was the brain-child of writer/producer trio "S.H.E." - Steve Sinclair, Peter Hinds & Kevin Ellis. Meeting each other at The Factory community centre in Paddington (now known as the Yaa Asantewa centre and in the last few years, The Yaa Centre) Steve & Kevin began a partnership writing and directing their own theatre productions as part of The Black Theatre Co-Op, which called the centre home at the time. When a song they had written together for one of their productions received praise and plaudits, the path toward writing and producing records began, bringing in more seasoned hand Peter Hinds - formerly a member of key brit funk groups Light of the World and Beggar & Co, and player with Incognito, Imagination & Loose Ends - to complete the circle. Take Three represented the first project for a creative partnership that would spawn multiple projects/aliases spanning the UK soul, funk & dance scenes, and still continues to this day. With this compilation we showcase for the first time the group's combined output as Take Three, complete with previously unreleased material.

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Freestyle Records drop a killer UK soul/early street soul reissue LP from 1988, in the form of Rick Clarke's hard to come by 'Time Keeps Moving On' album.
Originally appearing on the Raven label in 1988, Time Keeps Moving On constituted Rick Clarke's first LP following his work in the earlier eighties as part of brit-funk groups Potion and Side On, and solo output including Love with a Stranger (released on The Specials' Ghost Town's producer John Collins' Local Records imprint) and a few singles for RCA. Largely co-written and co-produced with Peter Hinds (Take Three, Atmosfear, Light of the World) and a guest turn from Master T aka Toyin Agbetu - this is foundational street soul that appeared at a time when the likes of Loose Ends were starting to break through to the US, and Soul II Soul just emerging.

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Freestyle comes correct again with a killer slice of 1987 UK Street Soul from Purely Fizzycal, originally issued on the duo's own Pure Impact Productions label.

North Londoner Trish Langley met South Londoner Ash Kamat initially in the the mid 1980s on Tin Pan Alley, while Ash was working at Rod Argent's keyboard shop and running UK soul-focussed zine Soul Trade, and the quickly began working together. Handling the programming and production, Ash says his inspiration came from a mixture of London pirate radio sounds and the US-based sounds of Kashief, Jimmy Jam & Terry Lewis etc. While Trisha's vocals and melodies were influenced by growing up listening to her parents reggae records, plus her brother's taste for the likes of Brothers Johnson, Maze, Isley Brothers, and a little lovers rock such as Janet Kay - which, together with Ash's raw drum machine sounds, bears all the hallmarks for this uniquely UK take on soul.credits

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Roy Hamilton, Cosmo Bowen and Dennis Palmer go back a long way to the early 80's when they were members of a 9 piece funk outfit called Breeze - playing regularly Upstairs at Ronnie Scott's along with bands like Hi Tension and Gonzalez. In 1984 they linked up for this one and only 12" on their own HBS imprint - a laid-back stomper that has become in-demand on the UK soul/funk collectors scene - now given a fresh new cut & press thanks to Freestyle Records' 12" reissue initiative!

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Freestyle drop a much needed and fully licensed 12" repro from 1984, in the form of Midnight Energy's Front Line b/w Saving All My Love originally released on Wal-Brooks Records. Two slamming sides of spenny electro-boogiefunk from out of New Jersey, written and produced by Tony McLachlan of the Fresh Band (of 'Come Back Lover' fame) - dig in!

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Following it's inclusion on Athens of the North's fabulous new compilation of underground UK soul Just A Touch, Freestyle Records drop a sorely needed 12" reissue of Sonja Ryshard's Step Back - mastered direct from the 1/2 tape, and served with the killer dub on the flip. Grab it quick!

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Freestyle Records presents the greatest hits and rare grooves from legendary UK lovers group, The Investigators. First issued in 1991, this compilation collects together the groups late 1970s to mid-1980s recordings.

