Label:Skam
Cat-No:SKALP037
Release-Date:14.04.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:5051142009968
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Last in:23.06.2023
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Last in:23.06.2023
Label:Skam
Cat-No:SKALP037
Release-Date:14.04.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:5051142009968
The 3rd full length album from Blackpool recording artist VHS Head. After a long delay from the label, finally Ade Blacow's new album gets a release!
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from VHS Head
Label:Skam Records
Cat-No:SKA036
Release-Date:26.01.2024
Genre:Electronic, Electronica
Configuration:LP
Barcode:5051142067456
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Last in:06.02.2024
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Last in:06.02.2024
Label:Skam Records
Cat-No:SKA036
Release-Date:26.01.2024
Genre:Electronic, Electronica
Configuration:LP
Barcode:5051142067456
10-track picture disc with worldwide pressing of 500 copies.
VHS Head's Phasia EP elaborates on the scenes and soundscapes of Phocus, building an even
further in-depth view of the world portrayed by the central character - is it the beginning and the end?
Ten Episodes you can easily binge in one go! Enjoy.
Written & Produced by Ade Blacow
Sleeve Design - Sophie Rogerson
Mastering - Bola
Side A
1 Locus 2 Strange Food 3 Mouth Matte 4 Phasia
Side B
1 Mortal Focus 2 Head Crimes 3 Dream Peeping 4 Instar 5 Phocus 6 Phocus Trailer
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
VHS Head's Phasia EP elaborates on the scenes and soundscapes of Phocus, building an even
further in-depth view of the world portrayed by the central character - is it the beginning and the end?
Ten Episodes you can easily binge in one go! Enjoy.
Written & Produced by Ade Blacow
Sleeve Design - Sophie Rogerson
Mastering - Bola
Side A
1 Locus 2 Strange Food 3 Mouth Matte 4 Phasia
Side B
1 Mortal Focus 2 Head Crimes 3 Dream Peeping 4 Instar 5 Phocus 6 Phocus Trailer
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:SKALD037
Release-Date:02.06.2023
Genre:Electronic, Electronica
Configuration:CD
Barcode:5051142009975
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Last in:23.01.2024
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Last in:23.01.2024
Label:Skam
Cat-No:SKALD037
Release-Date:02.06.2023
Genre:Electronic, Electronica
Configuration:CD
Barcode:5051142009975
The 3rd full length album from Blackpool recording artist VHS Head. After a long delay from the label, finally Ade Blacow's new album gets a release!
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:SKASSETTE037
Release-Date:14.04.2023
Genre:Electronic, Electronica
Configuration:Tape
Barcode:5051142011244
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Last in:27.04.2023
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Last in:27.04.2023
Label:Skam
Cat-No:SKASSETTE037
Release-Date:14.04.2023
Genre:Electronic, Electronica
Configuration:Tape
Barcode:5051142011244
The 3rd full length album from Blackpool recording artist VHS Head. After a long delay from the label, finally Ade Blacow's new album gets a release!
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Skam
Label:Skam
Cat-No:SKALP039
Release-Date:25.07.2025
Configuration:LP Excl
Barcode:5051142068088
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Last in:09.03.2026
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Label:Skam
Cat-No:SKALP039
Release-Date:25.07.2025
Configuration:LP Excl
Barcode:5051142068088
In the weird world of Wevie Stonder, things are never straightforward. The four-piece collective headed up
by Al Boorman have returned with their first album in 16 years - and one reason it took so long is that they
couldn't think of a title.
The group are renowned for their outlandish electronics and humorous vocal performances, with a series of
treasured releases on Manchester's eminent Skam Records, and their latest album Sure Beats Living ventures into unknown realms. Introducing a host of new characters, tall tales and bizarre scenarios to a musical backdrop as varied as it is striking, the record darts between ambient tranquility, strange soundtracks, bass-heavy beats and emotive R&B.
stream: https://samply.app/p/yxFgUJQYWinYoSKWnOz5
Video:
Album teaser: https://samply.app/p/yvbGQhDRXdKcx5sBDFUo
Album promo film: https://samply.app/p/CW9v5iMOOVqh3IjirDJg
Carpet Squares - single - 'out now': https://samply.app/p/ZJ82z1gJF9pr5ccyl4Gt
Wevie Stonder's Drawing on Other People's Heads - Worst Album Ever Made? Feat. Glumburger
Opener "That's Magic" features a magician talking us through a convoluted magic trick, to a mysterious synth theme that a celebrity conjurer might use to help the pyramids disappear. It's probably one of the only pieces of music to draw influences from Paul Daniels. "Carpet Squares" is a hefty slab of squirming machine bass, acid squidges and clanking industrial drums, its samples extolling the virtues of fitting comfortable flooring, with a voiceover recorded on a Canadian golf course. "Vanja & Slavcho" tells the odd story of twins who have an extraordinary ability to a bustle of spiralling arpeggios and comedic sound effects, while "Tiktaalik" has a glam rock beat, guitar twangs, wild synth runs and dance music drum rolls that build to nowhere, plus processed dolphin noises and a vocal about evolution. Then there's "Piccolo's Travels", a spellbinding mix of classical strings and... is that a malfunctioning Clanger?
"Album Titles" lists rejected names for the record to hilarious effect, with outlandish blips, accordion riffs and bubbling percussion setting the scene, "The 38th Parallel" is a wonky slab of electronica, while "Push It" has everything from rock guitar interjections to explosions and birdsong. If "Customer Services" imagines the bewildering experience of dealing with a sentient automated phone call, then the following "Nothing To Write Home About" is a waltz-time organ piece with a nostalgic, bittersweet air. "Ready?" lists practically every genre under the sun and gives you a burst of it, from drill to country & western, hardcore to Miami bass, and the final track, "The Void", is an AutoTune-laced R&B track with a deep, emotional core.
That's the genius of Wevie Stonder: their ability to make you laugh one minute, and the next transport you
to an atmospheric reverie.
1.That's Magic 2. Carpet Squares 3. Vanja & Slavcho 4. Tiktaalik 5. Piccolo's Travels 6. Album Titles 7. The 38th Parallel 8. Push it 9. Customer Services 10. Nothing to Write Home About 11. Ready? 12. The Void
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
by Al Boorman have returned with their first album in 16 years - and one reason it took so long is that they
couldn't think of a title.
The group are renowned for their outlandish electronics and humorous vocal performances, with a series of
treasured releases on Manchester's eminent Skam Records, and their latest album Sure Beats Living ventures into unknown realms. Introducing a host of new characters, tall tales and bizarre scenarios to a musical backdrop as varied as it is striking, the record darts between ambient tranquility, strange soundtracks, bass-heavy beats and emotive R&B.
stream: https://samply.app/p/yxFgUJQYWinYoSKWnOz5
Video:
Album teaser: https://samply.app/p/yvbGQhDRXdKcx5sBDFUo
Album promo film: https://samply.app/p/CW9v5iMOOVqh3IjirDJg
Carpet Squares - single - 'out now': https://samply.app/p/ZJ82z1gJF9pr5ccyl4Gt
Wevie Stonder's Drawing on Other People's Heads - Worst Album Ever Made? Feat. Glumburger
Opener "That's Magic" features a magician talking us through a convoluted magic trick, to a mysterious synth theme that a celebrity conjurer might use to help the pyramids disappear. It's probably one of the only pieces of music to draw influences from Paul Daniels. "Carpet Squares" is a hefty slab of squirming machine bass, acid squidges and clanking industrial drums, its samples extolling the virtues of fitting comfortable flooring, with a voiceover recorded on a Canadian golf course. "Vanja & Slavcho" tells the odd story of twins who have an extraordinary ability to a bustle of spiralling arpeggios and comedic sound effects, while "Tiktaalik" has a glam rock beat, guitar twangs, wild synth runs and dance music drum rolls that build to nowhere, plus processed dolphin noises and a vocal about evolution. Then there's "Piccolo's Travels", a spellbinding mix of classical strings and... is that a malfunctioning Clanger?
"Album Titles" lists rejected names for the record to hilarious effect, with outlandish blips, accordion riffs and bubbling percussion setting the scene, "The 38th Parallel" is a wonky slab of electronica, while "Push It" has everything from rock guitar interjections to explosions and birdsong. If "Customer Services" imagines the bewildering experience of dealing with a sentient automated phone call, then the following "Nothing To Write Home About" is a waltz-time organ piece with a nostalgic, bittersweet air. "Ready?" lists practically every genre under the sun and gives you a burst of it, from drill to country & western, hardcore to Miami bass, and the final track, "The Void", is an AutoTune-laced R&B track with a deep, emotional core.
That's the genius of Wevie Stonder: their ability to make you laugh one minute, and the next transport you
to an atmospheric reverie.
1.That's Magic 2. Carpet Squares 3. Vanja & Slavcho 4. Tiktaalik 5. Piccolo's Travels 6. Album Titles 7. The 38th Parallel 8. Push it 9. Customer Services 10. Nothing to Write Home About 11. Ready? 12. The Void
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:SKALD039
Release-Date:25.07.2025
Configuration:CD Excl
Barcode:
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Last in:09.12.2025
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Last in:09.12.2025
Label:Skam
Cat-No:SKALD039
Release-Date:25.07.2025
Configuration:CD Excl
Barcode:
In the weird world of Wevie Stonder, things are never straightforward. The four-piece collective headed up
by Al Boorman have returned with their first album in 16 years - and one reason it took so long is that they
couldn't think of a title.
The group are renowned for their outlandish electronics and humorous vocal performances, with a series of
treasured releases on Manchester's eminent Skam Records, and their latest album Sure Beats Living ventures into unknown realms. Introducing a host of new characters, tall tales and bizarre scenarios to a musical backdrop as varied as it is striking, the record darts between ambient tranquility, strange soundtracks, bass-heavy beats and emotive R&B.
stream: https://samply.app/p/yxFgUJQYWinYoSKWnOz5
Video:
Album teaser: https://samply.app/p/yvbGQhDRXdKcx5sBDFUo
Album promo film: https://samply.app/p/CW9v5iMOOVqh3IjirDJg
Carpet Squares - single - 'out now': https://samply.app/p/ZJ82z1gJF9pr5ccyl4Gt
Wevie Stonder's Drawing on Other People's Heads - Worst Album Ever Made? Feat. Glumburger
Opener "That's Magic" features a magician talking us through a convoluted magic trick, to a mysterious synth theme that a celebrity conjurer might use to help the pyramids disappear. It's probably one of the only pieces of music to draw influences from Paul Daniels. "Carpet Squares" is a hefty slab of squirming machine bass, acid squidges and clanking industrial drums, its samples extolling the virtues of fitting comfortable flooring, with a voiceover recorded on a Canadian golf course. "Vanja & Slavcho" tells the odd story of twins who have an extraordinary ability to a bustle of spiralling arpeggios and comedic sound effects, while "Tiktaalik" has a glam rock beat, guitar twangs, wild synth runs and dance music drum rolls that build to nowhere, plus processed dolphin noises and a vocal about evolution. Then there's "Piccolo's Travels", a spellbinding mix of classical strings and... is that a malfunctioning Clanger?
