1
Youandewan, Velvet Velour - Cheap Lust
2
Youandewan, Velvet Velour - On A Hired Sofa
3
Youandewan, Velvet Velour - OK
4
Youandewan, Velvet Velour - I Need Juice
Track list:
A1 Youandewan - Cheap Lust
A2 Youandewan - On A Hired Sofa
B1 Velvet Velour - OK
B2 Velvet Velour - I Need Juice
Release Info:
The Brane is resurrected with 4 killer klub tracks from Velvet Velour & Youandewan.
More
A1 Youandewan - Cheap Lust
A2 Youandewan - On A Hired Sofa
B1 Velvet Velour - OK
B2 Velvet Velour - I Need Juice
Release Info:
The Brane is resurrected with 4 killer klub tracks from Velvet Velour & Youandewan.
More
More records from The Brane
1
Youandewan - Fantasy Fear
2
Youandewan - Happiness Machine
3
Youandewan - Fast Blackening Sky
4
Youandewan - Normal Eyes
Following his debut full length in 2016, Youandewan returns in 2017 with four pacey club tracks on his own label, The Brane.
Tracklist
A1 Fantasy Fear
A2 Happiness Machine
B1 Fast Blackening Sky
B2 Normal Eyes
More
Tracklist
A1 Fantasy Fear
A2 Happiness Machine
B1 Fast Blackening Sky
B2 Normal Eyes
More
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Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
5
Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
1
Sally C - All Love
2
Sally C - Hi It
3
Sally C - Control
4
Sally C - Get Up
Repress coming mid september!
The love for Sally C’s sound and burgeoning label shows no sign of slowing down. Last year’s ‘Big Saldo’s Chunkers 002’ was a phenomenon. Led by ‘Downtown’, which became one of the most beloved tracks of the year, it secured over 30 BBC Radio 1 plays and genre-crossing support from Peggy Gou to TSHA and Bradley Zero. Critical acclaim came from Bandcamp, RA and beyond.
Launched in 2020 with ‘Big Saldo’s Chunkers 001’ that’s currently on its fourth repress, the Chunker sound is special to all those who know it. Taking influence from artists including K-Hand and Fast Eddie, Sally draws on the sensibilities of classic US house music, crafting unique dancefloor cuts that don’t compromise on quality.
Active on the release front over the last 12 months with well-received remixes of Obongjayar, LB aka LABAT and a fresh original on Rhythm Section, we witness a noticeable evolution in her sound with BSC003. “I wanted to challenge myself when writing this record. I still haven’t released a full EP on another label, so I wanted to pair straight up Chunkers with something a bit different to shake up the Chunker energy,” she shares.
The four-tracker opens with ‘All Love’, a joyous house banger that swaps out Sally’s trademark Chunker bassline for a sexier groove. When the euphoric piano breakdown kicks in, soon accompanied by the ‘dance’ vocal on repeat, we’re reminded of the exultant power of rave. ‘
Hit It’ follows, a proper Chunker to the core. A hip house-informed jam, it’s packed full of tight drums, stabs, sirens and one of Sally’s monster Chunker b-lines. An absolute tune!
‘Control’ is a low-slung roller, encapsulating her love for simplistic production principles that birth memorable results. A headsy offering ripe for the after-hours.
‘‘Get Up’ is an ice-cool slab born out of a jam on a drum machine that hits at 144bpm. “I wasn’t sure how this would fit on the record being this speed, but it’s exactly what I envisioned when I wanted to challenge myself more. It’s raw and rolling and as soon as I made it, I knew it fitted into the Chunker family,” Sally explains. More
The love for Sally C’s sound and burgeoning label shows no sign of slowing down. Last year’s ‘Big Saldo’s Chunkers 002’ was a phenomenon. Led by ‘Downtown’, which became one of the most beloved tracks of the year, it secured over 30 BBC Radio 1 plays and genre-crossing support from Peggy Gou to TSHA and Bradley Zero. Critical acclaim came from Bandcamp, RA and beyond.
Launched in 2020 with ‘Big Saldo’s Chunkers 001’ that’s currently on its fourth repress, the Chunker sound is special to all those who know it. Taking influence from artists including K-Hand and Fast Eddie, Sally draws on the sensibilities of classic US house music, crafting unique dancefloor cuts that don’t compromise on quality.
