1
Tolerance - Two Owls
2
Tolerance - I Wanna Be A Homicide
3
Tolerance - Osteo-Tomy
4
Tolerance - Juin-Ireuneue
5
Tolerance - Anonym
6
Tolerance - Laughina In The Shadows
7
Tolerance - Through The Glass
8
Tolerance - Tecno-Room
9
Tolerance - Voyage Au Bout De La Nuit
Packaged in an old school, tip-on sleeve. Includes hi-res digital download.
Legendary debut album by Junko Tange (mystery woman who showed up on the NWW list), originally issued by Osaka’s Vanity Records in 1979. Dadaesque recitations and sparse guitar, piano and electronic meanderings combine for a beguiling, hypnotic dreamworld. Officially licensed from the custodians of Yuzuru Agi's Vanity Records archives, this edition has been fully remastered from new transfers of the original analog tapes by Stephan Mathieu.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Legendary debut album by Junko Tange (mystery woman who showed up on the NWW list), originally issued by Osaka’s Vanity Records in 1979. Dadaesque recitations and sparse guitar, piano and electronic meanderings combine for a beguiling, hypnotic dreamworld. Officially licensed from the custodians of Yuzuru Agi's Vanity Records archives, this edition has been fully remastered from new transfers of the original analog tapes by Stephan Mathieu.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Tolerance
1
Tolerance - Pulse Static Tranqillia
2
Tolerance - 1 F Yuragi
3
Tolerance - Misa Gigs Tapes In C
4
Tolerance - Sound Round
5
Tolerance - Bokw Wa Zurui Robot Stolen From Kad
6
Tolerance - Sacrifice
7
Tolerance - Motor Fan
8
Tolerance - Tiez Rekcuz
Audiophile pressing (45 RPM). Packaged in a deluxe, gatefold Stoughton tip-on jacket. Hi-res download included.
Junko Tange’s second and final album - a minimalistic, phantasmagoric masterpiece of distant, dreamlike voices woven through pulsating, dubbed-out drum machines, synths and static, originally issued by Osaka’s Vanity Records in 1981. Did this unassuming dental student (who vanished from the music world following this release) inadvertently invent dub techno? You be the judge. Label head Yuzuru Agi said this was his favorite Vanity release, and it’s not hard to see why. Remastered by Stephan Mathieu from new transfers of the original analog tapes, this fully authorized 2LP is the definitive edition of this landmark electronic work.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Junko Tange’s second and final album - a minimalistic, phantasmagoric masterpiece of distant, dreamlike voices woven through pulsating, dubbed-out drum machines, synths and static, originally issued by Osaka’s Vanity Records in 1981. Did this unassuming dental student (who vanished from the music world following this release) inadvertently invent dub techno? You be the judge. Label head Yuzuru Agi said this was his favorite Vanity release, and it’s not hard to see why. Remastered by Stephan Mathieu from new transfers of the original analog tapes, this fully authorized 2LP is the definitive edition of this landmark electronic work.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Mesh-Key
1
R.N.A. Organism - Weimar 22
2
R.N.A. Organism - Howareyou Whyou
3
R.N.A. Organism - After
4
R.N.A. Organism - Bring To Naught
5
R.N.A. Organism - Nativity
6
R.N.A. Organism - Yes Every Africa Must Be Free Eternally
7
R.N.A. Organism - Say It Loud I'm Dilettante I'm Proud
8
R.N.A. Organism - Matrix
Much appreciated reissue of R.N.A. Organism’s ‘R.N.A.O Meets P.O.P.O’ (first released by legendary Osaka label Vanity Records in 1980). A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A.O Meets P.O.P.O is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects.
Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Tolerance - Pulse Static Tranqillia
2
Tolerance - 1 F Yuragi
3
Tolerance - Misa Gigs Tapes In C
4
Tolerance - Sound Round
5
Tolerance - Bokw Wa Zurui Robot Stolen From Kad
6
Tolerance - Sacrifice
7
Tolerance - Motor Fan
8
Tolerance - Tiez Rekcuz
Audiophile pressing (45 RPM). Packaged in a deluxe, gatefold Stoughton tip-on jacket. Hi-res download included.
Junko Tange’s second and final album - a minimalistic, phantasmagoric masterpiece of distant, dreamlike voices woven through pulsating, dubbed-out drum machines, synths and static, originally issued by Osaka’s Vanity Records in 1981. Did this unassuming dental student (who vanished from the music world following this release) inadvertently invent dub techno? You be the judge. Label head Yuzuru Agi said this was his favorite Vanity release, and it’s not hard to see why. Remastered by Stephan Mathieu from new transfers of the original analog tapes, this fully authorized 2LP is the definitive edition of this landmark electronic work.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Junko Tange’s second and final album - a minimalistic, phantasmagoric masterpiece of distant, dreamlike voices woven through pulsating, dubbed-out drum machines, synths and static, originally issued by Osaka’s Vanity Records in 1981. Did this unassuming dental student (who vanished from the music world following this release) inadvertently invent dub techno? You be the judge. Label head Yuzuru Agi said this was his favorite Vanity release, and it’s not hard to see why. Remastered by Stephan Mathieu from new transfers of the original analog tapes, this fully authorized 2LP is the definitive edition of this landmark electronic work.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Morio Agata - Radio City Of Love
2
Morio Agata - Tinplate Rock Ocon Roll
3
Morio Agata - Airplane
4
Morio Agata - Cocktail Machine
5
Morio Agata - Twilight Waltz
6
Morio Agata - R Solution
7
Morio Agata - Continuous Perfume Bottle
8
Morio Agata - Submarine
Japanese folk-rock legend Morio Agata stunned fans with this way-outta-left-field dispatch - a synthesizer-laden, new-wave/post-punk classic. Originally released by Osaka’s Vanity Records in 1980 and back on vinyl for the first time in nearly 40 years, this fully authorized reissue has been remastered from the original analog tapes. In tip-on sleeve, with double-sided insert.
