1
Niko Tzoukmanis - Through The Night
2
Niko Tzoukmanis - Another Dawn
3
Niko Tzoukmanis - Neutron City
4
Niko Tzoukmanis - Way Home
5
Niko Tzoukmanis - Flashback
6
Niko Tzoukmanis - Sanskrit
7
Niko Tzoukmanis - Fallen Angel
In the realm of computer-generated music, all compositions are essentially binary, consisting of zeros and ones, representing data and information. Within this binary structure, every musical event exists amidst a backdrop of unchosen possibilities, creating a sense of absence and mourning for what could have been. The bittersweet emotional quality often found in certain electronic music may stem from a combination of its underlying aesthetic principles, a yearning for a lost vision of the future, and the subtle interplay between presence and absence inherent in the creative process itself.
Released for the first time on vinyl and including 2 unreleased tracks, Tales From The Silent City is a deep electronic journey with the unmistakable Niko Tzoukmanis's sound and sensitivity. The album features sequences that shimmer and persist, while gentle pads offer soothing relief to weary listeners.
Tales From The Silent City not only draws inspiration from a nostalgic era of sequencer-driven music but also anticipates the trend of seeking solace in '90s-influenced ambient techno during uncertain times.
A1 - Through The Night
A2 - Another Dawn
B1 - Neutron City
C1 - Way Home
C2 - Flashback
D1 - Sanskrit
D2 - Fallen Angel More
Released for the first time on vinyl and including 2 unreleased tracks, Tales From The Silent City is a deep electronic journey with the unmistakable Niko Tzoukmanis's sound and sensitivity. The album features sequences that shimmer and persist, while gentle pads offer soothing relief to weary listeners.
Tales From The Silent City not only draws inspiration from a nostalgic era of sequencer-driven music but also anticipates the trend of seeking solace in '90s-influenced ambient techno during uncertain times.
A1 - Through The Night
A2 - Another Dawn
B1 - Neutron City
C1 - Way Home
C2 - Flashback
D1 - Sanskrit
D2 - Fallen Angel More
More records from Niko Tzoukmanis
1
Niko Tzoukmanis - Blue Valentine
2
Niko Tzoukmanis - Raindrops
3
Niko Tzoukmanis - Disorder
4
Niko Tzoukmanis - Green Belt
5
Niko Tzoukmanis - Floating Free
6
Niko Tzoukmanis - Free Hugs
7
Niko Tzoukmanis - Twinkle
8
Niko Tzoukmanis - Relief
9
Niko Tzoukmanis - Eastern Mantra
10
Niko Tzoukmanis - 24 Hours
11
Niko Tzoukmanis - The End
"Androids may not yet dream of electric sheep, but maybe computers do sing sad songs."
In 2013, Tzoukmanis released ‘Hope Is The Sister Of Despair’, issued here for the first time on vinyl with 4 previously unreleased tracks.
The album was made following the end of a relationship and the happy/sad feeling is everywhere in this music. Sequences twinkle and nag, soft pads pour balm on tired ears and when drums do appear they provide an intimate framework rather than a call to the dance floor. The album taps into a rich vein of sequencer romanticism, from Tangerine Dream-obsessed-‘Berlin School’ daydreamers to the whole nebula of music inspired by Warp’s Artificial Intelligence series. It also looks forward, prefiguring the return today, in troubled times, to the comforting inner space of ‘90s-worshipping ambient techno.
The German word ‘weltschmerz’, roughly translating as ‘world sadness’, fits this music well. The melancholy it inspires feels collective, almost heartening. Sorrow might be said to infuse the technology’s basic building blocks – Leibniz’s binary ‘one’ bereft of its ‘zero’, its presence twinned with absence. But there is hope, too, in the network of actions and decisions that have been fashioned here into melody and rhythm.
A1 - Blue Valentine
A2 - Raindrops
A3 - Disorder
B1 - Green Belt
B2 - Floating Free
B3 - Free Hugs
C1 - Twinkle
C2 - Relief
C3 - Eastern Mantra
D1 - 24 Hours
D2 - The End More
In 2013, Tzoukmanis released ‘Hope Is The Sister Of Despair’, issued here for the first time on vinyl with 4 previously unreleased tracks.
