Label:wagram
Cat-No:3431126
Release-Date:03.03.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:3596974311268
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Cat-No:3431126
Release-Date:03.03.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:3596974311268
Rare Groove Collection Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume, discover unique groove tracks straight from Jamaica! Fully remastered original versions Oriental RARE GROOVE A trip to the oriental peninsula following the steps of the Lebanese disco of Elias Rahbani, cradled by the Morrocan Soul of Ouiness or trained by the Lybian melodies of Ahmed Fakroun...
TRACKLISTING: 01. ELIAS RAHBANI - I LOVE YOU LINA 02. MUSTAPHA AMAR - SEHR EL OYOUN 03. OMAR KHORSHID - POP CORN 04. DUR-DUR BAND - HALELO 05. CHEB ZERGUI - ANA DELLALI 06. AHMED FAKROUN - FALAH 07. ELIAS RAHBANI & HIS ORCHESTRA - LIZA...LIZA 08. RAJA ZAHR - DRUM SEQUENCE 09. OUINESS - ZINA 10. FREH KHODJA - NADIMDISC DISC #2: 01. ALI HASSAN KUBAN - MABRUK 02. DAHMANE EL HARRACHI - YA RAYAH 03. MELHEM BARAKAT - WAHDI ANA 04. FREEDOM - SABRINA 05. AHMED FAKROUN - NISYAN 06. RAïNA RAï - ZINA 07. OUINESS - MA'A IBNAT 08. RAJA ZAHR - GIVE ME DISCO More
TRACKLISTING: 01. ELIAS RAHBANI - I LOVE YOU LINA 02. MUSTAPHA AMAR - SEHR EL OYOUN 03. OMAR KHORSHID - POP CORN 04. DUR-DUR BAND - HALELO 05. CHEB ZERGUI - ANA DELLALI 06. AHMED FAKROUN - FALAH 07. ELIAS RAHBANI & HIS ORCHESTRA - LIZA...LIZA 08. RAJA ZAHR - DRUM SEQUENCE 09. OUINESS - ZINA 10. FREH KHODJA - NADIMDISC DISC #2: 01. ALI HASSAN KUBAN - MABRUK 02. DAHMANE EL HARRACHI - YA RAYAH 03. MELHEM BARAKAT - WAHDI ANA 04. FREEDOM - SABRINA 05. AHMED FAKROUN - NISYAN 06. RAïNA RAï - ZINA 07. OUINESS - MA'A IBNAT 08. RAJA ZAHR - GIVE ME DISCO More
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Label:wagram
Cat-No:3431146
Release-Date:03.03.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:3596974311466
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Cat-No:3431146
Release-Date:03.03.2023
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Configuration:2LP
Barcode:3596974311466
Rare Groove Collection Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume, discover unique groove tracks straight from Jamaica! Fully remastered original versions African RARE GROOVE A journey at the heart of Nigerian afrobeat from Orlando Julius to the ethnojazz of Alemayèhu Eshèté passing by the High-life of the Ghanaian Ebo Taylor...
TRACKLISTING: 01. EBO TAYLOR - AMPONSAH 02. MOUSSA DOUMBIA - KELEYA 03. AMADOU BALAKÉ - SUPER BAR KONON MOUSSO 04. MANGUE KONDÉ & LES 05. MANU DIBANGO - THE PANTHER 06. PETER KING - AJO 07. ITADI - AYALA 08. MARUMO - KHOMO TSAKA DEILE KAE 09. APPLES - MIND TWISTER 10. THE WINGS - GONE WITH THE SUN DISC #2: 01. KELENKYE BAND - JUNGLE MUSIC 02. SUPER ELCADOS - GET UP AND DO IT GOOD 03. THE APAGYA SHOWBAND - KWAKU ANANSE 04. ORLANDO JULIUS FEAT. ASHIKO - GET THE FUNK 05. ALEMAYèHU ESHèTÉ FEAT. HIRUT BEQELE - TEMELES 06. LIVY EKEMEZIE - FRIDAY NIGHT 07. WILLY NFOR - BOOGIE DOWN IN AFRICA 08. SHINA WILLIAMS & HIS AFRICAN PERCUSSIONISTS - AGBOJU LO 09. SOUL BROTHERS - BAYEZA 10. TEASPOON & THE WAVES - OH YEH SOWETO More
TRACKLISTING: 01. EBO TAYLOR - AMPONSAH 02. MOUSSA DOUMBIA - KELEYA 03. AMADOU BALAKÉ - SUPER BAR KONON MOUSSO 04. MANGUE KONDÉ & LES 05. MANU DIBANGO - THE PANTHER 06. PETER KING - AJO 07. ITADI - AYALA 08. MARUMO - KHOMO TSAKA DEILE KAE 09. APPLES - MIND TWISTER 10. THE WINGS - GONE WITH THE SUN DISC #2: 01. KELENKYE BAND - JUNGLE MUSIC 02. SUPER ELCADOS - GET UP AND DO IT GOOD 03. THE APAGYA SHOWBAND - KWAKU ANANSE 04. ORLANDO JULIUS FEAT. ASHIKO - GET THE FUNK 05. ALEMAYèHU ESHèTÉ FEAT. HIRUT BEQELE - TEMELES 06. LIVY EKEMEZIE - FRIDAY NIGHT 07. WILLY NFOR - BOOGIE DOWN IN AFRICA 08. SHINA WILLIAMS & HIS AFRICAN PERCUSSIONISTS - AGBOJU LO 09. SOUL BROTHERS - BAYEZA 10. TEASPOON & THE WAVES - OH YEH SOWETO More
Label:wagram
Cat-No:3431136
Release-Date:03.03.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:3596974311367
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Cat-No:3431136
Release-Date:03.03.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:3596974311367
Rare Groove Collection Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume, discover unique groove tracks straight from Jamaica! Fully remastered original versions Brazilian RARE GROOVE Discover the wonders of Brazilian music from 60s, 70s & 80s. A wave of modernity invades the country and Soul, Funk & Disco influences merge with traditional genres such as Bossa Nova, Samba or Batucada. This union led to a colorful and cheerful groove symbolizing the transformation of Brazil.
