7"
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Label:Disques Messager
Cat-No:MESS001
Release-Date:12.05.2023
Configuration:7"
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Cat-No:MESS001
Release-Date:12.05.2023
Configuration:7"
Barcode:
New Parisian label, Disques Messager, presents its first release and not the least. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which begins rather well, with the official reissue of these two stirring titles by Brazilian singer and composer Cristina Camargo.
Native of Rio De Janeiro, Cristina Camargo had quite a short career, releasing only 2 albums in 1980 and 1981, but still enough to collaborate with some of the best composers, musicians and producers at that time. Her first self-titled album was therefore produced by Robson Jorge & Lincoln Oliveti and recorded with some of the finest musicians.
“Moral Tem Hora” comes from this same LP and is a perfect example of the unique alchemy that emerged when the Disco and Boogie invaded the Brazilian music scene. A quite hard to find Boogie killer, composed by famous brothers, Marcos and Paulo Sérgio Valle.
On B side comes “Minas Do Rei Salomão”, a more chilled-out title extracted from Cristina’s 2nd album, Santa Maravilha. With its funky slapped bass, airy keyboards and the sweet vocals of Cristina, the song seems made to sip a nice cocktail at Ipanema.
A - Moral Tem Hora
B - Minas Do Rei Salomão More
Native of Rio De Janeiro, Cristina Camargo had quite a short career, releasing only 2 albums in 1980 and 1981, but still enough to collaborate with some of the best composers, musicians and producers at that time. Her first self-titled album was therefore produced by Robson Jorge & Lincoln Oliveti and recorded with some of the finest musicians.
“Moral Tem Hora” comes from this same LP and is a perfect example of the unique alchemy that emerged when the Disco and Boogie invaded the Brazilian music scene. A quite hard to find Boogie killer, composed by famous brothers, Marcos and Paulo Sérgio Valle.
On B side comes “Minas Do Rei Salomão”, a more chilled-out title extracted from Cristina’s 2nd album, Santa Maravilha. With its funky slapped bass, airy keyboards and the sweet vocals of Cristina, the song seems made to sip a nice cocktail at Ipanema.
A - Moral Tem Hora
B - Minas Do Rei Salomão More
More records from Disques Messager
12"
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Label:Disques Messager
Cat-No:MESS002
Release-Date:16.02.2024
Genre:Electro
Configuration:12"
Barcode:3760179357752
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Label:Disques Messager
Cat-No:MESS002
Release-Date:16.02.2024
Genre:Electro
Configuration:12"
Barcode:3760179357752
1
Yoanson & Karamie - African Leaders
2
Prof Jah Pinpin 4tet - The Final Bird (Le Temps D’une Vie)
New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene.
Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions.
On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report).
Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!
A - Yoanson & Karamie - African Leaders
B - Prof Jah Pinpin 4tet - The Final Bird (Le Temps D’une Vie) More
Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions.
On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report).
Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!
A - Yoanson & Karamie - African Leaders
B - Prof Jah Pinpin 4tet - The Final Bird (Le Temps D’une Vie) More
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Release-Date:16.02.2024
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1
Funkool Orchestra - Latin Freak
2
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3
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Yes Amigos!
The Debut Album "Latin Freaks" by Funkool Orchestra is finally out!
Get ready for another dose of Neapolitan Funky Disco Boogie madness with a Latin touch and a glorious featuring by the one and only Latin soul King : JOE BATAAN.
The Long Playing is a mixture of Rare Grooves, Napoli Sound, Disco Boogie, Latin Soul and Boogaloo, ideal for a trip to Nueva York and back to Naples just to say hello to your Puertorican uncle Manolito "Gennaro" Marròn.
A gozar!
A1 - Latin Freak
A2 - Tiene o' Tiempo
A3 - Can't Keep Foolin'
A4 - Little Black Woman
B1 - Maledetta Discoteca
B2 - Boogie With Your Baby
B3 - Divine Dance
B4 - Juanita Shing-a-Ling More
The Debut Album "Latin Freaks" by Funkool Orchestra is finally out!
