Tracklisting
A1 Vlado - Asymmetry
A2 Bad Boy Pete - We All Win
B1 Chris Liberator & Sam DFL feat. Tab K - DeadSociety
B2 Maxx Rossi & P.I.N.O. Lopez - Rave On

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WAS - Word and Sound Medien GmbH
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Tracklisting:
A1 Sterling Moss - The Last Days Of Disco
A2 Tik Tok - Ravers Advice Bureau
B1 David Oblivion - Lost Found
B2 Punto - Groove Inferno

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Tracklisting:
A1 David Oblivion - T.H.E.F.U.N.K.
A2 3Phazegenerator - Signal
B1 Seon - 24Siempre
B2 Ryuji Takeuchi - Ghost Town

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Tracklisting:
A1 Yant - Vortex Of Lincos
A2 Yant - The Raum
B1 Yant - Linguism
B2 Yant - Transient Pulse

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Tracklisting:
A1 1morning - Dilate
A2 1morning - Power Source
B1 Céilí - Slip Something
B2 Céilí - Well for Some

Sales Note
Mala Adh presents their new split EP series '2BY2'.

LA's latest vinyl purveyor 1morning meets Irish label head Ceili for a deliverance of grooving Techno through Tribal techniques.

Two tracks each on another hand stamped 12"
When it's gone, it's gone.

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Tracklisting:
A1 Stephen Disario - Filling The Void
A2 Stephen Disario - When They Fall
B1 Stephen Disario - Sixth Sense (Ketch remix)
B2 Stephen Disario - Sixth Sense

Sales Note
Conundrum Records is back for its third installment, presenting the sophmore release from label head Stephen Disario. The "When They Fall EP" showcases three original tracks alongside an exceptional remix by SYXT/Glukkon Records boss, Ketch. A long-standing and respected figure within the lively Los Angeles music scene, Stephen's signature stripped-back and pulsating sound takes center stage right from the outset. This EP further solidifies the burgeoning label's reputation as a distinguished hub for top-tier techno.

Starting things off is "Filling The Void", a moody and otherworldly track with a rolling groove and sharp percussion. The echoing, almost chant-like pads wrap you in a mysterious atmosphere, creating a sense of curiosity and anticipation.

The title track, "When They Fall", takes a more lively direction, driven by rhythmic percussion and spacey blips, along with a swelling bassline that adds extra depth and movement.

The B side of the EP features Ketch's remix of "Sixth Sense", where urgent percussive elements blend over a steady low-end foundation, guided by a strong kick drum that pushes the track forward with unwavering determination.

Bringing the release to a powerful conclusion is the original track "Sixth Sense", in which Stephen increases the energy, skillfully using ride cymbals and on-beat claps to highlight moments of high intensity. All of this is done while working within a more limited range of sounds, showcasing his ability to create captivating sonic stories within a controlled framework.

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Tracklisting
A1 Sciahri - Dying Nature
A2 Sciahri - No Regrets
B1 Sciahri - Purity
B2 Sciahri - Aurora



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Tracklisting:
A1 Alex Wilcox - Always
A2 Alex Wilcox - Woo
A3 Alex Wilcox - Response
B1 Alex Wilcox - I Think I Know I Am
B2 Alex Wilcox - I Think That I'm A _ _ _ _ _
B3 Alex Wilcox - 700
B4 Alex Wilcox - Sleep Paralysis

Sales Note
Deep down the rabbit hole you'll find Alex Wilcox in a hurry. Not without a healthy dose of irony he debuts on Trip with 6 razor sharp high octane minimal bangers. grabbing your attention straight away these fast paced perky tracks cut with the precision of a surgeon will turn every dancefloor into a giant sonic wormhole.

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Tracklisting:
A1 P.E.A.R.L. - Riding Dirty
A2 Not A Headliner - In Essence
B1 Ryan James Ford - Cassarole
B2 DJ TOOL - So Different

Sales Note:
Falling Ethics' sublabel Moral Standards presents their first V.A. with a stellar lineup of some of the most relevant names of this era.

P.E.A.R.L. starts off the 4-tracker with a groovy and stripped back tool, whereas Not A Headliner contributes a rather driving track, typical for his sound.

On the B-side Ryan James Ford comes with a heavy thumping track led by staccato synth stabs. To close off the V.A., DJ TOOL has the deepest and most trancy cut with stripped back drums and dreamy synths.

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is a selection of two acts who are very meticulously looking for their sound. Through the cooperation of both artists, new things have actually been created, which transports the interior of the two to the outside! Between glaring synthesizer sounds, unique textures always crowd paired with a solid baseline. Bite, which is the first piece of cooperation, already lasted more than 100 hours in the arrangement and sound design. The two often call it aesthetic sound image, which is why no other mastering professional came into question than Dial Audio/ Alex. In the overall picture, it is more of a kind of "small album" because it was created from different intentions and over a longer period of time.

