7"
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Label:Super Weird Substance
Cat-No:SWS7005
Release-Date:19.05.2023
Genre:Soul/Funk
Configuration:7"
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Genre:Soul/Funk
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1
The Reynolds - Part 1
2
The Reynolds - Part 2
First released back in 2014 on Greg Wilson’s Super Weird Substance label, as a limited 12'' vinyl run of 500, ‘Don’t You Worry Baby The Best Is Yet to Come’, has subsequently become a much sought after record with modern soul enthusiasts, copies currently selling at well over £100.
It was soul legend, Colin Curtis, who suggested, at last year’s We Out Here festival, that a 7'' pressing may be timely. Colin’s connection with the track goes back to hallowed Northern soul club, the Blackpool Mecca, in ‘70s, where the Bessie Banks original, never issued in the UK, was a cult-classic.
The Reynolds are Merseyside twins, Carmel and Katherine Reynolds, who worked with Greg across various projects on the label. Katherine takes the lead on this track, and handles it like a veteran, her vocal elegantly gliding the groove – Greg working in collaboration with Wolverhampton DJ/musician Peza, who programmed and co-mixed the track. More
It was soul legend, Colin Curtis, who suggested, at last year’s We Out Here festival, that a 7'' pressing may be timely. Colin’s connection with the track goes back to hallowed Northern soul club, the Blackpool Mecca, in ‘70s, where the Bessie Banks original, never issued in the UK, was a cult-classic.
The Reynolds are Merseyside twins, Carmel and Katherine Reynolds, who worked with Greg across various projects on the label. Katherine takes the lead on this track, and handles it like a veteran, her vocal elegantly gliding the groove – Greg working in collaboration with Wolverhampton DJ/musician Peza, who programmed and co-mixed the track. More
More records from Super Weird Substance
12"
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Label:Super Weird Substance
Cat-No:swsep002
Release-Date:23.01.2020
Configuration:12"
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1
Bella Technika - No Title
2
Bella Technika - No Title
3
Bella Technika - No Title
4
Bella Technika - No Title
Born out of the ashes of Darkwood Dub, one of the Balkans’ most revered alternative rock bands during the ‘90s/’00s, Bella Technika is the latest project of Bojan Drobac, the group’s guitarist and main songwriter. Joined by former bandmate bass player Milorad Ristic as well as opera singer Katarina Jovanovic, amongst others, Bojan has found a new direction with Bella Technika.
Bella Technika join forces with Super Weird Substance for Substance Select Vol.2, which features three remixes and an original production from the band’s debut ‘Section’ LP, released last year.
Continuing their prolific form, Greg Wilson and Ché Wilson provide the first remix, taking album opener ‘Reinvented Daily’ into psychedelic territory with vocoder and dub fx.
Lee Perry AKA Peza provides the second mix, a jacking, acid fuelled reimagining of ‘I Feel Light’ - alongside Sara Lucas’ primal vocal it evokes the halcyon days of house music.
Up next, Henry Greenwood provides a wonky, idiosyncratic version of ‘Heat Control’, with Katarina, Bojan and Milorad’s repetitive vocals floating over a steady chugging groove.
The EP finishes up with the original fully titled ‘Suddenly I Feel So Light’, exhibiting the live band / electronic fusion that established their reputation across Europe.
More
Bella Technika join forces with Super Weird Substance for Substance Select Vol.2, which features three remixes and an original production from the band’s debut ‘Section’ LP, released last year.
Continuing their prolific form, Greg Wilson and Ché Wilson provide the first remix, taking album opener ‘Reinvented Daily’ into psychedelic territory with vocoder and dub fx.
Lee Perry AKA Peza provides the second mix, a jacking, acid fuelled reimagining of ‘I Feel Light’ - alongside Sara Lucas’ primal vocal it evokes the halcyon days of house music.
Up next, Henry Greenwood provides a wonky, idiosyncratic version of ‘Heat Control’, with Katarina, Bojan and Milorad’s repetitive vocals floating over a steady chugging groove.
The EP finishes up with the original fully titled ‘Suddenly I Feel So Light’, exhibiting the live band / electronic fusion that established their reputation across Europe.
