Ludvig Cimbrelius returns with his third full-length album on ASIP under his illustrious ambient jungle/drum'n bass alias, Illuvia. Shifting focus from the stratospheric highs of 2021's 'Iridescence Of Clouds', Ludvig now reflects on the meaning and spectrums of life on Earth.

"According to my lifelong research, Earth appears to be a modulation of light. It is said that what the eyes receive are rays emitted by a star, whose flow of photons is invisible to the human eye until they
are reflected and modulated by matter. Matter - the patterned dance of charged particles appearing out of nothing. Simultaneously, it is observable that light converts into matter. And matter converts
into light.

Logic tells me that they are one, appearing as two. And, as a consequence of their division and subsequent interaction, the spectrum of a world appears. Being a manifestation of something as ethereal
and ephemeral as light modulated by the dance of charged particles, the world feels surprisingly solid.

Less like a prism and more like a prison. That is what the surface tells us.

Those who seek freedom look deeper".

-Ludvig Cimbrelius (Illuvia)


Earth Prism will be available on A Strangely Isolated Place on transparent gatefold 2LP & digital formats from June 20th 2024. Mastered by Hollis Nolan, with Lacquer cut by Andreas LUPO Lubich, featuring artwork by Noah M / Keep Adding.
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'Sun & Smoke' is originally a 2-hour self-produced mix uploaded to Youtube and Soundcloud in 2018 by Greek artist, Theef. Consisting of unreleased productions, the set was uploaded as a safe space, with zero expectations of it ever gaining attention or release.

After many late-night listening sessions, ASIP contacted Theef to discuss how a release might come to life. Originally consisting of 21 tracks in total -with two subsequently released on Morevi Records in 2022- ASIP had the honor of curating and sequencing an album from the remaining 19 unreleased productions, finally landing on those that best represented the intention of the original mix and the feelings it evoked upon those first moments of discovery.

The appeal of Sun & Smoke can be found in its purity. Built with no intention or audience in mind, the album traverses core elements of deep techno, trance and downtempo. Progressive atmosphere building, addictive underlying grooves, and expansive moments of euphoria; as a mixtape, Sun & Smoke is a zero-visibility haze of eyes-closed, body-moving, forward momentum. As an album, each track is now allowed the space to deliver on its own defining atmosphere.

From the ambient leaning beginnings of Sky Textures and the title track, Sun & Smoke, to the electro tinges of Primal Age, and the metallic swirls and glistening synths in Approaching Stars, the parts now have the chance to become greater than the sum of its original whole.

Mastered by Giuseppe Tillieci (Neel / Voices From The Lake) with artwork photography by Juan Fernandez (edited by ASIP), Sun & Smoke is available on Burnt Orange Smoke gatefold 2LP + digital.
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As a professional sound engineer by day, Colin Dunkerley aka Lapsed Pacifist, spends much of his time travelling and rarely gets to focus on producing his own music. Despite high praise from those who have become familiar with his work over the years, Colin’s previous productions have mainly consisted of shares with friends and DJs in smaller circles through his ‘Negative Neutron’ alias.

Colin envisaged a more pronounced and darker ambient style to emerge for many years but was struggling to dedicate the time. ‘Hypatia’ came to life over an extended and fragmented period, with field recordings and loops of audio created on the go, later processed through his modular setup. In the autumn of 2022, Colin spent time collating and listening to these many fragments and field recordings, making notes in a book as he wandered around cold, unfamiliar places with headphones on, trying to shape disparate starting points into something thematically connected.

The title of Lapsed Pacifist’s debut album, ‘Hypatia’ is a reference to one of the many fantastical descriptions of imaginary places by Marco Polo in the book, Invisible Cities. Written as a dialogue between Mongol emperor Kublai Khan and Marco Polo, the book became the inspiration and a clear parallel for how Hypatia came to be and what it means to Colin today.

Attaching music to a place and time can become a very powerful and long-lasting memory. Across its eight tracks, Hypatia depicts fragmented glimpses of color and textures –a scrapbook of senses– traversing the optimistic first steps; the first smell of cold air; cityscapes burnt into your head; and the many emotions from exploring new places that stick with you longer than any photograph ever could.

