Ten years on from its release on in 2015 on the Super Weird Substance label, ‘Summer Came My Way’ is issued as a limited edition 7-inch, b/w with a previously unreleased ambient mix. Written and produced by DJ Greg Wilson, mixed by Luxxury, featuring Merseyside vocalists, The Reynolds, the track gained much Balearic kudos and became a festival favourite, the 12-inch quickly selling out, as did the ‘Substance Select’ 12-inch on which it featured three years on. A smouldering groover for sure, right on time for a summer of ’25 revival.

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Born out of the ashes of Darkwood Dub, one of the Balkans’ most revered alternative rock bands during the ‘90s/’00s, Bella Technika is the latest project of Bojan Drobac, the group’s guitarist and main songwriter. Joined by former bandmate bass player Milorad Ristic as well as opera singer Katarina Jovanovic, amongst others, Bojan has found a new direction with Bella Technika.
Bella Technika join forces with Super Weird Substance for Substance Select Vol.2, which features three remixes and an original production from the band’s debut ‘Section’ LP, released last year.
Continuing their prolific form, Greg Wilson and Ché Wilson provide the first remix, taking album opener ‘Reinvented Daily’ into psychedelic territory with vocoder and dub fx.
Lee Perry AKA Peza provides the second mix, a jacking, acid fuelled reimagining of ‘I Feel Light’ - alongside Sara Lucas’ primal vocal it evokes the halcyon days of house music.
Up next, Henry Greenwood provides a wonky, idiosyncratic version of ‘Heat Control’, with Katarina, Bojan and Milorad’s repetitive vocals floating over a steady chugging groove.
The EP finishes up with the original fully titled ‘Suddenly I Feel So Light’, exhibiting the live band / electronic fusion that established their reputation across Europe.


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Reigniting the long-standing creative partnership between Greg Wilson and Kermit Leveridge, Super Weird Substance was formed in 2014 on the back of their inspired collaboration on the 'Blind Arcade Meets Super Weird Substance In The Morphogenetic Field' mixtape.
A1) Written by Greg WIlson, 'Summer Came My Way' saw him collaborate with vocal force of nature, The Reynolds; twin sisters from the Wirral with a highly astute singing style and uncanny synergy. Having come into Greg's orbit with a series of luscious, dubby edits, Luxxury was approached to do a mix of the track for SWS' first vinyl release and it's since taken on a life of its own. Unavailable on vinyl for a couple of years, a reissue felt well overdue.
A2) A project of countercultural connector David Bramwell, Oddfellow's Casino is an outlet for his song writing, which draws from psychegeography, mysticism and leftfield folklore. David Bramwell contacted Greg about a remix of the track and Greg obliged with an ethereal, vocoder driven take that he worked on alongside studio partner, Peza. Following support from DJ Harvey, the track hasn't seen an official release until now.
AA1) A visceral disco funk jam that immediately grabs you by the groove, The Super Weird Society's 'Gone With The Vibe' built its momentum on the road in 2017 with Greg regularly featuring it at clubs and in festivals. The Super Weird Society include; Kermit Leveridge, The Reverend Cleve Freckleton and The Reynolds - an amalgamation of the label's key vocalists. Co-writer Henry Greenwood extends the mix.
AA2) The diversity of sound and nuanced vocal ability of The Reynolds has been instrumental to the label's sound since its formation, just as adept in the fore, as they are backing other vocalists. Mixed by Greg Wilson and Peza, 'The Best Is Yet To Come' is another Harvey pick, and has garnered support from legendary DJ Colin Curtis, who championed the Besse Banks original, has provided a number of spine tingling moments in clubs and festivals since its release.

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Kalita are excited to announce the first ever re-release of ‘Adzagli (Jungle Funk)’ and ‘A Song For You (Ayawa)’, two phenomenal pieces of West African disco from Amsterdam’s Kofi Ayivor.


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Moar is hot on the floor with this double Hip-Hop/RnB single. Don't miss it, this is a new
killer track for the party :-)
Dancefloors were made for this, quality stuff.
Hand stamped records & limited press!

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One of Jensen Interceptor's strongest releases to date, and no wonder, it's on Craigie Knowes! Everything that Jensen's followers enjoy in terms of his electro master-class is included here, and much more too. On this record his gaze occassionally drifts from his hard-hitting electro sound to land on 4x4 beats and acid flavours, in true Craigie Knowes fashion.