Active on the release front over the last 12 months with well-received remixes of Obongjayar, LB aka LABAT and a fresh original on Rhythm Section, we witness a noticeable evolution in her sound with BSC003. “I wanted to challenge myself when writing this record. I still haven’t released a full EP on another label, so I wanted to pair straight up Chunkers with something a bit different to shake up the Chunker energy,” she shares.
The four-tracker opens with ‘All Love’, a joyous house banger that swaps out Sally’s trademark Chunker bassline for a sexier groove. When the euphoric piano breakdown kicks in, soon accompanied by the ‘dance’ vocal on repeat, we’re reminded of the exultant power of rave. ‘
Hit It’ follows, a proper Chunker to the core. A hip house-informed jam, it’s packed full of tight drums, stabs, sirens and one of Sally’s monster Chunker b-lines. An absolute tune!
‘Control’ is a low-slung roller, encapsulating her love for simplistic production principles that birth memorable results. A headsy offering ripe for the after-hours.
‘‘Get Up’ is an ice-cool slab born out of a jam on a drum machine that hits at 144bpm. “I wasn’t sure how this would fit on the record being this speed, but it’s exactly what I envisioned when I wanted to challenge myself more. It’s raw and rolling and as soon as I made it, I knew it fitted into the Chunker family,” Sally explains. More
1
COEO - A1 25 Hundred Friends (5:40)
2
COEO - A2 Voyager (Piano Mix) (6:41)
3
COEO - B1 Slipstream (7:35)
4
COEO - B2 Midnight Visions (5:16)
Tracklist 12":
A1 25 Hundred Friends (5:40)
A2 Voyager (Piano Mix) (6:41)
B1 Slipstream (7:35)
B2 Midnight Visions (5:16)
Release Info:
Toy Tonics main artists COEO from Munich are back. The 2 guys started their career on Toy Tonics 7 years ago and since then made a long way. Their last EP „Piano Workout“ got heavy support from DJs like Job Jobse, Kim Ann Foxman & Perel and opened a new vibe in their oeuvre: They extended their style to more Balearic, Italo, Synth funk 80ies vibes. "25 Hundred Friends" is an ironic take on Italopop and social media… and will be a song people talk about for sure. "Slipstream" could be big on festivals with its classic DX/baseline and hypnotic vibe.
"Midnight Vision" has this light Caribbean and South African influences. The vibe you could feel on Don Laka's classic "Stages". And fits well with everything Toy Tonics releases in its Mushroom House series. Yeah, Toy Tonics and COEO open up for even more eclectic influences and extend house music to more levels and styles.
More
A1 25 Hundred Friends (5:40)
A2 Voyager (Piano Mix) (6:41)
B1 Slipstream (7:35)
B2 Midnight Visions (5:16)
Release Info:
Toy Tonics main artists COEO from Munich are back. The 2 guys started their career on Toy Tonics 7 years ago and since then made a long way. Their last EP „Piano Workout“ got heavy support from DJs like Job Jobse, Kim Ann Foxman & Perel and opened a new vibe in their oeuvre: They extended their style to more Balearic, Italo, Synth funk 80ies vibes. "25 Hundred Friends" is an ironic take on Italopop and social media… and will be a song people talk about for sure. "Slipstream" could be big on festivals with its classic DX/baseline and hypnotic vibe.
"Midnight Vision" has this light Caribbean and South African influences. The vibe you could feel on Don Laka's classic "Stages". And fits well with everything Toy Tonics releases in its Mushroom House series. Yeah, Toy Tonics and COEO open up for even more eclectic influences and extend house music to more levels and styles.
More
1
Youandewan & Mculo - Sen~or Pescador
2
Youandewan & Mculo - Travel Miles (Paradise Lost Mix)
1
Kai Alcé ft Ash Lauryn - A1. Underground & Black (12"mix)
2
Kai Alcé ft Ash Lauryn - A2. Underground & Black (NDATL Dub 2)
3
Kai Alcé ft Ash Lauryn - B1. Underground & Black (Leonce Vocal Remix)
4
Kai Alcé ft Ash Lauryn - B2. Underground & Black (Leonce NDATL Vocal Dub)
After being released on highly limited NDATL Special Edition 2023 U&B became the HYPE track of the summer being banged by many! Now available with new mixes & remixes from another ATL native LEONCE that SLAY!!
