Christian Kleine continues to unearth long-lost transmissions with Electronic Music From The Lost World: Vol.2 - another batch of pristine artifacts from his personal DAT archive. Much like its predecessor, this release serves as both a time capsule and a reminder of Kleine’s effortless blend of melodic warmth, intricate rhythm programming, punk influences, and a deep-rooted love for the fringes of electronica.

Where Vol.1 felt like an invitation back to the late ‘90s, a time when IDM was still an evolving conversation, this second volume extends the dialogue, revealing more of the sonic experiments and fully-formed pieces that never saw the light of day. Tracks recall specific moments from Kleine’s time living in Berlin, an era of minimal comforts but maximal creativity, where all that really mattered was that the PowerPC, sampler, and synths kept running. This period of introspection, coupled with the musical freedom afforded by cheap rent and late-night school classes, shaped the deeply personal and solitary sound of these recordings.

Visually, Vol 2 shares its origins with the first volume, as Midori Hirano’s stark Berlin photography forms the foundation, and Noah M / Keep Adding pushes the imagery into a brighter, more reflective final space. Final touches remain in familiar hands, with LOOP-O on mastering and lacquer duties, bringing new life to Christian’s OG DAT recordings.

And much like the classic City Centre Offices era that shaped this sound and Kleine’s early career, this release nods to that legacy. A special limited 7” EP with two bonus tracks, designed in tribute to CCO’s iconic DIY aesthetic, will be available on release day direct from the label’s Bandcamp.

Electronic Music From The Lost World: 1998-2001 (Vol.2), will be available on transparent pink gatefold 2LP.

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A Strangely Isolated Place presents a long-lost collaboration between Polish artists Olga Wojciechowska and Tomasz Walkiewicz as Monoparts—a partnership formed many years ago that resulted in an album once destined to remain unreleased.

Olga Wojciechowska, known for her modern-classical masterpieces such as Infinite Distances (2019) and Unseen Traces (2020), as well as her 2022 collaboration with Scanner, breaks all known expectations with Soothsayers. In a dramatic departure, Olga unveils a new and unexpected side, debuting her haunting vocals—a delicate, spellbinding performance that recalls the golden era of trip-hop, and comparisons to the sounds pioneered by Tricky, Massive Attack, and Martina Topley-Bird.

With Tomasz adding layers of depth through intricate beats and electronics, Olga’s voice becomes the emotional core of the record, conjuring an intimate and nostalgic atmosphere.

In Olga’s own words: "This album is like becoming one with the earth itself—feeling the rawness of the wood, tasting the earth in your mouth, and sensing the presence of ancient spirits. The music carries a deep, primal energy, like being part of the forest, with creatures watching you from the shadows."

To complete the journey, ASC lends his signature touch with a stunning drum’n’bass reinterpretation, amplifying the album’s nostalgic essence. Soothsayers emerges as a spellbinding ode to times gone by, in more ways than one.

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140gm 2LP Gatefold, Transparent Purple & Black Smoke Vinyl

Colombian-born artist Juan Carlos Torres Alonso, aka OKRAA, presents his third sonic exploration on A Strangely Isolated Place titled, La Gran Corriente. This album marks a profound shift in Juan's creative journey, where themes of portals, the illusion of time, and the paradoxes of self-discovery converge into a powerful auditory experience.

Following a transformative visit to Bogotá in May 2023, Juan underwent an introspective journey that inspired a new direction in his music. This experience, which he describes as an encounter with "an infinite current behind or inside of everything," led to a complete reimagining of his work. Abandoning previous demos, Juan embraced a liberated creative process that was both challenging and exhilarating.

La Gran Corriente is characterized by its innovative production techniques, eschewing fixed grids and BPMs in favor of fluid, organic structures and combining influences from Juan’s other production alias, ‘Laudrup’. This approach not only opened up new creative possibilities but also led to numerous "happy accidents," resulting in a body of work that is as unpredictable as it is cohesive.

At the heart of the album lies a poem written by Juan during production, a text that echoes the themes woven throughout the music. Translated loosely to English, the poem reflects on the nature of reality and time, with lines like "the land of oblivion is not real" and "the great current reminisces; time is an illusion." These words serve as both a guide and a reflection of the album’s deeper meaning.

La Gran Corriente is a record that invites the listener to unlearn and to immerse themselves in a sonic current that is both infinite and transformative. It’s a testament to the power of creative reinvention and the relentless pursuit of deeper truths through music.

