1
Alexander Robotnick - Problemes D'Amour (Live)
2
Alexander Robotnick - Problemes D'Amour (Kenny Dixon Jr. Remix)
3
Alexander Robotnick - Problemes D'Amour (Carl Craig Remix)
4
Alexander Robotnick - Also Sprach Zarathustra
Amazing collectors /dj edition of the Italo Classic by Alexander Robotnick including the KDJ (aka Moodymann) and Carl Craig remixes!! Comes on special yellow vinyl and also has a recording of a live version by Robotnick himself! And as extra bonus, there is an added Disco cover of Strauss's 'Also Sprach Zarathustra', known more famously as the opening theme to the film Space Odyssey 2001, produced by Robotnick and Ludus Pinksy (Italcimenti). Recommended!
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Germany
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More records from Alexander Robotnick
1
Alexander Robotnick - Justin Vandervolgen Edit
2
Alexander Robotnick - Prins Thomas Diskomiks
3
Alexander Robotnick - Bawrut 1-2-3-4 Remix
4
Alexander Robotnick - The Vendetta Suite Stone Tape Remix
Repress!
A1 - Justin Vandervolgen Edit
A2 - Prins Thomas Diskomiks
B1 - Bawrut 1-2-3-4 Remix
B2 - The Vendetta Suite Stone Tape Remix
After a summer run of scorching sounds and horizontal grooves that were designed for sandy open air scenarios, Hell Yeah kick off 2019 with some more of their curious curveballs and playful party pumpers. It's time to forget what you know and prepare for a weird and wonderful trip into weirdness with Alexander Robotnick: he is the man behind the music and a track that was previously released on the Coast to Coast 12” in 2013 and soon became a Balearic gabba classic.
Now it gets a second spot in the headlines after label head Marco first heard it played years ago by Justin Vandergvolgen and asked him to edit it. It comes backed with dazzling remixes from Prins Thomas, man of the moment Bawrut and Irish outfit The Vendetta Suite who takes things in more of a weird and wonderful direction that the label also deals in.
Alexander Robotnick is a legendary Italian producer who had a big hit in the 80s with ‘Problèmes D'Amour’, produced many bands in the 90s and founded his own Hot Elephant label in the 2000s. From Italo-disco to electro he is a master synth manipulator who can go into new romantic o synth pop territory with an always futuristic vision. The original track on this EP was dropped by the likes of Gerd Janson, Dixon, Jackmaster and Peggy Gou in DJ sets and Boiler Rooms.
It is a playful track with a wild, unhinged lead synth line that burrows deep into your brain. Brightly glowing chords have real warmth and add irresistible colour to the track as they ride up and down the scales and the crisp boom bap drums pack a real dance floor punch.
Scandi-disco maestro Prins Thomas remixes it into brilliantly filthy disco cut with rasping bass and hip swaying drums. It builds the tension over three minutes, locking you in before psychedelic leads burst out of the mix and carry you into the cosmos.
Then it’s the much loved current champ Bawrut, whose old Scuola Furano project label boss Marco was the first to release on vinyl back in the early 2000s on Mantra Vibes. His version is a pumping old school house remix, with analogue bass and that unhinged lead synth line bringing the madness. It's filled with raw energy and will blow up any floor.
Last of all, The Vendetta Suite follows up his Solar Lodge 23 EP on this label in 2017 with a remix that is perfectly dreamy. His rippling synth puddles and sci-fi motifs are brilliantly rich and glowing and fill you with warmth. It's the sort of mind expanding track that leads you into a world of cosmic curveballs and cut from free the real world.
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WAS - Word and Sound Medien GmbH
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A1 - Justin Vandervolgen Edit
A2 - Prins Thomas Diskomiks
B1 - Bawrut 1-2-3-4 Remix
B2 - The Vendetta Suite Stone Tape Remix
After a summer run of scorching sounds and horizontal grooves that were designed for sandy open air scenarios, Hell Yeah kick off 2019 with some more of their curious curveballs and playful party pumpers. It's time to forget what you know and prepare for a weird and wonderful trip into weirdness with Alexander Robotnick: he is the man behind the music and a track that was previously released on the Coast to Coast 12” in 2013 and soon became a Balearic gabba classic.
Now it gets a second spot in the headlines after label head Marco first heard it played years ago by Justin Vandergvolgen and asked him to edit it. It comes backed with dazzling remixes from Prins Thomas, man of the moment Bawrut and Irish outfit The Vendetta Suite who takes things in more of a weird and wonderful direction that the label also deals in.