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Label:super weird substance
Cat-No:swsep001
Release-Date:12.07.2018
Configuration:12"
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1
v.a. - Greg Wilson Featuring The Reynolds - Summer Came My Way - Luxxury Club Mi
2
v.a. - Oddfellow's Casino - The Ghosts Of Watling Street - Greg Wilson & Peza Mix
3
v.a. - The Super Weird Society - Gone With The Vibe - Henry's Extended Mix
4
v.a. - The Reynolds - Don't You Worry Baby The Best Is Yet To Come - Club Mix
Reigniting the long-standing creative partnership between Greg Wilson and Kermit Leveridge, Super Weird Substance was formed in 2014 on the back of their inspired collaboration on the 'Blind Arcade Meets Super Weird Substance In The Morphogenetic Field' mixtape.
A1) Written by Greg WIlson, 'Summer Came My Way' saw him collaborate with vocal force of nature, The Reynolds; twin sisters from the Wirral with a highly astute singing style and uncanny synergy. Having come into Greg's orbit with a series of luscious, dubby edits, Luxxury was approached to do a mix of the track for SWS' first vinyl release and it's since taken on a life of its own. Unavailable on vinyl for a couple of years, a reissue felt well overdue.
A2) A project of countercultural connector David Bramwell, Oddfellow's Casino is an outlet for his song writing, which draws from psychegeography, mysticism and leftfield folklore. David Bramwell contacted Greg about a remix of the track and Greg obliged with an ethereal, vocoder driven take that he worked on alongside studio partner, Peza. Following support from DJ Harvey, the track hasn't seen an official release until now.
AA1) A visceral disco funk jam that immediately grabs you by the groove, The Super Weird Society's 'Gone With The Vibe' built its momentum on the road in 2017 with Greg regularly featuring it at clubs and in festivals. The Super Weird Society include; Kermit Leveridge, The Reverend Cleve Freckleton and The Reynolds - an amalgamation of the label's key vocalists. Co-writer Henry Greenwood extends the mix.
AA2) The diversity of sound and nuanced vocal ability of The Reynolds has been instrumental to the label's sound since its formation, just as adept in the fore, as they are backing other vocalists. Mixed by Greg Wilson and Peza, 'The Best Is Yet To Come' is another Harvey pick, and has garnered support from legendary DJ Colin Curtis, who championed the Besse Banks original, has provided a number of spine tingling moments in clubs and festivals since its release. More
A1) Written by Greg WIlson, 'Summer Came My Way' saw him collaborate with vocal force of nature, The Reynolds; twin sisters from the Wirral with a highly astute singing style and uncanny synergy. Having come into Greg's orbit with a series of luscious, dubby edits, Luxxury was approached to do a mix of the track for SWS' first vinyl release and it's since taken on a life of its own. Unavailable on vinyl for a couple of years, a reissue felt well overdue.
A2) A project of countercultural connector David Bramwell, Oddfellow's Casino is an outlet for his song writing, which draws from psychegeography, mysticism and leftfield folklore. David Bramwell contacted Greg about a remix of the track and Greg obliged with an ethereal, vocoder driven take that he worked on alongside studio partner, Peza. Following support from DJ Harvey, the track hasn't seen an official release until now.
AA1) A visceral disco funk jam that immediately grabs you by the groove, The Super Weird Society's 'Gone With The Vibe' built its momentum on the road in 2017 with Greg regularly featuring it at clubs and in festivals. The Super Weird Society include; Kermit Leveridge, The Reverend Cleve Freckleton and The Reynolds - an amalgamation of the label's key vocalists. Co-writer Henry Greenwood extends the mix.
AA2) The diversity of sound and nuanced vocal ability of The Reynolds has been instrumental to the label's sound since its formation, just as adept in the fore, as they are backing other vocalists. Mixed by Greg Wilson and Peza, 'The Best Is Yet To Come' is another Harvey pick, and has garnered support from legendary DJ Colin Curtis, who championed the Besse Banks original, has provided a number of spine tingling moments in clubs and festivals since its release. More
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Label:Kalita Records
Cat-No:KALITA12024
Release-Date:21.07.2023
Configuration:12"
Barcode:4062548051100
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Label:Kalita Records
Cat-No:KALITA12024
Release-Date:21.07.2023
Configuration:12"
Barcode:4062548051100
1
Kofi Ayivor - A1. Adzagli (Jungle Funk)
2
Kofi Ayivor - A2. Adzagli (Jungle Funk)
3
Kofi Ayivor - B1. A Song For You (Ayawa)
4
Kofi Ayivor - B2. A Song For You (Ayawa)
Kalita are excited to announce the first ever re-release of ‘Adzagli (Jungle Funk)’ and ‘A Song For You (Ayawa)’, two phenomenal pieces of West African disco from Amsterdam’s Kofi Ayivor.