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Freestyle Records proudly present a reissue of Gloria Weems' ace 1983 long-player "Lovelight" - previously only available on a rare South African pressing, and featuring the single "Wanna Dance With You" (licensed for a 12" on storied NYC label Prelude in the same year). The record was written and produced by Jim Duncombe and Chris Palmer - owner of London's legendary Groove Records and also the man behind UK funk/disco label Groove Production (Surface Noise, Linda Taylor, Caché etc). Chris & Jim had met earlier in the year at the Midem music conference in Cannes, and started writing together shortly after. The initial recording sessions were completed at Duncombe's Powerplay Recording Studios in Switzerland, with American vocalist Gloria Weems (then on a club tour of Switzerland) brought in on vocal duties. Palmer then added additional recordings and mixed the record down at Groove Production's London base. Criminally it was only ever picked up for release in super limited numbers through the South African label CCP Records - though Chris, through an ongoing licensing relationship via his Groove Production label, managed to license "Wanna Dance With You" and it's dubbed-out b-side "Wanna Version" to the legendary NYC label Prelude. Nevertheless the Lovelight LP represents a lost classic and a rare example of a transatlantic disco-boogie project in the era's golden period, in it's linking up of UK, European and American elements.

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Freestyle Records presents Albert "Alchemist" Thompson's Promise Land, an EP featuring vocals from reggae & dancehall greats Frankie Paul, Joseph Cotton, Prince Malachi & Anthony John, representing a musical collection that has gradually evolved, matured & marinated over the course of the past 32 years - now finally seeing it's first ever release. Albert Thompson (brother to the great Peter Chemist) was chief engineer at the storied I&I Sound Recording Studio after it moved it's base from Los Angeles to Jamaica in 1989, working with a wide range of heavyweight artists such as Dennis Brown, Bunny Wailer, Mighty Diamonds, Gregory Isaacs & many many more. During some studio downtime in early 1991, Albert laid down the rhythm track (itself a take on Aswad's Love Fire riddim, made most famous by Dennis Brown's iconic Promised land vocal track) with musical assistance from Tony Thomas. 16 years and a move to London later, Albert had founded his Alchemist Recording Studio on Brixton's Acre Lane in a space above the legendary Supertone Records - recording dubplates with talented local artists and touring Jamaican artists alike. Digging out the Promise Land tape, he proceeded to cut these 4 vocals on the version during the course of 2007. Another 16 years gone, and after hearing the tracks following a chance encounter with Albert in South East London, we felt they were finally ready to see release!

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Zach Phillips & Olia Eichenbaum met online in late 2018 and quickly began collaborating remotely, and in France and Brooklyn. First working together under the name the Pearly Gates, they toured western Europe together in 2019 with a common band shared between Olia's project Œ & Zach and Ma Clément's group Fievel Is Glauque. After taking a year off, it was during the early months of the pandemic that they started sending music and lyrics back and forth. Before they knew it, the entire Perfect Angels album was written and recorded in under a month, with Olia & guests' remote overdubs taking a bit more time. It was recorded entirely to Tascam 388 1/4" 8-track tape with computers intervening only during guest overdubs, mixing & mastering.

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Freestyle Records are proud to reissue Ambiance II Fusion's mid-80s fusion rarity "Come Touch Tomorrow" - originally recorded in Hollywood CA October/November 1984 and released in 1985. Following a yearly run of 4 albums self-released between 1979 and 1982, Nigerian-born saxophonist, flutist, and clarinettist Daoud Abubakar Balewa then took a few years off before returning with 1985's "Come Touch Tomorrow", the first of two albums issued under the updated name of Ambiance II Fusion. Combining the afro-spiritual jazz & be-bop inflected fusion of his earlier work as Ambiance, this record took the project into more modern & distinctly cosmic planes with the introduction of spacey pads and drum machines working alongside somewhat tighter arrangements and solid rhythm sectons. Of particular note here is the B1 track "Boy What a Joy" on which a sublimely funky synth & drum machine throwdown is presented in prophetically lo-fi fashion - recalling recent stylistic approaches from the likes of Dâm-Funk among others.

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Fronted by former South London lovers rock vocal harmony group, Alpha (sisters Jackie & Jean Heron and Marlene Richardson), Take Three was the brain-child of writer/producer trio "S.H.E." - Steve Sinclair, Peter Hinds & Kevin Ellis. Meeting each other at The Factory community centre in Paddington (now known as the Yaa Asantewa centre and in the last few years, The Yaa Centre) Steve & Kevin began a partnership writing and directing their own theatre productions as part of The Black Theatre Co-Op, which called the centre home at the time. When a song they had written together for one of their productions received praise and plaudits, the path toward writing and producing records began, bringing in more seasoned hand Peter Hinds - formerly a member of key brit funk groups Light of the World and Beggar & Co, and player with Incognito, Imagination & Loose Ends - to complete the circle. Following on from Freestyle's reissue of the group's first single around this time last year, in the form of 1983's Tonight's the Night, we decided to drop another killer 12" from the Take Three vaults - this time it's their last single released as Take Three in 1985. Can't Get Enough (of Your Love) was originally licensed out to, and released by Andy Sojka's seminal Elite label. It features two super extended mixes - the A side's "Soul mix" showcases the girls's harmonies pinned down by a big & heavy synth bass groove before moving into boogie-dub territory, while the B side "Reggae mix" introduces an ofbeat skank heightening the vocal stylings' lovers-esque tendancies.