Get ready for another dose of Neapolitan Funky Disco Boogie madness with a Latin touch and a glorious featuring by the one and only Latin soul King : JOE BATAAN.
The Long Playing is a mixture of Rare Grooves, Napoli Sound, Disco Boogie, Latin Soul and Boogaloo, ideal for a trip to Nueva York and back to Naples just to say hello to your Puertorican uncle Manolito "Gennaro" Marròn.
A gozar!
A1 - Latin Freak
A2 - Tiene o' Tiempo
A3 - Can't Keep Foolin'
A4 - Little Black Woman
B1 - Maledetta Discoteca
B2 - Boogie With Your Baby
B3 - Divine Dance
B4 - Juanita Shing-a-Ling More
Label:Research Record
Cat-No:RREP07
Release-Date:26.01.2024
Genre:Jazz
Configuration:12"
Barcode:5050580758063
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Label:Research Record
Cat-No:RREP07
Release-Date:26.01.2024
Genre:Jazz
Configuration:12"
Barcode:5050580758063
1
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2
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3
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4
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Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams. Recorded at the beginning of 2020, Mirage is the first release from the artist, issuing four compositions that lend from a profusion of sounds and influences. The album's opener and title Mirage arrives with a coiling vocal mantra that conspires with a sliding bassline and transcendent synthwork, reminiscent of early 70's prog jams yet inverted and futuristic. Taurus is a brisk arrangement, steeped with spaghetti-western elements and space-jazz to pave the way for the agile Kong. Rife with psych-fusion guitar phrases and instrumentation, Kong unfolds like a forecast lysergic voyage. The finale Rattlesnake nudges the serpent with intergalactic scales and spellbinding riffs. We may not know much about the enigmatic Glass Beams but Mirage is one epic inauguration, leaving the listener with more questions than answers.
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1
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9
Aphex Twin - "Log On Rock Witch"
Label:NG Records
Cat-No:NG01
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Configuration:LP
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1
nu guinea - No Title
2
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4
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Cat-No:bewith101LP
Release-Date:05.07.2024
Genre:Soul/Funk
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Cat-No:bewith101LP
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Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251804125369
1
Freestyle Fellowship - A* : Blood (1:08)
2
Freestyle Fellowship - A1 : Bullies Of The Block (4:55)
3
Freestyle Fellowship - A2 : Everything’s Everything (3:47)
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18
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Territories: Worldwide no restrictions
Format Notes:
2024 repress, 140g vinyl, includes “Pure Thought” bonus track from the original CD version, original picture sleeve and printed inner sleeves based on the original one.
Track List:
A* : Blood (1:08)
A1 : Bullies Of The Block (4:55)
A2 : Everything’s Everything (3:47)
A3 : Shammy’s (4:16)
A** : Heat Mizer (1:08)
B1 : Six Tray (4:39)
B2 : Danger (3:58)
B3 : Inner City Boundaries (4:39)
B* : Bomb Zombies (1:06)
C1 : Cornbread (4:21)
C2 : Way Cool (4:22)
C3 : Hot Potato (4:30)
C4 : Mary (3:45)
C5 : Park Bench People (4:59)
D1 : Heavyweights (6:11)
D* : Tolerate (1:01)
D2 : Respect Due (3:53)
D3 : Pure Thought (3:14)
Release Notes (Short Version):
Innercity Griots, the second album from Freestyle Fellowship, is perhaps *the* essential West Coast left-field rap album of the early ’90s. Released in 1993 on 4th & Broadway, it’s a towering, progressive hip-hop masterpiece that expanded rap’s boundaries through lyrical elevation and production innovation. Their talent was ahead of everybody else by light years. This is pure b-boy jazz.
The original single vinyl LP is now hideously scarce, and of course the sound suffers from not being officially released as a double. This Be With re-issue fixes both problems, and for completeness also includes “Pure Thought” from the CD version of the album. This incredible display of imaginative hip-hop sounds better than ever.
