1
Gateway Shuffle - Snapping
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Gateway Shuffle - Green Tribute
3
Gateway Shuffle - Way Of Grace
4
Gateway Shuffle - Digital Lifeline
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Gateway Shuffle - Vanishing Tides
Repress!
OS002 is an emotional 5-track EP by Alexander Folonari aka 'Gateway Shuffle' stuffed with lush mid-tempo balearic pop and slow bubbling acid club music. Written and recorded in the Italian countryside of Chianti in late 2019. More
OS002 is an emotional 5-track EP by Alexander Folonari aka 'Gateway Shuffle' stuffed with lush mid-tempo balearic pop and slow bubbling acid club music. Written and recorded in the Italian countryside of Chianti in late 2019. More
More records from Open Space
1
Puli - Ramona
2
Puli - Havana Jam
3
Puli - Cloudy
4
Puli - Leech Seed Dub
5
Puli - Bongo Springs
6
Puli - Swirling
7
Puli - Captain & Steve
8
Puli - C.S.B
Open Space is proud to present our first ever full-length LP by LA’s newest 3-man band, Puli. Some words from our dear friend Matt McDermott below:
In recent years, a cadre of musicians from the east side of Los Angeles have reestablished the city of angels as the first city of Balearica. Alex Ho’s “Move Through It” followed in the lumbering footsteps of Project Sandro’s “Blazer.” Now, there’s a new landmark for the floating west coast sound. Swirling, the first album from LA supergroup Puli.
If you’ve got your ear to the ground you know the names involved here. Drummer and producer Damon Palermo’s pedigree stretches back a good 15 years or so, starting off with dub punks Mi Ami. Phil Cho is one of the busiest DJs, musicians and advocates for the deep stuff in LA, throwing legendary hillside parties under the Third Place banner. John Jones, the preternaturally talented guitarist and electronic tinkerer, records as AV Moves, is a key member of the Suzanne Kraft and Baba Stiltz live configurations and plays in The Trilogy Tapes-affiliated act Geo Rip.
But this listing of personnel and credentials puts too fine a point on it. Puli are three close friends who go to parties, DJ and get tacos together, repairing to their Chinatown studio a few times a week and coming out with remarkably textured, idiosyncratic downtempo jams. Building off the solid foundation of their 7-inch of heavyweight dubs for Melbourne’s Constant Delay, Swirling is an exploration of new horizons in chill out.
“Ramona” acts a statement of purpose—with halftime/double-time dub-tinged rhythms, hazy yet bright synth motifs and atmospheric guitar from Jones, not terribly far from the expansive approach of Japanese dub aesthetes Pecker. “Cloudy,” meanwhile, is a sort of deconstructed and bittersweet Balearic pop featuring Cho’s ethereal vocals. “Bongo Springs” is steppers’ house not far from close LA peer Benedek or the Mood Hut crew up north.
But what truly sets this record apart is the space and layers in the production—while it’s nominally an electronic record, Puli is a band that has slowly crafted these songs in the rehearsal space. “Havana Jam” cruises along a sliding roundwound bass guitar take with dubby chords and textural guitars. Palermo’s hand drums and live percussion enmesh perfectly with icy pads on “Leech Seed Dub.” Cho is back on the mic for the gorgeous closer, “C.S.B.”, underpinned by breakbeat and trunk-rattling sub bass. Puli doesn’t sound like anyone else, and is ultimately reflective of the city itself. Listening to Swirling feels like navigating a warren of side streets in the eternal sunshine. Take the drive and dive. More
In recent years, a cadre of musicians from the east side of Los Angeles have reestablished the city of angels as the first city of Balearica. Alex Ho’s “Move Through It” followed in the lumbering footsteps of Project Sandro’s “Blazer.” Now, there’s a new landmark for the floating west coast sound. Swirling, the first album from LA supergroup Puli.
If you’ve got your ear to the ground you know the names involved here. Drummer and producer Damon Palermo’s pedigree stretches back a good 15 years or so, starting off with dub punks Mi Ami. Phil Cho is one of the busiest DJs, musicians and advocates for the deep stuff in LA, throwing legendary hillside parties under the Third Place banner. John Jones, the preternaturally talented guitarist and electronic tinkerer, records as AV Moves, is a key member of the Suzanne Kraft and Baba Stiltz live configurations and plays in The Trilogy Tapes-affiliated act Geo Rip.
But this listing of personnel and credentials puts too fine a point on it. Puli are three close friends who go to parties, DJ and get tacos together, repairing to their Chinatown studio a few times a week and coming out with remarkably textured, idiosyncratic downtempo jams. Building off the solid foundation of their 7-inch of heavyweight dubs for Melbourne’s Constant Delay, Swirling is an exploration of new horizons in chill out.
“Ramona” acts a statement of purpose—with halftime/double-time dub-tinged rhythms, hazy yet bright synth motifs and atmospheric guitar from Jones, not terribly far from the expansive approach of Japanese dub aesthetes Pecker. “Cloudy,” meanwhile, is a sort of deconstructed and bittersweet Balearic pop featuring Cho’s ethereal vocals. “Bongo Springs” is steppers’ house not far from close LA peer Benedek or the Mood Hut crew up north.
