With memories of 2022’s ‘Serendipia’ still at the forefront of many minds, Oath are proud to offer up a fresh perspective on the John Beltran produced LP, with some stellar names featuring that will help the musical love affair continue onwards and upwards…

The art of the remix is certainly alive and well, and is often the final piece of the jigsaw on records where a alternative perspective sits alongside original tunes – a mirrored yet respectful sound that adds to the overall musical narrative. It often helps when the source material has so much to take in, and on ‘Serendipia’ the sonic ideas that John Beltran conjured up are a treasure trove for artists to work with. A breezy, Brazilian love affair, ‘Serendipia’ is the kind of record to take around in your pocket, a sound that nurtures the body and soul with its delicate rhythms and enriching, mellow yet captivating melodic sequences. From the walking pace through to the rhythms of life, Beltran captured something truly extraordinary on this record, such is what we have come to expect from his finger tips. Sunrises, sunsets, orange hued afternoons and deep blue seas, it is a record for the pastoral times, to riding back and soaking up the goodness – music that maintains smiles in abundance, no matter where or when.

The revisit to ‘Serendipia’ saw Oath approach some top notch producers, who provided a bountiful array of alternative styles and takes on the hazy rhythms and gorgeous melodic features of Beltran’s original tracks. In doing so, the artists involved managed to capture the core essence of the original LP, and that is of the broad diversity of feel which Beltran provided, with tracks swinging from genre and style with ease and intuition. What is perhaps handled the best is the balance between the original cuts and the musical personality of the music makers involved, and that makes for a truly feel good experience.

Danilo Plessow’s remix of ‘Sa Coma Blue’ slides into view as the record’s opener. Plessow turbo charges the core melodic drivers of the original, moving the atmosphere into a club environment with high line drumming patterns, driving synth sequences and a firm hand on controlling the shifts in energy and mood. Kareem Ali is up next with his spin on ‘Cachaca’, with a house leaning twist put on this rhythmically enriching palette. Ali draws focus on a piano riff found within the original, which acts as the melodic cornerstone of the track as it weaves and grooves into the night.

Melodiesfonie turns up next with their take on ’Suenos Soleados’, as the light starts to pour in on the dance floor. Slow, sultry and easy going, this track breezes along with a gentle whisper, with plenty of space available for a glorious array of instrumentation. Guitar and keys are given plenty of time to breathe, particularly in those dreamy breakdown moments. Session Victim then present their take on ‘Ask Anlari’, with this reworking spreading out the relatively short original cut and adding a fresh heap of drums whilst incorporating the original melodic density expertly. This one unravels like the freshest sunset going, its one to dip your head into. ‘Em Trancoso’, which lands next, is flipped from sun kissed to night time groover with some class by Em Trancoso. The rhythm and melody is spread out, with a hefty dosage of space added into the blend which creates a rhythmic work of art. Lastly, we have Xique’s remix of ‘Yangu Milele’, which stays true to the original in all the best ways. Similar tempo, similar thuds and a spread of rhythmic notions that will get the heart skipping, a perfect way to see out the record.

‘Serendipia’ provided a rich insight into John Beltran’s musical universe, and this remix record helps to add further to that album’s rich legacy. All the artists involved throw their hats into the ring, providing enlightening and characterful reworkings which are as dynamic as they are diverse. Each track flows into one another, capturing the musical dexterity of the original music and in turn contributing to a wholesome, rewarding musical experience. A record with many moments, and Oath couldn’t be more thrilled to share it with the world.

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Roots Underground kicks off 2024 with a bang, presenting the EP of one of the most fascinating living legends of Detroit techno: John Beltran. Although he has never stopped producing music (luckily for us!), this EP represents a more than welcome return of John Beltran to those more classic techno sounds that have made him one of the most iconic producers of this musical genre in the world.


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John Beltran in proper downtown Detroit mood! Including a remix from the Knight Of The Jaguar man himself Rolando! BIG!

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John Beltran with 2 analog raw and fierce sounding Acid trax! Limited hand stamped copies..

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Detroit's John Beltran can do no wrong if you ask us, and what he does do is always famously varied, from sound design for TV to melodic techno excellence via ambient beauty. Here for MotorCity Wine he revisits his Back To Bahia series with a third volume that finds him flexing his Afro-Brazilian deep house chops. The 7" opens up with the jazzy boogie of Lsaura' which is steeped in Minneapolis funk and will get cultured dancefloors in a spin. 'As The Sunsets' that appears on the flip and is a superbly emotive sound with wispy late night melodies and glowing harmonies and shuffling Latin grooves. Essential.