Freestyle Fellowship were some of the earliest technically dazzling rappers to come out of California. Mikah 9, P.E.A.C.E., Aceyalone and Self Jupiter - along with DJ Kiilu - forged their famed lyrical dexterity in the ultra-competitive crucible of the Good Life Cafe. Founded in Leimert Park, South Central LA in December 1989, this earthy health-food store and cafe was where the city’s finest microphone fiends would gather to showcase their freestyle skills at the Thursday night open-mic.
Innercity Griots has been described as the Rosetta Stone for rap styles. The group’s dense, vibrant wordplay and enviable interplay quickly earned the attention and respect of the city’s hip-hop underground. Frenetically trading acrobatic rhymes with agility and grace, the Fellowship used their voices as instruments like true virtuosos, spraying improvised raps like a Coltrane sax solo.
With the bulk of the album’s production handled by The Earthquake Brothers, and Bambawar, Daddy-O, and Edman taking over for some of the tracks, Innercity Griots dances between organic and programmed music, largely forgoing sampling and instead built around live jazz jams. The likes of Freddie Hubbard’s “Red Clay” and Miles Davis’s “Black Comedy” were used more as templates for house band The Underground Railroad Band to spiral out from. As Pitchfork noted in their recent 9.0 review of this classic album, “Freestyle Fellowship embodied the style and spirit of jazz on a molecular level. They shared the effortless cool and tough countenance of the great bebop players from the ’50s without verging into jazz-rap parody. Their innate jazziness felt tangible and hard-earned”.
The unusual approach to the music was matched by the Fellowship’s lyrics. Eschewing the tired rap tropes of the time, this multifaceted album instead explores their ruminations on greed and homelessness, weed, sex, survival, insecurity and tribalism.
Remastered by Simon Francis for double vinyl and cut by Pete Norman, we hope this long-overdue re-issue of Innercity Griots satisfies the legions of fans that have since been bewitched by the majesty of this record. It should also introduce some new listeners to yet another overlooked classic.
More
Format Notes:
2024 repress, 140g vinyl, includes “Pure Thought” bonus track from the original CD version, original picture sleeve and printed inner sleeves based on the original one.
Track List:
A* : Blood (1:08)
A1 : Bullies Of The Block (4:55)
A2 : Everything’s Everything (3:47)
A3 : Shammy’s (4:16)
A** : Heat Mizer (1:08)
B1 : Six Tray (4:39)
B2 : Danger (3:58)
B3 : Inner City Boundaries (4:39)
B* : Bomb Zombies (1:06)
C1 : Cornbread (4:21)
C2 : Way Cool (4:22)
C3 : Hot Potato (4:30)
C4 : Mary (3:45)
C5 : Park Bench People (4:59)
D1 : Heavyweights (6:11)
D* : Tolerate (1:01)
D2 : Respect Due (3:53)
D3 : Pure Thought (3:14)
Release Notes (Short Version):
Innercity Griots, the second album from Freestyle Fellowship, is perhaps *the* essential West Coast left-field rap album of the early ’90s. Released in 1993 on 4th & Broadway, it’s a towering, progressive hip-hop masterpiece that expanded rap’s boundaries through lyrical elevation and production innovation. Their talent was ahead of everybody else by light years. This is pure b-boy jazz.
The original single vinyl LP is now hideously scarce, and of course the sound suffers from not being officially released as a double. This Be With re-issue fixes both problems, and for completeness also includes “Pure Thought” from the CD version of the album. This incredible display of imaginative hip-hop sounds better than ever.
Freestyle Fellowship were some of the earliest technically dazzling rappers to come out of California. Mikah 9, P.E.A.C.E., Aceyalone and Self Jupiter - along with DJ Kiilu - forged their famed lyrical dexterity in the ultra-competitive crucible of the Good Life Cafe. Founded in Leimert Park, South Central LA in December 1989, this earthy health-food store and cafe was where the city’s finest microphone fiends would gather to showcase their freestyle skills at the Thursday night open-mic.