But what truly sets this record apart is the space and layers in the production—while it’s nominally an electronic record, Puli is a band that has slowly crafted these songs in the rehearsal space. “Havana Jam” cruises along a sliding roundwound bass guitar take with dubby chords and textural guitars. Palermo’s hand drums and live percussion enmesh perfectly with icy pads on “Leech Seed Dub.” Cho is back on the mic for the gorgeous closer, “C.S.B.”, underpinned by breakbeat and trunk-rattling sub bass. Puli doesn’t sound like anyone else, and is ultimately reflective of the city itself. Listening to Swirling feels like navigating a warren of side streets in the eternal sunshine. Take the drive and dive. More
1
Goiz - That's Green
2
Goiz - Mid Pack
3
Goiz - Zero Cap
4
Goiz - Woods
Big repress of the classic from Goiz
300 copies only!
Open Space is an exciting new label run by DJ Ray & Goiz. It’s inaugural release sees Goiz taking steps in a fresh direction with a 4 track EP made up mostly of slower tempos, intricate percussive patterns, and an underwater acid feel that’s reminiscent of Plastikman and early Move D.
The A1 cut, ‘That’s Green’ starts with a hot marimba line that is sure to grip your attention from the jump. The track bounces along at 109 bpm and opens up with warm ambience, trippy electric guitar samples, and a chunky electro-acid bassline that is guaranteed to make clubs bump and heads nod.
On the A2 is ‘Mid Pack’ a 100 bpm tribal aquatic trip for the dedicated downtempo deejay. This triplet-heavy rhythm track comes at you with a flurry of percussion, perfectly timed bleep melodies, and a squelchy acid bassline with an early Move D B-Side vibe.
Heading over to the flipside, the B1 track, ‘Zero Cap’ is likely to be a dancefloor favorite. This elastic-sticky-slapper almost demands a physical response with it’s sharp snare hits, driving bassline, and chopped quasi-vocal snips; all leading to a satisfying pay-off in the form of warm pads and floating marimba notes.
Finally, on the B2 we see the closing and fastest track, ‘Woods’ — An optimistic digi dream house bumper inspired by the sounds of CiM and Susumu Yokota. The track starts with a wide, hopeful ambient pad and microscopic drum sounds, quickly swelling into a racy but soothing 8 minute brain massage.
Early DJ support by: Will DiMaggio, Pender Street Steppers, Beesmunt Soundsystem, Lauren Hansom, Jen Ferrer, Liluzu, DJ Klapsalon, Markus Sommer, Masha, Total Stasis, Greg Beato More
300 copies only!
Open Space is an exciting new label run by DJ Ray & Goiz. It’s inaugural release sees Goiz taking steps in a fresh direction with a 4 track EP made up mostly of slower tempos, intricate percussive patterns, and an underwater acid feel that’s reminiscent of Plastikman and early Move D.
The A1 cut, ‘That’s Green’ starts with a hot marimba line that is sure to grip your attention from the jump. The track bounces along at 109 bpm and opens up with warm ambience, trippy electric guitar samples, and a chunky electro-acid bassline that is guaranteed to make clubs bump and heads nod.
On the A2 is ‘Mid Pack’ a 100 bpm tribal aquatic trip for the dedicated downtempo deejay. This triplet-heavy rhythm track comes at you with a flurry of percussion, perfectly timed bleep melodies, and a squelchy acid bassline with an early Move D B-Side vibe.
Heading over to the flipside, the B1 track, ‘Zero Cap’ is likely to be a dancefloor favorite. This elastic-sticky-slapper almost demands a physical response with it’s sharp snare hits, driving bassline, and chopped quasi-vocal snips; all leading to a satisfying pay-off in the form of warm pads and floating marimba notes.
Finally, on the B2 we see the closing and fastest track, ‘Woods’ — An optimistic digi dream house bumper inspired by the sounds of CiM and Susumu Yokota. The track starts with a wide, hopeful ambient pad and microscopic drum sounds, quickly swelling into a racy but soothing 8 minute brain massage.
Early DJ support by: Will DiMaggio, Pender Street Steppers, Beesmunt Soundsystem, Lauren Hansom, Jen Ferrer, Liluzu, DJ Klapsalon, Markus Sommer, Masha, Total Stasis, Greg Beato More
1
EZ Dee - Hydroplane
2
EZ Dee - Myco File
3
EZ Dee - Big Ghost
4
EZ Dee - Plastic Baby
LIVE & DIRECT from Miami Beach, FL… EZ Dee weaves together a fine-tuned contemporary fusion of classic dance music influences ranging from bassline-driven proto-house, deep slick electro, downtempo club music & plenty of acid…
You may recognise his signature touch from our Club Tools Vol.2 12” where he was featured as Bong Soup… an alter-ego lurking deep within the depths of Villa D’Otto
Keep your eyes and ears peeled for more from this cat… he’s only just getting started.. More
You may recognise his signature touch from our Club Tools Vol.2 12” where he was featured as Bong Soup… an alter-ego lurking deep within the depths of Villa D’Otto
Keep your eyes and ears peeled for more from this cat… he’s only just getting started.. More
1
Mogwaa - Sin Chamba No Gana
2
Bong Soup - Dr. Eggman
3
Will Dimaggio - Yep Yeep (Beat)
4
Logan Sturrock - Kekschen
Open Space Club Tools is back with another versatile pack of useful machinery. Sticky drum beats and tricky rhythms for the explorative club deejay. Volume 2 features a wide range of club styles from Korean prodigy Mogwaa, Miami’s best kept secret Bong Soup, New York heavyweight Will Dimaggio, and Canadian-turned-Berliner Logan Sturrock aka FlØrist.
More