Featuring artwork by Peter Skwiot Smith, La Gran Corriente is available on gatefold colored vinyl 2LP, mastered by Taylor Deupree / 12k Mastering, with full release on 30th October 2024.

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*Vinyl reissue* Now available for the first time on limited edition 12”.

After two albums on A Strangely Isolated Place as Comit, James Clements brings his ASC alias to the label with a completely new and revealing style, focusing on the piano and creating space for the listener to construct their own associations with an imaginary Soundtrack.

Bridging the majority of Electronic styles over the past twenty years, from Autonomic and Jungle, to Ambient, Techno and IDM, James Clements can be held up as a master of these styles by many of us, but when it comes to boiling down his musical intricacies to focus on a single instrument, you’d be hard stretched to find something within his vast catalog until now. In 'Original Soundtrack' the piano is now the focus across eight introspective acts, with the spaces and places left open for further interpretation.

Mastered by Rafael Anton Irisarri and featuring photography by Greg Nunn, Original Soundtrack was originally available as a limited Digipak CD and digital download and is now available as a limited edition 12” pressed on black vinyl.

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Black Marbled White+Blue 2LP in gatefold sleeve.

Markus Guentner returns to his longstanding label, A Strangely Isolated Place following the triptych of Theia, Empire, and Extropy, presenting eight inspiring collaborations on Kontrapunkt.

Collaborations are nothing new to Markus, but it’s hard to see beyond his strong singular presence as a pioneer of long-form ambient and drone. Collabs have punctuated his albums in various places over the years, and he is no stranger to working as a duo amongst other projects, with such a strong conceptual thread throughout his prior ASIP releases, Kontrapunkt represents a literal pivot and counterpoint in his production approach. Instead of music encapsulating a strong conceptual narrative, Kontrapunkt sees Markus create a dialogue between himself and a collection of inspiring production partners.

Kontrapunkt opens with ‘Vanish’, a widescreen cinematic odyssey created in collaboration with fellow German and Affin label-head Joachim Spieth, forming the perfect opener with its modest subtleties. Australian-born Karen Vogt, renowned for her voice layering and looping, brings a beautiful, and natural addition to ‘All Light Will Remain’.

Sonae, who appeared on ASIP’s early digital releases, demonstrates her evolution into experimental flourishes with ‘Farbe Der Nacht’, adding pulsating techno tendencies and a menacing, metallic approach to Markus’ foundations. Multi-instrumentalist Pepo Galán harmonizes beautifully with Markus on ‘Ancestral Images’, adding complex nuances to a slowly evolving euphoric piece.

A master of synthesis, Arovane delivers a powerful display of supercharged electronics and coils of energy on ‘Utopian Fragments’. Benoît Pioulard's renowned expertise with guitars and tape distortion become a perfect counter to the electronics of Markus, blending styles seamlessly on ‘Father Of Waters’.

‘An unstoppable force meets an immovable object’ on ‘While Hunting Nightmares And Dreaming For Peace’, as Abul Mogard adds powerful restraint in a meeting of two drone titans. The album concludes with ‘Presence’, where Hollie Kenniff’s uplifting vocals provide a shimmering finish, perfectly bookending an album of perfected counterpoints and evolutions on the Markus Guentner sound.

Kontrapunkt will be available on Gatefold Black/Grey/Blue marble 2LP, digital and streaming on August 30th 2024. Mastered by Gio at Artefacts Mastering, Berlin, and featuring artwork by Noah M / Keep Adding.

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As a professional sound engineer by day, Colin Dunkerley aka Lapsed Pacifist, spends much of his time travelling and rarely gets to focus on producing his own music. Despite high praise from those who have become familiar with his work over the years, Colin’s previous productions have mainly consisted of shares with friends and DJs in smaller circles through his ‘Negative Neutron’ alias.

Colin envisaged a more pronounced and darker ambient style to emerge for many years but was struggling to dedicate the time. ‘Hypatia’ came to life over an extended and fragmented period, with field recordings and loops of audio created on the go, later processed through his modular setup. In the autumn of 2022, Colin spent time collating and listening to these many fragments and field recordings, making notes in a book as he wandered around cold, unfamiliar places with headphones on, trying to shape disparate starting points into something thematically connected.

The title of Lapsed Pacifist’s debut album, ‘Hypatia’ is a reference to one of the many fantastical descriptions of imaginary places by Marco Polo in the book, Invisible Cities. Written as a dialogue between Mongol emperor Kublai Khan and Marco Polo, the book became the inspiration and a clear parallel for how Hypatia came to be and what it means to Colin today.