Alexander Robotnick is a legendary Italian producer who had a big hit in the 80s with ‘Problèmes D'Amour’, produced many bands in the 90s and founded his own Hot Elephant label in the 2000s. From Italo-disco to electro he is a master synth manipulator who can go into new romantic o synth pop territory with an always futuristic vision. The original track on this EP was dropped by the likes of Gerd Janson, Dixon, Jackmaster and Peggy Gou in DJ sets and Boiler Rooms.
It is a playful track with a wild, unhinged lead synth line that burrows deep into your brain. Brightly glowing chords have real warmth and add irresistible colour to the track as they ride up and down the scales and the crisp boom bap drums pack a real dance floor punch.
Scandi-disco maestro Prins Thomas remixes it into brilliantly filthy disco cut with rasping bass and hip swaying drums. It builds the tension over three minutes, locking you in before psychedelic leads burst out of the mix and carry you into the cosmos.
Then it’s the much loved current champ Bawrut, whose old Scuola Furano project label boss Marco was the first to release on vinyl back in the early 2000s on Mantra Vibes. His version is a pumping old school house remix, with analogue bass and that unhinged lead synth line bringing the madness. It's filled with raw energy and will blow up any floor.
Last of all, The Vendetta Suite follows up his Solar Lodge 23 EP on this label in 2017 with a remix that is perfectly dreamy. His rippling synth puddles and sci-fi motifs are brilliantly rich and glowing and fill you with warmth. It's the sort of mind expanding track that leads you into a world of cosmic curveballs and cut from free the real world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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DE - 22113 Hamburg
Germany
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1
Alexander Robotnick - Problèmes D'Amour (Underground – 2000 edit)
2
Alexander Robotnick - Computer Sourire (Radio Version)
3
Alexander Robotnick - Dance Boy Dance (Fuzz Version)
4
Alexander Robotnick - Computer Sourire (Skizzo Version)
5
Alexander Robotnick - C’est La Vie (Short Edit)
6
Alexander Robotnick - C’est La Vie (Another Mix)
7
Alexander Robotnick - Jump (2000 For Drop Series)
8
Alexander Robotnick - C’est La Vie (Lorenzo Boscussi Rework 2019)
9
Alexander Robotnick - Problèmes D'Amour (USA Version)
Selected from Alexander Robotnick’s hits catalogue and released in this form for the first time, this is a unique compilation featuring all Robotnick’s electro anthems originally released on Fuzz Dance label. A must have for all the italo-disco and synth-pop freaks out there !
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1
Alexander Robotnick - PROBLÈMES D'AMOUR
2
Alexander Robotnick - COMPUTER SOURIRE
3
Alexander Robotnick - DANCE BOY DANCE
4
Alexander Robotnick - HOLA MACCI KOLA
5
Alexander Robotnick - CE N'EST Q'UN DÉBUT
6
Alexander Robotnick - AFRICAN KOLA
Repress!
Medical Records presents the 4th pressing of their second release (MR-002)! This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. The 1st pressing on Medical was released in 2010 and is also now long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuoch. in 1983 he attained international popularity with his track "Probl?mes d'amour", published first by the Italian label Materiali Sonori and then by Sire-Wea. "Probl?mes d'amour" went on to become a "cult track" of the disco scene. It became quite an import hit in America's underground club scene, and sparked the mini-LP "Ce N'est Qu'un D?but" that same year (originally released on Materiali Sonori in 1984 (Italy). It consists of 6 captivating tracks including the hit "Probl?mes d'amour" as well as the track "Dance boy dance" which has appeared on other cult disco compilations. "Ce N'est Qu'un D?but" will appeal to lovers of Italo disco, early new wave, and minimal pop. Presented on high-quality black vinyl. Minor upgrades to the artwork also present. Limited Edition.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Medical Records presents the 4th pressing of their second release (MR-002)! This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. The 1st pressing on Medical was released in 2010 and is also now long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuoch. in 1983 he attained international popularity with his track "Probl?mes d'amour", published first by the Italian label Materiali Sonori and then by Sire-Wea. "Probl?mes d'amour" went on to become a "cult track" of the disco scene. It became quite an import hit in America's underground club scene, and sparked the mini-LP "Ce N'est Qu'un D?but" that same year (originally released on Materiali Sonori in 1984 (Italy). It consists of 6 captivating tracks including the hit "Probl?mes d'amour" as well as the track "Dance boy dance" which has appeared on other cult disco compilations. "Ce N'est Qu'un D?but" will appeal to lovers of Italo disco, early new wave, and minimal pop. Presented on high-quality black vinyl. Minor upgrades to the artwork also present. Limited Edition.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Alexander Robotnick - Green Past
2
Alexander Robotnick - The Hidden Game
3
Alexander Robotnick - The Hidden Game (Passarani Legacy Mix)
4
Alexander Robotnick - And Here It Comes Again
In a true celebration of Italian electronic music from across the generations, Bosconi is honoured to present unreleased works from the legendary Alexander Robotnick. A true titan of Florentine music who helped define the Italo disco scene with a glittering run of evergreen club classics, Robotnick is still as creative now in his 70s as he was when first firing off his trademark arpeggios in the early 1980s.