TRACKLISTING: 01. RITA LEE & TUTTI FRUTTI - AGORA E MODA 02. JORGE BEN & TOQUINHO - CAROLINA CAROL BELA 03. ROSA MARIA - DEIXA NAO DEIXA 04. TRIO MOCOTO - SWINGA SAMBABY 05. SANDRA DE SA - TREM DA CENTRAL 06. OS BRAZOES - VOLKS-VOLKSWAGEN BLUE 07. MYRIAM MAKEBA - XICA DA SILVA 08. LALO SCHIFRIN - BOSSA NOVA EM NOVA YORK 09. TENORIO JR - NEBULOSA 10. GRANT GREEN - BRAZIL 11. TOM ZÉ - JIMMY, RENDA ZEDISC DISC #2: 01. NORIEL VILELA - 16 TONELADAS (16 TONS) 02. MARISA ROSSI - DEIXA EU TE AMAR 03. SANDRA DE SA - VALE TUDO 04. LEMOS E DEBÉTIO - MORRO DO BARRACO SEM AGUA 05. MARCOS VALLE - NATURALMENTE 06. ANTôNIO CARLOS JOBIM & ROBERTO PAIVA - EU E O MEU AMOR 07. SALINAS - TENHA FÉ, POIS AMANHA UM LINDO DIA VAI NASCER 08. OSMAR MILITO - MORRE O BURRO, FICA O HOMEM 09. NICO GOMEZ AND HIS AFRO PERCUSSION INC. - LUPITA 10. ZE ROBERTO - LOTUS 72D 11. ROSA MARIA - AVENIDA ATLANTICA 12. SUPER SOM TA - AGORA CHEGA More
TRACKLISTING: 01. RITA LEE & TUTTI FRUTTI - AGORA E MODA 02. JORGE BEN & TOQUINHO - CAROLINA CAROL BELA 03. ROSA MARIA - DEIXA NAO DEIXA 04. TRIO MOCOTO - SWINGA SAMBABY 05. SANDRA DE SA - TREM DA CENTRAL 06. OS BRAZOES - VOLKS-VOLKSWAGEN BLUE 07. MYRIAM MAKEBA - XICA DA SILVA 08. LALO SCHIFRIN - BOSSA NOVA EM NOVA YORK 09. TENORIO JR - NEBULOSA 10. GRANT GREEN - BRAZIL 11. TOM ZÉ - JIMMY, RENDA ZEDISC DISC #2: 01. NORIEL VILELA - 16 TONELADAS (16 TONS) 02. MARISA ROSSI - DEIXA EU TE AMAR 03. SANDRA DE SA - VALE TUDO 04. LEMOS E DEBÉTIO - MORRO DO BARRACO SEM AGUA 05. MARCOS VALLE - NATURALMENTE 06. ANTôNIO CARLOS JOBIM & ROBERTO PAIVA - EU E O MEU AMOR 07. SALINAS - TENHA FÉ, POIS AMANHA UM LINDO DIA VAI NASCER 08. OSMAR MILITO - MORRE O BURRO, FICA O HOMEM 09. NICO GOMEZ AND HIS AFRO PERCUSSION INC. - LUPITA 10. ZE ROBERTO - LOTUS 72D 11. ROSA MARIA - AVENIDA ATLANTICA 12. SUPER SOM TA - AGORA CHEGA More
Label:wagram
Cat-No:3430916
Release-Date:03.03.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:3596974309166
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Cat-No:3430916
Release-Date:03.03.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:3596974309166
Rare Groove Collection Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume, discover unique groove tracks straight from Jamaica! Fully remastered original versions Jamaican Rare Groove From the beginning of the 60s to the end of the 80s, Jamaica had a worldwide influence with ska, rocksteady, dub and reggae, but the small Caribbean island did not escape the global trends of funk, soul and disco. This mix of influences has given birth to unique groove songs, highlighted by this Jamaican Rare Groove. Double vinyl Jamaican Rare Groove From the beginning of the 60s to the end of the 80s, Jamaica had a worldwide influence with ska, rocksteady, dub and reggae, but the small Caribbean island did not escape the global trends of funk, soul and disco. This mix of influences has given birth to unique groove songs, highlighted by this Jamaican Rare Groove.
TRACKLISTING: 01. JAMAICA GIRLS - ROCK THE BEAT (00547) 02. DENROY MORGAN - HIGH ON YOUR LOVE (00614) 03. THE JIVING JUNIORS - SUGAR DANDY (00217) 04. CHICO BOOTH & THE UPSETTERS - THE SHIMMY (00226) 05. LLOYD WILLIAMS - FUNKY BEAT (00240) 06. TOMMY MCCOOK & THE SUPERSONICS - WORK YOUR SOUL (00256) 07. OWEN GRAY - SOMETHING TO REMIND ME (00325) 08. STRANGER & PATSY - GIVE ME THE RIGHT (00311) 09. VERNON VERMONT - TOO LATE (00357) 10. JIMMY JAMES - COME TO ME SOFTLY (00253) 11. PAT KELLY - TRY TO REMEMBER (00217) 12. RONALD RUSSELL - RHYTHM HIPS (00244) DISC #2: 01. DENROY MORGAN - HAPPY FEELING (00738) 02. MARCIA GRIFFITHS - EVERYTHING I OWN (00401) 03. NORMA LEE - HURT (00249) 04. THE DOWNBEATS - THINKIN' OF YOU (00155) 05. LARIS MCLENNON - TURN ME LOOSE (00254) 06. JIMMY JAMES & THE VAGABONDS - HEY GIRL (00252) 07. ADICHE - CHUKA-JA (GET READY) (00658) 08. NORMA LEE - ROLLING ON (00317) 09. PHYLLIS DILLON - HUMPTY DUMPTY (00226) 10. HOAGY BENSON - KANGAROO (00233) 11. SUGAR SIMONE - TAKE IT EASY (00305) 12. MAYNELL WILSON - MOTOWN FEELING More
TRACKLISTING: 01. JAMAICA GIRLS - ROCK THE BEAT (00547) 02. DENROY MORGAN - HIGH ON YOUR LOVE (00614) 03. THE JIVING JUNIORS - SUGAR DANDY (00217) 04. CHICO BOOTH & THE UPSETTERS - THE SHIMMY (00226) 05. LLOYD WILLIAMS - FUNKY BEAT (00240) 06. TOMMY MCCOOK & THE SUPERSONICS - WORK YOUR SOUL (00256) 07. OWEN GRAY - SOMETHING TO REMIND ME (00325) 08. STRANGER & PATSY - GIVE ME THE RIGHT (00311) 09. VERNON VERMONT - TOO LATE (00357) 10. JIMMY JAMES - COME TO ME SOFTLY (00253) 11. PAT KELLY - TRY TO REMEMBER (00217) 12. RONALD RUSSELL - RHYTHM HIPS (00244) DISC #2: 01. DENROY MORGAN - HAPPY FEELING (00738) 02. MARCIA GRIFFITHS - EVERYTHING I OWN (00401) 03. NORMA LEE - HURT (00249) 04. THE DOWNBEATS - THINKIN' OF YOU (00155) 05. LARIS MCLENNON - TURN ME LOOSE (00254) 06. JIMMY JAMES & THE VAGABONDS - HEY GIRL (00252) 07. ADICHE - CHUKA-JA (GET READY) (00658) 08. NORMA LEE - ROLLING ON (00317) 09. PHYLLIS DILLON - HUMPTY DUMPTY (00226) 10. HOAGY BENSON - KANGAROO (00233) 11. SUGAR SIMONE - TAKE IT EASY (00305) 12. MAYNELL WILSON - MOTOWN FEELING More