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Pellegrino & Zodyaco, with their new single 'Malìa', continue the aesthetic and sonic journey of the project led by the Neapolitan producer, with a mixture of Neapolitan disco-funk and fusion steeped in Latin flavour that already explored the innermost corners of the soul with 'Quimere'. This new work captures the frenzy and vibrant character of Naples, with its rarefied atmospheres and infectious groove that evoke the beating heart of the city and take us on a journey through the wonder of life in search of the Mediterranean essence.
The 'Malìa' is enchanting, it’s that mysterious force that hides deep inside, transforming itself into a vortex of emotions through the fusion of involving rhythms and reflections on inner battles, on the importance of finding the 'light' to overcome conflicts and difficulties that hinder the ability to choose, a dreamlike mirage that opens a window on human vulnerability, a hymn to authenticity, to self-acceptance.

The celebration of dance in the Caribbean Escapade version is also an exhortation to escape from everyday life; it takes us into a sonic imagery that plays with the Neapolitan musical tradition and the freshness of Caribbean and Latin sounds. This summer single becomes an ode to the vital energy of dance music: there is no more time for hesitation, one must let oneself be carried away by the enthralling embrace of 'Malìa', like a call to awareness and the search for authenticity in life. Malìa becomes the guiding thread, the mystery that urges us to go beyond the confines of everyday life, to explore and celebrate the complexity of existence.

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Murmurs from the smoking area have whispered the lore of this record for almost a year now. It's the big one, Spray's Witches Drinner EP on Craigie Knowes. Finally, track titles for IOM!

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Repress!

Melbourne's Sgt Slick slides on over with five of his finest re-edits on a newly formed label Sgt Slick Recuts. 20 years deep in the game, accolades aplenty, collabs with some the finest out there and a serious string of his own productions, Sgt Slick knows what works on the dancefloor and these edits showcase that to a T. Some out and out classics, reworked with the club clearly in mind.

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Canadian diggers extraordinaires The Patchouli Brothers make their debut on Razor-N-Tape in the finest form possible, with a quartet of exceptionally tasty and soulful edit heat.

Leading of with a floor-filler that brings people together in early night excitement, then onto a peak time esctatic bomb, a gospel disco chugger, and finishing with a slow roller for that end-of-night euphoria, this 12” truly has it all.

In an an already storied career of flips, this standout record is the Brothers at the top of their game, and an absolute masterclass in the do’s and don’ts of the disco edit. Buy on sight!

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Repress!

James Shinra's whirlwind year is rounded off with a some final words via Craigie Knowes. Darkroom EP features his signature style of Techno and Electro across 4 varied cuts. From Aphex-style chords to choppy breaks, emotional rises and gritty kicks and acid - it's got it all. A final chapter of a busy year for both artist and label, with a fairly sinister, wintery, feel.

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No Moon returns to Craigie Knowes with another spectacular 3-track cosmic exhibition. A journey of electronic voices, strange drum patterns, complementary bass and pads that climb and fall - all executed with a beautiful uniqueness. Superb.

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140gram pressing in 3mm spine Disco Sleeve

Two lost Disco classics appearing for the first time on a single 12” featuring soul legend Leon Ware and Jo Ann Harris, a little known backing singer for Bob Dylan throughout the 80s.

Both songs originally appeared on the ‘20 Minute Workout’ Video and LP released in 1983 by Canadian label Ronco, ‘What Does It Take’ providing an uptempo crescendo to the third part of the workout and ‘Never Gonna Give You Up’ the final warm down track. Licensed from producer Ira Newborn, Hollywood soundtrack royalty who composed the scores for an incredible run of films including The Blues Brothers, Ferris Bueller’s Day Off, The Naked Gun trilogy, Weird Science, Ace Ventura and Uncle Buck. Ira’s lawyer persuaded him to get involved in the project for Ronco and it was Ira who hand picked Leon Ware and Jo Ann Harris to add vocals to two tracks to aid the commercial potential of the album.

There are two original versions backed with extended instrumentals sourced from a rare Lazer Disc Version of the album. It feels right to shine a light on one of Leon Ware’s lesser known performances, whilst the Jo Ann Harris cut has a distinct Balearic air featuring sultry keys and sax at a tempo of 98 BPM.

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Repress!

Euphoria-tinged club jams by Giammarco Orsini and Jacopo Latini under their rising Data Memory Access moniker for their first outing with Craigie Knowes. Gold standard house music built for peak time clubbing and early morning memories.

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