Demi Riquísimo reveals the latest EP on his Semi Delicious imprint No Given Time featuring collaborations with Tesselate founders The Trip, stalwart of East London's Queer scene Michelle Manetti and Belfast favourite Hammer.

With the signature Semi Delicious sound demonstrated throughout the package, the warm and groove-driven productions are designed with the dancefloor firmly in mind. Opening with the solo title track ‘No Given Time’, Demi sets the tone with lush synth work and lashings of 90s house flavour. Collaboration with The Trip ‘Infinite Room’ follows, with elastic basslines and an unmistakable blend of the artists’ sonic aesthetics, while ‘Only Love’ sees Demi team up with Michelle Manetti for a slice of joyous uplift with dreamy soundscapes. Closing out the EP is ‘Lime House’, in collaboration with Belfast’s Hammer, as the pair bring in prog-style chords and dizzying synths that take you well into the afterhours.

“Collaboration is important because it opens you to new ideas and thought processes while learning new tricks and techniques,” Demi explains. “It’s also a lovely way to bond and build relationships with other producers.”

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Demi Riquísimo welcomes esteemed Amsterdam based producer & DJ Retromigration to Semi Delicious for the label’s 24th edition. The 'Half Fried’ EP is a perfect union of the sounds synonymous with both the label and artist. Littered with playful nods to the roots of house and techno that’ are sleekly assembled with all the modern trimmings. Deepness in 2025 at it’s finest with finely tuned dynamics ready to rattle bassbins throughout the autumn and beyond.

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ALDONNA makes her full EP debut on the imprint via the 'Girls From Mars' EP, complete with remix from Berlin based Fantastic Man. The release sees ALDONNA using her own vocals for the first time whilst maintaining an emphasis for the dancefloor. Summery, sensual & cunty, ALDONNA makes her mark. Fantastic Man completes for the four tracker with a balearia-drenched remix of 'Your Touch'.

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Demi Riquisimo brings together a motley crew of label favourites and newcomers alike on the ‘Love State’ V/A, the 22nd release on his Semi Delicious imprint.

The EP brings together the talents of Demi himself with Clint, Swoose, Lulah Francs, Dukwa, Anastasia Zem & Asa Tate across six discerning cuts exploring modern club music, rooted in the traditions of what came before.

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Semi Delicious kick start 2025 with a very special EP from Amsterdam based producer D Stone. Following a slew of releases on labels like 803 Crystal Grooves and Cecille he delivers a killer 4-tracker that epitomises his deep, percussive house productions. Teeming with superb sampling, rolling drum grooves and basslines that’ll keep the dance flowing!

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Demi Riquisimo’s Semi Delicious celebrates its 20th release with a peak-time 4-track EP from Leeds-based production talent, Kepler— another stand out addition to the label’s impressive catalogue, dropping on 29th November.

Opening the Ep is ‘Step Up,’ a sub-bass-driven journey that layers relentless percussive grooves, squelchy acid lines, and proggy chord hooks, encapsulating the quintessential Semi Delicious vibe.

Next up, ‘Swoon’ glides in with a playful FM- bass lead, steering the track’s flow while staccato vocal stabs and soothing pads create a perfectly balanced, dancefloor-ready arrangement.

On the B- side, ‘Acid Flow’ delivers as promised, with classic 303 leads and smooth basstones, set against Kepler’s signature drum palette for a distinct yet timeless feel.

Rounding off the EP, ‘Separation’ brings a swing-infused, stab by house vibe—a nod to classic US house, yet unmistakably stamped with Kepler’s unique UK tech-house sound.