Label:wagram
Cat-No:3428576
Release-Date:03.03.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:3596974285767
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Cat-No:3428576
Release-Date:03.03.2023
Genre:Trip Hop/Headz
Configuration:2LP
Barcode:3596974285767
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Cat-No:3419596
Release-Date:12.08.2022
Genre:Electronic
Configuration:2LP
Barcode:3596974195967
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1. Bonobo - Cirrus
2. Kid Francescoli Feat. Julia Minkin - Prince Vince
3. Kiddy Smile - Be Honest
4. Irène Drésel - Victoire
5. Laurent Garnier - Wake Up
6. Myd - The Sun
7. Feat. Woodkid - Clear
8. Etienne Jaumet & Laurent Bardainne - Blurry Neon
9. HVOB - Capture Casa
10. Marcel Dettmann - Juper
1. Kazam - Delicate
2. Mo Laudi feat Flavia Coelho - Por Cima
3. Maud Geffray Feat. Flavien Berger - In Your Eyes
4. Rival Consoles - Odyssey
5. Romane Santarelli - Like A Mantra
6. Fakear - Morning In Japan
7. Pantha Du Prince - Pius In Tacet
8. Thylacine - Polar
9. Rone - Bye Bye Macadam
10. Justice - Phantom
As a true cultural flagship medium, Arte expands its Arte Concert music offer with the 3 first volumes of its new vinyl collection ! A selection of Jazz, Soul & Electro Crème de la crème of ARTE TV More
2. Kid Francescoli Feat. Julia Minkin - Prince Vince
3. Kiddy Smile - Be Honest
4. Irène Drésel - Victoire
5. Laurent Garnier - Wake Up
6. Myd - The Sun
7. Feat. Woodkid - Clear
8. Etienne Jaumet & Laurent Bardainne - Blurry Neon
9. HVOB - Capture Casa
10. Marcel Dettmann - Juper
1. Kazam - Delicate
2. Mo Laudi feat Flavia Coelho - Por Cima
3. Maud Geffray Feat. Flavien Berger - In Your Eyes
4. Rival Consoles - Odyssey
5. Romane Santarelli - Like A Mantra
6. Fakear - Morning In Japan
7. Pantha Du Prince - Pius In Tacet
8. Thylacine - Polar
9. Rone - Bye Bye Macadam
10. Justice - Phantom
As a true cultural flagship medium, Arte expands its Arte Concert music offer with the 3 first volumes of its new vinyl collection ! A selection of Jazz, Soul & Electro Crème de la crème of ARTE TV More
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Last in:15.08.2022
Label:Wagram
Cat-No:3419576
Release-Date:12.08.2022
Genre:Soul/Funk
Configuration:2LP
Barcode:3596974195769
Tracklist:
1. Selah Sue - This World
2. Jordan Rakei - Say Something
3. Anaiis & Azekel - Learn To Love
4. Sarah McCoy - Beautiful Stranger
5. Al Jarreau - Lean On Me
6. Greyboy & Quantic Feat. Sharon Jones - Got To Be A Love
7. Gil Scott-Heron - Lady Day And John Coltrane
8. Alice Russell & Tm Juke - Hurry On Now
9. Mysie - In My Mind
10. Marvin Gaye - (I'M Afraid) The Masquerade Is Over
1. Tom Misch - It Runs Through Me (Feat. De La Soul)
2. Júníus Meyvant - Beat Silent Need
3. Aloe Blacc & King Most - With My Friends
4. Terry Callier - Running Around (Fug City Mix)
5. Otis Junior & Dr.Dundiff - The
6. Kimberose - I'M Sorry
7. Aaron Neville - Hercules
8. Jamie Lidell - Another Day
9. Sam Cooke - (What A) Wonderful World
10. Normanton Street - Take A Walk With Me
11. Moonchild - Cure
12. Asa - The Beginning
As a true cultural flagship medium, Arte expands its Arte Concert music offer with the 3 first volumes of its new vinyl collection ! A selection of Jazz, Soul & Electro Crème de la crème of ARTE TV More
1. Selah Sue - This World
2. Jordan Rakei - Say Something
3. Anaiis & Azekel - Learn To Love
4. Sarah McCoy - Beautiful Stranger
5. Al Jarreau - Lean On Me
6. Greyboy & Quantic Feat. Sharon Jones - Got To Be A Love
7. Gil Scott-Heron - Lady Day And John Coltrane
8. Alice Russell & Tm Juke - Hurry On Now
9. Mysie - In My Mind
10. Marvin Gaye - (I'M Afraid) The Masquerade Is Over
1. Tom Misch - It Runs Through Me (Feat. De La Soul)
2. Júníus Meyvant - Beat Silent Need
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4. Terry Callier - Running Around (Fug City Mix)
5. Otis Junior & Dr.Dundiff - The
6. Kimberose - I'M Sorry
7. Aaron Neville - Hercules
8. Jamie Lidell - Another Day
9. Sam Cooke - (What A) Wonderful World
10. Normanton Street - Take A Walk With Me
11. Moonchild - Cure
12. Asa - The Beginning
As a true cultural flagship medium, Arte expands its Arte Concert music offer with the 3 first volumes of its new vinyl collection ! A selection of Jazz, Soul & Electro Crème de la crème of ARTE TV More
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Last in:20.06.2024
Label:Wagram
Cat-No:3416266
Release-Date:29.07.2022
Genre:Funk
Configuration:2LP
Barcode:3596974162662
This volume "French Rare Groove", offers us a one-way ticket to France from the late 60's to the early 80's. From confidential releases to forgotten movie soundtracks, discover the grooviest tracks from the french scene. Have a good trip!
