Hidden Spheres supplying the fruits once again. More tried and tested club material from the Fruit Merchant main man. Love Hate EP is a tale of two sides.

On Side A Hidden Spheres proves there’s no messin’ with ‘Step to me’ & ‘Don’t Front'. Flipping over to the B we see that he’s really just a lover at heart, not a hatter, with the swung out sounds of ‘LUVR MAN’ and the deep sleaze of ‘SO SXY’.

DJ Support:
Bradley Zero, DJ Absolutely Shit, Moxie More

Fruit Merchant returns with head honcho Hidden Spheres supplying the goods once again. Following on from the success of his last Rhythm Section release 'Tanzen', Hidden Spheres is back in turbo mode, this time with 'Get Lover' a true tried and tested dance floor destroyer.

The Fruit Merchant crew had only one artist in mind when it came to remix duties and that is local Manc supplier of dance floor bangers DJ Absolutely Shit. More

Sometimes writing press releases is really hard. There’s a certain artwork to summing up the essence of a composition to someone who hasn’t yet heard the music.

Thankfully - this is not the case with the latest EP from Manchester's Hidden Spheres. Tom is in his purple period - and after nearly a decade of releasing delicately constructed songs that sit in the hinterland
between dance floor and home listening, he’s finally cracked the code for creating ABSOLUTE BANGERS, with all the class and lightness of touch present from his previous work.

Hidden Spheres is in turbo mode - and you’ve most likely heard these tunes without knowing it - TANZEN has been a staple in Bradley Zero’s set for the last year and has always, ALWAYS caused complete dance floor destruction. Add in the Italo flavoured Paula Tape remix and you have one of the most exciting dance floor propositions of the year. More

Tracklisting:
A1 Hidden Spheres - Waiting
A2 Hidden Spheres - Upsn Down
B1 Hidden Spheres - Be A Man
B2 Hidden Spheres - Bill Loves You

Sales Note:
- Repress -

Four luscious, beach-coasting, jet-skiing tracks from the depths of Detroit via Manchester from Hidden Spheres.

Vocal tracks that undulate with 'mmm's and 'uuuh's for the real deal summer feel. Sweeping Rhode lines, organic percussion to make the thumbs raw and those deep, woofing basses that just keep on giving.

Hidden Spheres going for the jugular. Melting the sun like butter on a roasting-hot lobster.

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Black Vinyl!

Back in 2015, Mancunian DJ and Producer Hidden Spheres aka Tom Harris joined the Rhythm Section
family for our twelfth release. Storming into 2022 and approaching 50 releases Tom has a long overdue return to the label with a synthesis of electronic house vibrations.

‘You Are Not Your Body’ is a stellar collection of five tracks, which touch on the sensations of euphoria
and the blissed-out intersection between early prog and Detroit House. Channeling energies for
meditation and self love, things kick off with ‘Improvisation’ an electro infused eight minute workout, whilst ‘Euan 92’ is a festival-defining ‘hands-in-the-air’ anthem tried and tested by Bradley Zero on the road throughout 2021.

Love Your Body is a delightful disco-esque chugger reinforcing joyful energies and an infectious bass
line to keep you wiggling on the dance floor. Things come to a close with a spaced out balearic house
remix by RS family favourite Ruf Dug. More

Repress!

Rhythm Section International’s 12th release comes from another Mancunian called Tom, this time going by the name of Hidden Spheres. We are issuing a * FEEL-GOOD HIT OF THE SUMMER* alert for the title track, ‘Well, Well’, - a certified, yet sophisticated banger, ready to send that festival crowd one step closer to transcendence.

A versatile EP spanning over 5 tracks, Well Well is a house-tinged, jazzy affair - rich in soulful vocals, summery chords and live percussion. Hidden Spheres is a seasoned dj and producer, having released on the likes of Moods & Grooves alongside Theo Parrish, Andrés, MR. G and Moodymann as well as producing the inaugural release for Lobster Theremin imprint Distant Hawaii.