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Subb-an joins the Semi Delicious family for their 17th edition with the aptly named ‘Wobble’ EP, complete with a remix from label head Demi Riquísimo. The release marks another progression in the label’s sonic development as Subb-an contributes a heady, all killer no filler collection of tracks that fit snugly in the diverse, forward thinking back catalog of the imprint. ‘Liquid Sun’ kicks off the release. A subtle, chugging track that utilises a classic organ with a bass acid lines to get rolling. A low end heavy ‘Contact’ is next bringing with it a deep brooding tone and housy shuffling drums. The A-side wraps up with ‘Balance’ a more ethereal track that uses classic deep house motifs whilst remaining inherently modern. The title track ‘Wobble’ opens up the B-side doing exactly what it says on the tin and the EP closes out with the main man, Demi on remix duties putting his own imitable spin on the aforementioned track.

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Semi Delicious return for their 16th edition with the impressive ‘Asylum Of Love’ VA inviting faces old and new to the imprint. A label noted for bringing together impressive collections of talent, SEMID016 is no exception with contributions from Krywald & Farrer, Gallegos, Tattie Dee, Omar Smadar & DJ Gear, Scarlett O’Malley & label boss, Demi Riquisimo.

The A-side welcomes Krywald & Farrer, Gallegos and Tatie Dee. The release kicks off with ’Seize The Source’ from the aforementioned Krywald & Farrer. A classic house beat with modern, psychedelic flourishes, the track sets the tone nicely for an EP loaded with club ready heaters. Up next is label regular Gallegos with ‘Asylum of Love’, in keeping with the
house-centric motif, Gallegos delivers an acid laden, Chicago inspired weapon. ‘For My Niece’ by Tatie Dee wraps up side one on dreamy, Balearic tip.

Omar Smadar & DJ Gear’s ‘Check One’ opens up the B-side. A cruising progressive jam that's certain to be heard throughout the autumn and for the duration of 2023’s club season. Next Rinse FM resident and Club Cowgirl label boss Scarlett O’Malley makes her Semi Delicious bow with the grooving percussive ‘Hey Party People’. Demi himself puts the finishing touches on SEMID016 with a 2023 interpretation of his own ‘Rocking You Internally’ from his own ‘Mirage Over’ EP, released on the same imprint.

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Semi Delicious is wrapping up the 2022 with a set of collaborative remixes of bossman Demi Riqui´simo’s personal SD stash.

Following on from 2019’s ‘Reconfigured’, 'Reconfigured 2’ see’s Manami, Gallegos, Gina Breeze & Asa Tate put their own imitable stamps on the back catalog of label head’s own Semi Delicious back catalog.

First up with have Japan born, Peckham based Manami’s interpretation of ‘Mirage Over’. Originally released on SEMID008, Manami’s fingerprints are all over this revised iteration. High energy, twisted prog with balearic touches make for a considered & unique reimagining. Fresh from tearing apart Panorama Bar, Gallegos puts his spin on disco tinged roller ‘Point One’. Vintage percussion characterise a remix that wouldn’t sound of out of place in the bag of Larry Levan or Ron Hardy. The b-side kicks off with HomoBloc & Warehouse Project resident Gina Breeze beefing up the low end and levels of psychedelia on ’Sanitise’ making for some serious peak time gear. To wrap up the package we have Asa Tate’s revision of ‘Anxious Elephants’. Breezy piano and panpipes contrast the records chugging low end and acid inflections creating a truly versatile track suitable for shifting the mood up or down in a given context.

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Following outings on Slump, Ha^ws & Schimmer, mpeg makes his Semi-Delicious bow with an all killer, no filler collection of acidic tinged, progressive bombs.

The release kicks off with the hypnotic ‘I Do Me’. The track rolls effortlessly into a crescendo of synthetic stabs, panning acid and a throbbing bass fit for Goa. Starting off with a bang, we roll into the breakbeat inflected ‘Kotanyi’. We’re treated to more psychedelic, progressive goodness with a slightly more brooding tone. Subtle keys lighten the track’s final stanza giving it serious sunrise set potential. B1 gives us the colourful ‘Thanks For Calling’. Swirling bleeps and descending acid lines contrast the records balearic sensibilities setting the tone nicely for the Ice Cream side of Semi Delicious’ 13th outing. ‘You Do You’ brings with it broken beats, a top line akin to golden era Italian house and more citrus-y undertones that characterise the record. ‘Shapeshifter’ wraps up the affair with a bang employing an almost speed garage-esque low end below the psychedelic symphony of extraterrestrial sonics dancing above.