"Album Titles" lists rejected names for the record to hilarious effect, with outlandish blips, accordion riffs and bubbling percussion setting the scene, "The 38th Parallel" is a wonky slab of electronica, while "Push It" has everything from rock guitar interjections to explosions and birdsong. If "Customer Services" imagines the bewildering experience of dealing with a sentient automated phone call, then the following "Nothing To Write Home About" is a waltz-time organ piece with a nostalgic, bittersweet air. "Ready?" lists practically every genre under the sun and gives you a burst of it, from drill to country & western, hardcore to Miami bass, and the final track, "The Void", is an AutoTune-laced R&B track with a deep, emotional core.
That's the genius of Wevie Stonder: their ability to make you laugh one minute, and the next transport you
to an atmospheric reverie.
1.That's Magic 2. Carpet Squares 3. Vanja & Slavcho 4. Tiktaalik 5. Piccolo's Travels 6. Album Titles 7. The 38th Parallel 8. Push it 9. Customer Services 10. Nothing to Write Home About 11. Ready? 12. The Void
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
by Al Boorman have returned with their first album in 16 years - and one reason it took so long is that they
couldn't think of a title.
The group are renowned for their outlandish electronics and humorous vocal performances, with a series of
treasured releases on Manchester's eminent Skam Records, and their latest album Sure Beats Living ventures into unknown realms. Introducing a host of new characters, tall tales and bizarre scenarios to a musical backdrop as varied as it is striking, the record darts between ambient tranquility, strange soundtracks, bass-heavy beats and emotive R&B.
stream: https://samply.app/p/yxFgUJQYWinYoSKWnOz5
Video:
Album teaser: https://samply.app/p/yvbGQhDRXdKcx5sBDFUo
Album promo film: https://samply.app/p/CW9v5iMOOVqh3IjirDJg
Carpet Squares - single - 'out now': https://samply.app/p/ZJ82z1gJF9pr5ccyl4Gt
Wevie Stonder's Drawing on Other People's Heads - Worst Album Ever Made? Feat. Glumburger
Opener "That's Magic" features a magician talking us through a convoluted magic trick, to a mysterious synth theme that a celebrity conjurer might use to help the pyramids disappear. It's probably one of the only pieces of music to draw influences from Paul Daniels. "Carpet Squares" is a hefty slab of squirming machine bass, acid squidges and clanking industrial drums, its samples extolling the virtues of fitting comfortable flooring, with a voiceover recorded on a Canadian golf course. "Vanja & Slavcho" tells the odd story of twins who have an extraordinary ability to a bustle of spiralling arpeggios and comedic sound effects, while "Tiktaalik" has a glam rock beat, guitar twangs, wild synth runs and dance music drum rolls that build to nowhere, plus processed dolphin noises and a vocal about evolution. Then there's "Piccolo's Travels", a spellbinding mix of classical strings and... is that a malfunctioning Clanger?
"Album Titles" lists rejected names for the record to hilarious effect, with outlandish blips, accordion riffs and bubbling percussion setting the scene, "The 38th Parallel" is a wonky slab of electronica, while "Push It" has everything from rock guitar interjections to explosions and birdsong. If "Customer Services" imagines the bewildering experience of dealing with a sentient automated phone call, then the following "Nothing To Write Home About" is a waltz-time organ piece with a nostalgic, bittersweet air. "Ready?" lists practically every genre under the sun and gives you a burst of it, from drill to country & western, hardcore to Miami bass, and the final track, "The Void", is an AutoTune-laced R&B track with a deep, emotional core.
That's the genius of Wevie Stonder: their ability to make you laugh one minute, and the next transport you
to an atmospheric reverie.
1.That's Magic 2. Carpet Squares 3. Vanja & Slavcho 4. Tiktaalik 5. Piccolo's Travels 6. Album Titles 7. The 38th Parallel 8. Push it 9. Customer Services 10. Nothing to Write Home About 11. Ready? 12. The Void
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:SKALP038
Release-Date:13.10.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:5051142011206
in stock
Last in:24.10.2023
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in stock
Last in:24.10.2023
Label:Skam
Cat-No:SKALP038
Release-Date:13.10.2023
Genre:Electronic, Electronica
Configuration:2LP
Barcode:5051142011206
SDEM's debut LP for Mancunian electronic music imprint Skam Records.
VORTICES 9 tracks continue SDEM's current prolific flow after a steady series of drops via his own
MEDS label & other like-minded operators (CPU, Opal Tapes, Seagrave, Superpang etc..)
Informed by hiphop & computer music and steeped in Northern England's post bleep+bass
mutations, VORTICES operates in its own lane, rooted as much in the by-hand manipulations of
musique concrete and free improv as the studio-as-an-instrument innovations of electro, hiphop, dub and bass weighted electronica.
Evolved out of hardware jams, the pieces showcased here crackle with emotion and colour,
repeated plays reveal suggested and subliminal depths. Neither shackled to the grid nor enslaved to linearity, the LP expands & finesses SDEM's dynamic & forward facing approach
Side A
A1 Geiwis - 1.30 A2 Skrunge - 3.38 A3 NSEM Rev - 6.00
Side B B1 30Mag - 4.15 B2 Quadro Diagrammatics ft S1 - 4.20 B3 SKEF - 3.27
Side C C1 RZ - 11.28 Side D D1 Sile - 6.40 D2 2 vs 2 - 4.50
Cover & Layout by modernist graffiti master SODA.
Selection & Sequencing by MDX.
Guest sounds on B2 from SheOne.
Miles Whitaker's mastering completes the frame.
Wide ranging radio support from Autechre, Afrodeutsche, The Fear Ratio, ZULI, Aya, edv3ctor,
Brassfoot, Sylvia Kastel, Rian Treanor, 96 Back, Mosca.. etc
SDEM's live set from 2022 appears in Tom (Rat Heart) Boogizm's "best of 2022" boomkat chart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
VORTICES 9 tracks continue SDEM's current prolific flow after a steady series of drops via his own
MEDS label & other like-minded operators (CPU, Opal Tapes, Seagrave, Superpang etc..)
Informed by hiphop & computer music and steeped in Northern England's post bleep+bass
mutations, VORTICES operates in its own lane, rooted as much in the by-hand manipulations of
musique concrete and free improv as the studio-as-an-instrument innovations of electro, hiphop, dub and bass weighted electronica.
Evolved out of hardware jams, the pieces showcased here crackle with emotion and colour,
repeated plays reveal suggested and subliminal depths. Neither shackled to the grid nor enslaved to linearity, the LP expands & finesses SDEM's dynamic & forward facing approach
Side A
A1 Geiwis - 1.30 A2 Skrunge - 3.38 A3 NSEM Rev - 6.00
Side B B1 30Mag - 4.15 B2 Quadro Diagrammatics ft S1 - 4.20 B3 SKEF - 3.27
Side C C1 RZ - 11.28 Side D D1 Sile - 6.40 D2 2 vs 2 - 4.50
Cover & Layout by modernist graffiti master SODA.
Selection & Sequencing by MDX.
Guest sounds on B2 from SheOne.
Miles Whitaker's mastering completes the frame.
Wide ranging radio support from Autechre, Afrodeutsche, The Fear Ratio, ZULI, Aya, edv3ctor,
Brassfoot, Sylvia Kastel, Rian Treanor, 96 Back, Mosca.. etc
SDEM's live set from 2022 appears in Tom (Rat Heart) Boogizm's "best of 2022" boomkat chart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:SKALD038
Release-Date:23.06.2023
Genre:Electronic, Electronica
Configuration:CD
Barcode:5051142011213
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Label:Skam
Cat-No:SKALD038
Release-Date:23.06.2023
Genre:Electronic, Electronica
Configuration:CD
Barcode:5051142011213
SDEM's debut LP for Mancunian electronic music imprint Skam Records.
VORTICES 9 tracks continue SDEM's current prolific flow after a steady series of drops via his own
MEDS label & other like-minded operators (CPU, Opal Tapes, Seagrave, Superpang etc..)
Informed by hiphop & computer music and steeped in Northern England's post bleep+bass
mutations, VORTICES operates in its own lane, rooted as much in the by-hand manipulations of
musique concrete and free improv as the studio-as-an-instrument innovations of electro, hiphop, dub and bass weighted electronica.
Evolved out of hardware jams, the pieces showcased here crackle with emotion and colour,
repeated plays reveal suggested and subliminal depths. Neither shackled to the grid nor enslaved to linearity, the LP expands & finesses SDEM's dynamic & forward facing approach
Side A
A1 Geiwis - 1.30 A2 Skrunge - 3.38 A3 NSEM Rev - 6.00
Side B B1 30Mag - 4.15 B2 Quadro Diagrammatics ft S1 - 4.20 B3 SKEF - 3.27
Side C C1 RZ - 11.28 Side D D1 Sile - 6.40 D2 2 vs 2 - 4.50
Cover & Layout by modernist graffiti master SODA.
Selection & Sequencing by MDX.
Guest sounds on B2 from SheOne.
Miles Whitaker's mastering completes the frame.
Wide ranging radio support from Autechre, Afrodeutsche, The Fear Ratio, ZULI, Aya, edv3ctor,
Brassfoot, Sylvia Kastel, Rian Treanor, 96 Back, Mosca.. etc
SDEM's live set from 2022 appears in Tom (Rat Heart) Boogizm's "best of 2022" boomkat chart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
VORTICES 9 tracks continue SDEM's current prolific flow after a steady series of drops via his own
MEDS label & other like-minded operators (CPU, Opal Tapes, Seagrave, Superpang etc..)
