This April will see Basic Moves inaugurate its new chill-out
sub-label Gems Under The Horizon with a split two- track
featuring Sonmi451 and Dylan Thomas Hayes.
Belgium’s Basic Moves has established itself as a go to
platform for idiosyncratic sounds in the raw house, techno and
leftfield sphere with releases from the likes of label-boss
Walrus, Circadian Rhythms, Adi and dj.booth. Now the label
launches a new off-shoot entitled Gems Under The Horizon, a
chillout division of the main label aimed to at sharing more
ambient, downtempo and mellow sounds.
With GEMS1 the label welcomes Somni451, notably known for his
work on the likes of Astral Industries, Time Released Sound
and his own self-titled imprint. Here the fellow Belgian tells
us a little about his contribution on the a-side –
"Unexpectedly, the track is based around a chord from a song
often played on the radio during the Second World War. The
sample has been manipulated - it almost feels as if the music
disappears into the mist. The title references the green flare
shot into the sky that allied bomber squadrons took as a
signal for take-off. (In case of a red light, they were to
turn their engines off and run back to their quarters.) Hence
the saying: "Up goes the green flare."
On the b-side is Dylan Thomas Hayes’ ‘Where The Light Begins’,
inspired by Dylan Thomas’ 1947 poem Do not go gentle into that
good night the composition, laid out across nine minutes,
features hazy field recordings, textural atmospherics and warm
low-end notes, while twinkling metallic tones ebb and flow
throughout.

A1 Sonmi 451 - Up Goes The Green Flare 8:47
B1 Dylan Thomas Hayes - Where The Light Begins 9:06

Both tracks were mastered and cut by Stefan Betke at Scape
Mastering Berlin in December 2020. More

Tracklist:
A1 The Spirit
A2 TJ Mornings
B1 LA Nights
B2 Reach Out For Me

Release Info:
Welcome to Smallville, Dana!
With being a DJ and producer, running a label and a record-store, Dana and Smallville
have been soulmates for long and following the same paths. We are very happy to
present her 12“ with crispy dancefloor-feels, heavy basses and irresistible grooves.

Full cover artwork as always by Stefan Marx.

All Tracks are written, produced and mixed by Dana Ruh
Mastering by Gabriele Carasco
Vinyl Cut by Dubplates+Mastering
Artwork and Typography by Stefan Marx
Distributed by Wordandsound
Smallville, 2023 More

2022 repress

Barcode 4012957146201

Tracklist A1. Circles B1. NRG106

Info:
Jet-setting Irish duo Bicep return to Will Saul's Aus label with two steady analog techno grooves ready for deployment in either their own wildly celebrated sets or those of any DJ looking for modern dance tracks that are still faithful to the classics - this is techno that hasn't forgotten where it came from, essentially.
Using gritty, vintage-sounding rhythm sections as solid foundations, each track gradually builds up its own lush, melodic embellishments overtop - "Circles" stays true to its name with a cyclical main melody, shadowy bass and fuzzy house pads, whereas "NRG106" sets spacey, dramatic chords and breathy vocals against the insistent, chittering machine percussion.
As usual these two esteemed bloggers / DJs / artists / all around polymaths prove themselves to be paragons of taste, but here it's clear that they are also steadily growing as producers, taking on different styles with aplomb and making it all look much easier than it really is.
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CD- JAPAN IMPORT
Japanese street music icon, Yasushi Ide released new album featuring Don Letts, Josh Milan, Jeff Mills, DJ Krush and more.


CD Tracklist:


01: Mirror (feat. Josue Thomas)
02: Lava (feat. UA)
03: The Battle Part.1 (feat. Emilie Chick)
04: Galactic Beats Part.1
05: Sumimasen Suite Part.1 (feat. Emily Capell & Rebel Dread)
06: We Need Power Part.1 (feat. Josh Milan)
07: I'm Thinking, I'm Spacing (feat.Afrika Bambaataa)
08: Music of the Celestial sphere - Music of the Celestial sphere Dub (feat. Nanae Uehara)
09: Outer Space (feat. DJ KRUSH)
10: The Battle Part.2 (feat. Emilie Chick)
11: Galactic Beats Part.2
12: Sumimasen Suite Part.2 (feat. Emily Capell & Rebel Dread)
13: We Need Power Part.2 (feat. Josh Milan)
14: Hear, There (feat. KAN TAKAGI & RECK)
15: Beyond (feat. RECK)
16: New Beginning



Japanese street music icon, Yasushi Ide released new album featuring Don Letts, Josh Milan, Jeff Mills, DJ Krush and more.


