Finally: the long awaited Trentemøller debut album - maybe one of the most anticipated independent albums of the year - is ready to be released in October!The danish producer Anders Trentemøller is one of the hottest artists on the electronic circuit - the man of the moment!His 12“es broke many sales-records and he‘s been voted as the shooting star in 2005 by many reader polls.So the time is right to release his debut album The Last Resort“ - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13 instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods, „The Last Resort“ without a doubt contains Trentemøller’s best work to date. Although it’s an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. „Something I couldn’t manage with just electronica“, according to the producer. More

2022 repress

A: Mir a nero ISRC: DEMM11200019
B: Amaranthus ISRC: DEMM11200020


It's been three years since Swiss producer Michel Cleis conjured a storm with "La Mezcla", a Cadenza hit cemented into house canon as it was swiftly reissued by Strictly Rhythm, bringing the sabor latino into clubs worldwide. Some more 12"s and a number of high-profile remixes (going from tracey thorn to skunk anansie,for labels like rekids , bronswood or Aus) later, he's now teaming up with DJ Koze's crew for his next move: a colorful, crescendoing 12-minute tune that's ready to make a splash in your summer soundtrack. "Mir a Nero" begins with a steady, upbeat kick underlying a simple piano arpeggio - like if Philip Glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. By the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the track's overall organic feel, leading into the playful piano chords and colombian vocal hook. Simply put, this is Latin House with that anomalous Pampa Records swagger, drenched with flavor like Sangria-soaked mango. Flip that baby over and you get "Amaranthus", named after the famed flower that represents immortality. This piece stands as a color-negative of "Mir a Nero", an unwavering stomp with just shadows of the piano sample heard earlier. Freeze-dried rather than sun-ripened, "Amaranthus" is a dubby, more technofied counterpart to the A-Side, crafted for deeper and darker moments on the dancefloor.

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Territories: WORLD minus UK and US


2023 Repress

FORMAT 12", dl card

TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01


Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More

12“ Vinyl



GENRE/S: Electro/Techno


TRACKLISTS:
A1) Stephan Bodzin & Marc Romboy „The Alchemist“ (Marc Romboy Remix)
B1) Stephan Bodzin & Marc Romboy „The Alchemist“ (Remastered)


Reissue of Stephan Bodzin and Marc Romboy´s iconic „The alchemist“ which was released on Ralph Lawson´s legendary 20:20 Vision in 2006 and has been played by loads of jocks.

Here you find a brand new Marc Romboy remix which has been already massively supported by the likes of Laurent Garnier, Oliver Huntemann, John Digweed and Raxon and which can be considered as a, let´s say tasteful sure shot.

This powerful vinyl release is a must-have for enthusiasts of cutting-edge electronic music.



VITAL SALES POINTS:


Reissue of the 20 years old iconic Bodzin/Romboy track, with brand new Marc Romboy remix
Strictly limited vinyl (300 only)
Individual cover design by Anne-Marie Pappas Design (Hamburg) More

Tracklist:
(A1) Metal Master – Spectrum (Bart Skils & Weska Reinterpretation)
(B1) Metal Master – Spectrum (Original Mix)

Release Info:

black 12-inch vinyl + cover with rainbow silver foil

You may have already been waiting for this one. After the limited splattered one-sided vinyl edition, this 12-inch pressing comes with the remastered original mix on the B-side.

The original, the second release on the label Harthouse at the time, is an all-time classic and went down in the music history of Frankfurt. Thirty years later, the track by Sven Väth and A.C. Boutsen has not lost its shine and will certainly continue to provide goosebump moments.

Techno is all too often described as timeless but while most of it eventually evaporates into the ether, there are some riffs, melodies, and breakdowns that remain etched into our collective consciousness forever. Legendary Frankfurt label Harthouse is home to more than its fair share of such moments, but you must go all the way back to 1992, the opening strains of the Metal Master classic ‘Spectrum’ to locate the source for this special single-sided remix release.

The common denominator and catalyst to all this is of course Sven Väth, co-creator of ‘Spectrum’ and founder of both Harthouse and Cocoon Recordings, while the independent variables in the equation are Bart Skils and Weska, who lend their considerable talent and vision to this sublime makeover.

Coming on like rolling thunder, sparks fly immediately as crackling vocoder licks, silky ride cymbals and soaring arpeggios build an atmosphere taut with anticipation before giving way to that iconic melody - a love letter from Frankfurt to Ibiza, wrought from metal, drenched in distortion yet pulling at the heartstrings - the perfect soundtrack to any chemical sunrise.

It‘s a powerful re-interpretation that pays the warmest respects to the original and, despite the relentless groove, there is still room for sentimentality - an invitation to momentarily pause for thought and reflect on the journey so far as the sumptuous breakdown washes over the dance-floor. But not for long, the simmering bass line soon emerges from the euphoria and the track kicks in again, driving us forward towards a new, uncharted spectrum of possibilities.



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At the beginning of the Nineties of the last century, House music was firmly in the hands of U.S. metropolises New York, Detroit and Chicago. One of the most influential labels during that time was the Power Music branch Sex Trax, where the unforgettable "Can You Dig it?" by Mark The 909 King was released in 1994 as the first record of the new label. It was in the same year when Felix da Housecat's buddy Harrison Crump debuted with "Deep Down Inside", an almost ideal blueprint of the Chicago House sound with rather indecent lyrics, Sex Trax in the true sense of the word.
The Chicago sound has not lost its fascination in the year 2010, that's obvious in the remixes of modern Techhouse heroes Reboot and Michel Cleis, who have previously released on Cadenza, Below, Buzzin' Fly and Cocoon. The one who goes first is Frankfurt-based Frank Heinrich aka Reboot, whose almost 10-minute-long interpretation of "Deep Down Inside" is strongly focused on percussive tribal sounds and first and foremost stands for uncompromising entertainment on the dancefloor. The flipside by Michel Cleis, whose hypnotic "La Mezcla" ruled the last season in Ibiza, is more complex in the depth of its sound: with sensual quotes from a Hammond organ and a lot of sound effects on the vocal track, Cleis celebrates a form of Soul-soaked Techno Jazz, whose perfection and versatileness rather could have been expected from a producer from the likes of Carl Craig. As a digital bonus, the record contains the original version, which has been out of stock for years.
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Tracklist

A1. Playin’
A2. Bodies
B1. Feel This
B2. Call Of The Void

Partiboi69 strikes poses, chords and hot irons. Australia’s spiciest export since INXS’s front man is a sensation on many (meta-)levels. Musically, aesthetically and hedonistically exhilarating, the man’s man shows his sensitive side on Running Back. Four tracks answer the Call of the Void with a showcase of sounds and moods that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void): surprisingly serious and simultaneously not-so-serious. Composed and executed with serious songwriting skills and an uncanny feel for the aural world of Running Back Records. A mutual pleasure, indeed.

Short: Partiboi69 strikes poses, chords and hot irons. Showing his sensitive side for Running Back with four tracks that are as much informed by the rules of old school dance music (Bodies) as they draw inspiration from classic rave closing tracks (Playin’), plangent pop (Feel This) and a former new romantics band that just discovered house music pre-internet (Call of the Void). A sensation on many meta-)levels and a mutual pleasure, indeed.




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