Informed by hiphop & computer music and steeped in Northern England's post bleep+bass
mutations, VORTICES operates in its own lane, rooted as much in the by-hand manipulations of
musique concrete and free improv as the studio-as-an-instrument innovations of electro, hiphop, dub and bass weighted electronica.
Evolved out of hardware jams, the pieces showcased here crackle with emotion and colour,
repeated plays reveal suggested and subliminal depths. Neither shackled to the grid nor enslaved to linearity, the LP expands & finesses SDEM's dynamic & forward facing approach
Side A
A1 Geiwis - 1.30 A2 Skrunge - 3.38 A3 NSEM Rev - 6.00
Side B B1 30Mag - 4.15 B2 Quadro Diagrammatics ft S1 - 4.20 B3 SKEF - 3.27
Side C C1 RZ - 11.28 Side D D1 Sile - 6.40 D2 2 vs 2 - 4.50
Cover & Layout by modernist graffiti master SODA.
Selection & Sequencing by MDX.
Guest sounds on B2 from SheOne.
Miles Whitaker's mastering completes the frame.
Wide ranging radio support from Autechre, Afrodeutsche, The Fear Ratio, ZULI, Aya, edv3ctor,
Brassfoot, Sylvia Kastel, Rian Treanor, 96 Back, Mosca.. etc
SDEM's live set from 2022 appears in Tom (Rat Heart) Boogizm's "best of 2022" boomkat chart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:SKALD037
Release-Date:02.06.2023
Genre:Electronic, Electronica
Configuration:CD
Barcode:5051142009975
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Label:Skam
Cat-No:SKALD037
Release-Date:02.06.2023
Genre:Electronic, Electronica
Configuration:CD
Barcode:5051142009975
The 3rd full length album from Blackpool recording artist VHS Head. After a long delay from the label, finally Ade Blacow's new album gets a release!
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:SKASSETTE037
Release-Date:14.04.2023
Genre:Electronic, Electronica
Configuration:Tape
Barcode:5051142011244
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Last in:27.04.2023
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Last in:27.04.2023
Label:Skam
Cat-No:SKASSETTE037
Release-Date:14.04.2023
Genre:Electronic, Electronica
Configuration:Tape
Barcode:5051142011244
The 3rd full length album from Blackpool recording artist VHS Head. After a long delay from the label, finally Ade Blacow's new album gets a release!
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:skalp036
Release-Date:13.03.2020
Configuration:2LP
Barcode:5051142007070
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Label:Skam
Cat-No:skalp036
Release-Date:13.03.2020
Configuration:2LP
Barcode:5051142007070
James Ruskin & Mark Broom are back as The Fear Ratio with their third album 'They Can't Be Saved'.
LIMITED 180G 2LP - 500 only pressed. CD - 500 only.
The duo, who are long-term collaborators have created their own signature style with abstract synths, heavy basslines and experimental soundscapes that fit somewhere in between IDM, electronica and ambient.
Their acclaimed debut album 'Lightbox' was initially released in 2011 on Ruskin's Blueprint Records, featuring remixes from Warp aficionados Plaid and Deadhand. Soon after they formed a long-lasting relationship with cult Manchester based label Skam, with the follow-up album in 2015 'Refuge of a Twisted Soul'. 2018 saw a four track 'Live EP' release made up of exclusive versions of their Autechre supporting slot at the Great Northern Warehouse in Manchester,
Several years and various solo productions later, The Fear Ratio return with an album that solidifies their reputation as experimental producers. From the ethereal opening bars of 'Sender' slowly twisting into a brooding dub breakbeat, to the staccato, bugged out atmospherics of 'Grey Code', ghostly electronics of 'Small World', tripped out, schizophrenic hip hop haunting bass of 'Game Plan' and sun-dappled keys of 'The Final Vision' Broom & Ruskin flex their techno muscles ever further beyond the floor.
Track list: 1Sender 2 Exile 3 Grey Code 4 Small World 5 The Invisible Girl 6 The Curse 7 LM3 8 Captive 9 Game Plan 10 The Final Vision 11 BY3 12 A406
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LIMITED 180G 2LP - 500 only pressed. CD - 500 only.
The duo, who are long-term collaborators have created their own signature style with abstract synths, heavy basslines and experimental soundscapes that fit somewhere in between IDM, electronica and ambient.
Their acclaimed debut album 'Lightbox' was initially released in 2011 on Ruskin's Blueprint Records, featuring remixes from Warp aficionados Plaid and Deadhand. Soon after they formed a long-lasting relationship with cult Manchester based label Skam, with the follow-up album in 2015 'Refuge of a Twisted Soul'. 2018 saw a four track 'Live EP' release made up of exclusive versions of their Autechre supporting slot at the Great Northern Warehouse in Manchester,
Several years and various solo productions later, The Fear Ratio return with an album that solidifies their reputation as experimental producers. From the ethereal opening bars of 'Sender' slowly twisting into a brooding dub breakbeat, to the staccato, bugged out atmospherics of 'Grey Code', ghostly electronics of 'Small World', tripped out, schizophrenic hip hop haunting bass of 'Game Plan' and sun-dappled keys of 'The Final Vision' Broom & Ruskin flex their techno muscles ever further beyond the floor.
Track list: 1Sender 2 Exile 3 Grey Code 4 Small World 5 The Invisible Girl 6 The Curse 7 LM3 8 Captive 9 Game Plan 10 The Final Vision 11 BY3 12 A406
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:skald036
Release-Date:13.03.2020
Configuration:CD
Barcode:5051142007087
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Last in:06.05.2020
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Last in:06.05.2020
Label:Skam
Cat-No:skald036
Release-Date:13.03.2020
Configuration:CD
Barcode:5051142007087
James Ruskin & Mark Broom are back as The Fear Ratio with their third album 'They Can't Be Saved'.
LIMITED 180G 2LP - 500 only pressed. CD - 500 only.
The duo, who are long-term collaborators have created their own signature style with abstract synths, heavy basslines and experimental soundscapes that fit somewhere in between IDM, electronica and ambient.
Their acclaimed debut album 'Lightbox' was initially released in 2011 on Ruskin's Blueprint Records, featuring remixes from Warp aficionados Plaid and Deadhand. Soon after they formed a long-lasting relationship with cult Manchester based label Skam, with the follow-up album in 2015 'Refuge of a Twisted Soul'. 2018 saw a four track 'Live EP' release made up of exclusive versions of their Autechre supporting slot at the Great Northern Warehouse in Manchester,
Several years and various solo productions later, The Fear Ratio return with an album that solidifies their reputation as experimental producers. From the ethereal opening bars of 'Sender' slowly twisting into a brooding dub breakbeat, to the staccato, bugged out atmospherics of 'Grey Code', ghostly electronics of 'Small World', tripped out, schizophrenic hip hop haunting bass of 'Game Plan' and sun-dappled keys of 'The Final Vision' Broom & Ruskin flex their techno muscles ever further beyond the floor.
Track list: 1Sender 2 Exile 3 Grey Code 4 Small World 5 The Invisible Girl 6 The Curse 7 LM3 8 Captive 9 Game Plan 10 The Final Vision 11 BY3 12 A406
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LIMITED 180G 2LP - 500 only pressed. CD - 500 only.
The duo, who are long-term collaborators have created their own signature style with abstract synths, heavy basslines and experimental soundscapes that fit somewhere in between IDM, electronica and ambient.
Their acclaimed debut album 'Lightbox' was initially released in 2011 on Ruskin's Blueprint Records, featuring remixes from Warp aficionados Plaid and Deadhand. Soon after they formed a long-lasting relationship with cult Manchester based label Skam, with the follow-up album in 2015 'Refuge of a Twisted Soul'. 2018 saw a four track 'Live EP' release made up of exclusive versions of their Autechre supporting slot at the Great Northern Warehouse in Manchester,
Several years and various solo productions later, The Fear Ratio return with an album that solidifies their reputation as experimental producers. From the ethereal opening bars of 'Sender' slowly twisting into a brooding dub breakbeat, to the staccato, bugged out atmospherics of 'Grey Code', ghostly electronics of 'Small World', tripped out, schizophrenic hip hop haunting bass of 'Game Plan' and sun-dappled keys of 'The Final Vision' Broom & Ruskin flex their techno muscles ever further beyond the floor.
Track list: 1Sender 2 Exile 3 Grey Code 4 Small World 5 The Invisible Girl 6 The Curse 7 LM3 8 Captive 9 Game Plan 10 The Final Vision 11 BY3 12 A406
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Skam
Cat-No:skassette007
Release-Date:13.03.2020
Configuration:Cassette Tape Excl
Barcode:5051142007278
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Label:Skam
Cat-No:skassette007
Release-Date:13.03.2020
Configuration:Cassette Tape Excl
Barcode:5051142007278
James Ruskin & Mark Broom are back as The Fear Ratio with their third album 'They Can't Be Saved'.
LIMITED 180G 2LP - 500 only pressed. CD - 500 only.
The duo, who are long-term collaborators have created their own signature style with abstract synths, heavy basslines and experimental soundscapes that fit somewhere in between IDM, electronica and ambient.
Their acclaimed debut album 'Lightbox' was initially released in 2011 on Ruskin's Blueprint Records, featuring remixes from Warp aficionados Plaid and Deadhand. Soon after they formed a long-lasting relationship with cult Manchester based label Skam, with the follow-up album in 2015 'Refuge of a Twisted Soul'. 2018 saw a four track 'Live EP' release made up of exclusive versions of their Autechre supporting slot at the Great Northern Warehouse in Manchester,
Several years and various solo productions later, The Fear Ratio return with an album that solidifies their reputation as experimental producers. From the ethereal opening bars of 'Sender' slowly twisting into a brooding dub breakbeat, to the staccato, bugged out atmospherics of 'Grey Code', ghostly electronics of 'Small World', tripped out, schizophrenic hip hop haunting bass of 'Game Plan' and sun-dappled keys of 'The Final Vision' Broom & Ruskin flex their techno muscles ever further beyond the floor.
Track list: 1Sender 2 Exile 3 Grey Code 4 Small World 5 The Invisible Girl 6 The Curse 7 LM3 8 Captive 9 Game Plan 10 The Final Vision 11 BY3 12 A406
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LIMITED 180G 2LP - 500 only pressed. CD - 500 only.