For a few years now Robotnick, real name Maurizio Dami, has mainly released new or previously unreleased music via his own Hot Elephant Music. As such, we're thrilled to present three original tracks on vinyl, cut hot and ready to set a disco alight. Transcending the trappings of retro-fetishism, vintage this or old-skool that, the tracks on this 12" could be called techno or electro as easily as Italo - it's quite simply impeccable dance music as delivered by a master craftsman.
Adding to the sense of occasion celebrating the foundations of the Italian scene, we're equally thrilled to welcome Marco Passarani to remix Robotnick's 'The Hidden Game'. His appropriately titled 'Legacy' mix operates as an alternate version in the traditional style, holding true to the essence of the original while offering a slightly altered perspective. It's a distinct mix with Passarani's own distinctive Italo flair plain to hear - if anything his version sounds more retro than the original - but it's still very much invested in what Robotnick created to begin with.
Given the influence both these artists have had on the musical culture our own label is built on, this release holds a special place in our hearts, and we're excited to be sharing it with the world, where the throbbing basslines and sparkling pads can work their magic under the disco ball in a thousand dimly lit dance spots.
Tracklist:
A1. Alexander Robotnick - Green Past (6'20")
A2. Alexander Robotnick - The Hidden Game (4'46")
B1. Alexander Robotnick - The Hidden Game (Passarani Legacy Mix) (5'44")
B2. Alexander Robotnick - And Here It Comes Again (5'12")
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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Germany
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For a few years now Robotnick, real name Maurizio Dami, has mainly released new or previously unreleased music via his own Hot Elephant Music. As such, we're thrilled to present three original tracks on vinyl, cut hot and ready to set a disco alight. Transcending the trappings of retro-fetishism, vintage this or old-skool that, the tracks on this 12" could be called techno or electro as easily as Italo - it's quite simply impeccable dance music as delivered by a master craftsman.
Adding to the sense of occasion celebrating the foundations of the Italian scene, we're equally thrilled to welcome Marco Passarani to remix Robotnick's 'The Hidden Game'. His appropriately titled 'Legacy' mix operates as an alternate version in the traditional style, holding true to the essence of the original while offering a slightly altered perspective. It's a distinct mix with Passarani's own distinctive Italo flair plain to hear - if anything his version sounds more retro than the original - but it's still very much invested in what Robotnick created to begin with.
Given the influence both these artists have had on the musical culture our own label is built on, this release holds a special place in our hearts, and we're excited to be sharing it with the world, where the throbbing basslines and sparkling pads can work their magic under the disco ball in a thousand dimly lit dance spots.
Tracklist:
A1. Alexander Robotnick - Green Past (6'20")
A2. Alexander Robotnick - The Hidden Game (4'46")
B1. Alexander Robotnick - The Hidden Game (Passarani Legacy Mix) (5'44")
B2. Alexander Robotnick - And Here It Comes Again (5'12")
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Alexander Robotnick - Computer Sourire (Remix)
2
Alexander Robotnick - Computer Sourire (Tempo Dischi Cut)
3
Alexander Robotnick - Dance Boy Dance
The fifth release on Tempo Dischi comes from one of the true pioneers of Italian disco: Maurizio Dami aka Alexander Robotnick. 'Problèmes d’Amour' and 'Computer Sourire', included in the mini album "Ce n’est q’un début" are two fundamental songs in the history of electronic music made in Italy.
'I started with music very late. I was 27 years old. In the early 80s Florence became the music capital of the new rock in Italy. There was a movement, different from what we were used to in the 70s, varied in activities ranging from theater to music, from design to fashion to graphics and comics. There was also a lot of attention to what was happening in the world, starting with northern Europe and the United States, but also other countries. I went to popular music school and started learning to play jazz guitar, but I was immediately hooked by the music of Kraftwerk and in 1982 I founded my first band, Avida. It was a sort of electronica and new wave, with “stupid” and ironic Italian lyrics. Irony is a fundamental part of my music, probably due to my feelings. The following year I met the Bigazzi brothers, from Materiali Sonori, a very small avant-garde label from a very small town in Tuscany. One day Giampiero told me "You can make some money with disco music". My dream was to be able to live on music’.