"This is a sound track for rude, underground adults! Amazing mixture of reggae, dub, funk, jazz, rock, afro, house. Masterpiece that goes beyond genres of music created by great producer, Yasushi Ide who has relentless motivation and global network of talents." - Shuya Okino (Kyoto Jazz Massive / Kyoto Jazz Sextet)

"Great album! It is amazing to finish such a big project involved many collaborators at this high quality only in a year and 4 months. The magic of Cosmic Suite is there are variety of styles, and it makes you feel deep and spiritual at one point, but at the same time you can feel relaxed. Also, I have to say that the sound quality is great. It sounds very clear and it can only be done with top level recording and mixing professionals." - Ken Ishii

Yasushi Ide is the Japanese street icon. In the 90's he was called "the Guru of Shibuya-kei" which was the movement of Shibuya style of eclectic pop by the artists such as Cornelius, Pizzcato Five, or Original Love who is once again recognized in City Pop revival of recent years. (Yasushi Ide was a manager of Original Love, and also Kenji Ozawa)

Through his works, he has been creating the global network of musicians such as Josh Milan of the Blaze, house music icon, Don Letts, the pioneer of connecting punk rock with reggae, and Jeff Mills, Detroit techno legend, and released a great amount of hi-quality music on his label, Grand Gallery.

The Cosmic Suite project started in 2020, during the pandemic. It started as a project to reconstruct the parts of music Jeff Mills created for Chieko Kinbara, a violinist which Mills produced. However, it turned out to be 36min of spaced themed original track = Cosmic Suite.
(There are few phrases of Jeff Mills music left in the final version) This masterpiece created a buzz in the music scene in Japan and overseas, and became Yasushi Ide's new beginning.

In June, 2022, Ide released "Cosmic Suite 2". Originally, Cosmic Suite was an instrumental. "Cosmic Suite" is the reconstruction of "Cosmic Suite 2" with the element of vocals. In this project, Don Letts, Josh Milan, DJ Krush are featured as guest musicians. Moreover, drums of Tony Allen, the legendary Afrobeat drummer, and Style Scott, a drummer known for his works in early days of ON-U label, and Gota Yashiki, a Japanese drummer known for his works with Soul II Soul are featured in this album. Also, Japanese brightest talents such as Kan Takagi of Major Force, Kaoru Inoue aka Chari Chari, Tomoyuki Tanaka aka Fantastic Plastic Machine and Calm are featured as artists and engineers. This is the true dream team of the Japanese underground music scene.

The artwork is done by Josue Thomas, the founder of popular fashion brand, Gallery Dept. He is also featured as poetry reading artist in track 1 of "Cosmic Suite 2." Ide and him collaborates in various projects under the concept of "Universal Music Connection."

Yasushi Ide's also well received as a dub artist. (beside his wide range of musical styles)
His dub cover of Bill Withers' "Ain't No Sunshine (Space Dub Mix)" is selected for "Late Night Tales mixed by Don Letts" in 2021.

Highlight of "Cosmic 2" is the unique dub sound in tracks such as "Lava" feat. UA, the Japanese singer often described as "Japanese Bjork", and "Sumimasen Suite" feat. Rebel Dread (= Don Letts).

Tokyo is the melting pot of street music from all around the World such as Dub, Jazz, House, Hip Hop, Afrobeat, Punk rock, Techno,,, You can see the influence of all spectrums of rebel music in this album. This unique avant-garde music can only be created by Yasushi Ide, who has been heavily involved in this truly unique music scene for a long time.
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Tracklist

A1. Facid Trunktion
B1. Sanskrit Body Rock
B2. Ask It Acid

Release Info:

Detroit’s Marcellus Pittman returns to Acid Test following his Unknown Species track featured on the “10 Years of Acid Test” compilation, he’s back with his debut EP for the label.

Juddering mechanical beats, layered percussion and gurgling 303 basslines are on the menu, from one of Detroit’s finest.

Housed in a full colour sleeve, with a photo by Marcellus himself




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Limited CD Slipcase for 5 CD´s .
DOES NOT INCLUDE THE CD´s, CD´s need to be purchased separately!



NOTON - VIRUS 'reMASTER' CD Slipcase
Limited Edition CDs slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 CDs of Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
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Rights: World excluding FR & UK

Packaging: 2 x CD in 2 tray digipak, 12 page booklet, marketing front sticker.
DOUBLE CD : remastered and expanded 33 track 2 CD Edition, with studio B-sides, live & acoustic sessions & previously unreleased versions.