Tracklist:
1. Jean-Jacques Perrey - E.V.A.
2. Janko Nilovic - Drug Song
3. Vladimir Cosma - Exkalibur (O.S.T. "Sam Et Sally")
4. Michel Magne & David Gilmour - I Must Tell You Why (O.S
5. Syntaxe - L'Anthropofemme (Chanson)
6. Philippe Sarde - L'Appartement (O.S.T. "Deux Hommes Dan
7. Paul Martin & Jean-Pierre Castaldi - Le Troublant Témoi
8. Bernard Lloret - Digen
9. Jacques Arconte - Movie Town
10. Cliff Cardwin - Work City
11. Janko Nilovic - Soul Impressions
12. Jean-Claude Pierric - Move man
13. dition Spéciale - Monsieur Business
14. Jean-Claude Petit - Skyway
15. Christian Chevalier - Tecumseh
16. Francis Lai - Somewhere In The Night (O.S.T. "Madly")
17. Eden Rose - Reinyet Number
18. Karl-Heinz Schäfer - Kidnapping (O.S.T. "Les Gants Blan
19. Bruno Leys - Dans La Galaxie
20. Francis Lai - Young Freedom
21. Daniel Janin & Jean Luc Ferré - Dig Yourself Up
22. Le Patchwork - Patchwork
23. Roger Renaud - Turn Me On More
Tracklist:
1. Jean-Jacques Perrey - E.V.A.
2. Janko Nilovic - Drug Song
3. Vladimir Cosma - Exkalibur (O.S.T. "Sam Et Sally")
4. Michel Magne & David Gilmour - I Must Tell You Why (O.S
5. Syntaxe - L'Anthropofemme (Chanson)
6. Philippe Sarde - L'Appartement (O.S.T. "Deux Hommes Dan
7. Paul Martin & Jean-Pierre Castaldi - Le Troublant Témoi
8. Bernard Lloret - Digen
9. Jacques Arconte - Movie Town
10. Cliff Cardwin - Work City
11. Janko Nilovic - Soul Impressions
12. Jean-Claude Pierric - Move man
13. dition Spéciale - Monsieur Business
14. Jean-Claude Petit - Skyway
15. Christian Chevalier - Tecumseh
16. Francis Lai - Somewhere In The Night (O.S.T. "Madly")
17. Eden Rose - Reinyet Number
18. Karl-Heinz Schäfer - Kidnapping (O.S.T. "Les Gants Blan
19. Bruno Leys - Dans La Galaxie
20. Francis Lai - Young Freedom
21. Daniel Janin & Jean Luc Ferré - Dig Yourself Up
22. Le Patchwork - Patchwork
23. Roger Renaud - Turn Me On More
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Label:Be With Records
Cat-No:bewith125lp
Release-Date:26.05.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804137911
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1
Nucleus - 1916 (1:11)
2
Nucleus - Elastic Rock (4:05)
3
Nucleus - Striation (2:14)
4
Nucleus - Taranaki (1:38)
5
Nucleus - Twisted Track (5:19)
6
Nucleus - Crude Blues (Part 1) (0:54)
7
Nucleus - Crude Blues (Part 2) (2:38)
8
Nucleus - 1916 (The Battle Of Boogaloo) (2:58)
9
Nucleus - Torrid Zone (8:41)
10
Nucleus - Stonescape (2:39)
11
Nucleus - Earth Mother (5:15)
12
Nucleus - Speaking For Myself, Personally, In My Own Opinion, I Think… (1:31)
13
Nucleus - Persephone’s Jive (2:14)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original gatefold die-cut sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : 1916 (1:11)
A2 : Elastic Rock (4:05)
A3 : Striation (2:14)
A4 : Taranaki (1:38)
A5 : Twisted Track (5:19)
A6 : Crude Blues (Part 1) (0:54)
A7 : Crude Blues (Part 2) (2:38)
A8 : 1916 (The Battle Of Boogaloo) (2:58)
--
B1 : Torrid Zone (8:41)
B2 : Stonescape (2:39)
B3 : Earth Mother (5:15)
B4 : Speaking For Myself, Personally, In My Own Opinion, I Think… (1:31)
B5 : Persephone’s Jive (2:14)
Release Notes:
Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.
Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.
The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.
The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.
The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.
This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
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Territories: Worldwide no restrictions
Track List:
A1 : 1916 (1:11)
A2 : Elastic Rock (4:05)
A3 : Striation (2:14)
A4 : Taranaki (1:38)
A5 : Twisted Track (5:19)
A6 : Crude Blues (Part 1) (0:54)
A7 : Crude Blues (Part 2) (2:38)
A8 : 1916 (The Battle Of Boogaloo) (2:58)
--
B1 : Torrid Zone (8:41)
B2 : Stonescape (2:39)
B3 : Earth Mother (5:15)
B4 : Speaking For Myself, Personally, In My Own Opinion, I Think… (1:31)
B5 : Persephone’s Jive (2:14)
Release Notes:
Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.
Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.
The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.
The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.
The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.
This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
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Label:Lilith Records Ltd.
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Genre:Indie Rock/Alternative
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1
Velvet Underground - Sunday Morning
2
Velvet Underground - I'm Waiting For My Man
3
Velvet Underground - Femme Fatale
4
Velvet Underground - Venus In Furs
5
Velvet Underground - Run Run Run
6
Velvet Underground - All Tomorrow's Parties
7
Velvet Underground - I'll Be Your Mirror
8
Velvet Underground - Heroin
9
Velvet Underground - There She Goes Again
10
Velvet Underground - The Black Ange's Death Song
11
Velvet Underground - European Son
12
Velvet Underground - Chelsea Girls
Repress.