“The experience of moving between places so frequently can be fascinating but also dislocating and often quite lonely. I have so many small stories about places I’ve been, but I often think they aren’t necessarily real reflections of anywhere, no more real than anything Invisible Cities author Calvino dreamt up”. - Lapsed Pacifist. More

"Music gives us a place to be lost. Washing away thought, place, time and identity. It's in the falling into the river, the dream, that we find just who we could be".

Classically trained cellist, composer and storyteller Lihla (Lih Qun Wong) presents her debut album, 'Socha' for A Strangely Isolated Place. Combining a vast instrumental skillset of piano, cello, electronics and spoken word, she crafts intensely immersive aural-hallucinatory worlds of intricately shifting landscapes.

A deeply personal work, Socha explores the 'diaspora of time and space, and why we all feel so displaced.' Piano chapters capture the meeting place between memory and longing, while explorational vocal and cello textures invoke and echo the ancient, the feminine, and the otherworldly.

Lihla's voice guides us, weaving through electronics and field recordings of the 'real-world' to set the path for a poetic and deeply haunting journey through the internal psyche that is truly transportive.

'Socha' will be available on transparent smoke 12" and digital.

Written and produced by Lih Qun Wong
Mixed by Sebastian Lee Philipp
Mastered by Rafael Anton Irisarri @ Black Knoll Studio
Artwork by LIHLA and Visions of Akira
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The concept of naught (Ø) has challenged Salvatore Mercatante throughout his musical career, specifically, trying to understand how the idea of ‘nothing’ fits into the realm of sound, and at the same time, exist in a world of influence at every turn. In the absence of everything, are we able to create something truly free?

As a lifelong New York-based musician, Mercatante’s influences and productions run a wide spectrum. Just as happy producing 80s-inspired horror soundtracks as he is refining acute drum patterns over and over again, Salvatore is the first to ask himself, where next? When a musician’s output can be influenced today by so much, and there is no self-defined or perceived artistic goal in mind, how do you start from a place of nothingness, again and again?

This approach has born many minimal and experimental albums of note in the past, but with Ø, Salvatore ended up with an almost controlled maximalist approach. Beginning with open spaces and allowing sonic textures to live and evolve past where you may expect, Ø allows the space between notes to become equally as important as the notes themselves. Walls of noise, soaring soundtracks, dense techno, glittering IDM, and minimal glitch, sit side-by-side to present an all-encompassing palette of sonic possibility.

Often, even without any intent, what can be born from nothing will somehow transpire back to something more recognizable. It’s human nature after all. A subtle fingerprint, as a sequence, melody, pattern or drum kick. Whether Salvatore intended for this record to represent his defining sound or not, only time will tell. More

Following their 2021 debut album, ‘Brama’, One Million Eyes return with their highly anticipated second album, ‘Iris’, set to captivate us once more through a kaleidoscope of rich analog and instrumental fragments.

The inspiration behind the album was born from a powerful symbol—the iris of the eye. Controlling the inflow of light, the iris mirrors the duo's mission for the album, “letting light in, even in the darkest of times”. Representing an attempt to shed new insight on their sometimes indescribable approach, Paolo and Luciano compare the ambition (and consequent imperfections) throughout their music to that of the imperfect, yet unique array of color found within an iris, in the hope it can completely entrance and mesmerize. With much of the album recorded live, ‘Iris’ marks a refined evolution in the One Million Eyes sound born under their Tempelhof guise many years ago. Infusing organic sound elements such as voice fragments, acoustic guitar lines, and drum beats at the forefront of their compositions, their vast array of analog synthesizers once again provide added depth and warmth, resulting in majestic, hypnotic circular motifs that Paolo and Luciano describe as "Mantras, rising and falling in volume and intensity." More

12" vinyl 140gm, Orange Smoke, featuring artwork by Evie Cahir. Includes Liner notes and Bandcamp Download Card.

Australian artist Alex Albrecht debuts on A Strangely Isolated Place with Violet Visionary, a perfectly honed evolution of pictureesque downtempo and hazy, percussive Deep House.