Within a year he produced in the same studio "Problèmes d’Amour" and "Computer Sourire", with Marzio Benelli and the production and direction of Giampiero and Arlo Bigazzi. Both songs are included in the mini Lp "Ce n'est q'un debut" released in 1984, considered a milestone of the electronic music made in Italy.
‘It wasn't Italo Disco, of which I don't consider myself either a pioneer or a progenitor’ recalls Maurizio ‘My sound, I think, influenced more than anything else Chicago and Detroit house and then Dutch electro-disco and 2000's electro-house’.
The vinyl includes the highly sought after Remix version of Computer Sourire, never reissued so far, the Tempo Dischi cut of the original version and the bonus track 'Dance Boy Dance', still played a lot by DJs today.
An essential re-issue for your collection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
'I started with music very late. I was 27 years old. In the early 80s Florence became the music capital of the new rock in Italy. There was a movement, different from what we were used to in the 70s, varied in activities ranging from theater to music, from design to fashion to graphics and comics. There was also a lot of attention to what was happening in the world, starting with northern Europe and the United States, but also other countries. I went to popular music school and started learning to play jazz guitar, but I was immediately hooked by the music of Kraftwerk and in 1982 I founded my first band, Avida. It was a sort of electronica and new wave, with “stupid” and ironic Italian lyrics. Irony is a fundamental part of my music, probably due to my feelings. The following year I met the Bigazzi brothers, from Materiali Sonori, a very small avant-garde label from a very small town in Tuscany. One day Giampiero told me "You can make some money with disco music". My dream was to be able to live on music’.
Within a year he produced in the same studio "Problèmes d’Amour" and "Computer Sourire", with Marzio Benelli and the production and direction of Giampiero and Arlo Bigazzi. Both songs are included in the mini Lp "Ce n'est q'un debut" released in 1984, considered a milestone of the electronic music made in Italy.
‘It wasn't Italo Disco, of which I don't consider myself either a pioneer or a progenitor’ recalls Maurizio ‘My sound, I think, influenced more than anything else Chicago and Detroit house and then Dutch electro-disco and 2000's electro-house’.
The vinyl includes the highly sought after Remix version of Computer Sourire, never reissued so far, the Tempo Dischi cut of the original version and the bonus track 'Dance Boy Dance', still played a lot by DJs today.
An essential re-issue for your collection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Ghost Dubs, real name Michael Fiedler, aka Jah Schulz, announces a rebirth with 'Damaged', his first album for The Bug's PRESSURE label. Having recently dropped two criminally overlooked, experimental dub LPs, with his 'Dub Over Science' series, the German producer/bass specialist, now stretches his own parameters of outwardness still further, with these twelve fresh explorations of dub deviance. For those who feel the fusion of dub techno and ambient drone had creatively ended with the demise of the short lived, Berlin based Chain Reaction label. Ghost Dubs now upgrades and extends that legendary blueprint's abstract methodology even further and deeper, floating away upon a wonderfully warm sea of hiss and static bliss. This is dub so atomized that it disintegrates within your eardrums. Its music, where the machines take over and virtually all traces of humanity are erased. But thankfully, the warmest soul still oozes seductively from the pores of Fiedler's robo riddims. Relentlessly hypnotic, seriously sedated, 'Damaged' celebrates the point of departure within its mesmerising low-end grooves. Album opener 'Chemical', provides an opiated slo-mo skank, which sounds like Plastikman's 'Consumed' era pulsations drenched heavily in sub aquatic fx. A triumph of surface noise surfing and sub-woofer testing relentlessness, it provides the perfect intro to this compellingly immersive album. For batty shakers and headtrippers alike, there's added thrills aplenty, as Ghost Dub's richter scale tremor rhythms remain impressively massive, and the atmospheric depths of 'Damaged' appear tantalisingly oceanic. Throughout the duration of the dreamy selection, there is an obsessive balance of bewitching ambience and heavyweight bassbin shaking. The lead single 'Thin Line' itself provides a missing link between African Head Charge's early percussive body probes and Rhythm & Sound's addictive radiance, with the slightest hint of Burial's doomed romantic hauntology added for good taste. Alternately, and no less