50 years ago, Hokkaido-born singer-songwriter Morio Agata released his debut single, Sekishoku Ereji (Red Elegy), an emotive, shuffling piano ballad that (shockingly) sold half a million copies in Japan. While he would never have another Top-40 hit, Agata would spend the next half century issuing a series of idiosyncratic, experimental pop albums. Today, he’s a beloved cult figure, still actively touring and recording in his seventies.
In his first decade as a recording artist, Agata released a stream of classics right out of the gate — Otome No Roman (1972) melded American-styled folk rock with traditional Japanese melodies, Zipangu Boy (1976) was a sprawling, Haruomi Hosono-produced psychedelic opus, and Kimi No Koto Suki Nan Da (1977) saw Agata tackle slick, lightly funky AOR. While this sort of stylistic schizophrenia might sink your average artist, Agata’s singular voice and magnetic charisma elevates everything he touches, and subsumes it all into Morio Agata World — a joyous, playful and frequently unhinged world.
Arguably the biggest left-turn of Agata’s early career, however, came in 1979, when legendary experimental label Vanity Records’ Yuzuru Agi paired Agata with major players from his label’s roster and the Osaka punk scene for an impromptu recording session. An impressive list of musicians took part (SAB, Yukio Fujimoto (Normal Brain), Masahiro Kitada (INU), Taiqui (Ultra Bide), Jun Shinoda (SS), Chie Mukai (Che-Shizu), and others) and even though they all came from different wings of the underground music scene, together they built an arresting, minimalistic bedrock of synthesized and acoustic sounds for Agata to work his magic over. The recording sesssions were tense and it took a while for the collective to find their footing. But the hard work paid off — Norimono Zukan is a masterpiece of ramshackle new wave and droning dirges, topped off with Agata’s unmistakeable croon, at times delicate, other times twisted. It’s a relatively short album, but a deep one, and Mesh-Key is honored to introduce it to a new generation of music fans.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
50 years ago, Hokkaido-born singer-songwriter Morio Agata released his debut single, Sekishoku Ereji (Red Elegy), an emotive, shuffling piano ballad that (shockingly) sold half a million copies in Japan. While he would never have another Top-40 hit, Agata would spend the next half century issuing a series of idiosyncratic, experimental pop albums. Today, he’s a beloved cult figure, still actively touring and recording in his seventies.
In his first decade as a recording artist, Agata released a stream of classics right out of the gate — Otome No Roman (1972) melded American-styled folk rock with traditional Japanese melodies, Zipangu Boy (1976) was a sprawling, Haruomi Hosono-produced psychedelic opus, and Kimi No Koto Suki Nan Da (1977) saw Agata tackle slick, lightly funky AOR. While this sort of stylistic schizophrenia might sink your average artist, Agata’s singular voice and magnetic charisma elevates everything he touches, and subsumes it all into Morio Agata World — a joyous, playful and frequently unhinged world.
Arguably the biggest left-turn of Agata’s early career, however, came in 1979, when legendary experimental label Vanity Records’ Yuzuru Agi paired Agata with major players from his label’s roster and the Osaka punk scene for an impromptu recording session. An impressive list of musicians took part (SAB, Yukio Fujimoto (Normal Brain), Masahiro Kitada (INU), Taiqui (Ultra Bide), Jun Shinoda (SS), Chie Mukai (Che-Shizu), and others) and even though they all came from different wings of the underground music scene, together they built an arresting, minimalistic bedrock of synthesized and acoustic sounds for Agata to work his magic over. The recording sesssions were tense and it took a while for the collective to find their footing. But the hard work paid off — Norimono Zukan is a masterpiece of ramshackle new wave and droning dirges, topped off with Agata’s unmistakeable croon, at times delicate, other times twisted. It’s a relatively short album, but a deep one, and Mesh-Key is honored to introduce it to a new generation of music fans.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
The Rabbits - Wa Wa Wa
2
The Rabbits - Meiken Bataakenkun Gou Den
3
The Rabbits - Baachan No Baajin De Ittemiyou Metal Mix
4
The Rabbits - Kako Otoko
5
The Rabbits - Bye Bye
6
The Rabbits - Yasai
7
The Rabbits - Seiteki Ningen
8
The Rabbits - Winter Song
9
The Rabbits - Dada
10
The Rabbits - Mori No Uta
Twisted and irreverent, The Rabbits combined ear-splitting guitar shrapnel with one of punk’s greatest-ever snot-nosed vocalists. With hints of PIL or Chrome, but beamed in from a parallel dimension and filtered through the warped lens of visionary loner Syoichi Miyazawa. First-ever vinyl release, fully remastered from the band’s original early ’80s cassette releases, and housed in a sturdy tip-on sleeve. Includes a double-sided, printed insert. Edition of 500
Singer-songwriter Syoichi Miyazawa’s tale is a confounding one.