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Two big 12" drops this week on Freestyle Records, in the form of both impossibily rare singles recorded by early UK street soul act Pause. Dating from the late 80s these 12"s represent some of the finest music to come out of this period of british soul music, and represent the entirity of the trio's known output! Pause was a boogie/soul side-project born out of popular lovers rock group The Administrators - who recorded a multitude of sides for the foundational Harlesden producer/imprint Cha Cha before going on to found the Groove & A Quarter label recording a series of hits on the lovers scene during the latter part of the decade. Pause's Hugh Pomells recalls a desire to take the music in a new direction as being the driving force behind the project, with the group also counting vocalist Sinclair in it's ranks (who would go on to record a series of hit singles for the Dome label in the early-to-mid 1990s). Alongside the seminal electro-boogie of 1987's "It's Just Amazing" came this, the smooth space-age soul jam "Got to Know" in 1988 - an absolutely killer jam, I'm sure you'll agree, and really quite ahead of it's time production-wise. As the only two singles ever recorded by the group, originally self-relesed in very small quantities, they have gone on to command massively inflated prices on the secondhand market. The first ever officially licensed reissues of these lost british soul classics will not hang about for long, so grab them quick!!!

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Pause was a boogie/soul side-project born out of popular lovers rock group The Administrators - who recorded a multitude of sides for the foundational Harlesden producer/imprint Cha Cha before going on to found the Groove & A Quarter label recording a series of hits on the lovers scene during the latter part of the decade. Pause's Hugh Pomells recalls a desire to take the music in a new direction as being the driving force behind the project, with the group also counting vocalist Sinclair in it's ranks (who would go on to record a series of hit singles for the Dome label in the early-to-mid 1990s). cPreceding the smooth space-age soul of 1988's "Got to Know" was this, 1987's seminal electro-boogie jam "It's Just Amazing". As the only two singles ever recorded by the group, originally self-relesed in very small quantities, they have gone on to command massively inflated prices on the secondhand market. The first ever officially licensed reissues of these lost british soul classics will not hang about for long, so grab them quick!!!

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Street soul grail alert! Freestyle reissue the previously white label-only Guess Who LP, originally released anonymously by Rick Clarke in 1992. Crossing ruff-but-sweet UK street soul sensibilities with stripped-back house, garage and hip-hop flavours, the Guess Who LP was dropped covertly during a period in the early 90s when Rick was signed up to Soul II Soul's Funki Dreds label, contractually restricting him from releasing his music elsewhere. Bubbling with creative energy and a slew of ideas that he just couldn't help himself from getting out there, Rick brought a range of friends and collaborators to his MJB Records studio in West Kensington where the LP was produced and recorded on his trusty Fostex E16 in a matter of a couple of days. Raw drum machines and simple but effective basslines & melodies abound across the album's 9 offerings - with tracks at times feeling like pencilled musical ideas still in flux. Highlights include Jill Francis' sublime vocal riding the stripped-back samba-esque groove of Gonna Make You Happy, the sugary soul harmonies of Imaani's Share My Love With You, and criminally short outro track Sweet Vibrations.