The duo, who are long-term collaborators have created their own signature style with abstract synths, heavy basslines and experimental soundscapes that fit somewhere in between IDM, electronica and ambient.
Their acclaimed debut album 'Lightbox' was initially released in 2011 on Ruskin's Blueprint Records, featuring remixes from Warp aficionados Plaid and Deadhand. Soon after they formed a long-lasting relationship with cult Manchester based label Skam, with the follow-up album in 2015 'Refuge of a Twisted Soul'. 2018 saw a four track 'Live EP' release made up of exclusive versions of their Autechre supporting slot at the Great Northern Warehouse in Manchester,
Several years and various solo productions later, The Fear Ratio return with an album that solidifies their reputation as experimental producers. From the ethereal opening bars of 'Sender' slowly twisting into a brooding dub breakbeat, to the staccato, bugged out atmospherics of 'Grey Code', ghostly electronics of 'Small World', tripped out, schizophrenic hip hop haunting bass of 'Game Plan' and sun-dappled keys of 'The Final Vision' Broom & Ruskin flex their techno muscles ever further beyond the floor.
Track list: 1Sender 2 Exile 3 Grey Code 4 Small World 5 The Invisible Girl 6 The Curse 7 LM3 8 Captive 9 Game Plan 10 The Final Vision 11 BY3 12 A406
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:skam
Cat-No:skalp035
Release-Date:06.09.2019
Genre:Electronic, Electronica
Configuration:2LP
Barcode:666017337715
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Label:skam
Cat-No:skalp035
Release-Date:06.09.2019
Genre:Electronic, Electronica
Configuration:2LP
Barcode:666017337715
LIMITED 180G 2LP ON TRANSPARENT RED VINYL + BRAILLE STICKER
Afrodeutsche (Henrietta Smith-Rolla), is a British born Ghanaian/Russian/ German artist, composer, producer, and DJ based in Manchester.
Afrodeutsche is main support for Aphex Twin at the sold out Printworks show on 14th September:
https://www.printworkslondon.co.uk/listings/aphex-twin/
Afrodeutsche's DJ style is a synthesis of Drexciyan and Underground Resistance - inspired selections, intercut with a variety of forward thinking UK techno such as Bola and Lego Feet.
Her polyrhythmic compositions integrate a wide array of musical genres, including Afrofuturistic electro and techno, classical solo piano and Detroit legacy house; all memorable journeys into deep, abstracted sound.
Hosting a monthly radio show on the renowned NTS, Afrodeutsche entrances listeners with her idiosyncratic combinations of dark electro, breaks, footwork, ghetto tech and jacking house.
Forever evolving a fully live hardware show, Afrodeutsche has already appeared alongside celebrated producers Dopplereffekt and Carl Craig, with many more to come.
Her remix of Montreal producer Marie Davidson's 'Day Dreaming' was released earlier this year on Ninja Tune. 2019 sees her releasing genre-defying new material and touring across Europe, with appearances confirmed at Dekmantel (Amsterdam), SONAR (Barcelona), and Dimensions (Croatia).
Praised by the Guardian for enacting a new wave of club music, named by Dummy Mag as one of 2019's most exciting artists, Afrodeutsche's spectacular debut album 'Break before Make' will be released on all formats in the Autumn of 2019 on the legendary Skam label.
Sleeve design by Bhatoptics Mastered by Bola
Tracklisting
Side A 1. DAY TUNER Side B 4. WORK IT 5. NOW WHAT Side C 7. BLANKET BAN 8. FILANDANK 9. WTWTWTF 10. YOU HEARD ME THEWW FIRST TIME Side D 11. THE MIDDLE MIDDLE 12. HIAEA 13. OD 14. THE BEGINNING
Written and produced by AFRODEUTSCHE P&C Skam Records
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Afrodeutsche (Henrietta Smith-Rolla), is a British born Ghanaian/Russian/ German artist, composer, producer, and DJ based in Manchester.
Afrodeutsche is main support for Aphex Twin at the sold out Printworks show on 14th September:
https://www.printworkslondon.co.uk/listings/aphex-twin/
Afrodeutsche's DJ style is a synthesis of Drexciyan and Underground Resistance - inspired selections, intercut with a variety of forward thinking UK techno such as Bola and Lego Feet.
Her polyrhythmic compositions integrate a wide array of musical genres, including Afrofuturistic electro and techno, classical solo piano and Detroit legacy house; all memorable journeys into deep, abstracted sound.
Hosting a monthly radio show on the renowned NTS, Afrodeutsche entrances listeners with her idiosyncratic combinations of dark electro, breaks, footwork, ghetto tech and jacking house.
Forever evolving a fully live hardware show, Afrodeutsche has already appeared alongside celebrated producers Dopplereffekt and Carl Craig, with many more to come.
Her remix of Montreal producer Marie Davidson's 'Day Dreaming' was released earlier this year on Ninja Tune. 2019 sees her releasing genre-defying new material and touring across Europe, with appearances confirmed at Dekmantel (Amsterdam), SONAR (Barcelona), and Dimensions (Croatia).
Praised by the Guardian for enacting a new wave of club music, named by Dummy Mag as one of 2019's most exciting artists, Afrodeutsche's spectacular debut album 'Break before Make' will be released on all formats in the Autumn of 2019 on the legendary Skam label.
Sleeve design by Bhatoptics Mastered by Bola
Tracklisting
Side A 1. DAY TUNER Side B 4. WORK IT 5. NOW WHAT Side C 7. BLANKET BAN 8. FILANDANK 9. WTWTWTF 10. YOU HEARD ME THEWW FIRST TIME Side D 11. THE MIDDLE MIDDLE 12. HIAEA 13. OD 14. THE BEGINNING
Written and produced by AFRODEUTSCHE P&C Skam Records
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:skam
Cat-No:skald035
Release-Date:06.09.2019
Genre:Electronic, Electronica
Configuration:CD
Barcode:666017337722
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Last in:23.09.2019
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Last in:23.09.2019
Label:skam
Cat-No:skald035
Release-Date:06.09.2019
Genre:Electronic, Electronica
Configuration:CD
Barcode:666017337722
CD LIMITED CD IN TRANSPARENT RED JEWEL CASE + BRAILLE STICKER
Afrodeutsche (Henrietta Smith-Rolla), is a British born Ghanaian/Russian/ German artist, composer, producer, and DJ based in Manchester.
Afrodeutsche is main support for Aphex Twin at the sold out Printworks show on 14th September:
https://www.printworkslondon.co.uk/listings/aphex-twin/
Afrodeutsche's DJ style is a synthesis of Drexciyan and Underground Resistance - inspired selections, intercut with a variety of forward thinking UK techno such as Bola and Lego Feet.
Her polyrhythmic compositions integrate a wide array of musical genres, including Afrofuturistic electro and techno, classical solo piano and Detroit legacy house; all memorable journeys into deep, abstracted sound.
Hosting a monthly radio show on the renowned NTS, Afrodeutsche entrances listeners with her idiosyncratic combinations of dark electro, breaks, footwork, ghetto tech and jacking house.
Forever evolving a fully live hardware show, Afrodeutsche has already appeared alongside celebrated producers Dopplereffekt and Carl Craig, with many more to come.
Her remix of Montreal producer Marie Davidson's 'Day Dreaming' was released earlier this year on Ninja Tune. 2019 sees her releasing genre-defying new material and touring across Europe, with appearances confirmed at Dekmantel (Amsterdam), SONAR (Barcelona), and Dimensions (Croatia).
Praised by the Guardian for enacting a new wave of club music, named by Dummy Mag as one of 2019's most exciting artists, Afrodeutsche's spectacular debut album 'Break before Make' will be released on all formats in the Autumn of 2019 on the legendary Skam label.
Sleeve design by Bhatoptics Mastered by Bola
Tracklisting
Side A 1. DAY TUNER Side B 4. WORK IT 5. NOW WHAT Side C 7. BLANKET BAN 8. FILANDANK 9. WTWTWTF 10. YOU HEARD ME THEWW FIRST TIME Side D 11. THE MIDDLE MIDDLE 12. HIAEA 13. OD 14. THE BEGINNING
Written and produced by AFRODEUTSCHE P&C Skam Records
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Afrodeutsche (Henrietta Smith-Rolla), is a British born Ghanaian/Russian/ German artist, composer, producer, and DJ based in Manchester.
Afrodeutsche is main support for Aphex Twin at the sold out Printworks show on 14th September:
https://www.printworkslondon.co.uk/listings/aphex-twin/
Afrodeutsche's DJ style is a synthesis of Drexciyan and Underground Resistance - inspired selections, intercut with a variety of forward thinking UK techno such as Bola and Lego Feet.
Her polyrhythmic compositions integrate a wide array of musical genres, including Afrofuturistic electro and techno, classical solo piano and Detroit legacy house; all memorable journeys into deep, abstracted sound.
Hosting a monthly radio show on the renowned NTS, Afrodeutsche entrances listeners with her idiosyncratic combinations of dark electro, breaks, footwork, ghetto tech and jacking house.
Forever evolving a fully live hardware show, Afrodeutsche has already appeared alongside celebrated producers Dopplereffekt and Carl Craig, with many more to come.
Her remix of Montreal producer Marie Davidson's 'Day Dreaming' was released earlier this year on Ninja Tune. 2019 sees her releasing genre-defying new material and touring across Europe, with appearances confirmed at Dekmantel (Amsterdam), SONAR (Barcelona), and Dimensions (Croatia).
Praised by the Guardian for enacting a new wave of club music, named by Dummy Mag as one of 2019's most exciting artists, Afrodeutsche's spectacular debut album 'Break before Make' will be released on all formats in the Autumn of 2019 on the legendary Skam label.
Sleeve design by Bhatoptics Mastered by Bola
Tracklisting
Side A 1. DAY TUNER Side B 4. WORK IT 5. NOW WHAT Side C 7. BLANKET BAN 8. FILANDANK 9. WTWTWTF 10. YOU HEARD ME THEWW FIRST TIME Side D 11. THE MIDDLE MIDDLE 12. HIAEA 13. OD 14. THE BEGINNING
Written and produced by AFRODEUTSCHE P&C Skam Records
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12" Excl
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Last in:12.02.2019
Label:skam
Cat-No:ska035
Release-Date:28.02.2018
Genre:Techno
Configuration:12" Excl
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New E.P. from The Fear Ratio (Mark Broom & James Ruskin) featuring exclusive versions of tracks taken from the album "Refuge of A Twisted Soul" made in preparation for live sets.