The album was made following the end of a relationship and the happy/sad feeling is everywhere in this music. Sequences twinkle and nag, soft pads pour balm on tired ears and when drums do appear they provide an intimate framework rather than a call to the dance floor. The album taps into a rich vein of sequencer romanticism, from Tangerine Dream-obsessed-‘Berlin School’ daydreamers to the whole nebula of music inspired by Warp’s Artificial Intelligence series. It also looks forward, prefiguring the return today, in troubled times, to the comforting inner space of ‘90s-worshipping ambient techno.
The German word ‘weltschmerz’, roughly translating as ‘world sadness’, fits this music well. The melancholy it inspires feels collective, almost heartening. Sorrow might be said to infuse the technology’s basic building blocks – Leibniz’s binary ‘one’ bereft of its ‘zero’, its presence twinned with absence. But there is hope, too, in the network of actions and decisions that have been fashioned here into melody and rhythm.
A1 - Blue Valentine
A2 - Raindrops
A3 - Disorder
B1 - Green Belt
B2 - Floating Free
B3 - Free Hugs
C1 - Twinkle
C2 - Relief
C3 - Eastern Mantra
D1 - 24 Hours
D2 - The End More
More records from Libreville Records
1
Niko Tzoukmanis - Blue Valentine
2
Niko Tzoukmanis - Raindrops
3
Niko Tzoukmanis - Disorder
4
Niko Tzoukmanis - Green Belt
5
Niko Tzoukmanis - Floating Free
6
Niko Tzoukmanis - Free Hugs
7
Niko Tzoukmanis - Twinkle
8
Niko Tzoukmanis - Relief
9
Niko Tzoukmanis - Eastern Mantra
10
Niko Tzoukmanis - 24 Hours
11
Niko Tzoukmanis - The End
"Androids may not yet dream of electric sheep, but maybe computers do sing sad songs."
In 2013, Tzoukmanis released ‘Hope Is The Sister Of Despair’, issued here for the first time on vinyl with 4 previously unreleased tracks.
The album was made following the end of a relationship and the happy/sad feeling is everywhere in this music. Sequences twinkle and nag, soft pads pour balm on tired ears and when drums do appear they provide an intimate framework rather than a call to the dance floor. The album taps into a rich vein of sequencer romanticism, from Tangerine Dream-obsessed-‘Berlin School’ daydreamers to the whole nebula of music inspired by Warp’s Artificial Intelligence series. It also looks forward, prefiguring the return today, in troubled times, to the comforting inner space of ‘90s-worshipping ambient techno.
The German word ‘weltschmerz’, roughly translating as ‘world sadness’, fits this music well. The melancholy it inspires feels collective, almost heartening. Sorrow might be said to infuse the technology’s basic building blocks – Leibniz’s binary ‘one’ bereft of its ‘zero’, its presence twinned with absence. But there is hope, too, in the network of actions and decisions that have been fashioned here into melody and rhythm.
A1 - Blue Valentine
A2 - Raindrops
A3 - Disorder
B1 - Green Belt
B2 - Floating Free
B3 - Free Hugs
C1 - Twinkle
C2 - Relief
C3 - Eastern Mantra
D1 - 24 Hours
D2 - The End More
In 2013, Tzoukmanis released ‘Hope Is The Sister Of Despair’, issued here for the first time on vinyl with 4 previously unreleased tracks.
The album was made following the end of a relationship and the happy/sad feeling is everywhere in this music. Sequences twinkle and nag, soft pads pour balm on tired ears and when drums do appear they provide an intimate framework rather than a call to the dance floor. The album taps into a rich vein of sequencer romanticism, from Tangerine Dream-obsessed-‘Berlin School’ daydreamers to the whole nebula of music inspired by Warp’s Artificial Intelligence series. It also looks forward, prefiguring the return today, in troubled times, to the comforting inner space of ‘90s-worshipping ambient techno.
The German word ‘weltschmerz’, roughly translating as ‘world sadness’, fits this music well. The melancholy it inspires feels collective, almost heartening. Sorrow might be said to infuse the technology’s basic building blocks – Leibniz’s binary ‘one’ bereft of its ‘zero’, its presence twinned with absence. But there is hope, too, in the network of actions and decisions that have been fashioned here into melody and rhythm.