He grew up in a small town in Yamagata Prefecture (in northern Japan), loved Dylan and The Beatles, and had very little exposure to, or interest in, underground music. And yet, shortly after 24-year-old Miyazawa arrived in Tokyo in 1978, he began performing solo shows at tiny clubs in the city, singing and playing guitar. His performances quicky devolved from brisk acoustic jaunts to lengthy, heavy dirges sung in a snot-nosed wail over a blown-out electric guitar detuned to produce a kind of sonic sludge.
At one of his earliest gigs, a mutual friend introduced him to Endo Michiro, who would soon become the legendary front man of Japanese punk icons The Stalin. It turned out Miyazawa and Endo had attended Yamagata University at the same time just a few years earlier, but hadn’t known each other at school. In Tokyo, they became fast friends, moved into the same apartment building, and for years were inseparable. Endo played guitar and drums on Miyazawa’s debut release, the “Christ Was Born in a Stable” flexi disc. But while Endo was social and outgoing, Miyazawa preferred to be alone, avoiding concerts unless he was performing.
Despite these antisocial tendencies, Miyazawa came to despise playing solo. In 1982, an eccentric high school student named Chika introduced herself at one of Miyazawa’s gigs, and Miyazawa asked if she’d play bass. She agreed and drafted two of her friends to play second guitar and drums. The Rabbits were born.
Miyazawa wrote the tunes, and had a clear vision for the group, but struggled to get the sound he wanted from the other members. His second guitarist was more of a fusion player, and Miyazawa took great pains to get him to tone down the shredding. The group quickly went through multiple line-up changes. Frustrated with the sound of their first proper recording (self-released as the “X1(x)” cassette), Miyazawa spent a full year mixing their second cassette, “Winter Songs,” on his own.
The hard work paid off — the sound of “Winter Songs” is striking, and unlike anything the band’s peers produced. There’s liberal use of delay on the vocals, giving the music a psychedelic feel, but the guitars are caustic, cutting through the mix like metal shrapnel. The rhythm section seems on the verge of teetering out of control throughout, an overdriven and pummeling current below abrasive slabs of guitar and vocals. Even at their most aggressive, though, The Rabbits had strong pop sensibilities, complete with cooing backing vocals and the occasional harmonica solo. Miyazawa delivers his borderline nonsensical lyrics with equal amounts of menace and gaiety, consistently riding that fine line as only a natural oddball can. At times, the band sounds like a distant cousin of PiL, Chrome or The Homosexuals, but beamed in from a parallel dimension and filtered through Miyazawa’s warped lens.
Although The Rabbits briskly sold all 500 copies of the "Winter Songs" tape, live audiences at the time seemed dumbfounded by the group, and would stare at them in silence. After two years together, The Rabbits called it quits in 1984.
When asked if any of the many legendary groups (Les Rallizes Desnudes, G.I.S.M., etc.) he shared stages with left an impression, Miyazawa recently revealed that he always left the venue as soon as he finished performing, so he never caught any of the other bands…
All of which is to say —
The Rabbits are one of the great punk bands of the early ’80s, but their leader had no interest in the punk scene and always thought he was making “normal” music. They rubbed shoulders with a slew of notable groups of the era, and their singer was best friends with arguably the most famous Japanese punk of all time, but Miyazawa shunned fraternization and purposefully distanced himself from his peers.
Could this be why so few underground music fans are familiar with the group, even in Japan? Why they seem to have been written out of the official history of Japanese punk? One can never know for sure, but Mesh-Key hopes to remedy this travesty by offering this compilation, the first-ever official LP by The Rabbits, to a new generation of punk and psychedelic music connoisseurs.
credits
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Singer-songwriter Syoichi Miyazawa’s tale is a confounding one.
He grew up in a small town in Yamagata Prefecture (in northern Japan), loved Dylan and The Beatles, and had very little exposure to, or interest in, underground music. And yet, shortly after 24-year-old Miyazawa arrived in Tokyo in 1978, he began performing solo shows at tiny clubs in the city, singing and playing guitar. His performances quicky devolved from brisk acoustic jaunts to lengthy, heavy dirges sung in a snot-nosed wail over a blown-out electric guitar detuned to produce a kind of sonic sludge.
At one of his earliest gigs, a mutual friend introduced him to Endo Michiro, who would soon become the legendary front man of Japanese punk icons The Stalin. It turned out Miyazawa and Endo had attended Yamagata University at the same time just a few years earlier, but hadn’t known each other at school. In Tokyo, they became fast friends, moved into the same apartment building, and for years were inseparable. Endo played guitar and drums on Miyazawa’s debut release, the “Christ Was Born in a Stable” flexi disc. But while Endo was social and outgoing, Miyazawa preferred to be alone, avoiding concerts unless he was performing.