Attaching music to a place and time can become a very powerful and long-lasting memory. Across its eight tracks, Hypatia depicts fragmented glimpses of color and textures –a scrapbook of senses– traversing the optimistic first steps; the first smell of cold air; cityscapes burnt into your head; and the many emotions from exploring new places that stick with you longer than any photograph ever could.

“The experience of moving between places so frequently can be fascinating but also dislocating and often quite lonely. I have so many small stories about places I’ve been, but I often think they aren’t necessarily real reflections of anywhere, no more real than anything Invisible Cities author Calvino dreamt up”. - Lapsed Pacifist.

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The concept of naught (Ø) has challenged Salvatore Mercatante throughout his musical career, specifically, trying to understand how the idea of ‘nothing’ fits into the realm of sound, and at the same time, exist in a world of influence at every turn. In the absence of everything, are we able to create something truly free?

As a lifelong New York-based musician, Mercatante’s influences and productions run a wide spectrum. Just as happy producing 80s-inspired horror soundtracks as he is refining acute drum patterns over and over again, Salvatore is the first to ask himself, where next? When a musician’s output can be influenced today by so much, and there is no self-defined or perceived artistic goal in mind, how do you start from a place of nothingness, again and again?

This approach has born many minimal and experimental albums of note in the past, but with Ø, Salvatore ended up with an almost controlled maximalist approach. Beginning with open spaces and allowing sonic textures to live and evolve past where you may expect, Ø allows the space between notes to become equally as important as the notes themselves. Walls of noise, soaring soundtracks, dense techno, glittering IDM, and minimal glitch, sit side-by-side to present an all-encompassing palette of sonic possibility.

Often, even without any intent, what can be born from nothing will somehow transpire back to something more recognizable. It’s human nature after all. A subtle fingerprint, as a sequence, melody, pattern or drum kick. Whether Salvatore intended for this record to represent his defining sound or not, only time will tell.

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German musician Mary Yalex debuts on A Strangely Isolated Place depicting a storied transition from our recognizable surroundings, into a vision of the future.

With releases and music styles across a variety of labels over the years, it has been Yalex's more experimental ambient work that has stood out amongst her catalog, and in Fantasy Zone, we find Mary fine-tuning this sound to reflect the work of a true architect of storytelling, mood and atmosphere.

Drawing influences from her day-to-day surroundings, Fantasy Zone begins with more vivid pieces; softer melodies and clearer instrumentation, represented as much in song titles such as Air, After Rain Comes Sun, and Half Light of Dawn. The second half of the album transitions into a future state, as Yalex draws on darker manifestations - perhaps intrinsically influenced by the state of the world, and in particular her love of nature, we play witness to more storied, haunting atmospheres, distant voices and slowly shifting gravitational chord movements. Dystopian-bound or pure fantasy, Yalex depicts a future that mirrors some of the more poignant, thought-provoking work of great synthesizer soundtracks of the past.

Mastered by Rafael Anton Irisarri, and featuring artwork by Noah M / Keep Adding, Fantasy Zone will be available on Purple Smoke 12" and digital.


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Icelandic musician Gunnar Jónsson Collider debuts on A Strangely Isolated Place with an expansive trip through six fictional environments, brought further to life through an accompanying video by artist Arna Beth.

Inviting escapism through detailed, glacial textures, S.W.I.M. elevates a traditional beatless spectrum into a first-person narrative, moving across burning wastelands, miles-high sundown, a dizzying night sky, subterranean exploration, and more beautiful, natural phenomena. Subtle changes in tone and texture across each of the six environments provide a signal of the destination’s energy and the intended perception of the traveler. At times, elated and dwarfed by nature’s surrounding grandeur. Other times, bestowing a sense of apprehension and unknowing.

Best absorbed through the accompanying visual album by fellow Icelandic digital artist Arna Beth, S.W.I.M. is an immersive jump into a majestic sci-fi world, placing you front and center in both sound and visual.

After appearing on numerous well-respected electronic labels in recent years such as Móatún, Moller and Vertex, S.W.I.M represents Gunnar’s most horizontal output to date.

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Landmark sees Max Würden combine and integrate various external forces into his usual studio production process. Inspired by many paintings of powerful landscapes found in thrift stores throughout his hometown of Cologne, Max set out to bring various elements together as one whole over time - allowing an organic process of experimentation and collage.

Short phrases of music and field recordings that weren’t originally meant for each other were realized in isolation, such as sounds from his Klangkiste (sound box) built by Max himself, guitars, an old out-of-tune Schimmel piano, and samples of early jazz and classical music. These separate elements eventually, over time, connected and came together as Landmark - a recognizable moment and formation.