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DE - 22113 Hamburg
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Last in:24.01.2018
Label:skam
Cat-No:Skald034
Release-Date:26.05.2017
Genre:Techno
Configuration:CD
Barcode:666017314525
Skam Records are very proud to announce the return of Bola.
After 10 long years hidden away in the hills, huddled in the Bolamachine - at long last Bola awakens, delivering an album of power, elegance and beauty...
Recorded @ Bolamachine B All tracks composed and performed by the Bolaman. Kappafects co-composed and performed by Dennis Bourne. No humans were harmed during the making of Evensong. While every care was taken, slight but unavoidable human abuse was endured in the making of Kappafects.
Art and design: Michael England
Side A - 1. Fhorth - 2. Herzzatzz - 3. Avantual Side B - 4. Evensong - 5. Landor 50X2 Side C - 7. Pelomen Vapour 1 - 8. Pelomen Vapour 2 - 9. Pelomen Vapour 3 Side D - 10. Kappafects - 11. Maghellen
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After 10 long years hidden away in the hills, huddled in the Bolamachine - at long last Bola awakens, delivering an album of power, elegance and beauty...
Recorded @ Bolamachine B All tracks composed and performed by the Bolaman. Kappafects co-composed and performed by Dennis Bourne. No humans were harmed during the making of Evensong. While every care was taken, slight but unavoidable human abuse was endured in the making of Kappafects.
Art and design: Michael England
Side A - 1. Fhorth - 2. Herzzatzz - 3. Avantual Side B - 4. Evensong - 5. Landor 50X2 Side C - 7. Pelomen Vapour 1 - 8. Pelomen Vapour 2 - 9. Pelomen Vapour 3 Side D - 10. Kappafects - 11. Maghellen
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DE - 22113 Hamburg
Germany
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Label:skam
Cat-No:skalp034
Release-Date:18.04.2017
Genre:Electronic, Electronica
Configuration:2LP
Barcode:666017314518
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Last in:10.10.2018
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Last in:10.10.2018
Label:skam
Cat-No:skalp034
Release-Date:18.04.2017
Genre:Electronic, Electronica
Configuration:2LP
Barcode:666017314518
Skam Records are very proud to announce the return of Bola.
LIMITED GATEFOLD 2LP.
After 10 long years hidden away in the hills, huddled in the Bolamachine - at long last Bola awakens, delivering an album of power, elegance and beauty...
Recorded @ Bolamachine B All tracks composed and performed by the Bolaman. Kappafects co-composed and performed by Dennis Bourne. No humans were harmed during the making of Evensong. While every care was taken, slight but unavoidable human abuse was endured in the making of Kappafects.
Art and design: Michael England
Side A - 1. Fhorth - 2. Herzzatzz - 3. Avantual Side B - 4. Evensong - 5. Landor 50X2 Side C - 7. Pelomen Vapour 1 - 8. Pelomen Vapour 2 - 9. Pelomen Vapour 3 Side D - 10. Kappafects - 11. Maghellen
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LIMITED GATEFOLD 2LP.
After 10 long years hidden away in the hills, huddled in the Bolamachine - at long last Bola awakens, delivering an album of power, elegance and beauty...
Recorded @ Bolamachine B All tracks composed and performed by the Bolaman. Kappafects co-composed and performed by Dennis Bourne. No humans were harmed during the making of Evensong. While every care was taken, slight but unavoidable human abuse was endured in the making of Kappafects.
Art and design: Michael England
Side A - 1. Fhorth - 2. Herzzatzz - 3. Avantual Side B - 4. Evensong - 5. Landor 50X2 Side C - 7. Pelomen Vapour 1 - 8. Pelomen Vapour 2 - 9. Pelomen Vapour 3 Side D - 10. Kappafects - 11. Maghellen
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DE - 22113 Hamburg
Germany
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Last in:28.07.2017
Label:skam
Cat-No:skalp032
Release-Date:26.02.2016
Genre:Techno
Configuration:2LP
Barcode:666017298917
Skam Records are very proud to release an album of unheard tracks from one of our very first artists and it feels good to have him back home. Jega has always provided his own slant on the genre, with warm standout melodies and his always edgy solid beats driving it all. Its good to hear his machines working again after all these years. Jega returns with a selection of the year before his seminal first release (Ska006). A collection of unreleased tracks from 1995, recorded live to Cassette Tape and DAT, and gathered 20 years later to form "1995". This album provides a glimpse into the fledgling electronic music scene of the 90's. Jega has released three albums on PLANET MU.
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Last in:12.05.2017
Label:skam
Cat-No:skacd032
Release-Date:26.02.2016
Genre:Techno
Configuration:CD
Barcode:666017298924
Skam Records are very proud to release an album of unheard tracks from one of our very first artists and it feels good to have him back home. Jega has always provided his own slant on the genre, with warm standout melodies and his always edgy solid beats driving it all. Its good to hear his machines working again after all these years. Jega returns with a selection of the year before his seminal first release (Ska006). A collection of unreleased tracks from 1995, recorded live to Cassette Tape and DAT, and gathered 20 years later to form "1995". This album provides a glimpse into the fledgling electronic music scene of the 90's. Jega has released three albums on PLANET MU.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2LP
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Last in:23.08.2016
Label:skam
Cat-No:skalp031
Release-Date:17.04.2015
Genre:Techno
Configuration:2LP
Barcode:
Skam Records are very proud to welcome The Fear Ratio to the label and are pleased to announce a new album "Refuge of a Twisted Soul" to be released in late May. The Fear Ratio consists of Mark Broom and James Ruskin who together have developed an album of sheer quality, deep and heavy music.
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DE - 22113 Hamburg
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CD
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Last in:22.06.2015
Label:skam
Cat-No:skacd031
Release-Date:17.04.2015
Genre:Techno
Configuration:CD
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Skam Records are very proud to welcome The Fear Ratio to the label and are pleased to announce a new album "Refuge of a Twisted Soul" to be released in late May. The Fear Ratio consists of Mark Broom and James Ruskin who together have developed an album of sheer quality, deep and heavy music.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Last in:17.02.2026
Label:ULTRALOW
Cat-No:ULTRALOW001
Release-Date:21.11.2025
Genre:Techno
Configuration:12"
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1
OBEDEYA - BEMINE
2
DJ FRANKIE - MACUMBA
3
OBZERV - ANNIHILATOR
4
DJ SACRED - SWIRL ON 20s
Tracklisting
A1 OBEDEYA - BEMINE
A2 DJ FRANKIE - MACUMBA
B1 OBZERV - ANNIHILATOR
B2 DJ SACRED - SWIRL ON 20s
Sales Note
The long awaited first release of ULTRALOW has finally arrived, on wax! A four track VA, each one a different style (for the real ones that can handle). Featuring artists from London, Argentina and Ukraine, always in support of the underground, ULTRALOW
MOTHERFUCKERS will take up space in your collection
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A1 OBEDEYA - BEMINE
A2 DJ FRANKIE - MACUMBA
B1 OBZERV - ANNIHILATOR
B2 DJ SACRED - SWIRL ON 20s
Sales Note
The long awaited first release of ULTRALOW has finally arrived, on wax! A four track VA, each one a different style (for the real ones that can handle). Featuring artists from London, Argentina and Ukraine, always in support of the underground, ULTRALOW
MOTHERFUCKERS will take up space in your collection
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Faitiche
Cat-No:fait-38LP
Release-Date:27.06.2025
Genre:Electronic, Electronica
Configuration:LP
Barcode:880918273396
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Last in:19.08.2025
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Last in:19.08.2025
Label:Faitiche
Cat-No:fait-38LP
Release-Date:27.06.2025
Genre:Electronic, Electronica
Configuration:LP
Barcode:880918273396
1
Andrew Pekler - Globestructures
2
Andrew Pekler - Rhythm Study 1
3
Andrew Pekler - Fabulation For K
4
Andrew Pekler - Rhythm Study 2
5
Andrew Pekler - Cumbia Para Los Grillos
6
Andrew Pekler - Rhythm Study 3
7
Andrew Pekler - Cymbals In The Mist
8
Andrew Pekler - Rhythm Study 4
9
Andrew Pekler - Intermittent Chimes And Organ
10
Andrew Pekler - Rhythm Study 5
11
Andrew Pekler - Globestructures: Option II
12
Andrew Pekler - Rhythm Study 6
New Environments & Rhythm Studies finds Andrew Pekler returning to the humid zones he explored on previous albums such as Sounds From Phantom Islands and Tristes Tropiques. Split between longer immersive compositions and shorter glimpse-like sketches, these 12 tracks feature new juxtapositions of Pekler's familiar palette of synthetic field recordings, warm, undulating electronic textures, shifting percussion patterns and serene melodies.
As with much of his recent work, Pekler's compositions here are structured around the beguiling effect of synthetic and non-synthetic sounds mirroring, mimicking and modulating one another. The teeming atmospheres within tracks such as Globestructures, Cymbals In The Mist or Globestructures: Option II are, despite their seemingly anthropogenic nature, entirely synthetic. Elsewhere, the lopsided grooves of Cumbia Para Los Grillos or Fabulation For K are derived from recordings of crickets and other insects which Pekler loops and uses to trigger electronic percussion – producing a pleasantly skewed rhythmic base for the fragments of melody which are layered on top. The six Rhythm Studies also follow the same principle – a playful interweaving of the organic and synthetic.
New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.
Written and produced by Andrew Pekler, mastered by Giuseppe Ielasi, artwork by Morgan Cuinet, graphic design by Dmytro Nikolaienko.
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Germany
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As with much of his recent work, Pekler's compositions here are structured around the beguiling effect of synthetic and non-synthetic sounds mirroring, mimicking and modulating one another. The teeming atmospheres within tracks such as Globestructures, Cymbals In The Mist or Globestructures: Option II are, despite their seemingly anthropogenic nature, entirely synthetic. Elsewhere, the lopsided grooves of Cumbia Para Los Grillos or Fabulation For K are derived from recordings of crickets and other insects which Pekler loops and uses to trigger electronic percussion – producing a pleasantly skewed rhythmic base for the fragments of melody which are layered on top. The six Rhythm Studies also follow the same principle – a playful interweaving of the organic and synthetic.
New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.