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12" Excl
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Label:Be With Records
Cat-No:bewith021twelve
Release-Date:25.08.2023
Configuration:12" Excl
Barcode:4251804140126
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Cat-No:bewith021twelve
Release-Date:25.08.2023
Configuration:12" Excl
Barcode:4251804140126
1
Todd Russell & The Dangerous Coats - Playa Larga (08:32)
2
Todd Russell & The Dangerous Coats - 1900 Ocean Ave (04:42)
Territories: Worldwide no restrictions
Format Notes: 2023 first-time 12" single release of lost tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 Playa Larga 08:32
B1 1900 Ocean Ave 04:42
Release Notes:
Long Beach legend Scotty Coats links the West Coast eclecticism of Stones Throw to the NYC cool of DFA and Rong to the Balearic gods of DJ Harvey et al. He personally introduced Be With to Ned Doheny 10 years ago and he was immortalised on Smith & Mudd's last LP. And he's the main man behind the mysteriously titled duo Todd Russell & The Dangerous Coats, alongside Erick "Todd" Coomes (Lettuce founder/bassist).
In very real danger of being lost forever, we unearthed two of their private recordings and present them as a double A-Side 12", adorned with S-T-U-N-N-I-N-G artwork, courtesy of Arizona artist Frank Gonzales.
"Playa Larga" is a melodic, mellow masterpiece and is quintessentially Balearic. It's stretched out, low slung, guitar-soaked drum-machine soul music. It's multi-layered and contains multitudes: it builds and builds and builds and mesmerises as it does so. On the flip, "1900 Ocean Avenue" is a super slo-mo, sunbaked drug-chug which is already blowing minds thanks to early leaks of this cosmic, psychedelic detonation.
On first listen back, Erick said to Scotty: “So wait, nothing really happens, I mean nothing bad happens but nothing really happens”. Apparently these tracks were a bit foreign for Erick, musically, because of the lack of structure in the songs.
One morning, years later, Erick called Scotty and excitedly declared: “dude, I get it now!”. He was listening to random music with a lady friend while watching the sunrise in his 1900 Ocean Ave apartment and "Playa Larga" came on randomly. He'd forgotten all about it and said he had to get up and see what song it was because "it was the perfect soundtrack for a psychedelic sunrise over the ocean."
And that's exactly how we came across it, circa 2018, randomly popping up on a playlist while we were busy doing other things. It stopped us in our tracks but, when trying to find any info on iTunes, we were out of luck. It was only years later that we worked out Scotty had sent it to us. Ever since, we've been working on getting this out to you all. It's finally time.
We've only 500 pressed for the world, with many of them spoken for by those lucky enough to be already ITK, so these are gonna fly: be warned!
Scotty is a world class raconteur so we'll hand over to him to explain how these songs came about and why they mean so much to him in the context of his wider raison d'être:
"These were made 13 years ago when I was a new dad and left my job at Ubiquity Records to provide security for my newborn son, Nolan Liam Chai Coats. I became miserable working a job outside of music for the first time in my life and I was laid off 4 months into it. I was left wondering how the fuck am I going to provide for my family?
I lived in Long Beach and Erick lived a few blocks away. I would walk to his house when Jen finally got Nolan to sleep so I could escape my panic, drink some beers (is it beerlearic?) and make some music. He lived overlooking the ocean with the Queen Mary on the horizon, so I guess mellow Long Beach nights unintentionally inspired the music. These songs were the first two songs we ever made and they embody the desperation and hope I really needed at that time. 12 years later, when Rob at Be With expressed an interest in releasing it, we had Erick's brother Tyler Tycoon Coomes play drums on it at Jazzcats Studio in LBC, with Jonny Bell.
Shortly after I was laid off, I discovered The Stepkids. I was blown away by "Shadows On Behalf" and sent it on to Gilles Peterson. He played it on Worldwide the next day. The Stepkids pulled me back into music and made me realize I wasn't prepared to do anything but be involved with music. After I heard their unreleased album, I knew there was something there so I sent it to my good friend Jamie Strong who was at Stones Throw at the time. Jamie passed it along to Peanut Butter Wolf and the band asked me to be their manager. I didn't think I was the right guy for the job but wanted to see them do well so I told them I would help shop their album. Jamie suggested I take his place at Stones Throw, just as he did when he left Ubiquity Records. I always joke that Jamie can call me Scotty Coat Tails because I had been riding his for years.