Despite these antisocial tendencies, Miyazawa came to despise playing solo. In 1982, an eccentric high school student named Chika introduced herself at one of Miyazawa’s gigs, and Miyazawa asked if she’d play bass. She agreed and drafted two of her friends to play second guitar and drums. The Rabbits were born.
Miyazawa wrote the tunes, and had a clear vision for the group, but struggled to get the sound he wanted from the other members. His second guitarist was more of a fusion player, and Miyazawa took great pains to get him to tone down the shredding. The group quickly went through multiple line-up changes. Frustrated with the sound of their first proper recording (self-released as the “X1(x)” cassette), Miyazawa spent a full year mixing their second cassette, “Winter Songs,” on his own.
The hard work paid off — the sound of “Winter Songs” is striking, and unlike anything the band’s peers produced. There’s liberal use of delay on the vocals, giving the music a psychedelic feel, but the guitars are caustic, cutting through the mix like metal shrapnel. The rhythm section seems on the verge of teetering out of control throughout, an overdriven and pummeling current below abrasive slabs of guitar and vocals. Even at their most aggressive, though, The Rabbits had strong pop sensibilities, complete with cooing backing vocals and the occasional harmonica solo. Miyazawa delivers his borderline nonsensical lyrics with equal amounts of menace and gaiety, consistently riding that fine line as only a natural oddball can. At times, the band sounds like a distant cousin of PiL, Chrome or The Homosexuals, but beamed in from a parallel dimension and filtered through Miyazawa’s warped lens.
Although The Rabbits briskly sold all 500 copies of the "Winter Songs" tape, live audiences at the time seemed dumbfounded by the group, and would stare at them in silence. After two years together, The Rabbits called it quits in 1984.
When asked if any of the many legendary groups (Les Rallizes Desnudes, G.I.S.M., etc.) he shared stages with left an impression, Miyazawa recently revealed that he always left the venue as soon as he finished performing, so he never caught any of the other bands…
All of which is to say —
The Rabbits are one of the great punk bands of the early ’80s, but their leader had no interest in the punk scene and always thought he was making “normal” music. They rubbed shoulders with a slew of notable groups of the era, and their singer was best friends with arguably the most famous Japanese punk of all time, but Miyazawa shunned fraternization and purposefully distanced himself from his peers.
Could this be why so few underground music fans are familiar with the group, even in Japan? Why they seem to have been written out of the official history of Japanese punk? One can never know for sure, but Mesh-Key hopes to remedy this travesty by offering this compilation, the first-ever official LP by The Rabbits, to a new generation of punk and psychedelic music connoisseurs.
credits
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Shintaro Sakamoto - Love Is Possible
2
Shintaro Sakamoto - Tournament Of Macho Men
3
Shintaro Sakamoto - Another Planet
4
Shintaro Sakamoto - Purging The Demons
5
Shintaro Sakamoto - Like An Animal
6
Shintaro Sakamoto - Feeling Immortal
7
Shintaro Sakamoto - Others
8
Shintaro Sakamoto - Foolish Situation
9
Shintaro Sakamoto - Disco Is
10
Shintaro Sakamoto - Presence
Repress!
After 20+ years with psych legends Yura Yura Teikoku, Shintaro Sakamoto’s third solo album is a bonafide masterpiece of warped steel guitar, ambient disco and AOR soul. Orginally released in Japan , 2016.“Like a language of Sakamoto’s own…made with a ship-in-the-bottle-like focus.” Pitchfork “Love If Possible is the pay-attention-moment. Not enough know. More should know.” Under The Radar “Perfectionist pop for the extraterrestrial bachelor pad.” Spin
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
After 20+ years with psych legends Yura Yura Teikoku, Shintaro Sakamoto’s third solo album is a bonafide masterpiece of warped steel guitar, ambient disco and AOR soul. Orginally released in Japan , 2016.“Like a language of Sakamoto’s own…made with a ship-in-the-bottle-like focus.” Pitchfork “Love If Possible is the pay-attention-moment. Not enough know. More should know.” Under The Radar “Perfectionist pop for the extraterrestrial bachelor pad.” Spin
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
phew - Cloudy Day
2
phew - Just A Familiar Face
3
phew - Scat
4
phew - White Lounge, So Bright
5
phew - In The Doghouse
6
phew - Sonic Morning
Living legend Phew follows up her brilliant Light Sleep album with another masterwork - Voice Hardcore - comprised entirely of her iconic, instantly recognizable voice, twisted, folded and layered over six mesmerizing tracks.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Hidden Spheres - Get Lover
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Hidden Spheres - Get Lover (DJ Absolutely Shit Remix)
Fruit Merchant returns with head honcho Hidden Spheres supplying the goods once again. Following on from the success of his last Rhythm Section release 'Tanzen', Hidden Spheres is back in turbo mode, this time with 'Get Lover' a true tried and tested dance floor destroyer.