More
More
1
Abacus - The Lower End Theory
2
Abacus - Atlanta Deep
3
Abacus - Mortise & Tenon
NDATL continues with the return of Abacus to the label, "The Lower End Theory" is another slab of deepness from the produced who has released on classic labels "Prescription" & "Guidance to name a few.
The EP dives right in with the title track "The Lower End Theory" bouncin with a deep bassline then iced over with glossy keys that give you sight into his theory. Next "Atlanta Deep" is his ode to a late night drive in the A. Then on the flip we have "Mortise & Tenon" a 10min journey thru Detroit Techno to Toronto's underground. A perfect title as "Mortise & Tenon" is a type of woodworking joint! Now close your eyes & throw your head back into the Lower End Theory. More
The EP dives right in with the title track "The Lower End Theory" bouncin with a deep bassline then iced over with glossy keys that give you sight into his theory. Next "Atlanta Deep" is his ode to a late night drive in the A. Then on the flip we have "Mortise & Tenon" a 10min journey thru Detroit Techno to Toronto's underground. A perfect title as "Mortise & Tenon" is a type of woodworking joint! Now close your eyes & throw your head back into the Lower End Theory. More
1
40 Thieves feat. Qzen - Session Victim Extended Remix
2
40 Thieves feat. Qzen - Session Victim Dub Mix
3
40 Thieves feat. Qzen - Bella Boo Remix
4
40 Thieves feat. Qzen - Original
Tracklist
A1 Session Victim Extended Remix
A2 Session Victim Dub Mix
B1 Bella Boo Remix
B2 Original
Short Info
40 Thieves classic hit "Don't Turn It Off" feat. Qzen on vocals gets the 2023 update with new versions by Sweden's finest Bella Boo and professional boundaries pushers Session Victim. Both remixes bring new facets of the original to the forefront and shine new light on this Permanent Vacation classic, which was initially releaseed in 2008.
More
A1 Session Victim Extended Remix
A2 Session Victim Dub Mix
B1 Bella Boo Remix
B2 Original
Short Info
40 Thieves classic hit "Don't Turn It Off" feat. Qzen on vocals gets the 2023 update with new versions by Sweden's finest Bella Boo and professional boundaries pushers Session Victim. Both remixes bring new facets of the original to the forefront and shine new light on this Permanent Vacation classic, which was initially releaseed in 2008.
More
1
STL, - A Silent State
2
STL, - Six In A Row
3
STL, - From A Distance
2022 Repress of a classic!
Tracklist:
A Silent State
B1 Six In A Row
B2 From A Distance
Release Info:
Stefan Laubner runs one of the most exciting and inspirational Labels touching the Deep Minimalistic Underground since quite a while: SOMETHING.
Why has the music of STL been played besides the tracks of Theo Parrish, Sascha Dive and the new Toolhouse movement, Jus-Ed or within the vibes of Cadenza- why do his tracks fit for such a wide range of DJs? The answer is simple- Stefan Laubner's music is completely unique, free of selfishness and trend-search, deep and touching- and it hits the floor.
After Releases on Perlon, Styrax and his own Something imprint, we are proud to announce another collection of brillant STL works on Smallville. The number 12 goes out to all the deepsters who still kick the dancefloor with the A-side. For those who like it fast forward and bumpy- two techy low tracks on the bside will catch you up!
All Tracks w&p by Stephan Laubner
Mastering: Dubplates & Mastering
Cover Artwork: Stefan Marx
More
Tracklist:
A Silent State
B1 Six In A Row
B2 From A Distance
Release Info:
Stefan Laubner runs one of the most exciting and inspirational Labels touching the Deep Minimalistic Underground since quite a while: SOMETHING.