gracefully, 'Dub Lobotomy' bizarrely resembles Miles Davis 'Get Up with it' chopped, screwed, and relocated to a futuristic Kingston Town. Impressive indeed, Fiedler's mastery of live dubbing on his mixing desk shines across the duration, and gives the album an improvised edge, and sense of peripheral chaos. Elsewhere, spooked steppers ('Hot Wired'), haunting house ('True to life') and 4th World psychogeography ('Undone'), combine to ensure there is a forever changing mixture of flavours percolating within the admirable consistency of the overall sound. With a tip of the cap, and nod of the head to Pole ('Second Thoughts'), it’s no surprise then that PRESSURE would then turn to the great, Berlin based producer Stefan Betke, to master/cut this collection at his infamous Scape mastering room. And a fine job he did too, as high quality sound and levels are definitely maintained throughout. If you like your melodies submerged, your dub narcotic, your basslines obese, and your beats evaporating, 'Damaged' provides the perfect prescription and entry point i
Listen: https://tinyurl.com/6husszzn
Track list: 1. Chemical 2. The Regulator 3. Dub Lobotomy 4. Hot Wired 5. Thin Line 6. Second Thoughts 7. True to Life 8. Dub Battle 9. Soul Craft 10. Undone 11. Dub Simulation 12. Circles / Lines
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Listen: https://tinyurl.com/6husszzn
Track list: 1. Chemical 2. The Regulator 3. Dub Lobotomy 4. Hot Wired 5. Thin Line 6. Second Thoughts 7. True to Life 8. Dub Battle 9. Soul Craft 10. Undone 11. Dub Simulation 12. Circles / Lines
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1
Clio - Faces (Extended)
2
Clio - Feel The Fear
Repress!
Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made.
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Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
Contact: gpsr@wordandsound.netMore
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Alexander Robotnick - Problèmes D'Amour (Demo)
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Pioneers, that’s what we call them. Not properly a giant team, but a bunch of forward thinking producers. In the heyday of the italo disco there was some forward thinking, a new way to address the club scene. 1985 is the golden year and if you want to get to the core of the synth-pop experience look no further ! This previously unreleased compilation collects a series of unbelievable tracks. An outstanding vision featuring la crème de la crème of the early 80s scene. All the way from electro wizard Alexander Robotnick to the astonishing performance of vocalist Mya Fracassini, through the French connection of Bigazzi brothers of Mon Bijou.
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Ricardo Villalobos - Heike
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Ricardo Villalobos - Heike (Mood Mix)
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This time we have the honor to unveil "HEIKE", originally released on LOFI Stereo in 1998. This gem will be available only on Vinyl!
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This time we have the honor to unveil "HEIKE", originally released on LOFI Stereo in 1998. This gem will be available only on Vinyl!
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Label:Rochelle Jordan / EMPIRE
Cat-No:ERE1080
Release-Date:07.02.2025
Genre:Soul/Funk
Configuration:2LP Excl
Label:Rochelle Jordan / EMPIRE
Cat-No:ERE1080
Release-Date:07.02.2025
Genre:Soul/Funk
Configuration:2LP Excl
Listen: https://listen.empi.re/301297
2xLP, Widespine Jacket, Double-Sided Poster, Baby Blue Galaxy Vinyl, Marketing Sticker
About:
1021 is the third studio album from Toronto singer/songwriter, Rochelle Jordan. Originally released in 2014, 1021 is the album that forever changed Rochelle's trajectory as an artist. Filled with moments of honest and pure self expression yet still showing signs of who she has eventually become, the album showcases Rochelle's resilience as an indie artist, her unapologetic risk taking, and her drive and uncompromising belief in herself. The album's production is filled with lush, airy, evocative beats, with her vocals drawing comparison to the iconic R&B superstar, Aaliyah - in fact, "Ease Your Mind," was co-produced with Eric Seats, who produced the iconic Aaliyah track, "Rock the Boat." Since then, Rochelle has gone on to become a major player in the R&B and dance spaces, most recently working with Kaytranada on his new album. To celebrate the 10 year anniversary since it's release, 1021 will be making its debut on vinyl for the very first time. 2xLP, pressed on Baby Blue Galaxy vinyl and includes a 24x36 double-sided poster, as well as three additional songs not originally included on the album - this is strictly for the Day Ones.