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Following on from the compilation of Contact-U's foundational UK dance music, 'Dancing Inner Space, 1982-84', Freestyle return to the Challenge Records vaults to reissue another killer Rick de Jongh & Andy Sojka production in the form of Distance's Just One More Kiss. "We usually recorded at Vineyard studio which was situated in a Victorian warehouse site behind Borough underground station (later owned by the Stock, Aitken Waterman production team)", recalls Rick de Jongh, "but for a reason I can't remember we recorded this record at Phil Fearon's home studio in Kensal Rise - he probably gave us a good deal!". Fearon had been a member of the band Kandidate and was at the time the lead singer and songwriter in Galaxy and would later go on to helm the legendary Production House label in the late 80s and into the early 90s. Rick recalls the studio, a converted back bedroom, being as well equipped as any pro studio though not without it's quirks - "the odd electrical glitch would occur, especially when somebody put the kettle on, which would play havoc with sync codes etc. and we would often have to start again!" Most of the track had been laid down by Sojka & de Jongh before approaching vocalist Janey Hallett. "At the time Janey was a vocalist with Mari Wilson & The Wilsations, who had a big hit a year or so earlier with 'Just What I Always Wanted' and was introduced to us by our regular keyboard player Garry Hughes, who also brought along Julia Fordham - then a fellow singer in the Wilsations - who provided backing vocals on the track." Challenge Records would again later utilize the backing vocals of both Janey and Julia on some of their forays into the world of Hi-NRG records. In places there is a certain Hi-NRG tinge to this track, and at times Janey's vocal (in combination with the stripped back and heavy electro backing track) bring to mind the US-based latin freestyle sound of the late 1980s. All in all, it is another piece of foundational & criminally undersung UK dance music, which surely has a place in a wide-range of DJ's record bags!


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Re Issue of CONTACT TACT001 on early 90s London based Discrete Records with the same cat number and track listing from the same master DAT .The demand for repressses of the Discrete back catolgue has been building for a number of years, These records now regularly change hands for over £80 on Discogs and the number of wants currently sits at over 1200

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London based label Natural Selection present their forthcoming release in the form of a 4-track 12" EP, courtesy of Versalife (aka Conforce), entitled "Genetic Cluster EP". Mastered by Dadub Studios, Berlin and cut by Simon at The Exchange Vinyl. Based in Rotterdam, Versalife has seen his music released by the most highly esteemed of Electro labels such as Frustrated Funk, Clone, Delsin & TRUST. Versalife returns to Natural Selection after releasing with the label via their inaugral VA compilation release "NS001" in 2021, with his track "Nostalgia", which has gained support by some of the most respected DJ's worldwide, inc. Dave Clarke, Plant43 & more. Genetic Cluster is an impeccably crafted Electro release that maintains bite and aggression, whilst its textures and atmospheres spiral into the ether, taking the listener on an unpredictable emotional journey.

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Changing Channels is the new album from Pangaea, AKA Kevin McAuley, his first since 2016's acclaimed debut LP In Drum Play and a jolting reminder that functional doesn't mean complacent. The seven tracks here are galloping, infectious and hypnotic, capturing Pangaea's skill at constructing bangers that reflect an innate experimental tilt without sacrificing impact. Tested across his international DJ sets, and developed during a healing period of introspection, these cohesive tracks attack and retreat with an urgent and emphatic focus on the dancefloor, and a precision so undeniable as to seem predestined. Set for release October 6th, Changing Channels is the culmination of several years of exploration and refinement and has a natural home on Hessle Audio, the label McAuley co-founded in 2007. The album has formidable, unstoppable grooves – a key part of Pangaea's intentions as DJ and producer – and gleam like marble set against concrete: sleek yet rough, attractive yet abrasive. His music has always felt more twilight than dead-of-night, where mysterious elements can emerge without feeling like a threat, and that holds here, with a warmth permeating the darkness.

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The bright new duo, Marcel Vogel & LYMA, triumphantly returns to Boogie Angst with their sizzling new EP offering, No Time. Following the recent release of their lead single, Free Time, we're proud to introduce four new, unique tracks to their burgeoning collection of juicy tunes. Funkiness and abstraction take center stage on this EP. Opening up with the previously released Free Time, featuring filtered vocals and an unconventional structure that blends rich synths with dusty analog stabs and 1990s rave plucks. The tempo slows down on Easy, a gorgeous song that sounds like a lost Sade demo, featuring subtle beatbox textures, tiny synth plucks, all ending up in a delightful culmination of delayed textures. Broken Wings begins with a captivating vocal performance, leading to a sturdy Roland bass drum, sustained chords, and resonant arp sequences, with hints of Freestyle. Flame On creates an almost tropical atmosphere with looping, scattered vocals and an abundance of cowbells. All before the EP closer, You're A Star, rounds things off with clunky basslines, a steady groove and hypnotic pitched vocals.


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Captn K of Picnic Records Australia is back with his trademark style of ultimate chill and vibe with a two sided Balearic odyssey. Sax-drenched, synth splashed and tuff drums. Soon to be a rare find, an exclusive release availabe on a limited run of 200 10" lucky dip rainbow vinyl. (Please note image is an example, due to the lucky rainbow pressing process every record will be different).