The Fruit Merchant crew had only one artist in mind when it came to remix duties and that is local Manc supplier of dance floor bangers DJ Absolutely Shit.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The Fruit Merchant crew had only one artist in mind when it came to remix duties and that is local Manc supplier of dance floor bangers DJ Absolutely Shit.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Alogte Oho & His Sounds of Joy - O Yinne!
2
Alogte Oho & His Sounds of Joy - La Ka Ba'
3
Alogte Oho & His Sounds of Joy - This Is Bolga!
4
Alogte Oho & His Sounds of Joy - Te Bola Be?
5
Alogte Oho & His Sounds of Joy - Yinne Te Yelle Be
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Alogte Oho & His Sounds of Joy - A Lemine Me
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Alogte Oho & His Sounds of Joy - Doose Mam
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Alogte Oho & His Sounds of Joy - Gure Yose Me
Gilles Peterson stated after the band's performance at his Worldwide Festival: "It was my absolute favorite moment in 16 years at the festival. They were everything that music is for me in 2022." The band will complete the summer season 2023 with a solid European tour with a total of 40+ concerts, almost 20 of them in the UK alone. Included is the We Out Here Festival. Based on that and the quote above by Gilles, we expect a strong support by him.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Yu Su - I Want An Earth
2
Yu Su - Counterclockwise
3
Yu Su - Menta Y Menta
4
Yu Su - Pardon
Repress!
Pinchy & friends is delighted to present the latest offering from Kaifeng-born and raised, Vancouver-based musician Yu Su.
In her first major release of original music since 2021’s acclaimed “Yellow River Blue” LP, Yu Su says elements for the EP began to form during time spent in the deserts of Ojai, California and the fertile coastal areas around her home in British Columbia. Of the new release, Yu Su says the ideas are thanks to “the objects around (colors, reflections of light, wood burning in the fireplace, and material rhyme with the sounds in the room) the desert and valley plants, the ground where citrus grows, and the flood a rainstorm created.” She notes that “the golden earth is the changing point of the matter, earth centers, stabilizes, and conserves, nurtures, and seeks to draw all things together with itself.”
Likewise, the four varied pieces of the EP match four very different landscapes: Earth-of-water (Wet/Cold Earth) Earth-of-Fire (Arid/Hot Earth) Earth-of-Metal (Dry/Hard Earth) Earth-of-Wood (Loose-Fertile/Warm Earth).
Additional guitar and bass were provided by Scott Johnson Gailey and Aiden Ayers - who also play in Yu Su’s live band.
The vinyl release comes on 180g vinyl in a full-colour sleeve by Seoul based Lobde Kim, with OBI STRIP.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Pinchy & friends is delighted to present the latest offering from Kaifeng-born and raised, Vancouver-based musician Yu Su.
In her first major release of original music since 2021’s acclaimed “Yellow River Blue” LP, Yu Su says elements for the EP began to form during time spent in the deserts of Ojai, California and the fertile coastal areas around her home in British Columbia. Of the new release, Yu Su says the ideas are thanks to “the objects around (colors, reflections of light, wood burning in the fireplace, and material rhyme with the sounds in the room) the desert and valley plants, the ground where citrus grows, and the flood a rainstorm created.” She notes that “the golden earth is the changing point of the matter, earth centers, stabilizes, and conserves, nurtures, and seeks to draw all things together with itself.”
Likewise, the four varied pieces of the EP match four very different landscapes: Earth-of-water (Wet/Cold Earth) Earth-of-Fire (Arid/Hot Earth) Earth-of-Metal (Dry/Hard Earth) Earth-of-Wood (Loose-Fertile/Warm Earth).
Additional guitar and bass were provided by Scott Johnson Gailey and Aiden Ayers - who also play in Yu Su’s live band.
The vinyl release comes on 180g vinyl in a full-colour sleeve by Seoul based Lobde Kim, with OBI STRIP.
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1
Revisq - Satellite 303
2
Celsius - Day Dream
3
RT - Simply
4
Substance - Shamans Nature
5
Tarmslyng - Du Lugter Af s Hest
Always exciting when Klasse Wrecks comes with a new label project!! This one they do together with Kid Who and is a series of records showcasing previously unreleased house, techno, acid and more from the 90s Amiga Demoscene. Created using early sample sequencers such as ProTracker, these tracks radiate the authentic energy of techno's golden era - and they've been hiding in plain sight in Demoscene web repositories for many years. It was during the long days of the 2020 lockdowns that Kid Who began to explore these archives, sifting through thousands of tracks to eventually amass a collection of several hundred of his favourites. Curated by Klasse Wrecks and Kid Who in close collaboration with the talented artists behind them, the .NFO project aims to bring some of these finds to the broader dance music community via a series of VA 12"s and mixes. Tip!! Vinyl comes with A4 insert and stickered sleeve.