Innercity Griots has been described as the Rosetta Stone for rap styles. The group’s dense, vibrant wordplay and enviable interplay quickly earned the attention and respect of the city’s hip-hop underground. Frenetically trading acrobatic rhymes with agility and grace, the Fellowship used their voices as instruments like true virtuosos, spraying improvised raps like a Coltrane sax solo.
With the bulk of the album’s production handled by The Earthquake Brothers, and Bambawar, Daddy-O, and Edman taking over for some of the tracks, Innercity Griots dances between organic and programmed music, largely forgoing sampling and instead built around live jazz jams. The likes of Freddie Hubbard’s “Red Clay” and Miles Davis’s “Black Comedy” were used more as templates for house band The Underground Railroad Band to spiral out from. As Pitchfork noted in their recent 9.0 review of this classic album, “Freestyle Fellowship embodied the style and spirit of jazz on a molecular level. They shared the effortless cool and tough countenance of the great bebop players from the ’50s without verging into jazz-rap parody. Their innate jazziness felt tangible and hard-earned”.
The unusual approach to the music was matched by the Fellowship’s lyrics. Eschewing the tired rap tropes of the time, this multifaceted album instead explores their ruminations on greed and homelessness, weed, sex, survival, insecurity and tribalism.
Remastered by Simon Francis for double vinyl and cut by Pete Norman, we hope this long-overdue re-issue of Innercity Griots satisfies the legions of fans that have since been bewitched by the majesty of this record. It should also introduce some new listeners to yet another overlooked classic.
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Label:Hot Pot Records Detroit
Cat-No:HPR005
Release-Date:03.05.2024
Configuration:7"
Barcode:
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Label:Hot Pot Records Detroit
Cat-No:HPR005
Release-Date:03.05.2024
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1
Andrés - I Can't Understand It
2
Andrés - Loleatta Disco Flip
Expert record collector, skilled DJ, Moodyman collaborator and beatmaker Andres aka DJ Dez is back not long after the release of his last album with a new 7" on David A-P's Hot Pot Records. He opens up this one with 'I Can't Understand It' which has the exact sort of dusty drums and subtle hip-hop stylings to the groove that you would expect of this storied groove specialist. It will get the floor popping off in no time and on the flip, he shows off his skills on the MPC by chopping up 'Loleatta Disco Flip' with plenty of hefty drum work and a sprinkling of percussion that keeps whitings moving. Another irresistible drop from the Detroit mainstay.
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Label:Cataleya Music
Cat-No:CAT001
Release-Date:23.02.2024
Genre:House
Configuration:12"
Barcode:
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Label:Cataleya Music
Cat-No:CAT001
Release-Date:23.02.2024
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1
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2
Vick Lavender - No One's Going To Love You (Coflo Remix)
3
Vick Lavender - No One's Going To Love You (Coflo Dub Tool)
Cataleya Music debuts with a bright effort from Chicago’?s Vick Lavender entitled No One’?s Going To Love You. Here, the Sophisticado Recordings boss drops his uptempo reimagination of a time honoured Soul classic. With a Balearic tinged guitar, a fat bassline and buoyant synths, Lavender has created a real beauty. Remixes come courtesy of Californian rising star Coflo. His Remix deploys a mysterious vocal over questioning keys and steadfast percussion. The Remix offers expressive rhodes passages and glorious guitars, whilst Coflo’?s Dub Tool is a driving finale. Cataleya Music is a new label from Sweden, dedicated to Deep and Soulful House music. The imprint has many more exciting releases lined up for 2024.