The Velvets legendary debut album with the Warhol's Banana cover art printed on vinyl. Although Warhol, who was listed as producer on the album, allegedly gave the Velvets free reign over their sound, it was on his insistence that Nico performed on this album. However, this does not detract from the fact that when this album was made the Red Sea parted, and the Velvet Underground crossed into the Promised Land. 180 gram picture disc LP in deluxe sleeve, with 2 bonus tracks. More
The Velvets legendary debut album with the Warhol's Banana cover art printed on vinyl. Although Warhol, who was listed as producer on the album, allegedly gave the Velvets free reign over their sound, it was on his insistence that Nico performed on this album. However, this does not detract from the fact that when this album was made the Red Sea parted, and the Velvet Underground crossed into the Promised Land. 180 gram picture disc LP in deluxe sleeve, with 2 bonus tracks. More
Label:Be With Records
Cat-No:bewith127lp
Release-Date:26.05.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804137935
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Last in:29.03.2023
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Release-Date:26.05.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804137935
1
Nucleus - Elements I & II (2:28)
2
Nucleus - Changing Times (4:44)
3
Nucleus - Bedrock Deadlock (6:52)
4
Nucleus - Spirit Level (9:20)
5
Nucleus - Torso (6:12)
6
Nucleus - Snakehips’ Dream (15:28)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original gatefold sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : Elements I & II (2:28)
A2 : Changing Times (4:44)
A3 : Bedrock Deadlock (6:52)
A4 : Spirit Level (9:20)
--
B1 : Torso (6:12)
B2 : Snakehips’ Dream (15:28)
Release Notes:
What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."
Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.
The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.
The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.
This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package. More
Territories: Worldwide no restrictions
Track List:
A1 : Elements I & II (2:28)
A2 : Changing Times (4:44)
A3 : Bedrock Deadlock (6:52)
A4 : Spirit Level (9:20)
--
B1 : Torso (6:12)
B2 : Snakehips’ Dream (15:28)
Release Notes:
What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."
Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.
The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.
The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.
This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package. More
Label:Be With Records
Cat-No:bewith126lp
Release-Date:26.05.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804137928
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Last in:18.04.2023
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Last in:18.04.2023
Label:Be With Records
Cat-No:bewith126lp
Release-Date:26.05.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804137928
1
Nucleus - Song For The Bearded Lady (7:22)
2
Nucleus - Sun Child (5:16)
3
Nucleus - Lullaby For A Lonely Child (4:21)
4
Nucleus - We’ll Talk About It Later (6:13)
5
Nucleus - Oasis (9:44)
6
Nucleus - Ballad Of Joe Pimp (3:45)
7
Nucleus - Easter 1916 (8:49)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original gatefold die-cut sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : Song For The Bearded Lady (7:22)
A2 : Sun Child (5:16)
A3 : Lullaby For A Lonely Child (4:21)
A4 : We’ll Talk About It Later (6:13)
--
B1 : Oasis (9:44)
B2 : Ballad Of Joe Pimp (3:45)
B3 : Easter 1916 (8:49)
Release Notes:
Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.
The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.
The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.
This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.
More
Territories: Worldwide no restrictions
Track List:
A1 : Song For The Bearded Lady (7:22)
A2 : Sun Child (5:16)
A3 : Lullaby For A Lonely Child (4:21)
A4 : We’ll Talk About It Later (6:13)
--
B1 : Oasis (9:44)
B2 : Ballad Of Joe Pimp (3:45)
B3 : Easter 1916 (8:49)
Release Notes:
Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.
The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.
The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.
This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.
More
Label:Be With Records
Cat-No:bewith104lp
Release-Date:09.09.2022
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804125390
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Last in:08.07.2022
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Cat-No:bewith104lp
Release-Date:09.09.2022
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804125390
1
Nucleus - In Procession (2:52)
2
Nucleus - The Addison Trip (3:53)
3
Nucleus - Pastoral Graffiti (3:28)
4
Nucleus - New Life (7:01)
5
Nucleus - A Taste Of Sarsaparilla (0:40)
6
Nucleus - Theme 1 - Sarsaparilla (6:45)
7
Nucleus - Theme 2 - Feast Alfresco (5:56)
8
Nucleus - Theme 3 - Rites Of Man (9:58)
Format Notes: 2022 re-issue, 140g vinyl, remastered from the original tapes
Territories: Worldwide no restrictions
Track List:
A1 : In Procession (2:52)
A2 : The Addison Trip (3:53)
A3 : Pastoral Graffiti (3:28)
A4 : New Life (7:01)
A5 : A Taste Of Sarsaparilla (0:40)
B1 : Theme 1 - Sarsaparilla (6:45)
B2 : Theme 2 - Feast Alfresco (5:56)
B3 : Theme 3 - Rites Of Man (9:58)
Release Notes:
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
Under The Sun opens with the crisp, medium tempo “In Procession”. It’s a typically inventive Carr track with layers of dramatic, riff-led themes and repeating brass blasts. Bryan Spring’s “The Addison Trip” is a moody funk piece, with Kieran White guesting on wordless vocals. Roger Sutton contributes some fine bass guitar on this track, particularly the great solo at around the two minute mark. The excellently-named cool, jazzy ballad “Pastoral Graffiti” paints bucolic pictures with its mellow sonics, plaintive horns and Bob Bertles’ flute.
Sutton’s superb, bass-driven “New Life” brings a different dynamic. Horns, guitar and electric piano swirl over the head-nod bass motif and a killer Ken Shaw guitar solo. A false fade out halfway through brings in a new bass riff that’s picked up by the whole ensemble as Carr wah-wah noodles over the top. It’s full-on. The gorgeous, laidback “A Taste of Sarsaparilla” is exactly that - closing out the first side with a cute blast of what is to come over on the killer flip.
The whole of Under The Sun’s second side is a suite of three “Themes” written by Ian Carr. The uptempo first theme “Sarsaparilla” is comfortably one of Nucleus’ best. What would’ve been a cluttered mess in the hands of most is instead an effortless lesson in clarity and zing. Between Geoff Castle’s electric piano solo, the relentless funky drumming and more wild wah-wah trumpet from Carr, Nucleus show you how it’s done.
The languid groove of second theme “Feast Alfresco” is much more typical of “classic” Nucleus and sounds like something that might’ve been on Roots. A Bertles baritone solo and a guitar solo from Shaw weave around the core, serpentine brass theme.
The darker “Rites of Man”, the third and final theme, is a slow build to a solid bass and electric piano riff, shored up by some tricky brass. Carr takes the theme even further and there’s still plenty of room for soloing from all corners of the Nucleus. As usual, the dynamic Sutton/Spring, bass/drums duo is holding down the rhythm for the rest to jam around.
This Be With edition of Under The Sun has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing touch to this long overdue re-issue.