The collage of elements found throughout ‘Landmark’, expresses a number of different vantage points from which to gaze and focus your attention. From the more storied and instrumental-based ‘Reprise’ and ‘Range’, to the wide-scape visions of ‘Summiteer’, or the off-world portrayals in ‘Stereo A’ and ‘Stereo B’. Max can be found depicting a montage of intricately detailed moments that invite you to stand and ponder their storied creation, be it emerging from found sound, synthesizers, guitars, samples, or simply his own production sorcery.

Landmark will be available on Gatefold 2LP Gold vinyl and digital, mastered by Rafael Anton Iirsarri and featuring original photography by Max Würden, artwork edited by Noah M / Keep Adding. There will also be special limited edition framed paintings (10 unique versions), created by Max, available on release day.

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Longtime friends and frequent collaborators Luke Entelis (Viul) and Thomas Meluch (Benoît Pioulard) combine their enchanting textures reflecting on a time spent in lockdown, for A Strangely Isolated Place.

"Konec" is Czech for "end," and a nod to the uncertainty of Luke and Thomas’ home city of New York amidst the pandemic. Birthed from Luke’s short synth sketches, the two friends further collaborated in isolation to create a series of strangely beautiful interludes - a sense of vitality breaking through the immediate surrounding dread.

Whilst many of the tracks expand far beyond what a short interlude may dictate, Konec builds on this concept through some of the most thought-provoking loops the pair have created over their many combined years producing.

With an immediate arresting aesthetic, grounded in saturation, decay, and distortion, tracks such as ‘Returning Clear Voice’ or ‘Flaxen’ reflect some of the duo’s more textured work - a hazy mist of life unknown in a city’s uncharted times. Konec’s storyful and engrossing moments come with a confident posture, such as the unforgettable bellowing of ‘Catalune’ or ‘Construction Worker Smoke Cycle’ or the swirling, haunting, ‘Canon’.

The variation in minutia, samples and instrumentation throughout the album cannot be understated amongst its hazy aesthetic and ominous poignancy. It’s one thing to notice the details, but another to unstick the melodies from the closing credits of a dystopian city’s downfall, from the forefront of your mind.

Mastered by Rafael Anton Irisarri and featuring original artwork by Liz Harris, Konec is available on limited gatefold transparent 2LP + digital.

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Arguably Christian Kleine’s most comprehensive and colorful release to capture his enigmatic IDM style, originally released on CD in 2020 is now available on Neon Orange 2LP.

“You’re heavily inspired by what you love and will do anything to be a part of it when growing up”, says Christian. “The more you create, the more familiar you become as the years move on, and your ambition to perfect it becomes even stronger”.

This natural evolution is something Christian Kleine is well versed in and since his first releases in the early 00’s, Christian has been synonymous with perfecting a particular sound that draws from early IDM, breaks and influences as far-reaching as Punk music.

Touch & Fuse continues the melodic, beat-driven finesse he has become known for, but instead of trying to perfect anything new, different or conceptual two decades later, we’re treated to an album unconsciously inspired simply, by the wide variety of music he likes.

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Polish composer Olga Wojciechowska and veteran electronic producer Robin Rimbaud aka Scanner, combine on A Strangely Isolated Place to revisit a beloved Strië album - Olga’s more electronic and experimental alias.

With previous releases on Serein and Time Released Sound as Strië, Olga Wojciechowska’s ‘Struktura’ was released in 2015 to a limited audience due to its physical-only format. As Olga’s work becomes increasingly more coveted, through her more recent releases on A Strangely Isolated Place (Unseen Traces & Infinite Distances), and with Struktura praised as one of her finest albums to date, the discussion to breathe new life into the album resulted in a unique pairing with Scanner, an electronic music producer and multimedia artist responsible for some of the most defining works of the genre since the early 1990s.

Blurring the line between harmony and dissonance, Struktura’soriginal recordings paint an eerie, haunting and beautiful picture, conceptualized around abstract art, with intricacies and mystery abound. Here, Strië’s original recordings remain untouched, albeit lovingly remastered by Rafael Anton Irisarri, and it is left toScanner to provide further interpretations of Olga’s original recordings.

Scanner productions can typically traverse a myriad of styles, but here, Robin took a primarily live-hardware approach to the remixes, allowing the rawness of his recordings to add story and depth. Recorded in one take, with no overdubs, the reinterpretations strip the melodies and textures to their original essence, bringing an entirely analog element to Olga’sintrinsically detailed originals.

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