Wolf told him that "Scotty is a nice guy but has horrible taste in music", which was ironic because he was literally trying to sign the band that I brought him. The Stepkids signed with Stones Throw and found a real manager. 6 or so months later Jamie sent me a note saying "Stones Throw is hiring and you should apply lol". I told him I was going to send my resume and the subject of the email was to read I HAVE GREAT FUCKING TASTE IN MUSIC. I did just that and got a call the next day from their new GM asking me to come in for an interview. When I walked in I was in Wolf's office where I had been 6 months before, signing The Stepkids
deal. Wolf and Jason McGuire were asking me some questions and wanted to introduce me to Jeff Jank. Jank walked in and said "Isn't this the guy that Jamie wanted to bring on 6 months ago?" They confirmed and he threw his hands up and walked out saying "I've seen enough". I got the job. I worked there for 2 or 3 years until I left to join forces with Jamie Strong at his label and stayed there for almost 7 years."
Scotty wanted to use a painting by his good friend, Frank Gonzales, for the front cover image. Frank was incredibly generous in letting us use this one, and Scotty was completely honoured. We think you'll agree, it's pretty striking. Simon Francis carefully mastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this double A-side 12" sounds appropriately outstanding. The immaculate Record Industry pressing will ensure these previously unheard, recently discovered recordings finally get a chance to shine.
More
Format Notes: 2023 first-time 12" single release of lost tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 Playa Larga 08:32
B1 1900 Ocean Ave 04:42
Release Notes:
Long Beach legend Scotty Coats links the West Coast eclecticism of Stones Throw to the NYC cool of DFA and Rong to the Balearic gods of DJ Harvey et al. He personally introduced Be With to Ned Doheny 10 years ago and he was immortalised on Smith & Mudd's last LP. And he's the main man behind the mysteriously titled duo Todd Russell & The Dangerous Coats, alongside Erick "Todd" Coomes (Lettuce founder/bassist).
In very real danger of being lost forever, we unearthed two of their private recordings and present them as a double A-Side 12", adorned with S-T-U-N-N-I-N-G artwork, courtesy of Arizona artist Frank Gonzales.
"Playa Larga" is a melodic, mellow masterpiece and is quintessentially Balearic. It's stretched out, low slung, guitar-soaked drum-machine soul music. It's multi-layered and contains multitudes: it builds and builds and builds and mesmerises as it does so. On the flip, "1900 Ocean Avenue" is a super slo-mo, sunbaked drug-chug which is already blowing minds thanks to early leaks of this cosmic, psychedelic detonation.
On first listen back, Erick said to Scotty: “So wait, nothing really happens, I mean nothing bad happens but nothing really happens”. Apparently these tracks were a bit foreign for Erick, musically, because of the lack of structure in the songs.
One morning, years later, Erick called Scotty and excitedly declared: “dude, I get it now!”. He was listening to random music with a lady friend while watching the sunrise in his 1900 Ocean Ave apartment and "Playa Larga" came on randomly. He'd forgotten all about it and said he had to get up and see what song it was because "it was the perfect soundtrack for a psychedelic sunrise over the ocean."
And that's exactly how we came across it, circa 2018, randomly popping up on a playlist while we were busy doing other things. It stopped us in our tracks but, when trying to find any info on iTunes, we were out of luck. It was only years later that we worked out Scotty had sent it to us. Ever since, we've been working on getting this out to you all. It's finally time.
We've only 500 pressed for the world, with many of them spoken for by those lucky enough to be already ITK, so these are gonna fly: be warned!
Scotty is a world class raconteur so we'll hand over to him to explain how these songs came about and why they mean so much to him in the context of his wider raison d'être:
"These were made 13 years ago when I was a new dad and left my job at Ubiquity Records to provide security for my newborn son, Nolan Liam Chai Coats. I became miserable working a job outside of music for the first time in my life and I was laid off 4 months into it. I was left wondering how the fuck am I going to provide for my family?
I lived in Long Beach and Erick lived a few blocks away. I would walk to his house when Jen finally got Nolan to sleep so I could escape my panic, drink some beers (is it beerlearic?) and make some music. He lived overlooking the ocean with the Queen Mary on the horizon, so I guess mellow Long Beach nights unintentionally inspired the music. These songs were the first two songs we ever made and they embody the desperation and hope I really needed at that time. 12 years later, when Rob at Be With expressed an interest in releasing it, we had Erick's brother Tyler Tycoon Coomes play drums on it at Jazzcats Studio in LBC, with Jonny Bell.
