There have been more than murmurs about Sam Alfred lately. The 22-year-old Naarm-based producer has been on quite the tear, releasing a slew of dreadnought records. Born in Egypt with a proud South Sudanese background, Sam brings a worldly essence to the Australian club landscape. already, the young producer has fashioned a distinctive energy to his sets and songwriting, one full of joy and fervour. Needless to say, folks are picking up what he’s putting down. Next up is his Suzuka EP, a bullish 4 tracker that we’re proud to emblazon with the Gallery insignia. A bundle of tunes that call to charged dancefloors and the unshackling of day-to-day stresses. Opening with force, we’re greeted by the title record ‘Suzuka’. Made up of a mean kick, euphoric synth strokes and hyper 808s, this one doesn’t let up. As beastly as ‘Suzuka’ is – there’s a warm and inviting undercurrent, an encouragement to gather your crew and party well into the wee hours. No doubt, DJs from both hemispheres will send crowds hopping mad with this bullet train. You only need to take a look at his sold-out Boiler Room HERE to see the stir this armament creates. Second, in line is ‘Salzburg’. An ode to 90’s rave culture, the track canters along with glee, full of fuzzed-out pads and a roaring vocal sample. Spliced throughout are galactic whirls that serve as perfect interludes to what’s an all-out riot. Tumbling over to the B-side, we come ear-to-ear with ‘Auckland's Groove’. Having been out since early December, this piano-laden roller continues to shine. Bringing a lovely buoyancy to the tune are squelchy kickdrums and lively sirens. A nod to Alfred’s skills in composition and ability to brew certain moods. Rounding out the body of work, ‘Lovin U’ comes into land. Defined by an enticing two-step rhythm, whirring synth play and sundry percussion, Sam signs out with serious polish. An honest and skilful interpretation of house that’s built to get people moving. Sam Alfred’s music is one of energy, celebration and satisfaction and this is an ideal ending. More

When James Pepper met Riccardo Paffetti (Black Loops) a bromance was quick to bloom. After touring the Berlin-based Italian across Australia, the two soon realised they not only loved each others company but records too. Following Black Loops maiden trip down under, the dudes stayed in touch and led to Pep crashing on Riccardo’s sofa bed for a week in Berlin. The duo went to work in the studio, brewing up some gems that were released on classy imprints Neovinyl Recordings and Haws. It was on Paffetti’s most recent trip to Oz (well before the world shutdown) that brought about their most anticipated tracks to date. Bunkering down in a Marrickville studio, the cross-continent pairing got up close and personal with some neat hardware. Experimenting with an array of compressors, a TR8 and the Elektron Analog Four MKII ‘Three Drops’ EP was born. The title track is a lively affair. A rampant message to club folk far and wide. Founded on lo-fi percussion, a crunchy kick and echoed key sections ‘Three Drops’ throws a flurry of punches. Varied combinations of electro, acid and techno rolling together just right. Here we have a welcome jab of adrenaline. You can almost visualise the duo grinning from ear-to-ear, as they bring in each piece of machinery. ‘Three Drops’ made its live debut at Pepper’s recent Boiler Room in Sydney and has since taken the interwebs by storm. Hundred’s of ID requests later and the time is right to share this gem as the clubs open back up across the globe. On the B side comes ‘Arp Love’. A frantically beautiful dose of techno. Soaring risers make way for pulsating chords and shimmering TR8 patterns, as we’re led deep into a clubby rabbit hole. In signature Black Loops style, a spoken word sample on the disappointment of love breaks the piece in two. More

Pretty Girl is in some sort of purple patch. Storming off the back of stellar releases ‘Arc’ and ‘Sun Phase’, the Naarm neophyte has officially arrived with her debut EP ‘Middle Ground’. What is now becoming somewhat of a signature, the artist lathers the debut in her very own saintly vocals. This is a four-track exposé of emotive dance music. ? The A1 ‘Arc’ sets the tone. Flexing her muscles in sound design, PG pieces together a shimmering house runner. Featuring laser-like chords and delectable drum patterns, ‘Arc’ sends you skyward. Racking up giant streaming numbers and snaring features on more than 20 Spotify Editorial playlists, this one’s an underground bullseye. ? 'Empathy’ is the next to arrive. A call and response record that walks a lovely tightrope, perfectly balanced in both vocals and production. As the name suggests, the piece is stacked with deep motif’s that act as a window into Pretty Girl’s day-to-day. Her standout vocal production to date is met with her distinctive driving percussion and melancholic chord progressions. ? Lavender’ is a sharp percussive creation and a fitting welcome to the B-side. A one-line affair that burrows deeper and deeper. Once again, showing off her prowess in production, PG plays masterfully with sub-bass and glitchy drums resulting in a stellar display of late-night audio. ? Although devoid of lyrics ‘The Only Way Is Through’, brims with feeling and is the perfect climax. Here’s a record full of hope and promise. Manipulating an array of judiciously chosen synths, PG shapes a vast interstellar space. Over the 8 minute trip, a palette of tight drum patterns come knocking, pleasantly surprising you with each visit. With time on her side, the producer gives each sonic element its moment in the spotlight. And girl do they shine! Where there is light, there is darkness and PG plays with both moods to perfection. Listen closely and you can almost hear the concentration involved in piecing this moving galaxy together. ?
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