More
Territories: Worldwide no restrictions
Track List:
A1 : In Procession (2:52)
A2 : The Addison Trip (3:53)
A3 : Pastoral Graffiti (3:28)
A4 : New Life (7:01)
A5 : A Taste Of Sarsaparilla (0:40)
B1 : Theme 1 - Sarsaparilla (6:45)
B2 : Theme 2 - Feast Alfresco (5:56)
B3 : Theme 3 - Rites Of Man (9:58)
Release Notes:
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
Under The Sun opens with the crisp, medium tempo “In Procession”. It’s a typically inventive Carr track with layers of dramatic, riff-led themes and repeating brass blasts. Bryan Spring’s “The Addison Trip” is a moody funk piece, with Kieran White guesting on wordless vocals. Roger Sutton contributes some fine bass guitar on this track, particularly the great solo at around the two minute mark. The excellently-named cool, jazzy ballad “Pastoral Graffiti” paints bucolic pictures with its mellow sonics, plaintive horns and Bob Bertles’ flute.
Sutton’s superb, bass-driven “New Life” brings a different dynamic. Horns, guitar and electric piano swirl over the head-nod bass motif and a killer Ken Shaw guitar solo. A false fade out halfway through brings in a new bass riff that’s picked up by the whole ensemble as Carr wah-wah noodles over the top. It’s full-on. The gorgeous, laidback “A Taste of Sarsaparilla” is exactly that - closing out the first side with a cute blast of what is to come over on the killer flip.
The whole of Under The Sun’s second side is a suite of three “Themes” written by Ian Carr. The uptempo first theme “Sarsaparilla” is comfortably one of Nucleus’ best. What would’ve been a cluttered mess in the hands of most is instead an effortless lesson in clarity and zing. Between Geoff Castle’s electric piano solo, the relentless funky drumming and more wild wah-wah trumpet from Carr, Nucleus show you how it’s done.
The languid groove of second theme “Feast Alfresco” is much more typical of “classic” Nucleus and sounds like something that might’ve been on Roots. A Bertles baritone solo and a guitar solo from Shaw weave around the core, serpentine brass theme.
The darker “Rites of Man”, the third and final theme, is a slow build to a solid bass and electric piano riff, shored up by some tricky brass. Carr takes the theme even further and there’s still plenty of room for soloing from all corners of the Nucleus. As usual, the dynamic Sutton/Spring, bass/drums duo is holding down the rhythm for the rest to jam around.
This Be With edition of Under The Sun has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing touch to this long overdue re-issue.
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Last in:01.03.2024
Label:Mr Bongo
Cat-No:MRBLP263
Release-Date:16.06.2023
Genre:Funk
Configuration:LP
Barcode:
1
Guilherme Coutinho E O Grupo Stalo - Atalaia
2
Guilherme Coutinho E O Grupo Stalo - As Feras
3
Guilherme Coutinho E O Grupo Stalo - Foicera
4
Guilherme Coutinho E O Grupo Stalo - Rio Corrente
5
Guilherme Coutinho E O Grupo Stalo - Macareu
6
Guilherme Coutinho E O Grupo Stalo - Fuga
7
Guilherme Coutinho E O Grupo Stalo - Flauta De Bambu
8
Guilherme Coutinho E O Grupo Stalo - Tema Pro Alvarito
Tracklist:
1. Atalaia
2. As Feras
3. Foicera
4. Rio Corrente
5. Macareu
6. Fuga
7. Flauta De Bambu
8. Tema Pro Alvarito
We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album. Blending lo-fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection.
It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7” singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away from the music industry hubs of Rio de Janeiro and São Paulo, making this record insanely difficult to find, even in Brazil. Added to the scarcity factor is the magical nature of the recording, which has naturally resulted in a hefty price tag to match. Original copies have become a prized, collector’s item.
The elusive Brazilian band leader and keyboard player, Guilherme Coutinho is a true cult artist. He passed away in 1983, at the age of just 41, and during his career he only seems to have appeared on a handful of marvellous records, which makes them all the more special. This album feels individualistic and distinctive from other albums of the day. Listening back to vocalist Elinho’s (aka Hélio Rubens de Oliveira) delivery, it sounds not too dissimilar to some of Belle & Sebastian’s songs. ‘Guilherme Coutinho E O Grupo Stalo’ is rich in charm, quirky and playful. It feels cinematic, soothing and benefits from being heard in its entirety. A proper album experience. More
1. Atalaia
2. As Feras
3. Foicera
4. Rio Corrente
5. Macareu
6. Fuga
7. Flauta De Bambu
8. Tema Pro Alvarito
We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album. Blending lo-fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection.
It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7” singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away from the music industry hubs of Rio de Janeiro and São Paulo, making this record insanely difficult to find, even in Brazil. Added to the scarcity factor is the magical nature of the recording, which has naturally resulted in a hefty price tag to match. Original copies have become a prized, collector’s item.
The elusive Brazilian band leader and keyboard player, Guilherme Coutinho is a true cult artist. He passed away in 1983, at the age of just 41, and during his career he only seems to have appeared on a handful of marvellous records, which makes them all the more special. This album feels individualistic and distinctive from other albums of the day. Listening back to vocalist Elinho’s (aka Hélio Rubens de Oliveira) delivery, it sounds not too dissimilar to some of Belle & Sebastian’s songs. ‘Guilherme Coutinho E O Grupo Stalo’ is rich in charm, quirky and playful. It feels cinematic, soothing and benefits from being heard in its entirety. A proper album experience. More
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Last in:06.06.2024
Label:Mr Bongo
Cat-No:MRBLP229
Release-Date:15.04.2022
Genre:Funk
Configuration:LP
Barcode:
1
Ian Carr - Belladonna
2
Ian Carr - Summer Rain
3
Ian Carr - Remadione
4
Ian Carr - Mayday
5
Ian Carr - Suspension
6
Ian Carr - Hector's House
Repress!
Official half-speed mastered re-issue of British trumpeter and bandleader Ian Carr's iconic jazz-fusion-rock hybrid ‘Belladonna’ from 1972.
Originally released on the Vertigo label, complete with collectable ‘swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70’s. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano saxophones, alto and bamboo flutes), legendary guitarist Allan Holdsworth, Dave MacRae (Fender electric piano), and bassist Roy Babbington, to name but a few.
Seen as a benchmark point in Ian Carr's career, 'Belladonna’ is awash with atmospheric excursions and ethereal qualities, as well as a darker fusion aesthetic and prog-rock sensibility from Holdsworth's exceptional guitar playing. The moody, yet funky, vibe of the album has echoes of Miles Davis' electronic era à la 'In A Silent Way'.