Shortly after I was laid off, I discovered The Stepkids. I was blown away by "Shadows On Behalf" and sent it on to Gilles Peterson. He played it on Worldwide the next day. The Stepkids pulled me back into music and made me realize I wasn't prepared to do anything but be involved with music. After I heard their unreleased album, I knew there was something there so I sent it to my good friend Jamie Strong who was at Stones Throw at the time. Jamie passed it along to Peanut Butter Wolf and the band asked me to be their manager. I didn't think I was the right guy for the job but wanted to see them do well so I told them I would help shop their album. Jamie suggested I take his place at Stones Throw, just as he did when he left Ubiquity Records. I always joke that Jamie can call me Scotty Coat Tails because I had been riding his for years.
Wolf told him that "Scotty is a nice guy but has horrible taste in music", which was ironic because he was literally trying to sign the band that I brought him. The Stepkids signed with Stones Throw and found a real manager. 6 or so months later Jamie sent me a note saying "Stones Throw is hiring and you should apply lol". I told him I was going to send my resume and the subject of the email was to read I HAVE GREAT FUCKING TASTE IN MUSIC. I did just that and got a call the next day from their new GM asking me to come in for an interview. When I walked in I was in Wolf's office where I had been 6 months before, signing The Stepkids
deal. Wolf and Jason McGuire were asking me some questions and wanted to introduce me to Jeff Jank. Jank walked in and said "Isn't this the guy that Jamie wanted to bring on 6 months ago?" They confirmed and he threw his hands up and walked out saying "I've seen enough". I got the job. I worked there for 2 or 3 years until I left to join forces with Jamie Strong at his label and stayed there for almost 7 years."
Scotty wanted to use a painting by his good friend, Frank Gonzales, for the front cover image. Frank was incredibly generous in letting us use this one, and Scotty was completely honoured. We think you'll agree, it's pretty striking. Simon Francis carefully mastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this double A-side 12" sounds appropriately outstanding. The immaculate Record Industry pressing will ensure these previously unheard, recently discovered recordings finally get a chance to shine.
More
Label:Italoexotica
Cat-No:ITXS001
Release-Date:25.11.2022
Configuration:12"
Barcode:
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Label:Italoexotica
Cat-No:ITXS001
Release-Date:25.11.2022
Configuration:12"
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1
Tamati - Donna Bambina
2
Italoexotica - Italian Boys
3
Euro Nettuno - Armando's Madsex
4
I Bellissimi Dischi Di Ornavasso - Ciao, Anzi Addio
Italoexotica debut release on wax 12". This crew of DJs/producers was born to promote made in Italy disco sound. Their goal is find for you just the best catchy tunes...starting from the 70s funk through the synths of the legendary '80 and the Balearic sound of the '90s, given' them a more contemporary grooves. Tip!
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Label:craigie knowes
Cat-No:cknowep3
Release-Date:17.03.2017
Genre:techhouse
Configuration:12"
Barcode:
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Last in:09.11.2017
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Label:craigie knowes
Cat-No:cknowep3
Release-Date:17.03.2017
Genre:techhouse
Configuration:12"
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1
v.a. - Fade Away (Vocal)
2
v.a. - Highfield Daze
3
v.a. - Prozac Test
4
v.a. - Qaua
More space age melancholic sounds for the second instalment of the Craigie Knowes Universal Broadcast series. Electro to Techno across 4 celestial beats.
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Label:ZYX Records
Cat-No:MAXI1103-12
Release-Date:21.07.2023
Configuration:12"
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Last in:15.09.2023
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Label:ZYX Records
Cat-No:MAXI1103-12
Release-Date:21.07.2023
Configuration:12"
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1
Quinn Martin - One More Mission
2
Quinn Martin - One More Mission (Another Version)
3
Quinn Martin - One More Mission (Flemming Dalum Remix)
4
Quinn Martin - One More Mission (Also Playable Mono Deptalo Remix)
Reissue of this italo disco rarity from 1987. Comes with Flemming Dalum and Also Playable Mono remixes.