A1 - Blue Valentine
A2 - Raindrops
A3 - Disorder
B1 - Green Belt
B2 - Floating Free
B3 - Free Hugs
C1 - Twinkle
C2 - Relief
C3 - Eastern Mantra
D1 - 24 Hours
D2 - The End More
1
The William Penn Jazz - Meditation
2
The William Penn Jazz - Carvings
3
The William Penn Jazz - Naima
4
The William Penn Jazz - Blessings And Glory To God
5
The William Penn Jazz - Lazy Bird
6
The William Penn Jazz - Dolphin Dance
Superb spiritual jazz meets classical choir from 1982.
The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie
performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably,
with Del Jones for the now cult album Positive Vibes.
Carvings, recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and
features clear influences of both jazz and classical music. The Ensemble's uncommon association of African American and
white members at the time results in a unique fusion of cultural influences that is reflected in the music.
The musical journey is both profound and spiritual, taking listeners on an experience that is both deep and meaningful.
TRACKLIST:
A1. Meditation
A2. Carvings
A3. Naima
B1. Blessings And Glory To God
B2. Lazy Bird
B3. Dolphin Dance More
The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie
performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably,
with Del Jones for the now cult album Positive Vibes.
Carvings, recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and
features clear influences of both jazz and classical music. The Ensemble's uncommon association of African American and
white members at the time results in a unique fusion of cultural influences that is reflected in the music.
The musical journey is both profound and spiritual, taking listeners on an experience that is both deep and meaningful.
TRACKLIST:
A1. Meditation
A2. Carvings
A3. Naima
B1. Blessings And Glory To God
B2. Lazy Bird
B3. Dolphin Dance More
1
Guy Cuevas - Obsession (The Nassau Mix)
2
Guy Cuevas - Obsession (The Paris Version)
3
Guy Cuevas - Obsession (The London Mix)
4
Guy Cuevas - Ebony Game
5
Guy Cuevas - Island In My Mind (Edit)
6
Guy Cuevas - Everywhere Is My Home
7
Guy Cuevas - Gallo Negro (The Ronan Mix)
8
Guy Cuevas - Quiereme Un Poco (The Instrumental Mix)
Libreville Records presents Tot.l Cuevas, a seminal compilation album of legendary DJ Guy
Cuevas's own music.
Guy Cuevas is a French-Cuban writer, musician, and DJ, pioneer of the art of modern DJing.
A key figure on the Paris night scene, Guy Cuevas gained a cult status as the resident DJ of the
mythical nightclub Le Palace, gathering thousands of people every night under his booth,
shepherding them with his music towards euphoria. He also collaborated with a great number of
Fashion brands, such as Yves Saint Laurent, Kenzo, Dior, Hermes and many more.
In the early 80s, Guy Cuevas released a handful of records, channeling his hedonism and natural
grandeur into his sound, creating a unique music of his own.
Tot.l Cuevas brings together music from his three singles Ebony Game (1981), Obsession (1982),
and Gallo Negro (1984), and includes previously unreleased alternate mixes.
Guy Cuevasfs most iconic output, "Obsession - The Nassau Mix" (mixed by Francois K) gets a
fresh new reboot with "Obsession - The Paris Version".
Remastered from the master tapes.
TRACKLIST:
A1.Obsession (The Nassau Mix)
B1.Obsession (The Paris Version)
B2.Obsession (The London Mix)
C1.Ebony Game
C2.Island In My Mind (Edit)
D1. Everywhere Is My Home
D2. Gallo Negro (The Ronan Mix)
D3. Quiereme Un Poco (The Instrumental Mix) More
Cuevas's own music.
Guy Cuevas is a French-Cuban writer, musician, and DJ, pioneer of the art of modern DJing.
A key figure on the Paris night scene, Guy Cuevas gained a cult status as the resident DJ of the
mythical nightclub Le Palace, gathering thousands of people every night under his booth,
shepherding them with his music towards euphoria. He also collaborated with a great number of
Fashion brands, such as Yves Saint Laurent, Kenzo, Dior, Hermes and many more.
In the early 80s, Guy Cuevas released a handful of records, channeling his hedonism and natural
grandeur into his sound, creating a unique music of his own.
Tot.l Cuevas brings together music from his three singles Ebony Game (1981), Obsession (1982),
and Gallo Negro (1984), and includes previously unreleased alternate mixes.
Guy Cuevasfs most iconic output, "Obsession - The Nassau Mix" (mixed by Francois K) gets a
fresh new reboot with "Obsession - The Paris Version".
Remastered from the master tapes.