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New album from one of the big legendary Detroit producers. Aesthete is a warm journey into deep timeless electronix sounds, highly recommended!

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Let the sunshine in- John Beltran is back to Brasil for Back To Bahia Vol. 2. Similar to his last foray on MotorCity Wine Recordings Beltran has assembled an all-star cast of characters including John Arnold, Jeremy Ellis, James Simonson, and Kiko Navarro to deliver a slice of bright jazzy deep house heaven. Kiko Navarro's "Motor City Jazz Remix" starts the release with driving live drums and percussion for discerning dance floors. On the flip John's original mix keeps the energy moving, before going to the brilliant Sol Set Collective Rework which blends live energy with driving production for those special dance floor moments. Pressed loud to high quality 12" vinyl in Detroit.

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The always-innovative John Beltran surprises us with his first release on a Romanian label. The circularity of Energy Circle, the beauty of The Cycles EP, sets a typically Beltran soundscape, a melodic mood for this three-pieced beauty. The Sun Also Rises on the flip side, making it the rather bright beast of the release, while the marching B2 – Going Uphill Fast (hope on the horizon) — is a granular techno classic, closing Eufonic Records' first release on a very Detroit note.

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Detroit composer John Beltran returns to Delsin with The Season Series. A collection of subtle and colorful compositions of beautiful synth melodies creating heavenly atmospheres. A blissful walk through breezy spring fields where the gentle sunrays thaw frosty winter scenes.

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Detroit composer John Beltran returns to Delsin with The Season Series. A collection of subtle and colorful compositions of beautiful synth melodies creating heavenly atmospheres. A blissful walk through breezy spring fields where the gentle sunrays thaw frosty winter scenes.

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WAS - Word and Sound Medien GmbH
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he Lake lays itself gently rolling along building tension. Hypnotizing drum programming with dreamy synth cords that leaves dancers in a trance.
Twilight is a deep journey built for the late late nights drifting in-between what the night once held & for what a new day will bring.









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Chad Pulley makes his first solo appearance on John Beltran's All Good Music label, although keener eyed spotters will know that Pulley and Beltran previously collaborated on a track under the Bel-Pull Productions moniker. He steps up to the task ably, slipping into All Good style comfortably with the calm and melodic, gracefully coasting techno of 'Through My Eyes', before the flip side reveals the wistful 'Mesmerizing Blue', where pianos and synths call and respond over exotic rhythms. 'Sticks' completes the set, slightly harder and funkier than its two predecessors but again with an emphasis on musicality, off kilter danceability and originality. On this showing, a name to watch.

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Having thrown somewhat of a creative curveball with the launch of Latin and soul-centered project Sol Set, John Beltran hands over the Detroit collective's debut album Ola De Novo to a list of impressive global talent for the remix treatment. Kiko Navarro, Kaidi Tatham, Blair Frech, Ezel, Cee ElAssaad, Chris Coco and John Beltram with John Arnold all line up to do their duty, incorporating the sun kissed, percussion-heavy and exotically instrumented vibes into their more house and techno productions. Highlights include Cee ElAssaad's remix of 'Get Away', its gloriously optimistic vocal retained and re-purposed over light and nimble beats, and Chris Coco's dubby slow motion samba take on 'Linda Sau Paulo', but like the label says, it's All Good

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Sol Set is a Detroit-based collective, an amalgamation of composers, musicians, artists and vocalists brought together by producer John Beltran, whose new label All Good Music chooses its debut album for its inaugural release. John Beltran and Shane Donnelly preside over seven sumptuous and confident slices of modern, sub-kissed soul and Latin sure to put a smile on anyone's face, even those of us faced with an altogether more British summer. Influences range from the Steve Wonder-style double vocals of 'Bliss Mode' to the South American 'Rhythm of the Sun', which echoes the beach bum haziness of Jorge Ben, but the vibe remains joyful and skillfully yet effortlessly executed throughout. Gorgeous.

Tracklist:
1. Aztec (2022)
2. Let's Get Away
3. Bliss Mode
4. Rhythm Of The Sun
5. O Amor Esta No Ar
6. Linda Sao Paulo
7. Sugarloaf
8. Beija Flor
9. Pour Le Moment (For Now)

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