Alex Albrecht has refined his unique triangulation of ambient, house and instrumental influences over the years, either as one half of Albrecht La'Brooy (Apollo) or under his Melquíades alias (Analogue Attic). Combining rich field recordings and hypnotic instrumentation, Alex's productions are often recognizable thanks to this instantly warm and welcoming combination. Percussive elements and powerful drum patterns sit amongst perfectly executed melodies and dusky atmospheres; Alex's music is just as suited for the orange hues of dawn as the purple tints of sundown.

A notably shorter album than we may hope, but sequenced as one complete experience, Alex is purposeful and precise in his approach, with every element completely additive to the last. Violet Visionary echoes a moment of organic evolution that disappears as quickly as it came into existence; peaking to a glowing embrace that will undoubtedly leave an impression.

Featuring original artwork by Evie Cahir and mastered by Corey Kikos, Violet Visionary is available on Transparent Orange Smoke 12" and digital
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German musician Mary Yalex debuts on A Strangely Isolated Place depicting a storied transition from our recognizable surroundings, into a vision of the future.

With releases and music styles across a variety of labels over the years, it has been Yalex's more experimental ambient work that has stood out amongst her catalog, and in Fantasy Zone, we find Mary fine-tuning this sound to reflect the work of a true architect of storytelling, mood and atmosphere.

Drawing influences from her day-to-day surroundings, Fantasy Zone begins with more vivid pieces; softer melodies and clearer instrumentation, represented as much in song titles such as Air, After Rain Comes Sun, and Half Light of Dawn. The second half of the album transitions into a future state, as Yalex draws on darker manifestations - perhaps intrinsically influenced by the state of the world, and in particular her love of nature, we play witness to more storied, haunting atmospheres, distant voices and slowly shifting gravitational chord movements. Dystopian-bound or pure fantasy, Yalex depicts a future that mirrors some of the more poignant, thought-provoking work of great synthesizer soundtracks of the past.

Mastered by Rafael Anton Irisarri, and featuring artwork by Noah M / Keep Adding, Fantasy Zone will be available on Purple Smoke 12" and digital.
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Icelandic musician Gunnar Jónsson Collider debuts on A Strangely Isolated Place with an expansive trip through six fictional environments, brought further to life through an accompanying video by artist Arna Beth.

Inviting escapism through detailed, glacial textures, S.W.I.M. elevates a traditional beatless spectrum into a first-person narrative, moving across burning wastelands, miles-high sundown, a dizzying night sky, subterranean exploration, and more beautiful, natural phenomena. Subtle changes in tone and texture across each of the six environments provide a signal of the destination’s energy and the intended perception of the traveler. At times, elated and dwarfed by nature’s surrounding grandeur. Other times, bestowing a sense of apprehension and unknowing.

Best absorbed through the accompanying visual album by fellow Icelandic digital artist Arna Beth, S.W.I.M. is an immersive jump into a majestic sci-fi world, placing you front and center in both sound and visual.

After appearing on numerous well-respected electronic labels in recent years such as Móatún, Moller and Vertex, S.W.I.M represents Gunnar’s most horizontal output to date. More

Landmark sees Max Würden combine and integrate various external forces into his usual studio production process. Inspired by many paintings of powerful landscapes found in thrift stores throughout his hometown of Cologne, Max set out to bring various elements together as one whole over time - allowing an organic process of experimentation and collage.

Short phrases of music and field recordings that weren’t originally meant for each other were realized in isolation, such as sounds from his Klangkiste (sound box) built by Max himself, guitars, an old out-of-tune Schimmel piano, and samples of early jazz and classical music. These separate elements eventually, over time, connected and came together as Landmark - a recognizable moment and formation.

The collage of elements found throughout ‘Landmark’, expresses a number of different vantage points from which to gaze and focus your attention. From the more storied and instrumental-based ‘Reprise’ and ‘Range’, to the wide-scape visions of ‘Summiteer’, or the off-world portrayals in ‘Stereo A’ and ‘Stereo B’. Max can be found depicting a montage of intricately detailed moments that invite you to stand and ponder their storied creation, be it emerging from found sound, synthesizers, guitars, samples, or simply his own production sorcery.