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Demi Riqui´simo returns to his Semi Delicious hand-stamped white label with another four impeccable disco fusion party tracks. Guitar lead ‘Shameless Progression’ follows skittering disco hats across a scape of lasers, a pulsing bassline and Italo synth business. ‘Encona’ is a summery re-edit of a foreign disco classic you'll no doubt recognise (shh..), Demi has added his naughty robotic FM bassline and some proper drum chunk to the mix, a tasteful re-hash right until the end.

‘Second Element’ is a progressive disco tech crossover. Leading with a fat kick drum, trance- inducing chord patterns, acid flutters and topped off with 70’s soul edged vocal slices. ‘Spice Rack’ delves deep into the world of synthesis, an acoustic drum kit keeps pace while soft ambient chord progressions float delicately over with a hooky synth lead to top it off. A diverse collection of contrasting tracks, all with Demi’s superb signature across them.

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Originally from Auckland, NZ and now London based Louis Anderson-Rich, known amongst the dance world as Manuel Darquart, makes his return to the inimitable favourite white label Semi Delicious. With two appearances on various artist compilations in the past, and a slew of releases since 2017 on labels including Wolf Music Recordings, Infinite Pleasure and Seb Wildblood’s Coastal Haze imprint – the time has come for Manuel to deliver his unquestionably chic sounds with a larger-than-life Italo-house EP entitled ‘Turbo Shandy’.

Tangling the roots of Italo-house from yesteryear with a forward thinking, dynamic approach to his arrangements and mix, Manuel Darquart steps off the precipice with the title track ‘Turbo Shandy’. A constantly rolling and evolving piece of synth laden ecstasy with reverberating snares and metric hats for an authentic 90’s feel. ‘For You’ follows, a rhythmic groove with Roland toms and crunchy hats setting the stage for swathes of rompler style SFX and a carefully-building progression that brings swirling synth pads and bold lead lines throughout.

The percussion-party continues with ‘In The Club At 5am’, a perfect perker to perk up the dance in the wee-hours. Soothing sore rave joints and ecstatic muscles while the sun rises outside; tremulating basslines join cascading chord phrases for a final surge of late night energy.

The EP is closed down with ’89 When Things Were Fine’, a triumphant closing piece that’s joined by a superb remix from label boss Demi Riqui´simo. Both combining punchy basses and splashy, immersive drum grooves at contrasting paces, each with their signature touch.

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The inimitable, Detroit-born, UK based producer and DJ, Demi Riquísimo returns to his unbounded Semi Delicious imprint with a 4-track EP with feature vocals from one of London’s most in-demand DJs - Lulah Francs.

Delivering another delectable spread of speaker rumbling house music in a variety of dancefloor flavours, Demi sets off with title track ‘Rush Common’. A steady rolling kick, with his signature live-feel hi-hats are joined by a rumbling 909 groove and massive synth chords and a wandering acid-lead. Simple, effective, fearless house music.

‘Paroche’ brings the authentic Italo-influenced flavours that Demi has become renowned for. Sampled female vocal chants dissect a metric, live drum groove with lush pads and an oozing, wandering arp synth running through the centre. – Demi also includes a huuuuge, Extended Balearic Mix for the bubbling Ibiza terraces throughout the summer.

‘Circulate’ showcases fellow Londoner Lulah Francs vocal leads, across a gnarly FM synth lead and sassy Roland drum groove. Lulah’s enchanting vocals give this one an extra edge to captivate any dance floor it meets.

‘Don’t Feed The Tiger’ combines Indo-influences with modal vocals and an eastern instrumentation to bask in under the midday sun. A slower tempo from a live-drum groove offers space to move between shaded trees, barefoot in the Balearic sands.

