Repress!

Moxie’s On Loop label is back with a new release from Eternal Ocean label founder Ronan. The new EP, Interdependence, follows on from his highly acclaimed debut album ‘Reflections On Intrinsic Value’ and further contributions to labels such as Pressure Dome, Vanity Press and Jungle Gym.

Ronan’s productions are described as ‘aquatic sounds for healing’ and this release for On Loop is no different. Very much driven by percussion, the EP opens with a trippy dub-infused ‘Suderoso’, whilst the second track ‘Interdependence’ showcases a more emotional driven production, filled with blissful, ethereal pads and hypnotic vocal samples. It’s a moment of reflection before picking things up again on ‘Geodesis’ where excitable drum patterns lead the way, bringing you to the centre of the dancefloor. ‘Morning Glory’ rounds off the EP in glistening style - the perfect sunrise anthem.

Deciding to take a brief hiatus after the 2020 release of Moxie Presents Vol. 5, On Loop made its return at the end of last year with the stunning release of Matisa’s ‘Peace Building’ EP. Back for good, the label has now evolved into a new era, signifying the start of this chapter with the the brilliant On Loop 001 compilation earlier this year. The release showcased Moxie’s global impact, enlisting new tracks from the likes of Eris Drew, Nicola Cruz, Space Ghost, Olive T, Nachtbreaker and more.

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Ronan’s journey has seen him move between Boston and New York, Washington State, Bogota, and most recently Mexico City. Rarely in one place for too long, his energy and enthusiasm for his craft carry that same roving sense of adventure, whether in his own expressive productions welding hyper-speed techno and classic hardcore into a dynamic whole, or through his Eternal Ocean imprint, which has notched a string of impressive releases from close friends and like-minded producers. Throughout, a sense of wide-eyed wonder and joy is the constant, an awe for its ability to transport and transcend, to become a calling in its own right, through sound and soul, a grounding force that becomes the guiding path through the world.

It’s that sense of possibility that dominates the sensibility of Vision Quest, Ronan’s second outing on Eternal Ocean, a four track offering recorded in Ridgewood, Queens just before he headed west in 2018. The tracks echo this awareness of a road stretching out before him. These are tunes about the journey, best exemplified by the snaking routes and pathways they pull the listener through: half-time breakdowns, sudden vocal stabs, hard-left turns and sudden shifts of tempo. Where previous Ronan EPs found their strength in meticulous mixing and track-craft, these embrace technique and arrangement as means to an end, resulting in lyrical, ever-evolving tunes that show an artist embracing the time given to create worlds unto themselves.

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For his debut release, Ronan delivers ‘Prolongez La Magie’, a 4 track EP that explores both the cerebral and somatic sectors of modern dance music. Touching on his influences as a classically trained instrumentalist and jazz improviser he uses the forms of club music to create sonic environments that envelop the listener with layers of narrative depth and idiosyncratic character. From the whipcrack bass pressure of ‘Internal Revelation’ and the broken beat trance of ‘Surface Dive’ to the aqueous and narcotic take on UK techno found in ‘Cellular Matrix’ and ‘Tracheal Impulse’ he finds himself in a singular space, setting up a strong and unique foundation from where there’s no telling what he’ll come up with next.

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Following in the sublime wake of releases from Ronan and Ocean Stirs, Christopher Ledger is the latest to make Another Place his home.

Splitting time between Berlin and Rome, ‘Access Denied’ is the latest addition to a back catalogue paying no mind to shifting trends. Timeless, ultra-refined deepness flush with wide-eyed wonder and positively utopian NRG.

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From the fertile ground that gave us X-Kalay comes a new initiative. Christened Another Place, the inaugural release, courtesy of London’s Ocean Stirs, sets the label’s stall out with a glorious volley of lush breakbeat ballistics. Same faces, new signal, different intent.

Complete with a quote from Dune author Frank Herbert, 'Luminescent' sets fathoms-deep bass frequencies against widescreen pads and heart-rending melodic flourishes. Then, not to be outdone, key jungle revivalist Tim Reaper assumes remix duties on the A2. Beefed up with rough-cut percussion and propulsive flex, the Future Retro founder brings a hefty dose of jungle acceleration.

‘Pressure’ does exactly what it says on the tin: serious low-end dynamics laced with euphoric melancholy. ‘Stitch’, on the other hand, melds everything there is to love about its predecessors. The exquisitely calibrated introspection recalling echoes of Goldie's seminal 1995 masterpiece, ‘Timeless’.

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Tracklisting:
A1 Unknown Artist - 2 boys' bootleg
B1 Fred Hush - No way back
B2 Fred Hush - Momenstoch

Sales Note
Artist unknown - 2 boys bootleg

You cannot pass up this absolute hit. A compelling catchy vocal on an iron beat that completely rocks the dance floor. Do not expect a dry kick but an energy that completely fills the room. Ideal ending if you want the tent to be on fire. As the track itself says, you will not be disappointed, on the contrary

Fred Hush - No way back

Very constructive violence with an incessant break that you do not expect.

Fred Hush - Momenstoch

You simply must have this DJ tool from Fred Hush in your arsenal. Minimalistic with an original sound
that is the steak of the record. It is exactly a futuristic old skool record.

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Tracklisting:
A1 Lewis Fautzi - Total Absence
A2 Lewis Fautzi - Paranoia
B1 Lewis Fautzi - Ground State
B2 Lewis Fautzi - Uncertainty

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Familiar Strangers founder Remotif heralds the 30th release, complete with a digital-only remix from Youandewan.

The first half finds the Bristol mainstay at his deadliest. Harnessing pure proggy momentum, peak-time scorcher ‘In the Blink of a Cosmic’ comes hurtling out the tracks. ‘It’s Inside U’ then keeps pace with more of that driving, fractal pressure. Tunnelling wormhole torque straight out the nether-realm.