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Changing Channels is the new album from Pangaea, AKA Kevin McAuley, his first since 2016's acclaimed debut LP In Drum Play and a jolting reminder that functional doesn't mean complacent. The seven tracks here are galloping, infectious and hypnotic, capturing Pangaea's skill at constructing bangers that reflect an innate experimental tilt without sacrificing impact. Tested across his international DJ sets, and developed during a healing period of introspection, these cohesive tracks attack and retreat with an urgent and emphatic focus on the dancefloor, and a precision so undeniable as to seem predestined. Set for release October 6th, Changing Channels is the culmination of several years of exploration and refinement and has a natural home on Hessle Audio, the label McAuley co-founded in 2007. The album has formidable, unstoppable grooves – a key part of Pangaea's intentions as DJ and producer – and gleam like marble set against concrete: sleek yet rough, attractive yet abrasive. His music has always felt more twilight than dead-of-night, where mysterious elements can emerge without feeling like a threat, and that holds here, with a warmth permeating the darkness.

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First Word Records is very proud to welcome Ruby Wood to the label, with her debut solo EP 'Sincerely'. Ruby is a vocalist & songwriter hailing from Huddersfield, West Yorkshire. Her soulful yet distinctive voice has enabled her to front numerous projects; perhaps best known as lead vocalist of the critically acclaimed Submotion Orchestra, since 2009. She also toured as lead vocalist for Bonobo's live band, for Nubiyan Twist, and with hugely successful 1940's-esque vocal trio, The Sugar Sisters. There have also been features for dance outfits such as GLXY & Franky Wah, additionally to writing & recording for the likes of Krept & Konan, Alfa Mist, Roska, Hemai, Barney Artist and XOA, to name just a few.'Sincerely' is comprised of five tracks, firmly based in the realms of hip hop soul and neo soul sonically, with an unashamedly '90s R&B vibe throughout. Throughout the EP, Ruby's story tells tales of motherhood, relationships, commitment, independence and inspirations. Further collaborations on the set come from vocalist Isaac Malibu (on 'Mr. Unavailable'), wind player Arran Kent (on 'My Favourite Song'), and assistance on a couple of beats from acclaimed hip hop producer, Pitch 92 and San Diego's Martel Howard, along with more Submotion alumni, Danny Templeman, Dom Howard and Bobby Beddoe and the debut performance from Ruby's daughter, Amber!


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Building on the success of their first releases featuring Cornel Campbell, the Swiss producer duo "The Circle of Confusion" is set to drop a new single on Rocafort Records, featuring none other than English old-school reggae singer Wayne Paul. Active in the 90's and 2000's within the London label Big Dada, the artist of Jamaican origin sank into alcohol and drugs, before rising from his ashes fifteen years later. Now he's back with a powerful message of hope on this track called " Soul Of A Lion ". Wayne's soulful voice blends perfectly with the modern reggae feel created by The Circle Of Confusion. An 80s roots-oriented sound mixed with a crusty digital edge backed with a dope dub track makes the perfect 45 for reggae heads.

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The latest release from "Matasuna Records" is the result of a transatlantic connection between the USA and Germany, whose common denominator is the love for Brazilian music. The journey started 17 years ago when the German musical duo "Dubben" got in touch with the late American musician "Victor Meshkovsky". Almost two decades later, the Dubben interpretations of two songs that he once released with his band "Made in Brasil" on his own "Nucleus" label are now available! The second Dubben 7-inch on Matasuna features their great versions of the songs "Grilos Cantam Para Anamaria" and "One Two-Two" with a captivating vocal contribution by singer "María del Rosario". The 7-inch includes an inlay with detailed liner notes by Dubben about the background of this release. When Victor heard about Dubben's intention to reinterpret his version of the "Marcos Valle" classic Grilos Cantam Para Anamaria, he immediately loved the idea. This version is raw and funky, according to the original plan, with "Christina Joy's" original vocals isolated from the 1975 album. Bassist "MC Scholze" lifts the down-to-earth chord changes up into souljazz territories, while the typical ingredients of the Dubben sound – brass and percussion feeding tape delays and spring reverb chambers – happily groove along. Originally a psyched-out proggy-ish Brasil track, Dubben takes Victor's composition "One Two-Two", puts it in a box and sends it to Colombia. Of course, the parcel gets stuck on its way, much to the delight of the audience. A slow Cumbia burner with 100% organic ingredients: straight bass drum, fender bass, springy guitars, a detuned Italian organ and tons of improvised percussion, performed and recorded by the band themselves. Finally, "María del Rosario's" vocal contribution, in both English and Spanish, is more than just the icing on the cake - it's the Latin soul of the track. ¡Un dos-dos!