TRACKLIST:
A1.Obsession (The Nassau Mix)
B1.Obsession (The Paris Version)
B2.Obsession (The London Mix)
C1.Ebony Game
C2.Island In My Mind (Edit)
D1. Everywhere Is My Home
D2. Gallo Negro (The Ronan Mix)
D3. Quiereme Un Poco (The Instrumental Mix) More
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mu tate - frank's hublots
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mu tate - all night drip (feat. Nikolay Kozlov)
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mu tate - ?? (feat. Space Afrika)
5
mu tate - was it holy (Feat. Desirée Monique)
6
mu tate - opague333
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mu tate - me when u
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mu tate - they're with you always (feat. Igor Dyachenko & Mathilde)
Utter (in collaboration with 3XL) presents mu tate's second album 'they're with you always', featuring Joshua Inyang (Space Afrika), Nikolay Kozlov, Desirèe Monique, Igor Dyachenko and Mathilde.
Available on limited vinyl housed in a high-gloss sleeve artworked by Lucas Dupuy and Art Crime. Mastered by Ike Zwanikken then transferred and cut by Anne Taegert at D&M.
they're with you always
inspired by a true story
More
Available on limited vinyl housed in a high-gloss sleeve artworked by Lucas Dupuy and Art Crime. Mastered by Ike Zwanikken then transferred and cut by Anne Taegert at D&M.
they're with you always
inspired by a true story
More
1
Pleasure Dome - 15 Minutes In The Mix
2
Pleasure Dome - 8 Minutes Of Trance
POWER MUSIC RECORDS RE-ISSUES SEX MANIA 01 BY PLEASURE DOME AKA DJ DUKE FROM 1993!!!
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1
Robert Hood - Master Builder (Original Mix) 03:37
2
Robert Hood - Master Builder (Sandman Option) 04:03
3
Robert Hood - Quartz 06:35
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
A1. Master Builder (Original Mix) 03:37
A2. Master Builder (Sandman Option) 04:03
B. Quartz 06:35
RELEASE INFO:
Almost 30 years after its initial release, and accompanying the re-release of ’Internal Empire’
Tresor Records is proud to present a new pressing of Robert Hood’s essential “Master Builder” EP.
This work elevates its maker as master, and remains a cherished moment in the Tresor story, sharing an
irrefutable singular magic, sounding as present and indispensable as when first created. Originally
released in 1994 and 1995, ‘Internal Empire’ and "Master Builder" mark a point of transition for Robert
Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced
uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be
done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound,
influencing generations to come.
"25 years ago, I was faced with the challenge of following up on 'Minimal Nation'. I cancelled all my tour
dates for that summer, setup my studio in the living room and began to work on 'Internal Empire'. My
intention was to create something distinctively di erent. Looking out my living room window in Detroit
watching people go by gave me a new perspective. It made me look at the world within myself. 25 years
later I am still discovering.” - Robert Hood, 2019 More
2023 Repress
FORMAT 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
A1. Master Builder (Original Mix) 03:37
A2. Master Builder (Sandman Option) 04:03
B. Quartz 06:35
RELEASE INFO:
Almost 30 years after its initial release, and accompanying the re-release of ’Internal Empire’
Tresor Records is proud to present a new pressing of Robert Hood’s essential “Master Builder” EP.
This work elevates its maker as master, and remains a cherished moment in the Tresor story, sharing an
irrefutable singular magic, sounding as present and indispensable as when first created. Originally
released in 1994 and 1995, ‘Internal Empire’ and "Master Builder" mark a point of transition for Robert
Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced
uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be
done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound,
influencing generations to come.
"25 years ago, I was faced with the challenge of following up on 'Minimal Nation'. I cancelled all my tour
dates for that summer, setup my studio in the living room and began to work on 'Internal Empire'. My
intention was to create something distinctively di erent. Looking out my living room window in Detroit
watching people go by gave me a new perspective. It made me look at the world within myself. 25 years
later I am still discovering.” - Robert Hood, 2019 More
1
Terrain - Blind Spot
2
Terrain - Vintage
3
Terrain - Corners
4
Terrain & Localhost - Singularity
Tracklisting:
A1 Terrain - Blind Spot
A2 Terrain - Vintage
B1 Terrain - Corners
B2 Terrain & Localhost - Singularity
Sales Note
Vargmal Records continues to explore immersive, thought-provoking techno with an abstract spirit by presenting Corners EP from the emergent collaborative UK project Terrain. The Kosovo-based label was launched in 2022 with a considered balance of classic and contemporary techno, featuring Italian techno pioneer Leo Anibaldi and commissioning attendant remixes by contemporary Italian maestro Donato Dozzy.