Comparatively restrained but no-less mind-altering, the B-side embarks on a full-blown vision quest. Where breaks-fuelled cut ‘For Love or Money’ nods to early ‘90s bleep, ‘In The Mo¨bius Strip Club’ ushers into a chugging, ritual-ready space. Proper third-eye dilating stuff.

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For their first release, London label Moonworks are reissuing two highly sought-after UK house bombs from Carlos Baker aka Serpico to mark the 30th anniversary of its original 1993 release.

'Just Can't Stop' is a record which fell through the cracks, deemed not commercially viable enough by the major label that Serpico was signed to at the time. Determined to get the music out there, Baker decided to self-release a limited run of blue labelled vinyl. Several big independent labels of the '90s were subsequently interested in putting out the tracks, however it never came to fruition.

Over 30 years this record has aged gracefully, inspiring generations of diggers with its quirky euphoric feel, weighty low-end and intoxicating synthwork becoming a prized possession for some of the biggest names on the scene, with original copies trading hands for £100+. Whether you draw for the ecstasy-inducing Incantation Mix or the acid-infused Orca Space Dub, there’s no denying this is a timeless masterpiece from the UK underground.

Moonworks have worked closely with Serpico to bring this gem back down to earth, restoring the tracks from the original DAT tapes at Gat Decor’s studio, remastering them to modern standards and finally giving this music the official release it deserves.

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First released in 1996 on the one off label Quake Records, K.G. Beat’s (a.k.a. Kenneth Graham) “Breathing Engine” EP is reissued by Coming From… Returning To…

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Putting a pigeon amongst the cats we are back with that good shit. An out of step, incidental artifact of peaceful sophistry: YS - Brutal Flower (2 x “12 LP). A no airs and graces piece of cool future-proof ambience. A modern ballad for brave young clubbers, local pubbers, slipstream warriors, and emotional doggers.

The distinctive aesthetic hallmarks of YS are all here: slabs of urban flavor from emotional interior; raw data straight from the interface. ‘Untethered’ and ‘Down’ are chopped-up cuts of searching R’n’B - jaded jams of lustful erasure. On the flipside, blunted desire lingers in ‘Fading Memory’. Both hopeful and mourning: this is the lay of the land in Brutal Flowers sharing that rare strain of underground synesthesia best located in dark undercurrents of early Mo Wax.

The orchestral ambience of ‘Autumn OST’ is a potent stupor of end credit cinematics. Coming up for air. It feels young in an ancient sort of way: pure as first snow. And from here in the album unfolds with the patience, tranquility and the expansive poise of a work that is for now and always. Pulsating gently to assured ending with ‘Be Together’ - a flickering skyline, swarming with warm memories. In between there’s flashes of heartbreak reminiscent of Beltran's Ten Days of Blue and Blunt’s Stone Island (‘Look Up’ feels like a sort of spiritual successor to ‘Wake up’), that being said, when push comes to shove it only it ever flirts with its own reality.

An aesthetic reflection of a creative process that is delicate and restless. Created in the edges, where long distances, fast cities and global melancholia are wrought large. Burning the midnight oil Berlin-Singapore style: from real to reel. A sentimental exercise of modern faith by old friends. With a nudge and a wink, Brutal Flowers is a (de)coded map of memories wavering with familiar intrigue. Patient listeners and the already initiated will be rewarded on re-visits - as playful & profound as you please, as deep as the heart.

The scathe that cuts is clean and deep. There are no sleight of hands to be found in this opus, only hearts are worn on the sleeve here.

A hill we’d gladly die on. Pace & luv,

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An absolute timeless classic from a golden era of greatness, Lazer Worshippers - Lazer Worshippers Theme is one of those gems that has transcended generations, with a demand and price tag for the original that sees it trade hands for £100+.

Produced in 1993 by Damon Wild and Tim Taylor it was first released on NY’s pioneering EX or Experimental Records, yet this is the first vinyl reissue since its original release. This unique 12 Inch contains all three versions of the title track compiled from 2 separate EX releases - EX-03 and EX-19.

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Visions Recordings is really excited and happy to present the brand new single from Kriss a.k.a.Life Recorder with a 4 tracks Ep, TIME MOODS 2 , the sequel of TiME MOODS released in 2021.

Based in the city of Marseille , South of France, Life Recorder is no new to the Detroit and Chicago house scene and has released a few great singles on various label such as Aesthetic audio and Hizou , but also on his really great imprint Life Notes Records.

We Loved so much the first EP and we got so many people into it , that we decided to do a follow up of TIME MOODS and the outcome is once again time amazing . The 4 tracks are all really great jams going from deepness to acid and soulful vibes keeping the Chicago house feel and the dance floor grooves with a really crisp and heavy sound, the specific sound of LIFE RECORDER.

We fell in love with those tracks straight away when we received them and we hope you will too. Visions is about keeping the standard high and varied and once again we try to present you quality and deepness. Enjoy the ride.

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From the artwork to the vocal stamps to the beats themselves, this is a brilliantly retro-tactic release that brings plenty of nostalgia to the dance floor. Ursula 100 serves up the goods with 'Movin' 2 The Sound' - a dense and intense cut with vocals musing on drum beats and rocking the house, electro-tinged bass and lashings of acid with plenty of analogue percussive sounds. The Acid Jerks Refix strips away some of the noise to focus on the 303 and loopy vocal fragments and Fort Knox 5 up the acid-electro vibes on their rework. Last of all, the DJ Absolutely Shit remix brings some big jungle breakbeats and lively sax. A fun and destructive EP for sure.

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The third record from the friends for the bag.

A mix of kicks returning two familiar foes and adding two new friends to the scene. Extended instant release for this one.

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