Key MArketing/Selling:
- 10 year anniversary edition of "1021"
- First physical release
- 2xLP Baby Blue Galaxy vinyl, 24x36 Double-Sided poster included
- 3 additional songs to be included - all of which have never been pressed on vinyl before or appear on the original album
- 3rd studio album from Rochelle Jordan
- Contains the song "Lowkey," which is garnering a lot of attention on Tiktok
- Rochelle Jordan has most recently appeared on the new Kaytranada album, Timeless ("Lover/Friend" & "Spit It Out"), as well as recent releases from Sango and TOKiMONSTA
- Rochelle Jordan previously moved 1500 vinyl units on her last album - Play With The Changes
- Rochelle Jordan regularly performs festivals and tours - most recently she performed at Outsidelands 2024 - and will be touring for the remainder of 2024
- Has been compared to Aaliyah
Tracklist:
A1/1. 1021
A2/2. Day Ones
A3/3. Follow Me
A4/4. Lowkey
B1/5. Good One
B2/6. There You Go
B3/7. 401
B4/8. Back In The Day
C1/9. Only If
C2/10. What The Fuss
C3/11. Playa 4 Life (feat. Iamsu)
C4/12. Return to Sender
D1/13. Ease Your Mind
D2/14. Chain Smoking
D3/15. Lowkey Remix (feat. JMSN)
D4/16. Lowkey (Sped Up)
Socials:
Twitter: 16.8k followers
IG: 43.1k followers
FB: 19k followers
YT: 17.8k subs / 6.5M views
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2xLP, Widespine Jacket, Double-Sided Poster, Baby Blue Galaxy Vinyl, Marketing Sticker
About:
1021 is the third studio album from Toronto singer/songwriter, Rochelle Jordan. Originally released in 2014, 1021 is the album that forever changed Rochelle's trajectory as an artist. Filled with moments of honest and pure self expression yet still showing signs of who she has eventually become, the album showcases Rochelle's resilience as an indie artist, her unapologetic risk taking, and her drive and uncompromising belief in herself. The album's production is filled with lush, airy, evocative beats, with her vocals drawing comparison to the iconic R&B superstar, Aaliyah - in fact, "Ease Your Mind," was co-produced with Eric Seats, who produced the iconic Aaliyah track, "Rock the Boat." Since then, Rochelle has gone on to become a major player in the R&B and dance spaces, most recently working with Kaytranada on his new album. To celebrate the 10 year anniversary since it's release, 1021 will be making its debut on vinyl for the very first time. 2xLP, pressed on Baby Blue Galaxy vinyl and includes a 24x36 double-sided poster, as well as three additional songs not originally included on the album - this is strictly for the Day Ones.
Key MArketing/Selling:
- 10 year anniversary edition of "1021"
- First physical release
- 2xLP Baby Blue Galaxy vinyl, 24x36 Double-Sided poster included
- 3 additional songs to be included - all of which have never been pressed on vinyl before or appear on the original album
- 3rd studio album from Rochelle Jordan
- Contains the song "Lowkey," which is garnering a lot of attention on Tiktok
- Rochelle Jordan has most recently appeared on the new Kaytranada album, Timeless ("Lover/Friend" & "Spit It Out"), as well as recent releases from Sango and TOKiMONSTA
- Rochelle Jordan previously moved 1500 vinyl units on her last album - Play With The Changes
- Rochelle Jordan regularly performs festivals and tours - most recently she performed at Outsidelands 2024 - and will be touring for the remainder of 2024
- Has been compared to Aaliyah
Tracklist:
A1/1. 1021
A2/2. Day Ones
A3/3. Follow Me
A4/4. Lowkey
B1/5. Good One
B2/6. There You Go
B3/7. 401
B4/8. Back In The Day
C1/9. Only If
C2/10. What The Fuss
C3/11. Playa 4 Life (feat. Iamsu)
C4/12. Return to Sender
D1/13. Ease Your Mind
D2/14. Chain Smoking
D3/15. Lowkey Remix (feat. JMSN)
D4/16. Lowkey (Sped Up)
Socials:
Twitter: 16.8k followers
IG: 43.1k followers
FB: 19k followers
YT: 17.8k subs / 6.5M views
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Field Records
Cat-No:FIELD35
Release-Date:26.05.2023
Genre:Electronic, Electronica
Configuration:2LP
Label:Field Records
Cat-No:FIELD35
Release-Date:26.05.2023
Genre:Electronic, Electronica
Configuration:2LP
1
Monolake - Cyan
2
Monolake - Index
3
Monolake - Lantau
4
Monolake - Macau
5
Monolake - Arte
6
Monolake - Occam
7
Monolake - Mass Transit Railway
Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.
The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.
While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.
Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.
While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.
Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
DJ Plant Texture - DDrumz
2
DJ Plant Texture - Mechanical Bongos
3
DJ Plant Texture - Dubbish
4
DJ Plant Texture - Let The Machine Speak (Jazz Mix)
Mechanical Dubbish Bongo Ragazzaccio
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Territories: Worldwide no restrictions
Format Notes: Part of Be With x KPM Library Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl
Track List:
A1 The Detectives (Long Version) 2:26
A2 The Detectives (Short Version) 1:31
A3 The Detectives (Link 1) 0:08
A4 The Detectives (Link 2a) 0:06
A5 The Detectives (Link 2b) 0:16
A6 The Detectives (Link 2c) 0:16
A7 The Detectives (Link 3) 0:10
A8 The Detectives (Link 4a) 0:06
A9 The Detectives (Link 4b) 0:15
A10 The Detectives (Link 4c) 0:15
A11 Helicop 2:54
A12 The Big One (Prelude) 1:26
A13 The Big One 4:05
A14 Headlights 1:09
A15 The Burn 1:05
A16 Bust Up (a) 0:14
A17 Bust Up (b) 0:13
B1 The Detectives (Slow Version) 2:07
B2 The Detectives (Interlude) 1:47
B3 The Detectives (Link 5a) 0:12
B4 The Detectives (Link 5b) 0:29
B5 The Detectives (Link 6a) 0:11
B6 The Detectives (Link 6b) 0:32
B7 The Detectives (Link 7a) 0:19
B8 The Detectives (Link 7b) 0:13
B9 The Build Up 5:57
B10 Snout 1:04
B11 The Prowler 2:02
Release Notes:
It's the pair you've all been waiting for! FINALLY!
Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...
Racing out the gate, the gritty crime funk of "The Detectives" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. "Helicop" is another fast paced and energetic dramatic action background with great breaks and horns. "The Big One (Prelude)" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to "The Big One", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense "Headlights" and (even briefer) burner "The Burn" add some - you guessed it - deep drama over insistent rhythms to close out Side A.
Flip over for "The Detectives (Slow Version)", a relaxed, thoughtful version featuring synths. You might recognise it as being sampled by Domo Genesis and Evidence for "Tallulah" from their brilliant collaboration a few years ago. "The Detectives (Interlude)" is another slow, pensive version featuring electric piano and a trombone solo in the centre section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight "The Build Up" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled "Snout" is a slow, tense background theme which features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of "The Prowler" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.
As with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: Part of Be With x KPM Library Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl
Track List:
A1 The Detectives (Long Version) 2:26
A2 The Detectives (Short Version) 1:31
A3 The Detectives (Link 1) 0:08
A4 The Detectives (Link 2a) 0:06
A5 The Detectives (Link 2b) 0:16
A6 The Detectives (Link 2c) 0:16
A7 The Detectives (Link 3) 0:10
A8 The Detectives (Link 4a) 0:06
A9 The Detectives (Link 4b) 0:15
A10 The Detectives (Link 4c) 0:15
A11 Helicop 2:54
A12 The Big One (Prelude) 1:26
A13 The Big One 4:05
A14 Headlights 1:09
A15 The Burn 1:05
A16 Bust Up (a) 0:14
A17 Bust Up (b) 0:13
B1 The Detectives (Slow Version) 2:07
B2 The Detectives (Interlude) 1:47
B3 The Detectives (Link 5a) 0:12
B4 The Detectives (Link 5b) 0:29
B5 The Detectives (Link 6a) 0:11
B6 The Detectives (Link 6b) 0:32
B7 The Detectives (Link 7a) 0:19
B8 The Detectives (Link 7b) 0:13
B9 The Build Up 5:57
B10 Snout 1:04
B11 The Prowler 2:02
Release Notes:
It's the pair you've all been waiting for! FINALLY!
Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...
Racing out the gate, the gritty crime funk of "The Detectives" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. "Helicop" is another fast paced and energetic dramatic action background with great breaks and horns. "The Big One (Prelude)" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to "The Big One", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense "Headlights" and (even briefer) burner "The Burn" add some - you guessed it - deep drama over insistent rhythms to close out Side A.
Flip over for "The Detectives (Slow Version)", a relaxed, thoughtful version featuring synths. You might recognise it as being sampled by Domo Genesis and Evidence for "Tallulah" from their brilliant collaboration a few years ago. "The Detectives (Interlude)" is another slow, pensive version featuring electric piano and a trombone solo in the centre section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight "The Build Up" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled "Snout" is a slow, tense background theme which features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of "The Prowler" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.