Written and produced by Andrew Pekler, mastered by Giuseppe Ielasi, artwork by Morgan Cuinet, graphic design by Dmytro Nikolaienko.
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Germany
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Last in:18.02.2026
Label:TemeT
Cat-No:TEM15
Release-Date:04.07.2025
Genre:Techno
Configuration:12"
Barcode:
1
Simo Cell - Circuits
2
Simo Cell - Rushin'
3
Simo Cell - Paris Funk Express
4
Simo Cell - Craft Punk (Oh No!)
French DJ/producer Simo Cell is gearing up to drop a new 4-track EP on his label TEMET. He reimagines the Blog House/French Touch 2.0 movement, presenting a futuristic evolution of its iconic sound with a distinct Simooo twist and the raw energy of contemporary club music. It's a big day! Meet FL Louis, a (real) puppet designed by Simo Cell and the robotic voice behind the music. Stay tuned, clips coming soon!
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Label:Balmat
Cat-No:BALMAT17
Release-Date:11.07.2025
Configuration:LP
Barcode:4062548117004
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Last in:27.04.2026
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Last in:27.04.2026
Label:Balmat
Cat-No:BALMAT17
Release-Date:11.07.2025
Configuration:LP
Barcode:4062548117004
1
Patricia Wolf - Early Memories
2
Patricia Wolf - Subconscious Familiarity
3
Patricia Wolf - Krummi's Theme
4
Patricia Wolf - Huginn And Muninn
5
Patricia Wolf - The Return To Iceland
6
Patricia Wolf - Reykjavík by the Sea
7
Patricia Wolf - I Thought I Could Fly
8
Patricia Wolf - Hrafnaþing
9
Patricia Wolf - Surfing On Wind
10
Patricia Wolf - Echoes Through Time
11
Patricia Wolf - I'll Take Care Of You
Balmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.
Hrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.
Wolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.
But Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.
Artist’s Statement:
Edward and I have been friends for years, but we really started to get to know one another better after I hired him to make music videos for my songs “Woodland Encounter” and “The Culmination Of.” For those projects we got to spend a lot of time hiking in various locations around the Pacific Northwest with his camera, very nice lenses, and tripod. Keeping quiet, hidden, and vigilant we searched for wildlife, good light on the trees, meadows, lakes, rivers, and skies. Edward was already an appreciator of my music and I was already in awe of his filmmaking talents so it felt like a great fit. Although we work in different areas of art our styles compliment one another. We both tend toward slow and careful pacing, with a focus on emotion and introspective reflections on life and the landscapes around us. For this reason, Iknew that I could trust Edward to create videos for my music. We saw so many beautiful and unexpected things on our filming days, but I was moved to tears once I saw how magnificent and poetic it all was. His video work from the cinematography, to the editing, and color correction helped bring my inner vision to life.
A few months after that, Edward surprised me with an invitation to work on the soundtrack for his new film, Hrafnamynd. I enthusiastically said yes. I had always wanted to work on a film, and I knew that his filmmaking style would be inspiring to write music for. I had recently acquired an UDO Super 6 synthesizer but hadn't used it much. I decided that this would be the synth that I'd use for the film. It has the ability to sound very modern, but can also sound so warm and fuzzy, like a synth from the 1970s. It turned out to be the perfect instrument for this project as the film itself straddles time from the ’70s to today.
When Edward sent me the rough cut of the film, he used placeholder music to help give me an idea of the emotion and energy that he was hoping to achieve for each scene. For many of the scenes, Edward used music from my albums as temporary tracks. This told me that he trusted my work and style and therefore I should just trust my intuition with how to proceed. I wanted to make sure that everything that I made was a direct reflection of what was happening on screen, a mirror of its emotion and energy so people could really lock into the film psychologically. This process took my composing to unexpected places—like being led by a strange cat or a raven that seemed to have something to show me. I found that the approach made the music so much more dynamic than my usual style. I really enjoyed being influenced by the action and dialog on the screen. Thankfully, Edward was very happy with the work. I made sure to handle this project with the utmost care because this is about his life and his family, and an exploration of the experiences that made him an artist and filmmaker. While watching the film many times over, I found myself thinking about my own family and my early memories with them and how the place where I grew up has influenced who I have become. I found that his film invites the viewer to reflect on their own lives in a similar way. I hope that this music and film can guide others to contemplate on the history of their beingness and the people and places that shaped them.
Another aspect to this project is the splendor and wonder of Iceland itself. I had the opportunity to visit Iceland for the first time in 2023. I got to play a show there for the Extreme Chill Festival and met many friendly and brilliant Icelanders. I also got to collect field recordings that I used in the film. It's a fascinating place and culture that easily captures the hearts and imaginations of anyone who visits. Whether you spend your time in the city immersed in its impressive arts scene, or venture out into the wilderness to behold its wondrous landscape, it will leave a lasting impression. The soundtrack is also a love letter to Iceland itself.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Hrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.
Wolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.
But Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.
Artist’s Statement:
Edward and I have been friends for years, but we really started to get to know one another better after I hired him to make music videos for my songs “Woodland Encounter” and “The Culmination Of.” For those projects we got to spend a lot of time hiking in various locations around the Pacific Northwest with his camera, very nice lenses, and tripod. Keeping quiet, hidden, and vigilant we searched for wildlife, good light on the trees, meadows, lakes, rivers, and skies. Edward was already an appreciator of my music and I was already in awe of his filmmaking talents so it felt like a great fit. Although we work in different areas of art our styles compliment one another. We both tend toward slow and careful pacing, with a focus on emotion and introspective reflections on life and the landscapes around us. For this reason, Iknew that I could trust Edward to create videos for my music. We saw so many beautiful and unexpected things on our filming days, but I was moved to tears once I saw how magnificent and poetic it all was. His video work from the cinematography, to the editing, and color correction helped bring my inner vision to life.
A few months after that, Edward surprised me with an invitation to work on the soundtrack for his new film, Hrafnamynd. I enthusiastically said yes. I had always wanted to work on a film, and I knew that his filmmaking style would be inspiring to write music for. I had recently acquired an UDO Super 6 synthesizer but hadn't used it much. I decided that this would be the synth that I'd use for the film. It has the ability to sound very modern, but can also sound so warm and fuzzy, like a synth from the 1970s. It turned out to be the perfect instrument for this project as the film itself straddles time from the ’70s to today.
When Edward sent me the rough cut of the film, he used placeholder music to help give me an idea of the emotion and energy that he was hoping to achieve for each scene. For many of the scenes, Edward used music from my albums as temporary tracks. This told me that he trusted my work and style and therefore I should just trust my intuition with how to proceed. I wanted to make sure that everything that I made was a direct reflection of what was happening on screen, a mirror of its emotion and energy so people could really lock into the film psychologically. This process took my composing to unexpected places—like being led by a strange cat or a raven that seemed to have something to show me. I found that the approach made the music so much more dynamic than my usual style. I really enjoyed being influenced by the action and dialog on the screen. Thankfully, Edward was very happy with the work. I made sure to handle this project with the utmost care because this is about his life and his family, and an exploration of the experiences that made him an artist and filmmaker. While watching the film many times over, I found myself thinking about my own family and my early memories with them and how the place where I grew up has influenced who I have become. I found that his film invites the viewer to reflect on their own lives in a similar way. I hope that this music and film can guide others to contemplate on the history of their beingness and the people and places that shaped them.
Another aspect to this project is the splendor and wonder of Iceland itself. I had the opportunity to visit Iceland for the first time in 2023. I got to play a show there for the Extreme Chill Festival and met many friendly and brilliant Icelanders. I also got to collect field recordings that I used in the film. It's a fascinating place and culture that easily captures the hearts and imaginations of anyone who visits. Whether you spend your time in the city immersed in its impressive arts scene, or venture out into the wilderness to behold its wondrous landscape, it will leave a lasting impression. The soundtrack is also a love letter to Iceland itself.
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Germany
Contact: [email protected]More
Label:LPLX
Cat-No:LPLX02
Release-Date:05.12.2025
Genre:Electronic, Electronica
Configuration:12"
Barcode:5050580861800
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Label:LPLX
Cat-No:LPLX02
Release-Date:05.12.2025
Genre:Electronic, Electronica
Configuration:12"
Barcode:5050580861800
1
Lapalux - Crushmod
2
Lapalux - DPO Melt
3
Lapalux - How The Land Became Plastic
4
Lapalux - Bias Angel
Lapalux (Stuart Howard) is a UK-based experimental electronic music producer known for his emotionally charged sound design, intricate textures, and immersive sonic storytelling. With releases on Brainfeeder and widespread critical acclaim, Lapalux has built a loyal global following and earned consistent airplay on BBC Radio 1, BBC 6 Music, and NTS. His work has been championed by DJs including Mary Anne Hobbs, Benji B, and Tom Ravenscroft, and praised by outlets such as The Guardian, Resident Advisor, XLR8R, and Clash. Lapalux's music occupies a unique space between IDM, ambient, and leftfield electronica — rich in atmosphere, detail, and feeling.On the Grid is Lapalux's latest EP — a deeply intricate, hardware-driven exploration of rhythm and emotion that fuses fragmented IDM with warm analogue tones and deep dynamics. The EP showcases Lapalux's continued evolution as a producer, balancing intricate sound design with powerful melodic undercurrents. It follows years of refinement in the studio, drawing on his signature use of modular synthesis, Digital and analogue hardware and organic imperfections. With a limited vinyl pressing and strong fan demand, On the Grid stands as a key release in Lapalux's catalogue and a compelling addition to any store's forward-thinking electronic selection.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Mudline
Cat-No:MUDL002
Release-Date:06.06.2025
Genre:HipHop / Beats
Configuration:12"
Barcode:
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Label:Mudline
Cat-No:MUDL002
Release-Date:06.06.2025
Genre:HipHop / Beats
Configuration:12"
Barcode:
1
Leo Gibbon - Orbit Step Ft. Trim
2
Leo Gibbon - Orbit Step Instrumental
3
Leo Gibbon - Trim Acapella
4
Leo Gibbon - Danny And Darren
5
Leo Gibbon - Danny And Darren Instrumental
Second offering from Leo Gibbon’s MUDLINE imprint sees the producer reunite with grime’s perennial wild card, Trim, for a two-sided pressure test that flexes both restraint and raw power in equal measure.