With a wealth of records ready to go, constrained only by pressing plant schedules, RS012 marks the first in a flurry of summer releases on Rhythm Section International.

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Mancunian Hidden Spheres has showcased himself as one of the most innovative producers out there, releasing across the likes of Lobster Theremin, Rhythm Section International and his own imprint Fruit Merchant, all of which have been the perfect outlets for his inspiring blend of house and jazz. Church now features as the latest addition, who continue their stellar discography with 'Words Can't Explain', a collaborative EP which sees Hidden Spheres alongside singer-songwriter and guitarist, Oscar Jerome.
The collection begins with the original mix, lowering you into slick jazz guitar licks and echoing vocals, before Hidden Spheres provides a tight groove to lock around the melodies in fine form. The hybrid creation of jazz meets house binds perfectly as warm keys hang effortlessly in the air and popping guitar lines carry you onwards, supporting the sublime vocal from Oscar.
The dub version opens up room for the guitar licks and synth top lines to take centre stage, a real opportunity to marvel at the arrangement here.
On the flip is Yu Su's rework who ups the tempo and dims the lights for a punchier rework.. The half way point welcomes a percussive led break before the hats return and pick up the groove once again, closing the 'Words Can't Explain' EP in style. More

Fruit Merchant launches, straight outta northside Mancunia and fresh with the city's DIY spirit - a brand new musical venture from Hidden Spheres.
For the inaugural release, regular to Lobster Theremin, Rhythm Section and Distant Hawaii, Hidden Spheres introduces the sonic flora of his enchanted new world by way of "Wonders Of The Rainforest". An EP that both details the multifaceted skills of one of MCR's most treasured recent upstarts whilst paying tribute to an environment that, although a million miles away from our concrete jungle, seems more relevant than ever due to the impending threat of climate change and our critical-level resource drain. Each track on "Wonders Of The Rainforest" contains samples/snippets from a 1970s documentary of the same name ‘’The tropical rain forests of the world are home to nearly half the animal species on earth - an estimated five million different life forms. More than 100 inches of rainfall each year sustain this lush environment, where some of the most fascinating examples of natural adaptation can be found. Fascinating and thought-provoking, the film is an eloquent warning of the natural wonders we stand to lose on a world scale if human encroachment of the world's rain forests continues. More

After two hugely successful outings on Distant Hawaii, Hidden Spheres cruises into Lobster Theremin waters with four sun soaked and heart meltingly infectious slices of his trademark soothing and late night house.

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Manchester producer Hidden Spheres blends the interesting elements he finds within recordings into soulful dance music suited for clubs and the living room. Those influences combine Jazz artists like Sun Ra, John Coltrane, The Art Ensemble of Chicago, and Miles Davis along with the modern sounds of Detroit and German producers. Having released individual tracks on Dirt Crew his first solo EP appropriately finds its way to Moods & Grooves, a label known its eclectic output. The Bloos connects the musical dots of his influences while expressing a love for house music.
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Pieces well and truly picked up by a who's who of collectors and selectors, the TD team follow Bobby Snacks' super smash with some seriously synthy slices from good buddies Miserymix.
A collaboration born behind the Piccadilly Records' counter, Miserymix is the dark disco alias of Goth Spice (Kohl AF, dressed in black and armed with nonpliments) and Mushy P (a toothy and goofy Talking Drummer). Based a mere 192 away from Senor Snacks in the thriving metropolis of Levenshulme, this pair of disco delinquents share a penchant for pingers, Prosecco and the lesser known corners of Europe's 80's club sound.
After a mysterious appearance on one of Duca Bianco's brilliant V/As, Miserymix drop their debut EP on Drum Chums, aiming directly for the dance floor.