Why has the music of STL been played besides the tracks of Theo Parrish, Sascha Dive and the new Toolhouse movement, Jus-Ed or within the vibes of Cadenza- why do his tracks fit for such a wide range of DJs? The answer is simple- Stefan Laubner's music is completely unique, free of selfishness and trend-search, deep and touching- and it hits the floor.
After Releases on Perlon, Styrax and his own Something imprint, we are proud to announce another collection of brillant STL works on Smallville. The number 12 goes out to all the deepsters who still kick the dancefloor with the A-side. For those who like it fast forward and bumpy- two techy low tracks on the bside will catch you up!
All Tracks w&p by Stephan Laubner
Mastering: Dubplates & Mastering
Cover Artwork: Stefan Marx
More
1
Byron The Aquarius - Love Is 4 U
2
Byron The Aquarius - Sorry Kari
3
Byron The Aquarius - Lost In Love
4
Byron The Aquarius - Deep In That
5
Byron The Aquarius - Universal Love
6
Byron The Aquarius - My Only Life
7
Byron The Aquarius - Spazzing Out
8
Byron The Aquarius - I Cant Help Myself
High quality laquer cut LP with silver and pink pantone colors on cover.
Mutual Intentions is proud to present "Astral Traveling" which is Byron The Aquarius' debut album. A stunning piece of fusion built from everything between jazz, soul, hiphop and house makes Mutual Intentions a perfect platform for the release. String compositions is an on-going theme throughout the album. From the first chord on "Love Is 4U", until the very last second of "Spazzing Out", where Byron raps over a beautiful backdrop consisting only of Fender Rhodes, electric bass & strings. Byron jumps seamlessly between different genres throughout the whole album. From the acid house inspired "Sorry Kari", to 70's prog jazz sounding cuts like "Lost In Love". Once you put the needle on side B, you'll hear "Deep In That ***** feat. MDMA" which sounds pretty much like if Dexter Wansel took MDMA in 2019, inside Legowelt's studio and tried to re-create his classic cut "Theme From The Planets".
Genre:
House, hiphop, jazz, neo-soul
Tracklist LP:
A01 - Love Is 4 U
A02 - Sorry Kari (Lu$t)
A03 - Lost In Love (Intermission)
B01 - Deep In That ***** (feat. MDMA)
B02 - Universal Love feat. Will Slick
B03 - My Only Life feat. Brandon Banks
B04 - Spazzing Out (4 U)
B05 - I Can't Help My$elf (U)
Vital Sales Points:
Byron released his first project in 2007, then studied music for nine years. In 2016 Byron re-emerged through great labels such as Eglo Records, Kyle Hall's Wild Oats label and Theo Parrish's own Sound Signature label. He's a well travelled DJ and live musician, and he plays some of the most prestige festivals around the globe.
More
Mutual Intentions is proud to present "Astral Traveling" which is Byron The Aquarius' debut album. A stunning piece of fusion built from everything between jazz, soul, hiphop and house makes Mutual Intentions a perfect platform for the release. String compositions is an on-going theme throughout the album. From the first chord on "Love Is 4U", until the very last second of "Spazzing Out", where Byron raps over a beautiful backdrop consisting only of Fender Rhodes, electric bass & strings. Byron jumps seamlessly between different genres throughout the whole album. From the acid house inspired "Sorry Kari", to 70's prog jazz sounding cuts like "Lost In Love". Once you put the needle on side B, you'll hear "Deep In That ***** feat. MDMA" which sounds pretty much like if Dexter Wansel took MDMA in 2019, inside Legowelt's studio and tried to re-create his classic cut "Theme From The Planets".
Genre:
House, hiphop, jazz, neo-soul
Tracklist LP:
A01 - Love Is 4 U
A02 - Sorry Kari (Lu$t)
A03 - Lost In Love (Intermission)
B01 - Deep In That ***** (feat. MDMA)
B02 - Universal Love feat. Will Slick
B03 - My Only Life feat. Brandon Banks
B04 - Spazzing Out (4 U)
B05 - I Can't Help My$elf (U)
Vital Sales Points:
Byron released his first project in 2007, then studied music for nine years. In 2016 Byron re-emerged through great labels such as Eglo Records, Kyle Hall's Wild Oats label and Theo Parrish's own Sound Signature label. He's a well travelled DJ and live musician, and he plays some of the most prestige festivals around the globe.
More
1
Byron the Aquarius - I love yo
2
Byron the Aquarius - Get up
3
Byron the Aquarius - Love
4
Byron the Aquarius - Success
5
Byron the Aquarius - I love yo (Kush Jones remix)
Format: (180 gr., Limited Full Cover)
Track list:
A1 - Byron the Aquarius - I love yo
A2 - Byron the Aquarius - Get up
B1 - Byron the Aquarius - Love
B2 - Byron the Aquarius - Success
B3 - Byron the Aquarius - I love yo (Kush Jones remix)
Release Info:
Heist Recordings has been pushing the envelope for house music since day one and we’re always on the lookout for artists that represent our vision on electronic music. Our next guest on the label fits that profile and more. He is the embodiment of modern-day electronic funk and a true wizard on the keys: Atlanta raised cool guy Byron the Aquarius.
Byron has a solid history on the label: He remixed Parker Madicine back in 2017 and did a mad solo on the 2019 released Dam Swindle track ‘The life behind things’. We’ve done some shows together and stayed in touch while Byron was working together with Jeff Mills on his 2020 jazz crossover record ‘Ambrosia’ on Axis. Now, after a solid string of releases on labels like Shall not Fade and Purveyor Underground, Byron is making his solo appearance on Heist. His ‘Akira’ EP goes from dark basement grooves to dreamy broken beats and features a remix by New York dance music wizard Kush Jones.
The Akira EP kicks off with ‘I love yo’. In this track, Byron decides to leave his keys at home and goes in deep with a moody club workout. ‘I love yo’ is a track that juxtaposes dreamy samples with rough percussion and vocal chops with a clear nod to the work of Mr. G. The melody is mellow, but don’t be deceived; clever drum programming and plenty of sub take this track into the club vibe just the way Byron likes it: warm, hazy and sexy AF.
Byron is not known for delivering straightforward house tunes, but when he does deliver them, he does it in style. Enter ‘Get up’; the A2 of the EP. There’s everything we love about house music: smart vocal chops, driving percussion, classic house keys and a booming sub to get you bumping to this beat.
The B-side sees Byron up the tempo and take a deep dive into bass territory with ‘Love’. In this track, there’s lush pads running over a percussive broken beat and chopped R ’n B vocals to add some serious sex appeal. It’s deceptively simple and clean but ever so catchy, which clearly shows Byron’s prowess as an electronic music producer.
Going back to classic house mode, we’ve got ‘Success’: A spoken word house track that fits right in with the classics. Byron sets the mood with some bumpy key-and synth work while brainstorming about originality and blackness throughout the track. Even though the message underneath might be a serious one, Byron succeeds in delivering this in a fun, uplifting way that never gets pretentious or divisive.
The EP finishes with a remix by New Yorker Kush Jones. This is an artist who understands how to build a groove. He could take you anywhere from house to juke, footwork and techno, which is exactly why he’s been getting so much love for his music recently. Kush is an artist who sees no boundaries in his music and still manages to create his own sonic universe. His remix of ‘I love yo’ takes a dreamy approach with soft chords running over an electronic groove with a pure and improvised feel. All elements fit together perfectly and it’s the clever ad-hoc programming and arrangement that suck you into his unbounded world from the first beat.
As always, enjoy the music and play it loud.
Yours sincerely,
Maarten & Lars More
Track list:
A1 - Byron the Aquarius - I love yo
A2 - Byron the Aquarius - Get up
B1 - Byron the Aquarius - Love
B2 - Byron the Aquarius - Success
B3 - Byron the Aquarius - I love yo (Kush Jones remix)
Release Info:
Heist Recordings has been pushing the envelope for house music since day one and we’re always on the lookout for artists that represent our vision on electronic music. Our next guest on the label fits that profile and more. He is the embodiment of modern-day electronic funk and a true wizard on the keys: Atlanta raised cool guy Byron the Aquarius.