Continuing the label's embrace of subliminal sounds for adventurous dance floors, Terrain deliver four tracks of snaking, subtle rhythms pivoting away from rigid structures towards a more fluid kind of techno. It's a sound the duo of Joe Baker and Voytek Stanley channeled on their debut release and they expand on the principles from that record in superlative style on Corners.
The EP opens up with the weighted pressure of 'Blind Spot', a dense workout pivoting on a fractured kick punching out underneath interwoven sheets of texture and atmosphere. 'Vintage' develops this theme with dubby chord washes which bloom out over the fine detail of the deceptively complex beat configuration. 'Corners' meanwhile adjusts the temperature from cooly meditative to subtly fierce accents Terrain edge into their sound.
It's an elegant fusion that remains at ease with the overall mood of the EP, but a noticeable shift in energy for the B side. 'Singularity' completes the picture with additional input from Localhost, welcoming layers of noisy melodics which sit comfortably on top of Terrain's dubby pulses. More open and searching than the introspection which holds sway elsewhere, it's a tonal shift that opens the sound of Terrain out and brings a sense of balance to their assured second record. More
A1 Terrain - Blind Spot
A2 Terrain - Vintage
B1 Terrain - Corners
B2 Terrain & Localhost - Singularity
Sales Note
Vargmal Records continues to explore immersive, thought-provoking techno with an abstract spirit by presenting Corners EP from the emergent collaborative UK project Terrain. The Kosovo-based label was launched in 2022 with a considered balance of classic and contemporary techno, featuring Italian techno pioneer Leo Anibaldi and commissioning attendant remixes by contemporary Italian maestro Donato Dozzy.
Continuing the label's embrace of subliminal sounds for adventurous dance floors, Terrain deliver four tracks of snaking, subtle rhythms pivoting away from rigid structures towards a more fluid kind of techno. It's a sound the duo of Joe Baker and Voytek Stanley channeled on their debut release and they expand on the principles from that record in superlative style on Corners.
The EP opens up with the weighted pressure of 'Blind Spot', a dense workout pivoting on a fractured kick punching out underneath interwoven sheets of texture and atmosphere. 'Vintage' develops this theme with dubby chord washes which bloom out over the fine detail of the deceptively complex beat configuration. 'Corners' meanwhile adjusts the temperature from cooly meditative to subtly fierce accents Terrain edge into their sound.
It's an elegant fusion that remains at ease with the overall mood of the EP, but a noticeable shift in energy for the B side. 'Singularity' completes the picture with additional input from Localhost, welcoming layers of noisy melodics which sit comfortably on top of Terrain's dubby pulses. More open and searching than the introspection which holds sway elsewhere, it's a tonal shift that opens the sound of Terrain out and brings a sense of balance to their assured second record. More
1
Alexander Robotnick - Justin Vandervolgen Edit
2
Alexander Robotnick - Prins Thomas Diskomiks
3
Alexander Robotnick - Bawrut 1-2-3-4 Remix
4
Alexander Robotnick - The Vendetta Suite Stone Tape Remix
Repress!
A1 - Justin Vandervolgen Edit
A2 - Prins Thomas Diskomiks
B1 - Bawrut 1-2-3-4 Remix
B2 - The Vendetta Suite Stone Tape Remix
After a summer run of scorching sounds and horizontal grooves that were designed for sandy open air scenarios, Hell Yeah kick off 2019 with some more of their curious curveballs and playful party pumpers. It's time to forget what you know and prepare for a weird and wonderful trip into weirdness with Alexander Robotnick: he is the man behind the music and a track that was previously released on the Coast to Coast 12” in 2013 and soon became a Balearic gabba classic.
Now it gets a second spot in the headlines after label head Marco first heard it played years ago by Justin Vandergvolgen and asked him to edit it. It comes backed with dazzling remixes from Prins Thomas, man of the moment Bawrut and Irish outfit The Vendetta Suite who takes things in more of a weird and wonderful direction that the label also deals in.