The Italo-noir of 'Sexy Cowboys' gets the set off to a sleazy start, its seductive synths and strangled guitars riding throbbing bass and leather-clad percussion right into the darkroom, where the yelping vocal echoes over the creak of a swing. Miserymix push the tempo for the pacey disco pump of 'Proverbial S.O.B.', a peak-time stomper dubbed senseless for the perfect tops-off groove. Subtle kalimba, cut up vocals and orchestral hits find every sweet spot atop the one note bassline, while those airy piano chords steer us straight into the sublime.

Kicking off the flip is the uber-anthemic, endorphin-laced and mid-paced dancefloor destroyer 'E Motion'. Our disco duo spend plenty of time on the foreplay, teasing every ounce of ecstasy out of the nuanced perx, rolling bassline and sparkling synths before unleashing some flawless Francophone vocals on the way to a colossal chorus. Smouldering like a Propaganda club mix, this Europop obscurity has been upgraded into an accidental pill tune of perma-gurn proportions - this one is a road-tested dance floor sure shot.
Indulging the afterglow, Miserymix sign off with the superb synth pop of 'Name Game'. Stomping drum machines play host to an insistent bassline and some slinky keys, while the cucumber cool Euro vocal serves cabaret camp and maximum vamp.

Remember folks, the TD crew (drum)rolls deep...

100% Drum Fun Guaranteed! More

Drum Chums Vol. 5 marks the arrival of Captain Attractive, an international man of mystery, head-nod hero and edit expert whose many masterpieces inspired us to pick up the scalpel in the first place.
Last seen leaving Berlin on a world tour, this legend parked the Red Motorbike outside Talking Drums HQ and treated us to a lesson in San Fran sleaze, hippie disco and MPC bump.

The A side opens with the sticky funk of 'It's More Fun 2 Make Love', a pitched-down disco cruiser extended for the tantric dance floor and mastered on an old porno VHS. Sultry, slinky and rated X.
We're always hungry after the act and graciously Captain Attractive is on hand with a donut called 'Memories' to close out the A-side, looping some sweet soul into the kind of hypnotic hip hop as house romper which defined beatdown way back when.

The Captain takes the yacht to the Med on the B1 with the super Balearic groove of 'Dreamer', an astounding combination of dexterous bass, choral vocals and rolling piano, all set to the shimmy of hippie percussion. It could be a Laurel Canyon memory, an Xtian obscurity or something much deeper, but it's definitely twelve minutes of sunset bliss - just wait until my guy flips the script after seven minutes!
The dude drops the curtain with another bitesize portion of MPC mastery, cutting up some thick wax guitar and cool keys over a swung groove for 'Ghana Do It'.

Captain Attractive taking you where you want to go.

100% Drum Fun Guaranteed. More

After indulging in a little free movement over the first two releases, Vol. 3 sees us back in blighty, hanging loose with a hometown hero!

Way before our bongos had really begun to beat, Neil Diablo was slaying the hand-stamped edit scene with razor sharp disco reworks on his To Rack & Ruin imprint.

His energetic and effervescent sets at El Diablo's Social Club were the stuff of legend and his occasional appearances behind the Piccadilly Records counter helped pack the TD racks with some of our favourite floor fuel. Here, our newest Drum Chum digs extra deep with a triple threat of balmy Afro-disco, comic book funk and disco uplift.
Loose-limbed and laid back, 'High Emotion' stretches out across the whole of the A side leading the kind of slow motion dance we can't get enough of.
Potent polyrhythms underpin scratchy rhythm guitar and slick slap bass while that echo-laden vocal just keeps lifting us higher and higher.

The B side bounces into being with the synthed-up strut of 'Sex-N-Drugz', a portal into a parallel universe where Prince painted the Compass Point Paisley and the tempo never exceeded 100bpm - it's tropical pop served cooler than Kia-Ora.
The finale comes with the misty eyed magic of 'We Can', a triumph of snapping Italo snares and boogie optimism which shifts into bliss via a totally tops off chorus.

Keep the cowbell ringing folks! More