Byron has a solid history on the label: He remixed Parker Madicine back in 2017 and did a mad solo on the 2019 released Dam Swindle track ‘The life behind things’. We’ve done some shows together and stayed in touch while Byron was working together with Jeff Mills on his 2020 jazz crossover record ‘Ambrosia’ on Axis. Now, after a solid string of releases on labels like Shall not Fade and Purveyor Underground, Byron is making his solo appearance on Heist. His ‘Akira’ EP goes from dark basement grooves to dreamy broken beats and features a remix by New York dance music wizard Kush Jones.
The Akira EP kicks off with ‘I love yo’. In this track, Byron decides to leave his keys at home and goes in deep with a moody club workout. ‘I love yo’ is a track that juxtaposes dreamy samples with rough percussion and vocal chops with a clear nod to the work of Mr. G. The melody is mellow, but don’t be deceived; clever drum programming and plenty of sub take this track into the club vibe just the way Byron likes it: warm, hazy and sexy AF.
Byron is not known for delivering straightforward house tunes, but when he does deliver them, he does it in style. Enter ‘Get up’; the A2 of the EP. There’s everything we love about house music: smart vocal chops, driving percussion, classic house keys and a booming sub to get you bumping to this beat.
The B-side sees Byron up the tempo and take a deep dive into bass territory with ‘Love’. In this track, there’s lush pads running over a percussive broken beat and chopped R ’n B vocals to add some serious sex appeal. It’s deceptively simple and clean but ever so catchy, which clearly shows Byron’s prowess as an electronic music producer.
Going back to classic house mode, we’ve got ‘Success’: A spoken word house track that fits right in with the classics. Byron sets the mood with some bumpy key-and synth work while brainstorming about originality and blackness throughout the track. Even though the message underneath might be a serious one, Byron succeeds in delivering this in a fun, uplifting way that never gets pretentious or divisive.
The EP finishes with a remix by New Yorker Kush Jones. This is an artist who understands how to build a groove. He could take you anywhere from house to juke, footwork and techno, which is exactly why he’s been getting so much love for his music recently. Kush is an artist who sees no boundaries in his music and still manages to create his own sonic universe. His remix of ‘I love yo’ takes a dreamy approach with soft chords running over an electronic groove with a pure and improvised feel. All elements fit together perfectly and it’s the clever ad-hoc programming and arrangement that suck you into his unbounded world from the first beat.
As always, enjoy the music and play it loud.
Yours sincerely,
Maarten & Lars More
Territories: World excl. UK
BOOK / Deutsche Ausgabe/ German Language Edition /The Tresor Book/ Limited Edition
Tresor: True Stories erzählt die legendäre Geschichte des Tresor. Die ehrwürdige Institution hat tief in ihren Archiven gegraben und unzählige Schätze aus drei Jahrzehnten Clubgeschichte freigelegt. Über 400 noch nie gezeigte Fotos, Flugblätter, Faxe und andere Artefakte illustrieren eine Geschichte, die gleichzeitig wichtigste gesellschaftliche und musikalische Entwicklungen in der modernen Geschichte Berlins zusammenbringt. Mehr als 40 Protagonist*Innen berichten aus erster Hand über ihre Erinnerungen an den "Urknall", der Techno in die Welt brachte. Anhand der Geschichte von Tresor zeichnet das Buch die berauschenden Tage des West-Berlins der 80er Jahre und der neuen Energie nach, die in der sozialen Realität des wiedervereinigten Deutschlands ihren Anfang nahm. Ein einzigartiges und unverzichtbares gedrucktes Denkmal für die Institution, die die elektronische Musik für immer verändert hat, und für die Stadt, die ihr die Existenz ermöglichte.