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Gatefold single vinyl LP with an 8 page 12" size bookelt in the other side of the gatefold. We're thrilled to announce the return of Tobor Experiment, the visionary musical project led by the enigmatic Giorgio Sancristoforo, to the Bearfunk fold. After a twelve-year hiatus, Tobor Experiment emerges from the shadows with their second LP, "Available Forms". Picture the ethereal ambiance of a dimly lit jazz club colliding with the futuristic vibrations of a 1970s sci-fi TV show, and you'll begin to grasp the sonic experience that awaits. Giorgio draws on a whole host of musical inspirations, from the name checked Tim Gane & Letitia Sadier to the moog pioneers Claude Denjean & Jean Jaques Perrey. With the moogsploration of contemporary jazz Tobor Experiment invites listeners on an extraordinary musical odyssey where jazz meets electronica meets nu-disco.Each track on "Available Forms" showcases Tobor Experiment's exceptional ability to transcend musical boundaries, creating a genre-bending album that defies all expectations. From start to finish, the soundscape presented is a testament to Tobor's relentless pursuit of musical innovation. Each composition is a fusion of diverse elements, seamlessly blending organic instruments and electronic textures in a way that challenges traditional genre classifications. The AI-generated artwork serves as a portal to an alternate dimension. Paying homage to the retro-futuristic aesthetic of 1970s science fiction TV shows, it captures the essence of the album's fusion between organic and electronic realms.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble. Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike. On the AA side, Beg, Borrow, Play marks the debut of The Outer Worlds Jazz Ensemble. The first in an ongoing series of 45s and LP issues, each Outer Worlds release will feature the immaculate grooves of the hard-working, unsung sidemen of the Leeds Funk, Latin and Ethio/Afrobeat scenes. The Outer Worlds series was conceived to feature visiting soloists who have made a beeline to ATA in search of a specific setting for their material, and represents ATA's ambition to encompass the very best in contemporary jazz/club/rare groove/exotica sounds. Beg, Borrow, Play kicks this off with ATA veteran Chip Wickham on baritone sax, and a slice of jazz exotica that owes as much to New Orleans Street Beat as to the Eastern moods of artists like Yusef Lateef and Ahmed Abdul-Malik. The result is loose and limber, with horns reminiscent of classic Art Ensemble of Chicago, and will appeal to fans of contemporary Afro-Futurist fusions

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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"BASELINE CAVI" is a collaboration album between Inland Empire/Los Angeles rapper Trizz and producer MIKE SUMMERS (aka Seven) from Kansas City. The album has that classic Westcoast Hip-Hop sound and the intro track gives that feeling right away. Guest features on the album are from Bino Rideaux, XV, T.F, ICECOLDBISHOP, John Givez and Bale. Though fans may not know it, this collaboration between Inland Empire California emcee Trizz and Kansas City production ace MIKE SUMMERS has been brewing for close to a decade. Back in 2013 SUMMERS (then known as Seven) was already a prolific producer signed to Tech N9ne's Strange Music label and Trizz was part of horrorcore legend Brotha Lynch Hung's Madesicc Muzic roster. The two connected while working on Lynch Hung's "Mannibalector" album and a spark for future work was laid. Linking up in spring of last year, the two creatively fed off each-other with the resulting album evoking classic West Coast melodicism and car-rattling thump. As Trizz states "this sh*t is so f*ckin authentic. It got bounce, it's swangin' and bangin! When you hear this album, you can feel it and damn near smell the palm trees and bomb ass weed." As SUMMERS relayed "It's probably different for a lot of my fans to hear a more classic West Coast style of production from me, but that style of production has always been embedded in my sound. I grew up on 90's West Coast Hip-Hops studying producers like DJ Quik and Dr. Dre. The only reason I started using lots of live musicians on my tracks was because I watched Quik do it. BASELINE CAVI really let me dig into that classic L.A. sound that I've always wanted to build with. Lyrically Trizz's immediately distinctive flow and storytelling abilities are at a new plateau with the emcee admitting "The lyrics on this album are probably more refined and defined because I just turned 30 and I have no more time to waste."

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More