The album is best enjoyed played in its entirety. There are ebbs and flows with certain tracks shining along the way. Standouts include the beautiful down-tempo track 'Summer Rain’, which has a soundtrack / library style brilliance and emotional electric piano soloing. Though recorded in the 70’s, the track has a timeless sound, a melancholic funk so often used in hip-hop and beat tape productions to this day. ‘Mayday's Shaft-like long extended intro builds the drama until the percussive release when the drums drop at over three minutes in.
To give a record of such quality the treatment it deserves, we have once again been lucky to enlist the service of mastering and lacquer cutting engineering don Miles Showell at Abbey Road Studios, to cut a brand-new half-speed master and let the music speak for itself. More
Official half-speed mastered re-issue of British trumpeter and bandleader Ian Carr's iconic jazz-fusion-rock hybrid ‘Belladonna’ from 1972.
Originally released on the Vertigo label, complete with collectable ‘swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70’s. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano saxophones, alto and bamboo flutes), legendary guitarist Allan Holdsworth, Dave MacRae (Fender electric piano), and bassist Roy Babbington, to name but a few.
Seen as a benchmark point in Ian Carr's career, 'Belladonna’ is awash with atmospheric excursions and ethereal qualities, as well as a darker fusion aesthetic and prog-rock sensibility from Holdsworth's exceptional guitar playing. The moody, yet funky, vibe of the album has echoes of Miles Davis' electronic era à la 'In A Silent Way'.
The album is best enjoyed played in its entirety. There are ebbs and flows with certain tracks shining along the way. Standouts include the beautiful down-tempo track 'Summer Rain’, which has a soundtrack / library style brilliance and emotional electric piano soloing. Though recorded in the 70’s, the track has a timeless sound, a melancholic funk so often used in hip-hop and beat tape productions to this day. ‘Mayday's Shaft-like long extended intro builds the drama until the percussive release when the drums drop at over three minutes in.
To give a record of such quality the treatment it deserves, we have once again been lucky to enlist the service of mastering and lacquer cutting engineering don Miles Showell at Abbey Road Studios, to cut a brand-new half-speed master and let the music speak for itself. More
LP Excl
pre-sale
Label:Be With Records
Cat-No:BEWITH028LP
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:5050580687448
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Last in:13.11.2023
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Last in:13.11.2023
Label:Be With Records
Cat-No:BEWITH028LP
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:5050580687448
1
Kimiko Kasai With Herbie Hancock - No Title
2
Kimiko Kasai With Herbie Hancock - No Title
3
Kimiko Kasai With Herbie Hancock - No Title
4
Kimiko Kasai With Herbie Hancock - No Title
5
Kimiko Kasai With Herbie Hancock - No Title
6
Kimiko Kasai With Herbie Hancock - No Title
7
Kimiko Kasai With Herbie Hancock - No Title
8
Kimiko Kasai With Herbie Hancock - No Title
Territories: World ex Japan
More
Label:Comet Records
Cat-No:COMET121
Release-Date:21.04.2023
Genre:Afrobeat
Configuration:LP
Barcode:3760179357301
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Last in:29.04.2024
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Last in:29.04.2024
Label:Comet Records
Cat-No:COMET121
Release-Date:21.04.2023
Genre:Afrobeat
Configuration:LP
Barcode:3760179357301
1
Ebo Taylor And The Pelikans - Enye Nyame Nko
2
Ebo Taylor And The Pelikans - Gyae Su Na Nkomo
3
Ebo Taylor And The Pelikans - Reality
4
Ebo Taylor And The Pelikans - Egya Edu
5
Ebo Taylor And The Pelikans - Mber No Aso
6
Ebo Taylor And The Pelikans - Come Along
7
Ebo Taylor And The Pelikans - If You Care
A Ghanaian funk LP from the afrofunk master. one of Ebo Taylor's rarest and most sought-after!
Ebo Taylor and The Pelikans is being reissued on vinyl by Comet Records, pressed on high quality vinyl, with label designs
and artwork as per the original release.
Originally released by Ghanian Abookyi label in 1976, Ebo Taylor and The Pelikans is one of Taylor’s most elusive releases,
and marked the first time he sang on the seminal Ghana Funk anthem “Come Along”.
The album saw the legendary musician, producer, composer and arranger joining forces with 12-piece Cape Coast Ghanian
band ‘The Pelikans’ led by Bessa Simmona with rhythm guitarist Fifi Orleans Lindsay.
Put simply, there has never been a musician and artist quite like Ebo Taylor. As an artist, arranger, musician and producer
he’s a combination of James Brown, Nile Rodgers and Quincy Jones: He not only created some of the greatest funk songs
ever recorded but as much if not more than that, his genius as an arranger gave the signature sound to high life and afrobeat
that was made famous by his one-time London roommate (from when they were both music students, in The early 1960s)
Fela. And his funky guitar brought a percussive sound to the rhythm section that didn't exist before.
TRACKLIST:
A Side
A1. Enye Nyame Nko
A2. Gyae Su Na Nkomo
A3. Reality
B Side
B1. Egya Edu
B2. Mber No Aso
B3. Come Along
B4. If You Care More
Ebo Taylor and The Pelikans is being reissued on vinyl by Comet Records, pressed on high quality vinyl, with label designs
and artwork as per the original release.
Originally released by Ghanian Abookyi label in 1976, Ebo Taylor and The Pelikans is one of Taylor’s most elusive releases,
and marked the first time he sang on the seminal Ghana Funk anthem “Come Along”.
The album saw the legendary musician, producer, composer and arranger joining forces with 12-piece Cape Coast Ghanian
band ‘The Pelikans’ led by Bessa Simmona with rhythm guitarist Fifi Orleans Lindsay.
Put simply, there has never been a musician and artist quite like Ebo Taylor. As an artist, arranger, musician and producer
he’s a combination of James Brown, Nile Rodgers and Quincy Jones: He not only created some of the greatest funk songs
ever recorded but as much if not more than that, his genius as an arranger gave the signature sound to high life and afrobeat
that was made famous by his one-time London roommate (from when they were both music students, in The early 1960s)
Fela. And his funky guitar brought a percussive sound to the rhythm section that didn't exist before.