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Lisbon is undergoing a lot of changes but its substance can't be stopped. Record label Para?so reminds us of that with its 12th release by label co-founder Shcuro who strips things back to assert what truly remains however much time may pass. 'It Lasts Forever' is the producer's ode to structural things in his inner life that will keep flowing on unchanged, be it the love for his wife; his reverence to techno - hence the use of classic drum machines like Roland's 909, 808 and 707; to friendship and community - having one of his dearest mates Steffi take part via the remixer chair. Dubbed-out, expertly sound-sculpted stabs punctuate 'Together' alongside a 808 boom bass, vocal cut-ups creating a versatile, instant classic vibration to open the EP. 'U.N.I.' takes us on a stroll to jacking rhythms in its fast-paced, tom-heavy fusion of rawer techno traditions and dub techno realness. 'We Are Eternal' delves deeper into sonic themes of bliss, gratefulness and hope, taking us on an emotional journey that feels smooth and intense at once. Utter legend of all things dance music Steffi picks up the opening track and adds propulsive percussion and further melodic elements to it, creating the perfect gem to close this record.

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Tracklisting:
A1 Chris Liberator & The Geezer - We Are Acid
A2 Bad Boy Pete - Rasta Music
B1 The Germ - Si-194
B2 RAT - Rebirth
B3 Ege Bam Yasi - Henhouse






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The next jewel to be unearthed from Planet Euphorique is the much anticipated debut ep from London based eoin dj. This stellar release is an anything goes collage of samples, moods and grooves from all corners of the dance music spectrum, all the while going steady and keeping it club-ready.

Play Nasty puts its money where its mouth is; titillating vocal chops flit and flirt around fiercely precise drums and throbbing bass notes; modern sound hacks are diced and spliced with classic techno motifs. The end result sits somewhere between a punctual club tool and a peak time hot-and-sexy-moment-on-the-dancefloor number, with Pulsing Crystal taking the same hybrid approach. Basslines and kick drums come in and out and change positions - the track is an amalgam of hard house, electro and techno primed for any hour of the night.

On the flip comes Artificial Intelligence, the second collaboration between eoin dj and Byron Yeates. A tried and tested no frills tek stomper made to rattle and shake, with peaks and troughs stationed around an irresistible vocal sample: Heads down, hands up, say no more. The tempo is bumped up a notch for title track Fantasi, the creation mix flexes phased arpeggios that drift around a simple but sultry hard house bassline, which barely relents for the duration of the track. Kaleidoscopic vocal chops, prototypical stabs, skittering percussion; the B side comes together with a deliciously unified sound palate, sitting in the sweet spot between psytrance, hard house and techno.

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Lehman’s club resident David Löhlein’s warm-blooded techno is slinking, slithering and seducing its way through BNR, with the upcoming Hotel Pool EP release.


TRACK LISTING

A1. Hotel Pool
A2. La Piscina
B1. Cuando Vengas
B2. I Just Want


INFO

When picturing the German techno scene, one likely imagines the concrete monoliths of its capital city Berlin rather than the vineyards and valleys of the enchanting city of Stuttgart in the southwest. But small cities lack the oversaturation and noise of the metropolis, allowing them to develop their own inspired and distinctive subcultural visions. Stuttgart’s David Löhlein exemplifies this potential, manifesting a singular style of sight and sound through his Vision Ektase project and residency at Lehmann Club. Now, Löhlein’s warm-blooded techno is slinking, slithering and seducing its way through BNR, with the upcoming Hotel Pool EP release.

There’s no hesitation before plunging into the EP’s titular track, with its rushing fingered basslines and rolling polyrhythms. Löhlein cites solo travels in Columbia as the source of his Latin influences, and one hears them throughout “Hotel Pool” in vocal and percussive samples. Elements more commonly found in Latin and tribal house feel uncommonly fresh once Löhlein recontextualizes them within a 144 bpm techno foundation. The words “groovy” and “sexy” are usually reserved for the stuff of Buddha Bar compilations, but “Hotel Pool” is exhilarating because it serves both of the former and none of the latter.

A stream of hedonism flows beneath all of the four-tracker, but if the opener is erotic, A2 “La Piscina” is psychedelic. The bass flutters like a mescaline come-up, as infinite loops of chattering voices and deep bamboo pipe notes mesmerize. Again, Löhlein takes certain genre tropes - in this case from psytrance - and transposes them through his own stylistic signature with thrilling results. Ask Löhlein if he likes psytrance and the answer might be “Yes, when it’s techno.”

Leading the flip, “Cuando Vengas” heats up around a dark and sticky loop of ambiguous, organic origin. Here Löhlein’s masterful sample and drum programming is clearly on display, with vocal chops and subtle rhythmic variations leading the dancefloor to shivering bliss. The EP closes with “I Just Want,” a sparse, cold, and bitcrushed stalker of a track that seems to answer Baudrillard’s famed question “What are you doing after the orgy?” That the Hotel Pool EP’s wild romp ends in the Berlin oeuvre perhaps proves the city’s primacy in the German techno scene, but after a few listens one begins to wonder what rare pleasures they’ve been missing in David Löhlein’s Stuttgart.

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