On Side A – Orbit Step, Gibbon leans into the emotive end of the 140 spectrum — all reflective pads, sci-fi shimmer, and subbed-out swing — with Trim delivering a rare, inward-facing performance. It’s grime as meditation, anchored by subtle tek textures and lyrical ambiguity. The accompanying acapella, exclusive to the vinyl, is a potent bonus.
Side B – Danny and Darren flips the script entirely. It’s a no-frills, floor-ready juggernaut — grime at its most ballistic. Trim in full yardman mode here, riding the riddim with relentless intent. It’s sweaty, chaotic, made for late sets and soundsystem abuse.
Instrumentals included on both sides, giving extra room for exploration and dubplate mischief.
A bold second chapter from MUDLINE, Orbit Step builds on the promise of Happy Lovers and underlines Gibbon’s growing prowess in crafting versatile 140 tools with personality — while Trim, as ever, shapeshifts with ease.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On Side A – Orbit Step, Gibbon leans into the emotive end of the 140 spectrum — all reflective pads, sci-fi shimmer, and subbed-out swing — with Trim delivering a rare, inward-facing performance. It’s grime as meditation, anchored by subtle tek textures and lyrical ambiguity. The accompanying acapella, exclusive to the vinyl, is a potent bonus.
Side B – Danny and Darren flips the script entirely. It’s a no-frills, floor-ready juggernaut — grime at its most ballistic. Trim in full yardman mode here, riding the riddim with relentless intent. It’s sweaty, chaotic, made for late sets and soundsystem abuse.
Instrumentals included on both sides, giving extra room for exploration and dubplate mischief.
A bold second chapter from MUDLINE, Orbit Step builds on the promise of Happy Lovers and underlines Gibbon’s growing prowess in crafting versatile 140 tools with personality — while Trim, as ever, shapeshifts with ease.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
7" Excl
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Label:Tramp Records
Cat-No:TR-344
Release-Date:06.03.2026
Genre:Soul/Funk
Configuration:7" Excl
Barcode:5050580842892
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Last in:30.04.2026
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Label:Tramp Records
Cat-No:TR-344
Release-Date:06.03.2026
Genre:Soul/Funk
Configuration:7" Excl
Barcode:5050580842892
1
4 DIMENSIONS - Hipper Snapper
2
4 DIMENSIONS - 10 O'Clock Soul Meeting
Only Europe excl UK!
Monstrous deep funk 45 of the highest order! "Hipper Snapper" was recently comped on the highly acclaimed Movements series.
- re-issue of an ultra rare deep funk 45
- strictly limited pressing
A. Hipper Snapper
B. 10 O'Clock Soul Meeting
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Monstrous deep funk 45 of the highest order! "Hipper Snapper" was recently comped on the highly acclaimed Movements series.
- re-issue of an ultra rare deep funk 45
- strictly limited pressing
A. Hipper Snapper
B. 10 O'Clock Soul Meeting
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Still Music
Cat-No:STILLM044
Release-Date:06.03.2026
Genre:Chicago House
Configuration:12"
Barcode:
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Label:Still Music
Cat-No:STILLM044
Release-Date:06.03.2026
Genre:Chicago House
Configuration:12"
Barcode:
1
Merle - Fannie Likes 2 Dance
2
Merle - Fannie Likes 2 Dance Pulse Remix
3
Merle - Mimi Likes 2 Dance
Chicago deep house pioneer Merwyn “Merle” Sanders needs no introduction to true heads.As one half of the legendary Virgo Four (alongside Eric Lewis) and under a slew of aliases, Merwyn helped shape the sound of late ’80s deep and acid house. Their records, now considered foundational, continue to echo across dancefloors and DJ sets worldwide.In the late ’90s, after years of trying to release more material through Trax Records, Merwyn took matters into his own hands. He self-produced his first 12” under the Merle alias — a record that sadly flew under the radar at the time, with most copies eventually destroyed. But one track survived and thrived: “Fannie Likes 2 Dance.” What started as a quiet release became an underground classic, highly sought after by DJs and collectors alike.
Now, Still Music and Jerome Derradji proudly present the full reissue of this cult favorite — featuring the two original mixes along with a never-before-heard unreleased remix by Merle himself.
This special edition comes housed in a full sleeve, complete with a detailed backstory written by Jerome Derradji about the track’s origins and legacy. A true slice of Chicago house history, back where it belongs — on wax.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Now, Still Music and Jerome Derradji proudly present the full reissue of this cult favorite — featuring the two original mixes along with a never-before-heard unreleased remix by Merle himself.
This special edition comes housed in a full sleeve, complete with a detailed backstory written by Jerome Derradji about the track’s origins and legacy. A true slice of Chicago house history, back where it belongs — on wax.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Balmat
Cat-No:BALMAT18
Release-Date:10.10.2025
Configuration:LP
Barcode:4062548117042
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Label:Balmat
Cat-No:BALMAT18
Release-Date:10.10.2025
Configuration:LP
Barcode:4062548117042
1
Ida Urd & Ingri Høyland - Melting Cubes
2
Ida Urd & Ingri Høyland - Duvet
3
Ida Urd & Ingri Høyland - Peaches
4
Ida Urd & Ingri Høyland - Woe
5
Ida Urd & Ingri Høyland - Nest
6
Ida Urd & Ingri Høyland - Show Hide
7
Ida Urd & Ingri Høyland - Chamber
8
Ida Urd & Ingri Høyland - Sono
The Danish/Norwegian duo of Ida Urd and Ingri Høyland believe that music is an extension of one’s immediate sensory environment. Duvet, their collaborative full-length debut, explores the way that creating sounds together is intertwined with various quotidian actions: establishing surroundings, rearranging furniture, moving towards the light, collecting flowers or other objects for aesthetic and sensuous impulses. Through a quiet and attentive process, music becomes a way of nurturing space: a soft architecture for play, writing, care, or simply rest.
Sonically, Duvet feels like an extension of Høyland’s last album, 2023’s Ode to Stone, which also featured Urd along with ambient musician Sofie Birch and visual artist Lea Guldditte Hestelund. But where that album, created in response to an open call for work themed around Denmark’s national parks, suggested rolling landscapes and endless horizons, Duvet turns inward, countering chill winds with glowing warmth. Its eight tracks seek a balance between abstraction and melody, intention and happenstance.
“We had a truly inspiring and rewarding process working with Birk Gjerlufsen Nielsen from Vanessa Amara, who co-produced and mixed the album with us,” Ingri adds. “He approached the material with great care and sensitivity, while also bringing his own distinct presence and creativity into the sound.”
Høyland and Urd both studied at the Rhythmic Music Conservatory in Copenhagen, which has turned out many acclaimed artists over the past few years, including Erica de Casier, Astrid Sonne, and Smerz. Over many years, the two composers have developed a collaborative method based on connection and trust. A practice, they write, “where composing, or rather suggesting, sounds and melodies for one another is a way of carefully talking, mending emotions and obstacles. Saying yes to one another. The compositional space becomes a nest for entangling whatever emotions, thoughts, or barriers one of the composers brings to the given day or moment.”
Quiet and contemplative, Duvet is simple on the surface but rich in timbral, textural, and emotional complexity. Høyland and Urd sourced their sounds from an array of instruments and techniques—electronic devices, modules, pedals, and also electroacoustic treatments of various wind instruments.
Mixing primarily through analog tape units added further mystery and depth, weaving together wordless voices and unknown sounds—breathing, rustling, perhaps the coppery gleam of Urd’s electric bass—into a dynamic matrix. Like a nest, pull one twig and the whole thing unravels.
In the winter of 2023, Ingri Høyland and Ida Urd retreated to a summer house along the coast to create the album. Picture the scene: an abiding quiet all around. Gardens carpeted by snow; beach grass silvery against the silvery sky; a tendril of smoke rising from the chimney. Not another soul in earshot. This sanctuary was the perfect setting to yield this meditation on shelter, trust, and communication. The two composers hope the album can be a similar space for others—a temporary space of residence, it can represent a summerhouse, a cabin in the woods, your favorite bench or wherever you need to go. “The album also works really well when picking out apples in the supermarket” Urd laughs.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sonically, Duvet feels like an extension of Høyland’s last album, 2023’s Ode to Stone, which also featured Urd along with ambient musician Sofie Birch and visual artist Lea Guldditte Hestelund. But where that album, created in response to an open call for work themed around Denmark’s national parks, suggested rolling landscapes and endless horizons, Duvet turns inward, countering chill winds with glowing warmth. Its eight tracks seek a balance between abstraction and melody, intention and happenstance.
“We had a truly inspiring and rewarding process working with Birk Gjerlufsen Nielsen from Vanessa Amara, who co-produced and mixed the album with us,” Ingri adds. “He approached the material with great care and sensitivity, while also bringing his own distinct presence and creativity into the sound.”
Høyland and Urd both studied at the Rhythmic Music Conservatory in Copenhagen, which has turned out many acclaimed artists over the past few years, including Erica de Casier, Astrid Sonne, and Smerz. Over many years, the two composers have developed a collaborative method based on connection and trust. A practice, they write, “where composing, or rather suggesting, sounds and melodies for one another is a way of carefully talking, mending emotions and obstacles. Saying yes to one another. The compositional space becomes a nest for entangling whatever emotions, thoughts, or barriers one of the composers brings to the given day or moment.”
Quiet and contemplative, Duvet is simple on the surface but rich in timbral, textural, and emotional complexity. Høyland and Urd sourced their sounds from an array of instruments and techniques—electronic devices, modules, pedals, and also electroacoustic treatments of various wind instruments.
Mixing primarily through analog tape units added further mystery and depth, weaving together wordless voices and unknown sounds—breathing, rustling, perhaps the coppery gleam of Urd’s electric bass—into a dynamic matrix. Like a nest, pull one twig and the whole thing unravels.