TRACKLIST

CD 1
1. Don't Let It Get You Down
2. In My Time
3. I Want To Be There (When You Come)
4. Evergreen
5. I'll Fly Tonight
6. Nothing Lasts Forever
7. Baseball Bill
8. Altamont
9. Just A Touch Away
10. Empire State Halo
11. Too Young To Kneel
12. Forgiven
13. Watchtower
14. Polly
15. Hurracaine
16. Colour Me In
17. Antelope
18. Jonny

CD 2
1. I Want To Be There (When You Come)
(Live At The Improv Theatre, 1999)
2. Rescue (Live At The Improv Theatre, 1999)
3. Lips Like Sugar (Live At The Improv Theatre, 1999)
4. Bedbugs And Ballyhoo (Live At The Improv Theatre, 1999)
5. Nothing Lasts Forever (Radio One Jo Whiley Session, 1997)
6. The Killing Moon (Radio One Jo Whiley Session, 1997)
7. Baseball Bill (Live At The Kilburn National, 1997)+
8. Just A Touch Away (Live At The Kilburn National, 1997)+
9. I'll Fly Tonight (Live At The Kilburn National, 1997)+
10. Altamont (Live At The Kilburn National, 1997)+
11. Lips Like Sugar (Whyt Radio Acoustic Version, 1997)
12. I Want To Be There (When You Come) (Whyt Radio Acoustic Version, 1997)
13. The Killing Moon (Whyt Radio Acoustic Version, 1997)
14. Forgiven (GLR Robert Elms Acoustic Session, 1997)
15. Nothing Lasts Forever (Radio One Live Lounge Session, 1999)+

+Previously unreleased




BIOG
In 1997, after a lengthy hiatus, Echo & The Bunnymen returned to the fore with 'Evergreen', revealing the brighter side of the band, and standing up with any of their earlier work.The self-produced album was recorded at The Doghouse in Henley-On-Thames with additional strings, horns and vocal arrangements recorded at Abbey Road.

The album saw the band rightfully return to the UK album charts at #8, with 3 singles ('Nothing Lasts Forever', 'I Want to Be There [When You Come]' and 'Don't Let It Get You Down') entering the UK top 50. 'Nothing Lasts Forever' (with backing vocals and tambourine by Liam Gallagher) has grown to become one of the band's most enduring and well-loved songs - a UK Top 10 and a fan favourite to this day.

To celebrate its 25 year anniversary, London Records releases 'Evergreen' on vinyl for the very first time, with a limited first pressing in solid white vinyl. There is also a new remastered and expanded 2 CD edition, taking in studio b-sides, live and acoustic sessions and previously unreleased versions across 33 tracks.
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WORLDWIDE

Genre: Synth

LP: Heavy 350gsm Sleeve, Printed Innersleeves, Double Sided Poster, Sticker Sheet, Hype Sticker

Tracklisting LP
A1. Odyssey 1
A2. Odyssey 2
A3. Odyssey 3
A4. Odyssey 4
A5. Odyssey 5
A6. Odyssey 6
B1. Analogic
B2. Crystal
B3. Rainday 2
B4. Technik


Info

WRWTFWW Records is thrilled to announce the first ever release of the soundtrack for the sci-fi Amiga demoscene wonder Odyssey by the Alcatraz group, with music from Greg - and what is possibly the first ever vinyl release for an Amiga demoscene soundtrack, if not the first ever vinyl release for a demoscene soundtrack whatsoever!

The special limited edition vinyl features the complete soundtrack of the demo sourced from the original masters as well as printed innersleeves, a 24x24 inch double-sided poster with extensive liner notes on the fascinating history of the Amiga demoscene on one side and a floppy disk print on the other, and a WRWTFWW sticker sheet. Odyssey is also available in digital format.

Wikipedia says: The demoscene is an international computer art subculture focused on producing demos: self-contained, sometimes extremely small, computer programs that produce audiovisual presentations. The purpose of a demo is to show off programming, visual art, and musical skills. Demos and other demoscene productions (graphics, music, videos, games) are shared at festivals known as demoparties, voted on by those who attend and released online.

In the demoscene galaxy, one era was particularly exciting: the Amiga years during which the demos were created for the Commodore Amiga home computer - a time of intense rivalry between programmers, graphics artists, and computer musicians, testing the limits of the (fixed) Amiga hardware.

The Odyssey demo was one of the largest productions ever released by an Amiga group, a real sci-fi movie on five floppy disks made with 3D sequences. It was presented at a demoscene party in 1991 and won the competition, setting a new standard for Amiga demo possibilities.

One of the highlights of the demo was the funky cosmic music from Swiss composer Greg, a true space opera, the 90s galactic soundscape you didn’t know was missing from your life! And so here it is, available for the first time, 10 tracks of pure video game music joy, adventurous computer pop, pixelated techno-trance, Star Wars gone floppy disk, and interstellar beats for days.



Points of interests

- For fans of video game music, sci-fi, demoscene, space operas, chiptune, rarities, galactic adventures, funky cosmic music, Star Wars, Wing Commander, floppy disks, Commodore Amiga Gome Computer, the 90s but also the 80s.

- Special limited edition vinyl release of the Odyssey Amiga Demo Soundtrack with printed inner sleeves, a 24x24 inch double-sided poster with extensive liner notes on the fascinating history of the Amiga demoscene on one side and a floppy disk print on the other, and a WRWTFWW sticker sheet.

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