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Label:craigie knowes
Cat-No:cknowep13
Release-Date:09.11.2018
Genre:Techno
Configuration:12"
Barcode:
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Last in:10.01.2019
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Label:craigie knowes
Cat-No:cknowep13
Release-Date:09.11.2018
Genre:Techno
Configuration:12"
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1
posthuman - No Title
2
posthuman - No Title
3
posthuman - No Title
4
posthuman - No Title
Blistering rave and acid by the notorious Posthuman duo - taking it up a notch or two on the energy meter when compared with their slomo-acid approach to many of their preceding records.
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Label:Most Excellent Unlimited
Cat-No:MXMRK2059
Release-Date:05.05.2023
Configuration:7"
Barcode:
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Label:Most Excellent Unlimited
Cat-No:MXMRK2059
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Configuration:7"
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1
Mr. K - Like A Prayer (Mr. K Churchapella Edit)
2
Mr. K - Ha-Ya (Eternal Life) (Mr. K Edit)
The one and only Mr K sure does know how to cook up a masterful edit. Here he heads into gospel territory with the latest 7" in Most Excellent Unlimited's collaborations with him. Both of these tunes are appearing on 7" vinyl for the first time here and have long been staples of the sets of Danny Krivit. His 'Churchapella' edit of Madonna's 'Like A Prayer' is as holy and steamy as it gets with the whole thing sure to uplift and energise any crowd. On the backside is a superb edit of the Clark Sisters slinky rare groove gem 'Ha-Ya (Eternal Life).' It's a slightly slower tune but one that makes just as much of an impact.
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Label:Craigie Knowes
Cat-No:CKNOWEP31
Release-Date:17.01.2022
Genre:Techno
Configuration:12"
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Cat-No:CKNOWEP31
Release-Date:17.01.2022
Genre:Techno
Configuration:12"
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1
Guy Contact - Doors Of Perception
2
Guy Contact - Ultraviolet Freqs
3
Guy Contact - Look Into The Mind
4
Guy Contact - The First Anura Ever Known
Consciousness expanding house tracks by Guy Contact on his Craigie Knowes debut, "Ultraviolet Freqs". 4-tracks primed to tug your mind into the spirit-realm.
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Label:Saint Wax Edit Service
Cat-No:SWES003
Release-Date:20.10.2023
Configuration:12"
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Last in:12.04.2024
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Label:Saint Wax Edit Service
Cat-No:SWES003
Release-Date:20.10.2023
Configuration:12"
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1
Gledd - Candela
2
Gledd - Chevere Africa
3
Gledd - Ledile
4
Gledd - Mameye
The Saint Wax Edit Service is back with another fine helping of disco goodness to keep those dance floors nourished this summer and beyond. 'Candela' opens up with a lung-busting and intoxicating vocal over organic drums while 'Chevere Africa' has a warm Afro feel to its upbeat and celebratory disco beats complete with big horns. 'Ledile' gets even more party starting with its jazzy lines and funky bass work and then things slow down on 'Mameye,' a more steamy and languid affair but still one with plenty of big horn charm. Useful tackle, this.
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Label:Craigie Knowes
Cat-No:CKNOWEP17
Release-Date:21.11.2022
Genre:Techno
Configuration:12"
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Cat-No:CKNOWEP17
Release-Date:21.11.2022
Genre:Techno
Configuration:12"
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1
Reptant - Lizard Theme
2
Reptant - The Raid
3
Reptant - Transcendents From The Outer Sphere
Repress!
Reptant has caused a bit of a stir recently and on this latest outing, he has joined Craigie Knowes to show his more experimental colours. New advancements in sound for sure - and they are absolutely excellent. More
Reptant has caused a bit of a stir recently and on this latest outing, he has joined Craigie Knowes to show his more experimental colours. New advancements in sound for sure - and they are absolutely excellent. More
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Label:Athens Of The North
Cat-No:ATH133
Release-Date:03.03.2023
Configuration:7"
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Last in:27.09.2023
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Label:Athens Of The North
Cat-No:ATH133
Release-Date:03.03.2023
Configuration:7"
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1
Marion Javius - Waiting in the Wings (East Cost Love Affair Mix)
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Marion Javius - Waiting in the Wings
Six huge tracks from Activa's classic album "This World" get remastered and recut on to two slabs of heavy weight vinyl in all their full length glory. The long-standing fans amongst you may recall some very limited vinyl samplers back in the day. However, of the six tracks featured here, two have never made it to vinyl before, making this limited edition 180g double album with full colour sleeve, a gem for both collectors and fans.
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