In the winter of 2023, Ingri Høyland and Ida Urd retreated to a summer house along the coast to create the album. Picture the scene: an abiding quiet all around. Gardens carpeted by snow; beach grass silvery against the silvery sky; a tendril of smoke rising from the chimney. Not another soul in earshot. This sanctuary was the perfect setting to yield this meditation on shelter, trust, and communication. The two composers hope the album can be a similar space for others—a temporary space of residence, it can represent a summerhouse, a cabin in the woods, your favorite bench or wherever you need to go. “The album also works really well when picking out apples in the supermarket” Urd laughs.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Label:ECHO LTD
Cat-No:ECHOLTD013
Release-Date:18.07.2025
Genre:Dub/Reggae
Configuration:12"
Barcode:
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Label:ECHO LTD
Cat-No:ECHOLTD013
Release-Date:18.07.2025
Genre:Dub/Reggae
Configuration:12"
Barcode:
1
SND & RTN - The Mole
2
SND & RTN - The Vacuum of Space
3
SND & RTN - Rhudaur
4
SND & RTN - Noise Factory
Tracklisting
A1 SND & RTN - The Mole
A2 SND & RTN - The Vacuum of Space
B1 SND & RTN - Rhudaur
B2 SND & RTN - Noise Factory
Sales Note
ECHOLTD013: Mastered on a reel to reel tape machine cut on 12" 180g Gold marbled vinyl.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 SND & RTN - The Mole
A2 SND & RTN - The Vacuum of Space
B1 SND & RTN - Rhudaur
B2 SND & RTN - Noise Factory
Sales Note
ECHOLTD013: Mastered on a reel to reel tape machine cut on 12" 180g Gold marbled vinyl.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Wood White Sessions
Cat-No:WWS01
Release-Date:12.12.2025
Genre:Dub/Reggae
Configuration:LP Excl
Barcode:
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Label:Wood White Sessions
Cat-No:WWS01
Release-Date:12.12.2025
Genre:Dub/Reggae
Configuration:LP Excl
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1
Another Channel - Jah Will Be There Feat. Prince Morella
2
Another Channel - Satta
3
Another Channel - You & I Feat. Prince Morella
4
Another Channel - Fever Dub
5
Another Channel - Wa Dub Feat. Prince Morella
6
Another Channel - Pollux Feat. Masis
7
Another Channel - Augsburg Walk
8
Another Channel - Axis Feat. Yassin Omidi
Repress coming end of january/beginning of february!
LP non-returnable!
Tracklist:
A1 Jah Will Be There feat. Prince Morella
A2 Satta
A3 You & I feat. Prince Morella
A4 Fever Dub
B1 Wa Dub feat. Prince Morella
B2 Pollux feat. Masis
B3 Augsburg Walk
B4 Axis feat. Yassin Omidi
Wood White Sessions is the new imprint from Sushitech Records.
As the main label celebrates its 20th anniversary, we've decided to launch a new sister label dedicated to a more laid-back, home listening sound, still deeply rooted in the spirit of our family of artists and close friends.
Wood White Sessions will focus primarily on albums from our core artists and close collaborators, all framed within the sonic identity of the Sushitech universe.
Our first release comes from long-time friend and collaborator Another Channel, a true master of dub, presenting a beautifully crafted new LP. This immersive journey of 8 dub tracks features collaborations with Prince Morella, Masis and Yassin Omidi.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP non-returnable!
Tracklist:
A1 Jah Will Be There feat. Prince Morella
A2 Satta
A3 You & I feat. Prince Morella
A4 Fever Dub
B1 Wa Dub feat. Prince Morella
B2 Pollux feat. Masis
B3 Augsburg Walk
B4 Axis feat. Yassin Omidi
Wood White Sessions is the new imprint from Sushitech Records.
As the main label celebrates its 20th anniversary, we've decided to launch a new sister label dedicated to a more laid-back, home listening sound, still deeply rooted in the spirit of our family of artists and close friends.
Wood White Sessions will focus primarily on albums from our core artists and close collaborators, all framed within the sonic identity of the Sushitech universe.
Our first release comes from long-time friend and collaborator Another Channel, a true master of dub, presenting a beautifully crafted new LP. This immersive journey of 8 dub tracks features collaborations with Prince Morella, Masis and Yassin Omidi.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
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Label:Circus Company
Cat-No:ccs138
Release-Date:20.03.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804183413
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Label:Circus Company
Cat-No:ccs138
Release-Date:20.03.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804183413
1
Rejoicer feat. Sam Wilkes & Tamir Barzil - A1. A traveling Light
2
Rejoicer feat. Sam Wilkes & Tamir Barzil - A2 - Ritual in G
3
Rejoicer feat. Sam Wilkes & Tamir Barzil - A3. Lion Water (feat. Avishai Cohen)
4
Rejoicer feat. Sam Wilkes & Tamir Barzil - A4. Grace Was Happy (I Found Nothing)
5
Rejoicer feat. Sam Wilkes & Tamir Barzil - A5. Further (with you) (feat. Nitai Hershkovits)
6
Rejoicer feat. Sam Wilkes & Tamir Barzil - B1. Handle with Care (Ice-Cream)
7
Rejoicer feat. Sam Wilkes & Tamir Barzil - B2. Southern Cross
8
Rejoicer feat. Sam Wilkes & Tamir Barzil - B3. Her Hair in the Air (Sahtain)
9
Rejoicer feat. Sam Wilkes & Tamir Barzil - B4. Early Porpoises
10
Rejoicer feat. Sam Wilkes & Tamir Barzil - B5. Oceanic Friends
LP
Genre : Electronic - Downtempo - Jazz
Tracklist :
A1. A traveling Light - A2 - Ritual in G# - A3. Lion Water (feat. Avishai Cohen) - A4. Grace Was
Happy (I Found Nothing) - A5. Further (with you) (feat. Nitai Hershkovits) - B1. Handle with Care
(Ice-Cream) - B2. Southern Cross - B3. Her Hair in the Air (Sahtain) - B4. Early Porpoises - B5.
Oceanic Friends
Short Info :
Yuvi Havkin aka Rejoicer returns with an exceptional collaborative album, California Space Craft. On
this aptly titled record, he joins forces with seasoned LA bass polymath Sam Wilkes — known for his
inspired studio work with Sam Gendel and his dynamic live performances alongside Louis Cole and
KNOWER — and drummer Tamir Barzilay, completing the LA-connected trifecta alongside a select
handful of key featured guests.
The idea for California Space Craft was born out of a series of inspired live sessions in Los Angeles
between 2019 and 2022, notably at Listen to Music Outside in the Daylight Under a Tree, where the
trio’s natural chemistry first began to bloom.
The resulting recordings encompass a wide variety of inspired sound stylings, as one would expect from
any of these accomplished artists on their own; however, the sum is truly greater than the parts here,
with the fluidity of their freeform improvisations over a dedicated three-day recording session feeling
remarkably focused as a cohesive whole.
Opening track “Traveling Light” sets the LP’s tone with equal parts Sly & Robbie-style, space echo–
drenched rhythms and the cozy kosmische, guitar-led feel of early-2000s genre-fluid explorers like
Tortoise. As we continue on to “Ritual in G#,” we are reminded that this is indeed a unique and timeless
sonic space the trio has created, as Havkin’s crisp Rhodes chords anchor an ever-evolving psychedelic
sound bed.
The soaring trumpet of Avishai Cohen adorns the Afrobeat-indebted “Lion Water,” with Barzilay laying
down a proper Allen-esque groove, while “Further (with you),” featuring Nitai Hershkovits on keys, offers
a defining look at the titular concept of the album — with pure Cali feels coalescing effortlessly into sciNew Release Information
fi narrative modes and a proper dose of Rejoicer futurism. Elsewhere, “Her Hair in the Air” shines with
fresh polyrhythmic intention, illustrating the balanced bond between the three collaborators at their
conversational peak, and the brisk synth strokes of “Early Porpoises,” alongside LP closer “Oceanic
Friends” — again ideally named — double as a grand, in-stereo ride into the blissful Pacific sunset
horizon.
California Space Craft embodies the power of open, collective intention and musical kinship, offering
memorable, uplifting moments and an aural glimpse of hope, warmth, and loving melodious calm in an
otherwise quite chaotic time for humanity.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre : Electronic - Downtempo - Jazz
Tracklist :
A1. A traveling Light - A2 - Ritual in G# - A3. Lion Water (feat. Avishai Cohen) - A4. Grace Was
Happy (I Found Nothing) - A5. Further (with you) (feat. Nitai Hershkovits) - B1. Handle with Care
(Ice-Cream) - B2. Southern Cross - B3. Her Hair in the Air (Sahtain) - B4. Early Porpoises - B5.
Oceanic Friends
Short Info :
Yuvi Havkin aka Rejoicer returns with an exceptional collaborative album, California Space Craft. On
this aptly titled record, he joins forces with seasoned LA bass polymath Sam Wilkes — known for his
inspired studio work with Sam Gendel and his dynamic live performances alongside Louis Cole and
KNOWER — and drummer Tamir Barzilay, completing the LA-connected trifecta alongside a select
handful of key featured guests.
The idea for California Space Craft was born out of a series of inspired live sessions in Los Angeles
between 2019 and 2022, notably at Listen to Music Outside in the Daylight Under a Tree, where the
trio’s natural chemistry first began to bloom.
The resulting recordings encompass a wide variety of inspired sound stylings, as one would expect from
any of these accomplished artists on their own; however, the sum is truly greater than the parts here,
with the fluidity of their freeform improvisations over a dedicated three-day recording session feeling
remarkably focused as a cohesive whole.
Opening track “Traveling Light” sets the LP’s tone with equal parts Sly & Robbie-style, space echo–
drenched rhythms and the cozy kosmische, guitar-led feel of early-2000s genre-fluid explorers like
Tortoise. As we continue on to “Ritual in G#,” we are reminded that this is indeed a unique and timeless
sonic space the trio has created, as Havkin’s crisp Rhodes chords anchor an ever-evolving psychedelic
sound bed.
The soaring trumpet of Avishai Cohen adorns the Afrobeat-indebted “Lion Water,” with Barzilay laying
down a proper Allen-esque groove, while “Further (with you),” featuring Nitai Hershkovits on keys, offers
a defining look at the titular concept of the album — with pure Cali feels coalescing effortlessly into sciNew Release Information
fi narrative modes and a proper dose of Rejoicer futurism. Elsewhere, “Her Hair in the Air” shines with
fresh polyrhythmic intention, illustrating the balanced bond between the three collaborators at their
conversational peak, and the brisk synth strokes of “Early Porpoises,” alongside LP closer “Oceanic
Friends” — again ideally named — double as a grand, in-stereo ride into the blissful Pacific sunset
horizon.
California Space Craft embodies the power of open, collective intention and musical kinship, offering
memorable, uplifting moments and an aural glimpse of hope, warmth, and loving melodious calm in an
otherwise quite chaotic time for humanity.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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