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1
Specific Objects - Nightnoise
2
Specific Objects - Nightnoise (Introversion Remix)
3
Specific Objects - Virgo Vibes
4
Specific Objects - Sweet Spot
5
Specific Objects - Nightnoise (Introversion’s Trippy Edit) - Digital Only
Special remarks : handstamped whitelabel, downloadcodes
Genre: Techno
Tracklist 12":
A1 Specific Objects – Nightnoise
A2 Specific Objects – Nightnoise (Introversion Remix)
B1 Specific Objects – Virgo Vibes
B2 Specific Objects – Sweet Spot
Digital Only: Specific Objects – Nightnoise (Introversion’s Trippy Edit)
Short Info:
Handstamped whitelabel with 4 fast paced and forward driving techno killers from Specific Objects including an Introversion remix.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Genre: Techno
Tracklist 12":
A1 Specific Objects – Nightnoise
A2 Specific Objects – Nightnoise (Introversion Remix)
B1 Specific Objects – Virgo Vibes
B2 Specific Objects – Sweet Spot
Digital Only: Specific Objects – Nightnoise (Introversion’s Trippy Edit)
Short Info:
Handstamped whitelabel with 4 fast paced and forward driving techno killers from Specific Objects including an Introversion remix.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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1
Comité Hypnotisé - Enter Here
2
Comité Hypnotisé - Hoop Rollin'
3
Comité Hypnotisé - Hail the Boom Boom
4
Comité Hypnotisé - Blind Ear Boogie
5
Comité Hypnotisé - Risin Attic
6
Comité Hypnotisé - Battle of the Sauces
7
Comité Hypnotisé - Ghoul Theme
8
Comité Hypnotisé - King Smoke
9
Comité Hypnotisé - Aquarium Breakout
10
Comité Hypnotisé - Woodchopper
11
Comité Hypnotisé - Exit Twerp
On his third album Comité Hypnotisé let you belly flop into his eleven chambers of the Danza Del Piri-Piri: expanding the feral and contagious universe he started to build a lifetime ago. FFO Sven Wunder, Ennio Morricone, Khruangbin, Flying Lotus, The Meters, Parliament, Edan, The Gaslamp Killer.
TRACKLISTING
A1. Comité Hypnotisé - Enter Here
A2. Comité Hypnotisé - Hoop Rollin'
A3. Comité Hypnotisé - Hail the Boom Boom
A4. Comité Hypnotisé - Blind Ear Boogie
A5. Comité Hypnotisé - Risin Attic
A6. Comité Hypnotisé - Battle of the Sauces
B1. Comité Hypnotisé - Ghoul Theme
B2. Comité Hypnotisé - King Smoke
B3. Comité Hypnotisé - Aquarium Breakout
B4. Comité Hypnotisé - Woodchopper
B5. Comité Hypnotisé - Exit Twerp
INFO
On his third album Comité Hypnotisé let you belly flop into his eleven chambers of the Danza Del Piri-Piri: expanding the feral and contagious universe he started to build a lifetime ago. Levitating and shimmering a glistering way through deep old skool 70's sitar vibes and jitterbug grooves. This boogieman aka the Millionaire-mind and part of the Evil Superstars has carved some hot smoked out bass and organ flared cuts on wax, ready to never leave you again. Whether it is with woodchopped kazou sounds stretching into hazy sunshine desire or dazzling basslines blending with interstellar and stuttering kick drums: the Danza Del Piri-Piri flip-flops and slams into a wiggly relentless sonic future.
FFO Sven Wunder, Ennio Morricone, Khruangbin, Flying Lotus, The Meters, Parliament, Edan, The Gaslamp Killer.
Comité Hypnotisé is the brainchild of Tim Vanhamel, frontman of Millionaire and Evil Superstars, two of Belgium's most famous alternative rock bands. In 2013 Tim started creating solo music that only got released in 2021 on his first solo album through the Belgian eclectic Cortizona label
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TRACKLISTING
A1. Comité Hypnotisé - Enter Here
A2. Comité Hypnotisé - Hoop Rollin'
A3. Comité Hypnotisé - Hail the Boom Boom
A4. Comité Hypnotisé - Blind Ear Boogie
A5. Comité Hypnotisé - Risin Attic
A6. Comité Hypnotisé - Battle of the Sauces
B1. Comité Hypnotisé - Ghoul Theme
B2. Comité Hypnotisé - King Smoke
B3. Comité Hypnotisé - Aquarium Breakout
B4. Comité Hypnotisé - Woodchopper
B5. Comité Hypnotisé - Exit Twerp
INFO
On his third album Comité Hypnotisé let you belly flop into his eleven chambers of the Danza Del Piri-Piri: expanding the feral and contagious universe he started to build a lifetime ago. Levitating and shimmering a glistering way through deep old skool 70's sitar vibes and jitterbug grooves. This boogieman aka the Millionaire-mind and part of the Evil Superstars has carved some hot smoked out bass and organ flared cuts on wax, ready to never leave you again. Whether it is with woodchopped kazou sounds stretching into hazy sunshine desire or dazzling basslines blending with interstellar and stuttering kick drums: the Danza Del Piri-Piri flip-flops and slams into a wiggly relentless sonic future.
FFO Sven Wunder, Ennio Morricone, Khruangbin, Flying Lotus, The Meters, Parliament, Edan, The Gaslamp Killer.