- Softcover: 300g/m² Rohkarton, Granulatkaschierung, offene Rückenbindung
- 352 Seiten: Neon CMYK-Druck auf Lessebo Smooth Natural 90g/m² und Galaxi ArtSamt 115g/m²
- Abmessungen: 22,0 x 30 x 2,2cm (1,4kg)
Kapitel:
I. Dada at the End of the World
II. The Wild Years
III. Tresor Never Sleeps
Editoren:
Harry Glass, Paul Reachi, Sven von Thülen
Autoren:
Dimitri Hegemann, Paul Hockenos, Regina Baer
Interviews & Transkriptionen:
Felix Denk, Jeannette Goddar, Jürgen Laarmann, Ruro Efue
Digitalisierung:
Felix Moser, Rüdiger Müller
Übersetzung, proofreading and copyediting:
Edessa Malke, Paul Fleischmann, Paul Sabine
Fotografie:
Gustav Volker Horst
Oliver Wia
Tilman Brembs
Wolfgang Brückner
Zusätzliche Fotografie:
Anja Rosendahl
Carlos Alberto Heinz
Carola Stoiber
Daffy
Eberle & Eisfeld
Ernst Stratmann
Jan Hillebrecht
Jo?rg Blank
Helge Birkelbach
Helge Mundt
Marie Staggat
Martin Holkamp
Norbert Smuda
Susanna Kubernus
Susanne Deeken
Uwe Reineke
Konzept, Layout and Design: onlab
Vanja Golubovic, Matthieu Huegi, Thibaud Tissot
8 rue des Vieux Grenadiers, 1205 Geneva, Switzerland
Lithography, Druck und Bindung: Druckerei zu Altenburg GmbH
Gutenbergstrasse 1, 04600 Altenburg, Germany
www.dza-druck.de
More
BOOK / Deutsche Ausgabe/ German Language Edition /The Tresor Book/ Limited Edition
Tresor: True Stories erzählt die legendäre Geschichte des Tresor. Die ehrwürdige Institution hat tief in ihren Archiven gegraben und unzählige Schätze aus drei Jahrzehnten Clubgeschichte freigelegt. Über 400 noch nie gezeigte Fotos, Flugblätter, Faxe und andere Artefakte illustrieren eine Geschichte, die gleichzeitig wichtigste gesellschaftliche und musikalische Entwicklungen in der modernen Geschichte Berlins zusammenbringt. Mehr als 40 Protagonist*Innen berichten aus erster Hand über ihre Erinnerungen an den "Urknall", der Techno in die Welt brachte. Anhand der Geschichte von Tresor zeichnet das Buch die berauschenden Tage des West-Berlins der 80er Jahre und der neuen Energie nach, die in der sozialen Realität des wiedervereinigten Deutschlands ihren Anfang nahm. Ein einzigartiges und unverzichtbares gedrucktes Denkmal für die Institution, die die elektronische Musik für immer verändert hat, und für die Stadt, die ihr die Existenz ermöglichte.
- Softcover: 300g/m² Rohkarton, Granulatkaschierung, offene Rückenbindung
- 352 Seiten: Neon CMYK-Druck auf Lessebo Smooth Natural 90g/m² und Galaxi ArtSamt 115g/m²
- Abmessungen: 22,0 x 30 x 2,2cm (1,4kg)
Kapitel:
I. Dada at the End of the World
II. The Wild Years
III. Tresor Never Sleeps
Editoren:
Harry Glass, Paul Reachi, Sven von Thülen
Autoren:
Dimitri Hegemann, Paul Hockenos, Regina Baer
Interviews & Transkriptionen:
Felix Denk, Jeannette Goddar, Jürgen Laarmann, Ruro Efue
Digitalisierung:
Felix Moser, Rüdiger Müller
Übersetzung, proofreading and copyediting:
Edessa Malke, Paul Fleischmann, Paul Sabine
Fotografie:
Gustav Volker Horst
Oliver Wia
Tilman Brembs
Wolfgang Brückner
Zusätzliche Fotografie:
Anja Rosendahl
Carlos Alberto Heinz
Carola Stoiber
Daffy
Eberle & Eisfeld
Ernst Stratmann
Jan Hillebrecht
Jo?rg Blank
Helge Birkelbach
Helge Mundt
Marie Staggat
Martin Holkamp
Norbert Smuda
Susanna Kubernus
Susanne Deeken
Uwe Reineke
Konzept, Layout and Design: onlab
Vanja Golubovic, Matthieu Huegi, Thibaud Tissot
8 rue des Vieux Grenadiers, 1205 Geneva, Switzerland
Lithography, Druck und Bindung: Druckerei zu Altenburg GmbH
Gutenbergstrasse 1, 04600 Altenburg, Germany
www.dza-druck.de
More
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