TRACKLIST:
A Side
A1. Enye Nyame Nko
A2. Gyae Su Na Nkomo
A3. Reality
B Side
B1. Egya Edu
B2. Mber No Aso
B3. Come Along
B4. If You Care More
LP
backorder
Label:Strut Records
Cat-No:STRUT266LP
Release-Date:08.04.2022
Genre:Afrobeat
Configuration:LP
Barcode:4062548032413
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Last in:15.01.2024
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Last in:15.01.2024
Label:Strut Records
Cat-No:STRUT266LP
Release-Date:08.04.2022
Genre:Afrobeat
Configuration:LP
Barcode:4062548032413
Strut presents the final instalment in their series of reissues of Sun Ra’s historic recordings in Egypt with The Sun Ra Arkestra meets Salah Ragab in Egypt plus the Cairo Jazz Band, originally released on Greek label Praxis in 1983.
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More
LP
in stock
Label:Vinyl Lovers
Cat-No:901288
Release-Date:11.11.2022
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0889397901288
in stock
Last in:07.12.2023
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in stock
Last in:07.12.2023
Label:Vinyl Lovers
Cat-No:901288
Release-Date:11.11.2022
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0889397901288
1
Joy Division - Love Will Tear Us Apart (original version)
2
Joy Division - Transmission
3
Joy Division - Love Will Tear Us Apart" (radio version)
4
Joy Division - These Days
5
Joy Division - Atmosphere (Hannett)
6
Joy Division - Love Will Tear Us Apart (Arthur Baker remix)
Label:Be With Records
Cat-No:bewith128lp
Release-Date:26.05.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804137942
in stock
Last in:14.04.2023
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in stock
Last in:14.04.2023
Label:Be With Records
Cat-No:bewith128lp
Release-Date:26.05.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804137942
1
Nucleus - Rat’s Bag (5:49)
2
Nucleus - Alive & Kicking (9:24)
3
Nucleus - Rachel’s Tune (6:58)
4
Nucleus - Snakehips Etcetera (10:23)
5
Nucleus - Pussyfoot (3:59)
6
Nucleus - Heyday (7:43)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : Rat’s Bag (5:49)
A2 : Alive & Kicking (9:24)
A3 : Rachel’s Tune (6:58)
--
B1 : Snakehips Etcetera (10:23)
B2 : Pussyfoot (3:59)
B3 : Heyday (7:43)
Release Notes:
The distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus's most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”
With all restraint out the window, 1975's pimped-up Snakehips Etcetera is the outrageous - in both cover art and sound - follow-up to the brooding Under The Sun. It's perhaps not one for the jazz purists! It finds Nucleus pared down to a core group of six, with Carr, Bob Bertles (sax), Ken Shaw (guitar), Geoff Castle (keys), Roger Sutton (bass) and Roger Sellers (drums) comprising the collective. Snakehips Etcetera reflects a period where the compositions start to become a little more direct and less-cerebral in comparison to some of Nucleus' previous releases. And why would we begrudge them some fun? This one rocks, swings and funks with no little soul. And more than a little jazzy sleaze. Clearly, they were having a good time.
The album has a real live, jamming feel to it, no surprise given the extent to which they were touring at the time. The band is tight and grooving throughout, none more so than on Bob Bertles's effervescent opener, "Rat’s Bag". So darn funky it stings, it's an infectious gem full of punchy clean lines over a killer bassline from Sutton. The thick, driving jazz-rock of "Alive And Kicking" is exactly that. It has a very improvisational feel, but an inspired one at that and features a wailing guitar solo from Ken Shaw that simply slays. The funky "Rachel’s Tune" is amazing, bringing you back to Canterbury days with its fuzzed-out organ solos to close out Side A.
Opening up Side B, the cool psychedelic title track unfolds slowly and sensually over its ten-plus minutes. A stoned soul stew of sorts, each member of the crew gets their chance to shine over Sellers's steady drums. The melodic funk fusion of "Pussyfoot" pairs Carr with Bertles on ace solo flute for a bright, springy melody. This one really gleams over shuffling drums. Changing the pace to close out this memorable set, the particularly cool "Heyday" is a reflective, sober tune which reinforces the sumptuous Nucleus palette, the acoustic guitar and bass high in the mix to make the neck snap, the horns elegantly blasting to help you swoon.
This Be With edition of Snakehips Etcetera has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The striking, lascivious sleeve has been restored in all its seductive/ridiculous beauty. More
Territories: Worldwide no restrictions
Track List:
A1 : Rat’s Bag (5:49)
A2 : Alive & Kicking (9:24)
A3 : Rachel’s Tune (6:58)
--
B1 : Snakehips Etcetera (10:23)
B2 : Pussyfoot (3:59)
B3 : Heyday (7:43)
Release Notes:
The distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus's most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”
With all restraint out the window, 1975's pimped-up Snakehips Etcetera is the outrageous - in both cover art and sound - follow-up to the brooding Under The Sun. It's perhaps not one for the jazz purists! It finds Nucleus pared down to a core group of six, with Carr, Bob Bertles (sax), Ken Shaw (guitar), Geoff Castle (keys), Roger Sutton (bass) and Roger Sellers (drums) comprising the collective. Snakehips Etcetera reflects a period where the compositions start to become a little more direct and less-cerebral in comparison to some of Nucleus' previous releases. And why would we begrudge them some fun? This one rocks, swings and funks with no little soul. And more than a little jazzy sleaze. Clearly, they were having a good time.
The album has a real live, jamming feel to it, no surprise given the extent to which they were touring at the time. The band is tight and grooving throughout, none more so than on Bob Bertles's effervescent opener, "Rat’s Bag". So darn funky it stings, it's an infectious gem full of punchy clean lines over a killer bassline from Sutton. The thick, driving jazz-rock of "Alive And Kicking" is exactly that. It has a very improvisational feel, but an inspired one at that and features a wailing guitar solo from Ken Shaw that simply slays. The funky "Rachel’s Tune" is amazing, bringing you back to Canterbury days with its fuzzed-out organ solos to close out Side A.
Opening up Side B, the cool psychedelic title track unfolds slowly and sensually over its ten-plus minutes. A stoned soul stew of sorts, each member of the crew gets their chance to shine over Sellers's steady drums. The melodic funk fusion of "Pussyfoot" pairs Carr with Bertles on ace solo flute for a bright, springy melody. This one really gleams over shuffling drums. Changing the pace to close out this memorable set, the particularly cool "Heyday" is a reflective, sober tune which reinforces the sumptuous Nucleus palette, the acoustic guitar and bass high in the mix to make the neck snap, the horns elegantly blasting to help you swoon.
This Be With edition of Snakehips Etcetera has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The striking, lascivious sleeve has been restored in all its seductive/ridiculous beauty. More