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Demi Riquísimo’s consistently superb Semi Delicious imprint turns 3 this month; with a celebratory bang Demi invites some of the finest names on the UK underground circuit for a four-track VA. Spanning through mind-melting psychedelia, impeccable Italo, bombastic breakbeats and Balearic beat with the hotly-tipped NTS resident and Bicep support DJ - Manami, Demi himself, one of the most in-demand DJ duo’s Inner Zone and Semi D mainstays Manuel Darquart.

Manami kicks off the EP with a heads-down 4x4 acid trip that brings more bleeps and bloops than you can shake a wand at! The Bristolian trailblazer shows of a sound that is taking the underground scene by storm at the moment; a late night, jet-fuelled ride with no emergency eject button!

Demi brings his archetypal low-slug Italo-house inspired boogie magic. ‘Tutukaka’ is
filled to the brim with classic Roland drum machine grooves and percussion,
immersive pads and a poignant FM bassline that is steadily becoming the hallmark of a his instantly classic sounding records.

Inner Zone take a moment away from their busy DJ schedule to write ‘Lunar Trick’. An intergalactic breakbeat voyage that embodies their warm, analogue studio
productions. Acid leads, chunky bass and a hefty kick that’ll bring a breeze through
your hair.

Manuel Darquart close the release with ‘Track A’, echoing ideas that are at the root of the Semi Delicious sound. Lush percussion and phasing chords wander through a
hefty drum groove to make this the perfect soundtrack for your next Piña colada on a sunny beach break!

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Every once in a while a record comes along which is a little bit special, a record which stands the test of time, bringing the same reaction to the dancefloor now as it did all those years ago; ‘Don’t You Want My Love’ is one of those records. Four decades after its original release in 1979, the record has become a favourite with the Glitterbox crowds. Following on from the label’s release of the original, Glitterbox now presents a special remix package that features Joe Claussell’s 1986 Reel To Reel Edit - a disco extravaganza of a mix - and Cratebug’s house-infused and funk-laden More Love Remix.

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DISCO EDITS

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Ricky Razu is one of Belgium's new breeds of rising house producers who come from a vast background of jazz, boogie, hip-hop and disco and through the amalgamation of these various styles, he is quickly making a name for himself.

Ricky's swing is quite unique, he has been putting his own twist and interpretation on the regular house track by joining the dots between yesterday’s golden era classics and today’s club bangers. As one of Houseum's mainstays, he has also built up a solid presence behind the decks, becoming a regular player in the Belgian and international house scene. During the past years, Ricky’s prolific output has also allowed his sounds to propagate all over the globe, which culminated in a worldwide repertoire of gigs from Europe to the US, South America and Asia. The man has also garnered support from the likes of Jeremy Underground, Bellaire and Subjoi, to name a few, and with his new projects in the pipeline, the future is looking bright for him.

Get transported to a parallel dimension with the title track of Ricky Razu’s new EP ‘Cosmic Waves’. This spacey yet club-oriented track blends floaty arpeggios with a dark rumbling bass. But what truly sets "Cosmic Waves" apart is its sharp and distinct lead melody, guaranteed to linger in your head long after the first listen. In Ricky’s known style, the arrangement sounds complete yet never over-loaded, resulting in a track that is effective and easy to love.

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Through 35 hedonistic highlights stretched across three volumes, Music For The Radical Xenomaniac delivers the first ever deep dive into The Netherlands’ colourful house sound of the 90s and the under-celebrated producers and record labels whose music soundtracked a countrywide cultural movement.

Plenty of books and documentaries have celebrated the riotous raves, legendary clubs, high profile DJs and promoters who shaped The Netherlands’ hedonistic house scene throughout the 90s. Music For The Radical Xenomaniac dares to challenge these narratives by shining a light, for the first time, on those who created the scene’s kaleidoscopic, game-changing and globally influential soundtrack.