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Cat-No:WSR001
Release-Date:29.09.2023
Genre:Afrobeat
Configuration:LP Excl
Barcode:4170000122043
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Last in:29.01.2024
Label:Want Some Records
Cat-No:WSR001
Release-Date:29.09.2023
Genre:Afrobeat
Configuration:LP Excl
Barcode:4170000122043
1
The Mighty Cavaliers - Wacha Maneno
2
The Mighty Cavaliers - Baruwa Ya Soweto
3
The Mighty Cavaliers - Africa Tuungane
4
The Mighty Cavaliers - Mama Come Home
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The Mighty Cavaliers - Mapendo Mapendo
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7
The Mighty Cavaliers - Wacha Tabia Mbaya
8
The Mighty Cavaliers - Mimi Ni Wako
9
The Mighty Cavaliers - Bring Your Love
10
The Mighty Cavaliers - Nifanye Nini
The Mapendo album of the Mighty Cavaliers, up to today, has been shrouded in mystery. If you look at the original cover of this very rare Kenyan funk-infused album all you will find are the names of the engineer and the producer, as EMI Kenya omitted the names of the musicians and the songwriters. Digging deeper a rather sinister story of deceit develops whereby Mapendo becomes symbolic for all what was wrong about the Kenyan record industry in the 1970s, and the music industry in Africa as a whole. As this maltreatment of artists proved endemic throughout the continent, although little talked about.
One of the three surviving members of the Mighty Cavaliers, bass player Bonnie Wanda - who started his career in 1971 with Gloria Africana - vividly remembers participating in the recording of the two albums the band made in 1976 and 1977 - Fisherman and Mapendo - and how they, especially on the last album, got short-changed by shrewd record label executives. In the 1960s it was mostly Indian and European record bosses that called the shots and usually gave musicians the chance of a one-off payment for their session time and recorded songs or wait for - hopefully - a generous royalty check. In most cases records didn't sell more than a thousand copies with an occasional hit selling in the tens of thousands, so musicians were reluctant to register themselves with the Music Copyright Society of Kenya. Although without doing so one couldn't receive royalties.
'For two years the Mighty Cavaliers performed five nights a week at the Starlight Club for five hour sets.
The re-release of Mapendo, the first of the German Want Some Records label, is another exciting puzzle piece in the tapestry of groovy Kenyan music. It proves that there are still great gems out there to be re-discovered for audiences worldwide.
Text written by Michiel van Oosterhout
This Album is dedicated to the musicians
Bonnie Wanda, Rashid Salim, Vuli Yeni, Juma Waweru Njuguna and Athmani 'guitar boy'."
-------------------------
All songs, Composed, Arranged, Produced or Performed
by The Mighty Cavaliers.
Graphic Design: Benjamin Kühne (Cover restauration/Label Design); Tom Krailing (Sticker Design)
Written By: Michiel van Oosterhout
Text Editing: Nebil
Mastered by: Nick Robbins (Soundmastering)
All tracks are under exclusive license of Want Some Records. Licensed from Daudi Kabaka/Reuben Kabaka."
Tracklist:
A1: Wacha Maneno
A2: Baruwa Ya Soweto
A3: Africa Tuungane
A4: Mama Come Home
A5: Mapendo Mapendo
B1: Mambo Bado
B2: Wacha Tabia Mbaya
B3: Mimi Ni Wako
B4: Bring Your Love
B5: Nifanye Nini
More
One of the three surviving members of the Mighty Cavaliers, bass player Bonnie Wanda - who started his career in 1971 with Gloria Africana - vividly remembers participating in the recording of the two albums the band made in 1976 and 1977 - Fisherman and Mapendo - and how they, especially on the last album, got short-changed by shrewd record label executives. In the 1960s it was mostly Indian and European record bosses that called the shots and usually gave musicians the chance of a one-off payment for their session time and recorded songs or wait for - hopefully - a generous royalty check. In most cases records didn't sell more than a thousand copies with an occasional hit selling in the tens of thousands, so musicians were reluctant to register themselves with the Music Copyright Society of Kenya. Although without doing so one couldn't receive royalties.
'For two years the Mighty Cavaliers performed five nights a week at the Starlight Club for five hour sets.
The re-release of Mapendo, the first of the German Want Some Records label, is another exciting puzzle piece in the tapestry of groovy Kenyan music. It proves that there are still great gems out there to be re-discovered for audiences worldwide.
Text written by Michiel van Oosterhout
This Album is dedicated to the musicians
Bonnie Wanda, Rashid Salim, Vuli Yeni, Juma Waweru Njuguna and Athmani 'guitar boy'."