Alexander Robotnick is a legendary Italian producer who had a big hit in the 80s with ‘Problèmes D'Amour’, produced many bands in the 90s and founded his own Hot Elephant label in the 2000s. From Italo-disco to electro he is a master synth manipulator who can go into new romantic o synth pop territory with an always futuristic vision. The original track on this EP was dropped by the likes of Gerd Janson, Dixon, Jackmaster and Peggy Gou in DJ sets and Boiler Rooms.
It is a playful track with a wild, unhinged lead synth line that burrows deep into your brain. Brightly glowing chords have real warmth and add irresistible colour to the track as they ride up and down the scales and the crisp boom bap drums pack a real dance floor punch.
Scandi-disco maestro Prins Thomas remixes it into brilliantly filthy disco cut with rasping bass and hip swaying drums. It builds the tension over three minutes, locking you in before psychedelic leads burst out of the mix and carry you into the cosmos.
Then it’s the much loved current champ Bawrut, whose old Scuola Furano project label boss Marco was the first to release on vinyl back in the early 2000s on Mantra Vibes. His version is a pumping old school house remix, with analogue bass and that unhinged lead synth line bringing the madness. It's filled with raw energy and will blow up any floor.
Last of all, The Vendetta Suite follows up his Solar Lodge 23 EP on this label in 2017 with a remix that is perfectly dreamy. His rippling synth puddles and sci-fi motifs are brilliantly rich and glowing and fill you with warmth. It's the sort of mind expanding track that leads you into a world of cosmic curveballs and cut from free the real world.
More
A1 - Justin Vandervolgen Edit
A2 - Prins Thomas Diskomiks
B1 - Bawrut 1-2-3-4 Remix
B2 - The Vendetta Suite Stone Tape Remix
After a summer run of scorching sounds and horizontal grooves that were designed for sandy open air scenarios, Hell Yeah kick off 2019 with some more of their curious curveballs and playful party pumpers. It's time to forget what you know and prepare for a weird and wonderful trip into weirdness with Alexander Robotnick: he is the man behind the music and a track that was previously released on the Coast to Coast 12” in 2013 and soon became a Balearic gabba classic.
Now it gets a second spot in the headlines after label head Marco first heard it played years ago by Justin Vandergvolgen and asked him to edit it. It comes backed with dazzling remixes from Prins Thomas, man of the moment Bawrut and Irish outfit The Vendetta Suite who takes things in more of a weird and wonderful direction that the label also deals in.
Alexander Robotnick is a legendary Italian producer who had a big hit in the 80s with ‘Problèmes D'Amour’, produced many bands in the 90s and founded his own Hot Elephant label in the 2000s. From Italo-disco to electro he is a master synth manipulator who can go into new romantic o synth pop territory with an always futuristic vision. The original track on this EP was dropped by the likes of Gerd Janson, Dixon, Jackmaster and Peggy Gou in DJ sets and Boiler Rooms.
It is a playful track with a wild, unhinged lead synth line that burrows deep into your brain. Brightly glowing chords have real warmth and add irresistible colour to the track as they ride up and down the scales and the crisp boom bap drums pack a real dance floor punch.
Scandi-disco maestro Prins Thomas remixes it into brilliantly filthy disco cut with rasping bass and hip swaying drums. It builds the tension over three minutes, locking you in before psychedelic leads burst out of the mix and carry you into the cosmos.
Then it’s the much loved current champ Bawrut, whose old Scuola Furano project label boss Marco was the first to release on vinyl back in the early 2000s on Mantra Vibes. His version is a pumping old school house remix, with analogue bass and that unhinged lead synth line bringing the madness. It's filled with raw energy and will blow up any floor.
Last of all, The Vendetta Suite follows up his Solar Lodge 23 EP on this label in 2017 with a remix that is perfectly dreamy. His rippling synth puddles and sci-fi motifs are brilliantly rich and glowing and fill you with warmth. It's the sort of mind expanding track that leads you into a world of cosmic curveballs and cut from free the real world.
More
Biosphere is the main recording name of Geir Jenssen (born 30 May 1962),[1] a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
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1
Troy Anderson - Pulse Widthin
2
Troy Anderson - Dimode_Ice
3
Troy Anderson - FM Machine
4
Troy Anderson - Doughnut Troll
Troy Anderson, also known as Waverider, DFD, and Cityboy, released a limited number of twelve-inch records through 1200 Music. Following on from the success of the Cityboy release, We're Going Back presents Troy Anderson's second EP under the alias Waverider. This release comprises of four tracks of immersive and deep techno. This release also features an unreleased track, Dimode_Ice.
More