Comité Hypnotisé is the brainchild of Tim Vanhamel, frontman of Millionaire and Evil Superstars, two of Belgium's most famous alternative rock bands. In 2013 Tim started creating solo music that only got released in 2021 on his first solo album through the Belgian eclectic Cortizona label
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Label:Clone Aqualung Series
Cat-No:CAL009RE/C#25LP
Release-Date:08.09.2023
Genre:Electro
Configuration:2LP
Label:Clone Aqualung Series
Cat-No:CAL009RE/C#25LP
Release-Date:08.09.2023
Genre:Electro
Configuration:2LP
1
Drexciya - Cascading Celestial Giants
2
Drexciya - Powers Of The Deep
3
Drexciya - Drexciyen Starchamber
4
Drexciya - Gravity Waves
5
Drexciya - Drexciyen R.E.S.T. Principle
6
Drexciya - Hightech Nomads
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Drexciya - 700 Million Lightyears From Earth
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Drexciya - Astronomical Guidepost
Repress!
Drexciya presents Grava 4. Earth has finally discovered Utopia. (Drexciya Home Universe) Earth scientist discovered the home planet of Drexciya on 2-14-2002. Within moments Dr. Blowfin was given the orders to initiate the seven dimensional cloaking-spheres to hide the other three planets from earths view. The star chart is authentic; you will be able to find the star by using the coordinations on the star chart. The planet Drexciya can be found in the international star vault in Switzerland & recorded in the astronomical compendium. Updated artwork version for 2023, first limited run on translucent silver vinyl.
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Drexciya presents Grava 4. Earth has finally discovered Utopia. (Drexciya Home Universe) Earth scientist discovered the home planet of Drexciya on 2-14-2002. Within moments Dr. Blowfin was given the orders to initiate the seven dimensional cloaking-spheres to hide the other three planets from earths view. The star chart is authentic; you will be able to find the star by using the coordinations on the star chart. The planet Drexciya can be found in the international star vault in Switzerland & recorded in the astronomical compendium. Updated artwork version for 2023, first limited run on translucent silver vinyl.
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1
Bäs Noir - - I’m Glad You Came To Me (Club Mix)
2
Aphrodisiac - - Your Love (Club)
3
Houz’ Neegroz - - How Do U Luv A Black Woman?
4
N.Y. House’n Authority - - APT. 2A
5
Lisa Lee - - When Can I Call You (Tommy Musto & Frankie Bones British Telecom Mix)
6
Equation - - The Answer (Burrell’s X² Mix)
7
Metro - - Angel Of Mercy (Club)
8
K.A.T.O. - - Disco-Tech (Studio 54 Mix)
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Aphrodisiac - - Just Before The Dawn (Remould)
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The Utopia Project - - File #2
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The Sound Vandals - - Tonight’s The Night (Club Mix)
Founded in 1988, the Nu Groove catalogue is a true reflection of New York’s house sound. Started by Frank and Karen Mendez as an outlet for some of Rheji and Ronald Burrell’s more experimental musical ventures, the label would go on to help launch the careers of a number of local talents including Joey Beltram and Kenny Dope, but the Burrell brothers were by far the most prolific. Over thirty years later, Luke Solomon has re-assembled the catalogue and the spirit of this legendary New York label, with this 2 x 12” package celebrating some essentials from its catalogue. Featuring cuts from Bäs Noir, Aphrodisiac, N.Y. House’n Authority and K.A.T.O plus remixes from Tommy Musto and Frankie Bones, this collection of late 80’s and early 90’s gems is a record box essential and blissful re-introduction to the Nu Groove sound. TRACK LISTING: A1. Bäs Noir - I’m Glad You Came To Me (Club Mix), ,A2. Aphrodisiac - Your Love (Club), B1. Houz’ Neegroz - How Do U Luv A Black Woman?, B2. N.Y. House’n Authority - APT. 2A, B3. Lisa Lee - When Can I Call You (Tommy Musto & Frankie Bones British Telecom Mix), C1. Equation - The Answer (Burrell’s X² Mix) C2. Metro - Angel Of Mercy (Club)
C3. K.A.T.O. - Disco-Tech (Studio 54 Mix), D1. Aphrodisiac - Just Before The Dawn (Remould), D2. The Utopia Project - File #2, D3. The Sound Vandals - Tonight’s The Night (Club Mix)
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C3. K.A.T.O. - Disco-Tech (Studio 54 Mix), D1. Aphrodisiac - Just Before The Dawn (Remould), D2. The Utopia Project - File #2, D3. The Sound Vandals - Tonight’s The Night (Club Mix)
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1
Jackmaster - - Let's Go
2
Seth Troxler - - Pills
3
Ghoulish - - Forever Ugly
4
Cesar Merveille - - The Finish Line ft. Andre´ Baum
Slacker 85 is the new label from the mind of one of the world’s biggest DJs & most recognised personalities, Seth Troxler. The first release, SLACKER001, brings together Seth and four more artists with their own takes on modern electronic music, to introduce fans to Slacker 85's remit for the oddball, esoteric & diverse sounds that are forthcoming from a wide range of artists and genres. The label launches with the long awaited release of ‘Pills’, a a low slung acid groove that has been an in-demand staple of Seth's DJ sets around the world over the past year. It will be followed by the effervescent jacking house of ‘Let’s Go’ by Jackmaster – destined to be a mainstay of global dancefloors throughout this summer – before the fast-rising UK talent Ghoulish drops ‘Forever Ugly’, a romantic filter house earworm that harks back to the halcyon era of Fred Falke and Alan Braxe. Rounding out the first batch is Cesar Merveille’s collaboration with André Baum (People People / Beyondré). ‘The Finish Line’ sees the Cadenza-affiliated Parisian’s building a melodic analog groove while NYC’s Baum invokes classic 80s electropop with his understated vocal.