Leading the charge were a disparate group of key creators who not only forged links with their counterparts in Detroit, Chicago, New York, Belgium, Germany and the United Kingdom, but also became celebrated figures on the worldwide electronic underground (Eric Nouhan, Aad De Mooy, Orlando Voorn, Stefan Robbers and Steve Rachmad). Alongside key underground imprints (Stealth Records, Basic Energy, ESP, Prime and Outland Records included) and lesser-known producers, these pioneers gave flavour to a radical musical movement via open-mindedness, unheard-of creativity and a genuinely futuristic ethos. All of these artists and labels are represented throughout the series.

So, what defined this hedonistic house sound from The Netherlands? Stylistically, it was varied – as the series so emphatically proves – but was defined by a set of distinctive sonic characteristics: emotive musical motifs, high-frequency synth sounds, mellow basslines, pulsating rhythms and more than a touch of hallucinatory intent.

Volume 2 contains a wealth of notable tracks and slept-on gems. These include Q’s ‘From Within (Body Mix)’, a lesser-known cut from the trio better-known as Quazar (Gert van Veen, R.o.X.Y co-founder Eddy De Clercq and Eric Cycle), Eric Nouhan’s melodic masterpiece ‘Technobility’, which is appearing on vinyl for the first time since 1994, and a rare collaboration between regular production partners Maarten van der Vleuten and Mike Kivits (better known as Aardvarck), which was initially released on a special R&S Records’ offshoot set up by the label’s co-founder, Renaat Renaat Vandepapeliere (Integrity II’s ‘Living In Fantasy’).

Other highlights include Exposure’s ‘Love Quest’, a highly sought-after 1991 track by The Hague-based DJ/producer Maurits Paardekooper, and an ambient-infused Andrew Weatherall favourite originally released by Stealth Records in 1993, Hole In One’s ‘Spiritual Ideas For Virtual Reality’.

Packed full of forward-thinking 90s gems remastered for today’s dance floors by Alden Tyrell, Music For The Radical Xenomaniac Volume 1 is a life-affirming celebration of a distinctly Dutch musical movement, whose rich textures and melodies are still inspiring new generations of DJs and dancers today.

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Varhat is back on Yoyaku’s YYK No label series with an explosif four tracker.

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Routed through an interdimensional gateway; the latest message from Psy-fi Sounds has materialized. Reporting back to the home world with 4 separate accounts of their latest cosmic endeavors. Encounters with complex life forms, analysis of digital realities and investigations into the true nature of the universe are transcribed within. The trilogy is now complete.

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Through 35 tracks stretched across three volumes, Music For The Radical Xenomaniac delivers the first ever deep dive into The Netherlands’ colourful house sound of the 90s and the under-celebrated producers and record labels whose music soundtracked a countrywide cultural movement.

Plenty of books and documentaries have celebrated the riotous raves, legendary clubs, high profile DJs and promoters who shaped The Netherlands’ hedonistic house scene throughout the 90s. Music For The Radical Xenomaniac dares to challenge these narratives by shining a light, for the first time, on those who created the scene’s kaleidoscopic, game-changing and globally influential soundtrack.

Leading the charge were a disparate group of key creators who not only forged links with their counterparts in Detroit, Chicago, New York, Belgium, Germany and the United Kingdom, but also became celebrated figures on the worldwide electronic underground (Eric Nouhan, Aad De Mooy, Orlando Voorn, Stefan Robbers and Steve Rachmad). Alongside key underground imprints (Stealth Records, Basic Energy, ESP, Prime and Outland Records included) and lesser-known producers, these pioneers gave flavour to a radical musical movement via open-mindedness, unheard-of creativity and a genuinely futuristic ethos. All of these artists and labels are represented throughout the series.

So, what defined this hedonistic house sound from The Netherlands? Stylistically, it was varied – as the series so emphatically proves – but was defined by a set of distinctive sonic characteristics: emotive musical motifs, high-frequency synth sounds, mellow basslines, pulsating rhythms and more than a touch of hallucinatory intent.

