Taylor Freels aka Liquid Earth, brings his uniquely transatlantic techy-wiggles to Secretsundaze’s new imprint for 9FINITY002.

Following the globally supported 9FINITY001, Freels dishes up a naughty cocktail of signature sounds on ‘Adventures Of Handy Boy EP’. Driving house cuts laced with wandering acid lines, through to percussive, techy grooves and quirky vocal snippets – synonymous with the sounds we all know and love as Liquid Earth.

Another sure fire heater from the newly minted 9FINITY camp.

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The third in a series of self-released Liquid Earth Physical Records, “Three Dimensional Rocker” is a sonic cheese plate for the dedicated dancer.

The 12” navigates through four robust club tunes, surely an expected outcome from the seasoned Californian producer. From Aside titles’ full throttle funkery to the equally nauseating floor fillers on the flip, LEP003 is one big kahuna.

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The second in a series of self-released Liquid Earth Physical Records, “The Breakdown” is a front flip into curbside clubbing.

The Aside offers two impeccably tight mixes of the 12” title tune, both providing different licks of pleasure for the casual clubber. “Charms Of Gaia” is forward leaning, equipped with big room, big energy type vocal breaks. “Trips & Skips” is an ode to the stripped down wigglyness of one of UK Tech House’s greatest, Nathan Coles - a clear influence of Mr. Earths.

From here, we are sat next to the two black sheep of the 12” on what seems like the most pleasurable road trip of a record. B1 being the beefed-out break tune titled “The Closer” and B2 the straight and narrow slammings of “Cobblestone Stomper,” a track surely given its holy legs by the OG Jerusalem Cruiser.

What you won’t find on this record is senseless filler, instead, you’ll surely be pumping your face with the permanent botox that is Liquid Earth. Now let’s see that smile!

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Repress!
Storming in with his newest slice of extraterrestrial swing-ology, Liquid Earth (alias Urulu under guise) returns to dish out the playful above all “Scope Zone” - a lush and bouncy gem primed for ecstatic workouts and bold galactic excursions, complete with a reshape from Scottish born, Berlin-based vibist, Youandewan. Flush with garage va-va-voom and low-end paranormal activity, “Scope Zone” indeed lacks no wide-screen power of crowd subjugation.

Taking us back to the 90s continuum with its astute mix of chopped-up vox, pong-like bleeps and propulsive buildup, Liquid Earth’s latest is a fun-loving ode to the kaleidoscopic sound of an era and its untamed flow of energy. True to his signature refined melodic touch and airy 4x4 architectonics, Youandewan’s version has us embarking for a proper deep, exhilarating ride across bumpy time warps and oddly familiar parallel universes.

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Global Swing founder Garrett David steps up to the plate for BSU013, his first full-length EP in two years.

Garrett was just 19 when he began his residency at Smartbar in Chicago, playing the legendary Queen! nights alongside Derrick Carter, Michael Serafini, Frankie Knuckles, and Chez Damier—his first major mentors. Around the same time, he started working behind the counter at Gramaphone Records, where he spent the next decade immersed in the city’s rich musical roots.

Now Berlin-based, Garrett’s music, label, and live performances represent his steeping in US house music history but with fresh perspective. NuRelix opens with Play2Win, menacing peak-time energy driven by dark and hypnotic textures. Following that is Grow Up, which channels the breezier side of ’90s US house, marked by a measured groove and a distinctive melodic sensibility that sets his sound apart.

Flip over for a double dose of dreamy deep-house GD style, both cuts awash in oceanic vibes: Livin' Under Clouds (Zenzitiv Dub) crashes over you like a hypnotic spell, with ebbing rhythms and swirling melodies setting you adrift to tranquil bliss, while Subaqua closes the EP with a chunky bassline and shimmering detours into melodic, submerged euphoria.

Four richly produced tracks, perfect for the small hours of the morning, that continue to mark our favourite midwesterner as dance music’s most languid frontrunner.

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London based label and party Butter Side Up follow-up a sold out debut release from Christian Jay with another helping of atmospheric house music, this time from Leeds based rising star Midge Thompson. The long time BSU associate serves up three tracks that are complemented with a rare remix from the legendary Titonton Duvante.
Opener ‘Destination 2242’ is a slick and spaced out broken beat groover. Sci-fi motifs wither next to a sprinkling of garage percussion and rubbery drum programming is brilliantly loose and body popping. ‘Delta’ gets even deeper, with skeletal drums knocking out an infectious late-night rhythm while dreamy pads flesh things out. Spacecrafts drift in the background to add some cinematic stylings and make it perfect for the more close-knit dance floors.
On the flip, ‘Beeston Lights’ picks up the pace with perfectly rolling kicks pulling you in as keys twinkle up top like a distant metropolis at night. It’s smooth and breezy house music to carry you away on a blissful vibe. Remixing is Titonton Duvante, a long time influence on the Butter Side Up crew and a cult figure in heady house circles thanks to definitive work on his own Residual Recordings, Mosaic and many others. His chunky take on techno is hard to beat, as proven here with a remix that re-works the drums into busy, restless things that work the feet while the Americans’s typically ethereal pads bring real depth.
Original artwork by Sophie Douala.