Landmark will be available on Gatefold 2LP Gold vinyl and digital, mastered by Rafael Anton Iirsarri and featuring original photography by Max Würden, artwork edited by Noah M / Keep Adding. There will also be special limited edition framed paintings (10 unique versions), created by Max, available on release day. More

Longtime friends and frequent collaborators Luke Entelis (Viul) and Thomas Meluch (Benoît Pioulard) combine their enchanting textures reflecting on a time spent in lockdown, for A Strangely Isolated Place.

"Konec" is Czech for "end," and a nod to the uncertainty of Luke and Thomas’ home city of New York amidst the pandemic. Birthed from Luke’s short synth sketches, the two friends further collaborated in isolation to create a series of strangely beautiful interludes - a sense of vitality breaking through the immediate surrounding dread.

Whilst many of the tracks expand far beyond what a short interlude may dictate, Konec builds on this concept through some of the most thought-provoking loops the pair have created over their many combined years producing.

With an immediate arresting aesthetic, grounded in saturation, decay, and distortion, tracks such as ‘Returning Clear Voice’ or ‘Flaxen’ reflect some of the duo’s more textured work - a hazy mist of life unknown in a city’s uncharted times. Konec’s storyful and engrossing moments come with a confident posture, such as the unforgettable bellowing of ‘Catalune’ or ‘Construction Worker Smoke Cycle’ or the swirling, haunting, ‘Canon’.

The variation in minutia, samples and instrumentation throughout the album cannot be understated amongst its hazy aesthetic and ominous poignancy. It’s one thing to notice the details, but another to unstick the melodies from the closing credits of a dystopian city’s downfall, from the forefront of your mind.

Mastered by Rafael Anton Irisarri and featuring original artwork by Liz Harris, Konec is available on limited gatefold transparent 2LP + digital. More

Arguably Christian Kleine’s most comprehensive and colorful release to capture his enigmatic IDM style, originally released on CD in 2020 is now available on Neon Orange 2LP.

“You’re heavily inspired by what you love and will do anything to be a part of it when growing up”, says Christian. “The more you create, the more familiar you become as the years move on, and your ambition to perfect it becomes even stronger”.

This natural evolution is something Christian Kleine is well versed in and since his first releases in the early 00’s, Christian has been synonymous with perfecting a particular sound that draws from early IDM, breaks and influences as far-reaching as Punk music.

Touch & Fuse continues the melodic, beat-driven finesse he has become known for, but instead of trying to perfect anything new, different or conceptual two decades later, we’re treated to an album unconsciously inspired simply, by the wide variety of music he likes. More

Polish composer Olga Wojciechowska and veteran electronic producer Robin Rimbaud aka Scanner, combine on A Strangely Isolated Place to revisit a beloved Strië album - Olga’s more electronic and experimental alias.

With previous releases on Serein and Time Released Sound as Strië, Olga Wojciechowska’s ‘Struktura’ was released in 2015 to a limited audience due to its physical-only format. As Olga’s work becomes increasingly more coveted, through her more recent releases on A Strangely Isolated Place (Unseen Traces & Infinite Distances), and with Struktura praised as one of her finest albums to date, the discussion to breathe new life into the album resulted in a unique pairing with Scanner, an electronic music producer and multimedia artist responsible for some of the most defining works of the genre since the early 1990s.

Blurring the line between harmony and dissonance, Struktura’soriginal recordings paint an eerie, haunting and beautiful picture, conceptualized around abstract art, with intricacies and mystery abound. Here, Strië’s original recordings remain untouched, albeit lovingly remastered by Rafael Anton Irisarri, and it is left toScanner to provide further interpretations of Olga’s original recordings.

Scanner productions can typically traverse a myriad of styles, but here, Robin took a primarily live-hardware approach to the remixes, allowing the rawness of his recordings to add story and depth. Recorded in one take, with no overdubs, the reinterpretations strip the melodies and textures to their original essence, bringing an entirely analog element to Olga’sintrinsically detailed originals. More