Volume 3 is packed with in-demand tracks and hard-to-find gems, including a previously CD-only cut from Dutch techno originator Orlando Voorn (1999’s ‘Still’), a genuine rave classic from The Hague by hardcore DJ Charly Lownoise as Fluxland, and a killer cut from prolific producer – and genuinely influential pioneer – Aad De Mooy AKA D-Shake. He’s represented on this volume by Paradise 3001 cut ‘Surfin The Cuban Waves’, which first appeared on ESP Records in 1993.

Other highlights include Direct Movement’s ‘Natural Chemistry’, a sought-after slow house cut produced by Dennis Buné, who had an enormous impact on the Dutch house scene as Jaimy, and ‘Delphi (Rewaxed)’ by NYX, a highly regarded and hard to find single from former new wave and synth-pop producer Bart Barten, and occasional studio partner Hanz Meyer.

Packed full of forward-thinking 90s gems remastered for today’s dance floors by Alden Tyrell, Music For The Radical Xenomaniac Volume 3 is a life-affirming celebration of a distinctly Dutch musical movement, whose rich textures and melodies are still inspiring new generations of DJs and dancers today.

Music For The Radical Xenomaniac was compiled and curated by long-serving Dutch scene stalwarts Christiaan Macdonald and Arne Visser and marks the debut of their new independent label, Amazing! Macdonald co-founded Rush Hour and Safe Trip, and also co-curated the acclaimed Welcome To Paradise and Planet Love compilations. Visser is known as selector and radio host Cinema Royale, and for his Dekmantel-released Italo-disco compilation, Profondo Nero.

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A split EP pairing two euphoric dance anthems by Thurlow Joyce with a spellbinding roller by Regularfantasy and Priori. Romantic, ecstatic, and full of <3

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Heading up the release is Barcelona based beatmaker - Vince Void, a fitting return to the label. His “Explorer” EP is crammed with dynamite dance floor enthusiasm, moving elegantly between dusty breaks, slick house and space infused electro grooves. Taking care of the remix in a fine manner is Mario Liberti, the Deep In Dis founder bringing the high energy funk for the small hours of the night!

First up is “Phase Finale”, setting things up in a playful mood, the elasticated groove drives the track as otherworldly pads and synths wander blissfully around the heart of the production. Classy club room action from Void ready for the summer floors. More of the same in title track “Explore” quirky samples flash in and out as the journey unfolds, another certainty for the record bag. Mario Liberti’s remix immediately gives you a nostalgic rave vibe, huge broken drums, rave stabs and sub heavy bass make this a modern day anthem.

On the B side Void’s innovative collaboration with Alex Garcia takes the helm - “Access Denied”. Seductive spoken word draws you into the meticulously arranged trip, unexpected twists and turns continue to appear before you. Driven from the get go is the final track “The Vision”, tinges of acid conversing with the explosive and chunky drums patterns.

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A label synonymous with a distinct flavour of house sweeping Italy in the ‘90s, the prolific Palmares Records discography is a gold mine of goodness from sun-kissed, italo house cuts to rave-channelling raucousness. Axe Corner’s 'Tortuga' four tracker is one such example of that latter direction and with originals trading hands for up to £150 it's high time a remastered, reissue landed.

A classic of the era, balancing breakbeat-laced, rave and hardcore sensibilities with a deft Italian flair. Four tracks produced by a quartet of some of the most masterful minds of the Italo house sound Alex Neri, Marco Baroni, Adriano Dodici and Pietro Pieretti.

‘OUT-SLD’ opens, a warehouse wall shaker, with twisted top lines and a hardcore infused underbelly. ‘IN-SLD’ turns it into a fever pitch, acid-laden warper – atmospheric organs and all.

On the flip ‘BAD-SLD’ has more of the Riviera feel to it, classic keys drenching this in warmer rays, as ‘SLD-EFFECTS’ takes the closing spot - a stripped back, driving groover.

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Prodigious talent, Pechno, introduces a refined new school electro EP, redefining the Parisian scene, released on Straatkunst Records.

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