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Take a seat aboard Venetia's spaceship and begin your electronic journey with his debut EP.

The ride begins with 'Camel' and its purring bass that, for the more attentive, may remind you of an old tune. It continues with “Jet” and its bewitching melody and sweet acid notes.

For the second stop on the voyage, there's 'The Mind', a powerful track blending vocoder and aggrandizing bass. The journey comes to a close with 'Shangri-La Disco', a startling and disconcerting track that can easily put everyone on the same wavelength on a dancefloor.

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Toscal Records proudly presents its second vinyl release, TSCL002. Following the success of its debut, the label continues to showcase extraordinary talent with this transatlantic collaboration. Bolivian producer Andy Somoza and Valencian artist The Cap Boy unite their creative forces on one captivating record.

The release features two standout tracks from each artist. Andy Somoza delivers the cosmic groove of UFO DJ and the electrifying rhythm of Random Danzer. On the flip side, The Cap Boy offers the infectious energy of Willys and the raw intensity of Angry Cooper.

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Gerd returns to his own Frame Of Mind imprint with another fine selection of tracks. The breakbeat-driven groove of "Brave New Era" aside, all tracks offer different perspectives on early Motor City techno and house. Gerd is showcasing his love for metallic FM-synthesis driven sounds once again. Deep, moody and uplifting.

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Fidelio’s triple-vision A-side gives a taste of the unorthodox, blending 90s acid rawness with the timeless elegance. This is where baroque drama meets warehouse ecstasy.

Fidelio unleashes an avant-garde fusion of classical organ melodies and razor-sharp acid basslines, echoing through your spleens. Each track oozes groove, driven by punchy kicks and hi-hats that sizzle like sparks on steel.

Fidelio’s mix pulses with a sense of urgency, like a techno odyssey through a neon-drenched dystopia.

Luca Piermattei will catch you on the flippity-flip. ‘Gas’ feels like a transmission from a synthetic consciousness trying to breach the uncanny valley. The track opens with a pulsating bassline that wobbles like liquid mercury, creating a sense of disorientation. A warped robotic voice enters, glitching and stuttering, its eerie attempt at human inflection both captivating and unsettling.

The groove is undeniable—polyrhythms weave through intricate layers of percussive clicks, offbeat hats, and swelling synth stabs. Just as you think you’ve found the rhythm, the track bends your mind with unpredictable shifts, like machinery spiraling into controlled chaos.

Enter Luca’s wormhole with ‘Third Rec. With Tascam 122’: Meet the captivating 4×4 electro groover that pulls listeners into an otherworldly soundscape. Anchored by pulse-driven basslines, the track delivers a surprising and dynamic arrangement that keeps you guessing.

The sections are seamlessly divided with intricate, pinball-like percussion, creating a playful yet precise rhythm. Perfect for late-night explorations, this track balances hypnotic grooves with unexpected twists, making it a standout on the dancefloor.

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Dark Entries has raided the bathhouse to bring us Deep Entries: Gay Electronic Excursions 1979-1985, 10 tracks of obscure queer synth bliss. One of Dark Entries' most important missions has been illuminating neglected facets of gay musical history, with crucial archival works by legends like Patrick Cowley, Sylvester, and Man Parrish. On Deep Entries, the label spans 6 years of gay electronics - from sultry to angsty to camp, these songs are overflowing with snappy 808 snares and sinewy analog synth leads. The '80s were a difficult period for many in the gay community as they grappled with the horrors of the HIV/AIDS crisis. The 10 tracks on Deep Entries, varied in genre and vibe, are united in their portraiture of 1980s gay life, and the hope for love or fleeting romance. Previously unreleased cruising soundtracks come courtesy of Patrick Cowley’s “Love Me Hot” featuring vocalist Paul Parker and Boytronic’s “Tonight (Alternate Mix)” set on Hamburg’s famous “Mile of Sin.” Brisbane-based Megamen deliver the proto-electroclash number “Designed for Living,” which prefigures Madonna’s Marlene Dietrich rap in “Vogue.” Trans vocalist Paula "Ula" Villagrá declares, “Everyone is gay!” on Muzak’s “Happy Song,” a skittering tecnopop anthem. Dereck Higgins' “This Was Something” rings like a lost Joy Division cut draped in bizarre effects, and Polar Praxis’ “(I Want) To Be Different” is a seething ode to alterity. Nightmoves’ “Nightdrive,” is best known as the brooding instrumental B-side to their epochal “Transdance.” Transistor Jet’s “Master Of The Universe (BW's f-w)”, Maxx Mann’s “Just Like a Razor” and Bachelor’s Anonymous’ “A Stranger’s Bed” are mood music for the pleasures of BDSM and one-night stands. The record comes housed in a retro bathhouse fantasy sleeve designed by Gwenaël Rattke and includes a double-sided poster with photographs and lyrics. Deep Entries arrives on December 1st in honor of World AIDS day, and proceeds will go to the San Francisco AIDS Foundation.

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Repress!

It's been a busy 3 years since Danny Berman aka Red Rack'em released on his own Bergerac imprint.

Since then he's toured relentlessly, released a whole album of live music based disco/punk funk for Sonar Kollektiv as Hot Coins, managed to completely update his biggest track 'In Love Again' to make it a hit the second time around plus released spaced out, wonky party smashers on Wolf Music, Phonica, City Fly and Telefonplan.

While all this was going on Bergerac was largely on ice but now Berman is turning his energy back to the label with a vengeance.

Wonky Bassline Disco Banger is accurately titled. An uplifting intro breaks down into a slamming disco house number and just when you think you know what's going on…

Then the trademark Red Rack'em wonky bass drops in. 150% Guaranteed party smasher…

Jazzy House Extension is super vintage Red Rack'em from around 2004 - something for the jazz heads out there - cracked out piano and far too loud double bass come together to birth a euphoric yet banging snapshot of a producer learning his chops.

Destined is a slightly demented leftfield house number featuring mangled, pitch shifting fretless bass and vocals samples discussing someones destiny.

A woozy end to the EP.

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Named King of the Edit since the 1980’s, pioneering Manhattan DJ Danny Krivit’s (aka Mr K) latest 12” delivery instils the title bestowed upon him some 30 years ago. An esteemed selector Danny’s prolific remixing and production capabilities have touched hundreds of records – with his signature flare shaping the New York City sound. Opening the A-Side of the release, is Danny edit this summer’s seminal track The Vision’s ‘Heaven’, interweaving a gloriously groovy bassline with Andreya Triana’s vocal to produce an extended, DJ friendly mix that he sent crowds wild with at Dekmental Festival. On the flip, Mr K delves a little deeper into the Defected catalogue, trying his hand at The DangerFeel Newbies’ ‘What Am I Here For (Original NDATL Vocal)’. Danny’s stripped back version extends the jazzy, percussive original, as velvety smooth vocals and elegant keys bring this expressive and sophisticated release to a close. A true master of the edit, music as good as this deserves to be heard on wax.

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Modernized disco boogie cover of Klique's 80s classic tune, with vocals by Boston's own Saucy Lady and UK's legendary talent Omar, all masterfully crafted by Yuki Kanesaka as the musical director and producer alongside Saucy Lady on the arrangement. The track not only features a full live brass section and strings with talents from Japan and Boston, it also features Curtis Williams of Kool & the Gang on alto, while David Frank of the mega duo The System on the Oberheim and Moog adding the authentic boogie spice.

Piano overdubs recorded by another production and engineering legend Carl Beatty known as the studio pioneer of all the major label R&B performers of the 70s, 80s, and 90s including Luther Vandross, Aretha, Melba Moore, Mass Production and more. All of which create the melange of groove that the funk universe desperately needs.

On the flip side, French Producer and DJ heavyweight Young Pulse brings a whole new take on the original mix with added vocal layers by Young Pulse himself he brings a more broken beat, house flavor to the classic tune which will undeniably electrify the dance floors.

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Wills has been carving out a place in the scene with precision and raw funk energy for a while. He was there at the starting line of Long Vehicle Records – helmed by Sevensol – with the now-classic LV1 release back in 2020 and is back behind the wheel once again.

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Samsara Cycles – A Spiritual and Ode to Dance Music Trilogy by B From E.

Rising French label Happiness Therapy unveils Sa?sara Cycles, an extraordinary trilogy of EPs crafted by Danish treasure B From E. This ambitious and evocative project dives deep into the spiritual dimensions of music while paying homage to the transformative power of dance.

Through Sa?sara Cycles, B From E demonstrates the full breadth of his artistic and technical mastery. Spanning ethereal dream house, uplifting garage / piano house and hypnotic neo trance, each record in the trilogy is a testament to his unparalleled versatility and creativity.

This trilogy, available on vinyl and digital formats, will be released between February and April 2025. Each EP embodies a unique stage of the Sa?sara cycle, creating a cohesive narrative that connects sound, spirituality, and the energy of the dancefloor.

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