-------------------------
All songs, Composed, Arranged, Produced or Performed
by The Mighty Cavaliers.
Graphic Design: Benjamin Kühne (Cover restauration/Label Design); Tom Krailing (Sticker Design)
Written By: Michiel van Oosterhout
Text Editing: Nebil
Mastered by: Nick Robbins (Soundmastering)
All tracks are under exclusive license of Want Some Records. Licensed from Daudi Kabaka/Reuben Kabaka."
Tracklist:
A1: Wacha Maneno
A2: Baruwa Ya Soweto
A3: Africa Tuungane
A4: Mama Come Home
A5: Mapendo Mapendo
B1: Mambo Bado
B2: Wacha Tabia Mbaya
B3: Mimi Ni Wako
B4: Bring Your Love
B5: Nifanye Nini
More
Label:Over/Shadow
Cat-No:OSH26
Release-Date:15.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
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Label:Over/Shadow
Cat-No:OSH26
Release-Date:15.03.2024
Genre:Drum + Bass
Configuration:12"
Barcode:
1
Outrage - Goodbye
2
Outrage - In The Dark
Outrage debuts on Over/Shadow with Goodbye and In the Dark. 2 awesome cuts that perfectly display Andrews unique ability to dip into jungle and DnB with both finesse and dance floor killers.
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Label:Quintessentials
Cat-No:Quintesse90
Release-Date:10.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180177
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Last in:02.04.2024
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Last in:02.04.2024
Label:Quintessentials
Cat-No:Quintesse90
Release-Date:10.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180177
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Alton Miller - Crush ft. Kayczwe (Hitman on set remix)
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Alton Miller - Haibo ft. Sololo
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Alton Miller - Just saying
Tracklist 12” :
A : Crush ft. Kayczwe (Hitman on set remix)
B1: Haibo ft. Sololo
B2: Just saying
Short info:
Detroit’s finest Alton Miller third release on Quintessentials is a more straight club affair. Keeping a deep soulful edge, Alton introduces guest producers Kayczwe and Sololo for some grooves and vibes alive! Timeless tracks to dance and listen to - nuff said!
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A : Crush ft. Kayczwe (Hitman on set remix)
B1: Haibo ft. Sololo
B2: Just saying
Short info:
Detroit’s finest Alton Miller third release on Quintessentials is a more straight club affair. Keeping a deep soulful edge, Alton introduces guest producers Kayczwe and Sololo for some grooves and vibes alive! Timeless tracks to dance and listen to - nuff said!
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Label:Not On Label
Cat-No:FELASOULCOLOR
Release-Date:29.09.2023
Genre:Afrobeat
Configuration:LP
Barcode:
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Last in:12.11.2024
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Last in:12.11.2024
Label:Not On Label
Cat-No:FELASOULCOLOR
Release-Date:29.09.2023
Genre:Afrobeat
Configuration:LP
Barcode:
A modern day mashup classic from AMERIGO GAZAWAY that takes the Afrobeat rhythms and music of FELA KUTI and mixes it with the rap stylings of DE LA SOUL. Awesome.
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Label:Kalita Records
Cat-No:KALITA12024
Release-Date:21.07.2023
Configuration:12"
Barcode:4062548051100
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Last in:21.02.2024
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Last in:21.02.2024
Label:Kalita Records
Cat-No:KALITA12024
Release-Date:21.07.2023
Configuration:12"
Barcode:4062548051100
1
Kofi Ayivor - A1. Adzagli (Jungle Funk)
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Kofi Ayivor - A2. Adzagli (Jungle Funk)
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Kofi Ayivor - B1. A Song For You (Ayawa)
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Kofi Ayivor - B2. A Song For You (Ayawa)
Kalita are excited to announce the first ever re-release of ‘Adzagli (Jungle Funk)’ and ‘A Song For You (Ayawa)’, two phenomenal pieces of West African disco from Amsterdam’s Kofi Ayivor.
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