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1
Matt Early & Lee Jeffries - Rocking Me In Your Arms
2
Matt Early & Lee Jeffries - Knowledge & Love
Kicking off with the A side rocking me in your arms proper uplifting disco boogie banger that has the feel good vibes of monster tracks like Soul Searcher can't get enough ! This track is the perfect Dj tool to kick bar sessions into the next gear as the night builds. Flipping it over you have a New York style boogie groover that is super infectious and oozes coolness to be played day or night. The Sonic Wax label is really doing the business in 2023!.
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VARIOUS - Mindfield : Saturnalia 4
2
VARIOUS - Apostolis : Clock Croc (House Quickly Mix)
3
VARIOUS - F.U.S.E. : F.U.2 (Re-edit)
4
VARIOUS - Peyote : Alcatraz
5
VARIOUS - Psyche : The Saint Became A Lush
6
VARIOUS - Man With No Name : From Within
7
VARIOUS - Zen : Solar Data (Extended Tribal Mix)
8
VARIOUS - Francesco Farfa & Joy Kitikonti : Beat Con
9
VARIOUS - Public Relation : Eighty Eight (Instrumenta
10
VARIOUS - Ghostdance : Ghostbeat (New Beat Mix)
11
VARIOUS - Chris & Cosey : Exotika (12” Mix)
Sound Metaphors and Transmigration explore the early underground Goa party scene with a 2x12” compilation.
A collection of Techno, Italian-House, New Beat and Post Punk all heard on the same dancefloors amongst Goa's tropical beaches during the late 80's and early 90's. What is now understood as Goa Trance was once preceded by an amalgamation of many different genres smuggled to Goa in tape format by true music devotees that filtered through all that was being produced in the West shaping a unique dancefloor sound that could only pertain to the “Special Goa Music” genre. Sound Metaphors teams up with Transmigration and journalist, DJ and first hand witness of the scene at hand - Ray Castle – to present a meticulous body of research into the sound signature of that unique scene. 11 highly sought after tracks presented in a double LP gatefold format with an A1 poster insert and insightful liner notes by Ray Castle. A tracklist so lush, your discogs wantlists will forever be grateful – buy on sight.
“Everything about the Goa counterculture was illicit. The music from vinyl was bought with black market money and bootlegged onto cassettes and backpacked to India. Collectors and DJs would swap, dub and edit it, for free parties. The music was disseminated tape-to-tape by a clandestine traveller clique of ragtag party makers. This highly coveted ‘Special Goa Music’ contained a vibe—a brain-infesting vibe—capable of triggering apotheosis-like states for dosed up dancefloors, only possible for sunrise Goa parties in nature, in India.” - Ray Castle
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A collection of Techno, Italian-House, New Beat and Post Punk all heard on the same dancefloors amongst Goa's tropical beaches during the late 80's and early 90's. What is now understood as Goa Trance was once preceded by an amalgamation of many different genres smuggled to Goa in tape format by true music devotees that filtered through all that was being produced in the West shaping a unique dancefloor sound that could only pertain to the “Special Goa Music” genre. Sound Metaphors teams up with Transmigration and journalist, DJ and first hand witness of the scene at hand - Ray Castle – to present a meticulous body of research into the sound signature of that unique scene. 11 highly sought after tracks presented in a double LP gatefold format with an A1 poster insert and insightful liner notes by Ray Castle. A tracklist so lush, your discogs wantlists will forever be grateful – buy on sight.
“Everything about the Goa counterculture was illicit. The music from vinyl was bought with black market money and bootlegged onto cassettes and backpacked to India. Collectors and DJs would swap, dub and edit it, for free parties. The music was disseminated tape-to-tape by a clandestine traveller clique of ragtag party makers. This highly coveted ‘Special Goa Music’ contained a vibe—a brain-infesting vibe—capable of triggering apotheosis-like states for dosed up dancefloors, only possible for sunrise Goa parties in nature, in India.” - Ray Castle
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1
Sheila Hylton - Lot Of Love
2
Sheila Hylton - Labamba
British-born Sheila Hylton's name is cat nip for reagge-loving record diggers. The vocalist spent much of her childhood in Jamaica and has an effortlessly soulful take on roots and lovers' rock. She recorded several albums and many singles but none are as sought after as her cover of 'It's Gonna Take a Lot of Love', which was originally written by Neil Young. An original copy of this 45rpm will cost you about a week's wages so Jaywax has pressed up this version so you can own your own mint copy. Flip it over for the instrumental dub version 'Labamba' which is laden with percussion, keys and studio trickery.
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