As with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Raven - GNOSIS THEME
2
Raven - ENDLESS EDITION
3
Raven - INFINITE RED ROSES
4
Raven - JUPITER
5
Raven - INFINITE EDITION
6
Raven - IN LOVING MEMORY
7
Raven - UNLIMITED EDITION
8
Raven - FINAL FADE SYNC
Format: LP
Tracklist:
A1. GNOSIS THEME
A2. ENDLESS EDITION
A3. INFINITE RED ROSES
A4. JUPITER
B1. INFINITE EDITION
B2. IN LOVING MEMORY
B3. UNLIMITED EDITION
B4. FINAL FADE SYNC
For our first release of 2025, Incienso is excited to present “GNOSIS”, the debut album from San Francisco-based musician Raven. Dripping in warped synthesizer tones and flickering drum patterns, “GNOSIS” is a bold and new exploration into Raven’s timeless and immersive world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1. GNOSIS THEME
A2. ENDLESS EDITION
A3. INFINITE RED ROSES
A4. JUPITER
B1. INFINITE EDITION
B2. IN LOVING MEMORY
B3. UNLIMITED EDITION
B4. FINAL FADE SYNC
For our first release of 2025, Incienso is excited to present “GNOSIS”, the debut album from San Francisco-based musician Raven. Dripping in warped synthesizer tones and flickering drum patterns, “GNOSIS” is a bold and new exploration into Raven’s timeless and immersive world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Passarani 2099 - Nerve Pinch
2
Analog Fingerprints - Psy vs Psy
3
Passarani - Wake Up Shake It
4
Passarani - Test Drive
5
Passarani - Numero 4
Tracklist:
A1. Passarani 2099 – Nerve Pinch
A2. Analog Fingerprints – Psy vs Psy
B1. Passarani – Wake Up Shake It
B2. Passarani – Test Drive
B3. Passarani – Numero 4
Roma techno legend Marco Passarani dusts off his Studiomaster moniker to present a selection of vibey dancefloor burners on 12” vinyl brimming with energy and packed with 303 squelch, thumping drums, moody synths and perfectly-placed vocal cuts. Marco took the Studiomaster name from his Studiomaster P7 console, which he runs his in-the-box mixes through, to bring extra dirt and character to his tracks. The Studiomaster alias first appeared on the Passarani Bandcamp page just as summer began in 2023. The newly built B.K.S. studio space was running smoothly, and the machines have been buzzing ever since, as Marco fires off vital, futuristic, acid-drenched club tracks, under pseudonyms like Passarani 2099, Analog Fingerprints, and Kids of Rotten Future. In contrast to an internet full of streaming files and AI generated artworks, the Studiomaster brand brings the look and feel of rare 12” white label promos, minimal on design and information.
The tracks here are collected on vinyl for the first time, “They represent proper studio jam sessions,” says Marco “meant to be performed in the club. There are no songs here, just pure dance floor tools!” And it’s to those in the club that this release is dedicated: to those still dreaming about the future while dancing in the dark.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Passarani 2099 – Nerve Pinch
A2. Analog Fingerprints – Psy vs Psy
B1. Passarani – Wake Up Shake It
B2. Passarani – Test Drive
B3. Passarani – Numero 4
Roma techno legend Marco Passarani dusts off his Studiomaster moniker to present a selection of vibey dancefloor burners on 12” vinyl brimming with energy and packed with 303 squelch, thumping drums, moody synths and perfectly-placed vocal cuts. Marco took the Studiomaster name from his Studiomaster P7 console, which he runs his in-the-box mixes through, to bring extra dirt and character to his tracks. The Studiomaster alias first appeared on the Passarani Bandcamp page just as summer began in 2023. The newly built B.K.S. studio space was running smoothly, and the machines have been buzzing ever since, as Marco fires off vital, futuristic, acid-drenched club tracks, under pseudonyms like Passarani 2099, Analog Fingerprints, and Kids of Rotten Future. In contrast to an internet full of streaming files and AI generated artworks, the Studiomaster brand brings the look and feel of rare 12” white label promos, minimal on design and information.
The tracks here are collected on vinyl for the first time, “They represent proper studio jam sessions,” says Marco “meant to be performed in the club. There are no songs here, just pure dance floor tools!” And it’s to those in the club that this release is dedicated: to those still dreaming about the future while dancing in the dark.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Laksa - Tech Steppas
2
Laksa - Leo
3
Laksa - The Art Of Slip
4
Laksa - Enjoyment
Lyrical Zonked Tech Steppas
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore