1
Sunfear - Dokun
2
Sunfear - Down By The Down
3
Sunfear - Wake Up Song
4
Sunfear - I Don't Know Why I'm Crying Now
5
Sunfear - Believers
6
Sunfear - Fuck You
7
Sunfear - The Time
8
Sunfear - Lilly And I
9
Sunfear - Octopus
10
Sunfear - Goodbye
Sunfear, the project of Istanbul-based multidisciplinary artist Eylül Deniz, debuts on Dark Entries with Octopus. Since 2017, Deniz has been working as a composer, performer, and DJ, with a focus on different facets of ambient, jazz, and experimental music. Deniz is deeply steeped in both music theory and history. She explores electroacoustic techniques, utilizing piano, guitar, voice, and synthesizer. These are her tools for self-expression, the means to tell her story to the world.
Octopus is a rumination on loneliness, memory, and Deniz’s childhood fondness for aquatic creatures. The ten songs on the album are static and turbulent, mournful and optimistic, grounded and otherworldly. A field recording of a gently flowing stream undergirds instrumental album opener “Dokun”. The stream begins by soothing us, but as tension builds throughout the song, its presence becomes unstable, uncanny. On “I Don’t Know Why I’m Crying”, a repeating motif serves as the canvas for Deniz’s majestic, reverberant voice. While the source of sorrow remains unknowable, her catharsis is pure and real. The penultimate track, “Octopus”, breaks into an unexpected trip hop-esque beat, which only enriches the album’s introspective terroir. With Octopus, Deniz gently guides the listener to places unknown.
All songs on Octopus were mastered by George Horn at Fantasy Studios. The sleeve, designed by Eloise Leigh, features a manipulated photograph taken by Deniz, which contrasts textures and colors in a non-representational fashion. Also included is an 11 x 11 insert with lyrics and a photo.
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Germany
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Octopus is a rumination on loneliness, memory, and Deniz’s childhood fondness for aquatic creatures. The ten songs on the album are static and turbulent, mournful and optimistic, grounded and otherworldly. A field recording of a gently flowing stream undergirds instrumental album opener “Dokun”. The stream begins by soothing us, but as tension builds throughout the song, its presence becomes unstable, uncanny. On “I Don’t Know Why I’m Crying”, a repeating motif serves as the canvas for Deniz’s majestic, reverberant voice. While the source of sorrow remains unknowable, her catharsis is pure and real. The penultimate track, “Octopus”, breaks into an unexpected trip hop-esque beat, which only enriches the album’s introspective terroir. With Octopus, Deniz gently guides the listener to places unknown.
All songs on Octopus were mastered by George Horn at Fantasy Studios. The sleeve, designed by Eloise Leigh, features a manipulated photograph taken by Deniz, which contrasts textures and colors in a non-representational fashion. Also included is an 11 x 11 insert with lyrics and a photo.
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More records from Sunfear
1
Sunfear - Littleness
2
Sunfear - Daycare
3
Sunfear - Steps
4
Sunfear - Above
5
Sunfear - People Like Us
6
Sunfear - A Dedication
7
Sunfear - Bright And Wild
8
Sunfear - Form Changed
Sunfear returns to Dark Entries with All at Once, her sophomore LP. Sunfear is the project of Turkish multidisciplinary artist Eylül Deniz. Since 2017, Deniz has been working as a composer, performer, and DJ, with a focus on different facets of ambient and experimental music. Deeply steeped in both music theory and history, Deniz explores electroacoustic techniques, utilizing piano, guitar, voice, and synthesizer. Her aim is self-expressive; these experimental tactics are her narrative and worldbuilding tools.
All at Once shows Deniz deepening her connection to the guitar, her voice, and the Sunfear project as whole. Deniz says, ”I drew inspiration from Dante's ‘Love That Moves the Sun and Other Stars’, poems by Pessoa, and the works of Lale Müldür, a significant Turkish poet.” All at Once is a darker album than its predecessor Octopus. Its somber atmospherics and brooding tones were informed by the loss of friends in Istanbul, many of whom took their own lives. On “Above,” sparse guitar riffs meet swirling electronics in a doom-laden reverb chamber. “Bright and Wild” unleashes brittle blasts of feedback over its lush drones. Deniz’s voice, drenched in textural processing, intermittently peeks through the murk, like on the quietly despairing “Littleness.” Optimistic glimmers are still to be found, though, like on album-closer, “Form Changed,” which veers into aquatic pop territory with a softly sauntering beat undergirding its ethereal melodies. The artwork was designed by Eloise Shir-Juen Leigh, and the album includes an insert with liner notes and lyrics. All at Once reflects the dark times we live in, but it does not only live in hopelessness; it recognizes that while loss and trauma may change our forms, we must continue to move forward.
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WAS - Word and Sound Medien GmbH
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Germany
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All at Once shows Deniz deepening her connection to the guitar, her voice, and the Sunfear project as whole. Deniz says, ”I drew inspiration from Dante's ‘Love That Moves the Sun and Other Stars’, poems by Pessoa, and the works of Lale Müldür, a significant Turkish poet.” All at Once is a darker album than its predecessor Octopus. Its somber atmospherics and brooding tones were informed by the loss of friends in Istanbul, many of whom took their own lives. On “Above,” sparse guitar riffs meet swirling electronics in a doom-laden reverb chamber. “Bright and Wild” unleashes brittle blasts of feedback over its lush drones. Deniz’s voice, drenched in textural processing, intermittently peeks through the murk, like on the quietly despairing “Littleness.” Optimistic glimmers are still to be found, though, like on album-closer, “Form Changed,” which veers into aquatic pop territory with a softly sauntering beat undergirding its ethereal melodies. The artwork was designed by Eloise Shir-Juen Leigh, and the album includes an insert with liner notes and lyrics. All at Once reflects the dark times we live in, but it does not only live in hopelessness; it recognizes that while loss and trauma may change our forms, we must continue to move forward.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Dark Entries
1
Hackney Electronica - H.E. Nuestro Circuito
2
Hackney Electronica - Efecto Perfecto
3
Hackney Electronica - The One
4
Hackney Electronica - Whispers from the Depths
5
Hackney Electronica - Nueva Ola
Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape - heavy and hypnotic - they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.
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1
Bill Converse - Live Track
2
Bill Converse - Key Pump
3
Bill Converse - Final Act
4
Bill Converse - Two One Three
5
Bill Converse - Romance
6
Bill Converse - Knob
7
Bill Converse - Wrong Again
Cult icon Bill Converse trots back to Dark Entries with Trust. Converse has honed his craft since the early days of the Midwest rave scene, absorbing lessons from luminaries like Claude Young and Traxx. His skill as a producer has been cemented with releases on labels like Dark Entries, Fit Sound, and Obsolete Futures, and his prowess as a DJ has been witnessed on floors worldwide. In recent years, Converse has also pushed audiences to their lysergic limits with his sinewy and kinetic live sets, which pair classic analog boxes like the Roland TB-303 with cutting-edge modular synthesis techniques. The 7 tracks on Trust pick up the wild energy of these live hardware explorations, channeling the splayed beats of Chicago’s Relief Records, the acidic grit of Midwest techno like Woody McBride’s Communique Records, and the hypnagogic hooks of Artificial Intelligence-era IDM. According to Converse, the abrupt changes and off-kilter rhythms are “an effort to facilitate or express trust-making in the listening experience. I want some degree of give and take with the listener.” This process makes Converse’s sound truly singular, the kind of aural landscape that can only be conjured through a lifetime of crate-digging and analog abuse - just check out the untenable funk of “Live Track” or the otherworldly groove of “Romance.” Trust comes in a sleeve featuring artwork from Sonya Rapaport from 1986 featuring images generated with an MS-DOS computer. Converse says “I think there's also a muscle-to-love vibe with this one.” We can trust him.
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Germany
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1
Q Lazzarus - Goodbye Horses (Extended Mix)
2
Q Lazzarus - Goodbye Horses (Instrumental)
3
Q Lazzarus - Hellfire
4
Q Lazzarus - Summertime
5
Q Lazzarus - Goodbye Horses (Acapella)
Repress coming beginning of April!
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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1
Parade Ground - Riddle In The Stained Glass Windows
2
Parade Ground - When The Fever Stops
3
Parade Ground - Looking Through Keyholes
4
Parade Ground - This Luxury
5
Parade Ground - The Net
6
Parade Ground - Snake
7
Parade Ground - Off Balance
8
Parade Ground - The Chosen One
9
Parade Ground - Hollywood (The Sexiest Fish)
10
Parade Ground - Marble Mind
Parade Ground march back to Dark Entries with The Hidden Side, a compilation of B-sides and unreleased material. Brothers Jean-Marc and Pierre Pauly started Parade Ground in Brussels in 1981. Their Dada-laced brand of post-punk fuses propulsive drum machines and icy synths with skeletal guitar riffs and Jean-Marc’s distinct and powerful voice, pioneering the subgenre of emotional body music. The brothers met Daniel B. and Patrick Codenys of Front 242 in 1982, marking the beginning of an enduring collaborative partnership. In 2011, Dark Entries released The Golden Years, a compilation chronicling the band’s A-sides and exposing them to a new generation of EBM enthusiasts. The Hidden Side continues this mission, illuminating lesser-known facets of the band’s oeuvre. The tracks here were written between 1982 and 1989, and showcase Parade Ground’s range of styles - all cold, dark, and brooding. Tracks like “Riddle in the Stain Glass Window” and the previously unreleased “Looking Through Keyholes” see the band in menacing coldwave mode, rocking chorus-drenched bass guitar and blasts of analog synth. The band’s dancier proclivities shine elsewhere, like on “Off-Balance” or the supremely funky “Hollywood (The Sexiest Fish),” a floor-filler driven by bass guitar and thumping digital drum machine beats. Also included is “Marble Mind,” a previously unreleased latter-period track from the band recorded by Patrick Codenys at 242 Studio. The Hidden Side includes liner notes featuring lyrics and a photo of Jean-Marc and Pierre Pauly. Additionally, a newly remastered edition of The Golden Years will be released along with The Hidden Side.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Parade Ground - I Shut My Eyes
2
Parade Ground - Moan On The Sky
3
Parade Ground - Retired
4
Parade Ground - Fall Incognito
5
Parade Ground - Moral Support
6
Parade Ground - Took Advantage
7
Parade Ground - Gold Rush
8
Parade Ground - Action Replay
9
Parade Ground - Moans
10
Parade Ground - Strange World
11
Parade Ground - Hollywood
2025 Remaster/Repress!
Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of electronic body music created during 1982-1988.
Parade Ground first appeared on the Nationale Rockmeeting LP in 1982, striking straight to the heart with the passionate plea “I Shut My Eyes.” Later that year the brothers met Daniel B. and Patrick Codenys of Front 242 beginning a collaborative partnership that continues to present day. In 1983 they released their debut 3-song 7” EP Moan On The Sly on the New Dance label, musically a hybrid of Joy Division and Fad Gadget. 1984 brought further explorations into the world of electronic body music with the 3-song Man In A Trance EP and 2 tracks on the live concert compilation Mask Promotion both records released on Front 242's Mask Music label. The following year the single Took Advantage/Moral Support 12” was released incorporating then, state-of-the-art modular synthesizers programmed by Daniel B. and back-up vocals from Flo Sullivan (A Formal Sigh, Shiny Two Shiny). Then in 1987 the brothers collaborated with Colin Newman of British post-punk band Wire, who produced and lent his vocals, guitars and keyboards to two songs ("Moans"/"Action Replay") while Daniel B. produced flipside "Gold Rush" on the Dual Perspective EP that stands alongside 80s anthems from Tears for Fears, Modern English, Echo & The Bunnymen. Finally in 1988 their debut album Cut Up was released on Play It Again Sam Records and featured the singles Strange World and Hollywood. In 1993 the brothers wrote and composed the vocals on two Front 242 albums Up Evil and Off. After 15 years of silence the boys released their second album Rosary in 2007 and continue to write new material and tour with their extensive catalog of dark dance classics. Each LP includes a 6-page press kit with lyrics, discography, photos and liner notes by Daniel B. of Front 242. The history of Belgian electronic music would not be complete without a trip through “The Golden Years” of Parade Ground.
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WAS - Word and Sound Medien GmbH
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Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of electronic body music created during 1982-1988.
Parade Ground first appeared on the Nationale Rockmeeting LP in 1982, striking straight to the heart with the passionate plea “I Shut My Eyes.” Later that year the brothers met Daniel B. and Patrick Codenys of Front 242 beginning a collaborative partnership that continues to present day. In 1983 they released their debut 3-song 7” EP Moan On The Sly on the New Dance label, musically a hybrid of Joy Division and Fad Gadget. 1984 brought further explorations into the world of electronic body music with the 3-song Man In A Trance EP and 2 tracks on the live concert compilation Mask Promotion both records released on Front 242's Mask Music label. The following year the single Took Advantage/Moral Support 12” was released incorporating then, state-of-the-art modular synthesizers programmed by Daniel B. and back-up vocals from Flo Sullivan (A Formal Sigh, Shiny Two Shiny). Then in 1987 the brothers collaborated with Colin Newman of British post-punk band Wire, who produced and lent his vocals, guitars and keyboards to two songs ("Moans"/"Action Replay") while Daniel B. produced flipside "Gold Rush" on the Dual Perspective EP that stands alongside 80s anthems from Tears for Fears, Modern English, Echo & The Bunnymen. Finally in 1988 their debut album Cut Up was released on Play It Again Sam Records and featured the singles Strange World and Hollywood. In 1993 the brothers wrote and composed the vocals on two Front 242 albums Up Evil and Off. After 15 years of silence the boys released their second album Rosary in 2007 and continue to write new material and tour with their extensive catalog of dark dance classics. Each LP includes a 6-page press kit with lyrics, discography, photos and liner notes by Daniel B. of Front 242. The history of Belgian electronic music would not be complete without a trip through “The Golden Years” of Parade Ground.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Lunapark - Sei Verliebt
2
Lunapark - Komm Her
3
Lunapark - Gefangene Vögel
4
Lunapark - Dieser Tag
5
Lunapark - Worte
6
Lunapark - Lederhosen
7
Lunapark - Eine Frage - Keine Antwort
8
Lunapark - John Lennon
9
Lunapark - Renn, Wenn Du Kannst
10
Lunapark - Der Tunnel
Restock!
Lunapark is the trio of Burkhard Ballein, Klaus “Schlips” Gebauer, Reinhard “Zoppen” Benisch from Wuppertal, Germany. Formed in 1981 when the boys were dissatisfied with their surrounding musical environment. They packed their instruments and a cassette recorder and set off to create their own brand of Neue Deutsche Welle (NDW “New German Wave”). Their influences included The Beatles, Colloseum, Roxy Music, Frank Zappa as well as Sex Pistols, Ian Dury & The Blockheads, Blondie and The Cure. “Gefangene Vögel’ (‘Prisoner Birds’) is their debut album released by Intakt Records, Stuttgart in 1982. Utilizing a simple set up of guitar, bass, drums, drum-computer, Korg MS-10 and Korg MS-20 they recorded 10 tracks that make up the album. Songs bridge the Belgian-type industrial and cold sounds with NDW quirkiness. In the vein of Sad Lovers and Giants, and Schleimer K they blend post-punk and new wave music with electronic influences. All songs are sung in German with monotone vocals and epitomized the urban Zeitgeist of the Cold War. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a replica of the original jacket design, which features a drawing of birds on a grid. There are 4 different color versions of the screen printed jacket: blue, yellow, magenta and turquoise. Each LP includes a copy of the double sided 11×11 insert that was included with the original pressing with lyrics and photos.
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Germany
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Lunapark is the trio of Burkhard Ballein, Klaus “Schlips” Gebauer, Reinhard “Zoppen” Benisch from Wuppertal, Germany. Formed in 1981 when the boys were dissatisfied with their surrounding musical environment. They packed their instruments and a cassette recorder and set off to create their own brand of Neue Deutsche Welle (NDW “New German Wave”). Their influences included The Beatles, Colloseum, Roxy Music, Frank Zappa as well as Sex Pistols, Ian Dury & The Blockheads, Blondie and The Cure. “Gefangene Vögel’ (‘Prisoner Birds’) is their debut album released by Intakt Records, Stuttgart in 1982. Utilizing a simple set up of guitar, bass, drums, drum-computer, Korg MS-10 and Korg MS-20 they recorded 10 tracks that make up the album. Songs bridge the Belgian-type industrial and cold sounds with NDW quirkiness. In the vein of Sad Lovers and Giants, and Schleimer K they blend post-punk and new wave music with electronic influences. All songs are sung in German with monotone vocals and epitomized the urban Zeitgeist of the Cold War. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a replica of the original jacket design, which features a drawing of birds on a grid. There are 4 different color versions of the screen printed jacket: blue, yellow, magenta and turquoise. Each LP includes a copy of the double sided 11×11 insert that was included with the original pressing with lyrics and photos.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
Contact: gpsr@wordandsound.netMore
1
Patrick Cowley - Zygote
2
Patrick Cowley - Mockingbird Dream
3
Patrick Cowley - Nightcrawler
4
Patrick Cowley - Pagan Rhythms
5
Patrick Cowley - Seven Sacred Pools
6
Patrick Cowley - School Daze
7
Patrick Cowley - He's Like You
8
Patrick Cowley - Journey Home
9
Patrick Cowley - Out Of Body
10
Patrick Cowley - Primordial Landscape
11
Patrick Cowley - Tides Of Man
Repress!
Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
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Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
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1
Lives Of Angels - Pavilion
2
Lives Of Angels - Ascension
3
Lives Of Angels - Imperial Motors
4
Lives Of Angels - Golden Age
5
Lives Of Angels - The Rock Drill
6
Lives Of Angels - Cold Expression
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Lives Of Angels - Red Suit
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Lives Of Angels - In The Image Of Youth
9
Lives Of Angels - Meltdown
RESTOCK
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1
Bézier - Ensconced
2
Bézier - Silhouette
3
Bézier - Templar
4
Bézier - Nautilus '78
5
Bézier - Mecanique
6
Bézier - Servile
RESTOCK
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Figure Study - Lesson One
2
Figure Study - Pirouette
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Max + Mara - Hands
2
Max + Mara - No One
3
Max + Mara - Another Cop
4
Max + Mara - Rest In War
5
Max + Mara - Unseen
6
Max + Mara - Lake
7
Max + Mara - Concrete Lines
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Corps Diplomatique - Paradis I
2
Corps Diplomatique - Gnossos
3
Corps Diplomatique - Marie Eve
4
Corps Diplomatique - Mort Sur Le Nil
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Corps Diplomatique - Sin Of Flesh
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Corps Diplomatique - Les Métamorphoses
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Corps Diplomatique - Paradis II
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Corps Diplomatique - Eros Phobia
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Corps Diplomatique - Dreamy Days
French coldwave act Corps Diplomatique comes to Dark Entries with Dans Ta Nuit, a collection of tracks recorded between 1984-1987. Founded in Marseille by Olivier Aubin, Marie-Eve Bensussan, Patrick Loubet and Nicolas Pélissie, Corps Diplomatique remain shrouded in mystery. The band only released one 7” during their time, 1988’s Paradis I, in addition to appearing with three tracks on the La Muse Vénale compilation, a holy grail for devotees of the French coldwave. Dans Ta Nuit brings us nine tracks from this cult band, seven of which have never before appeared on vinyl. These cuts are raw and unembellished but not at the expense of dramatic tension. Tracks like “Sin of Flesh” and “Eros Phobia” deliver the kind of high octane mix of despair and ecstasy that coldwave enthusiasts crave. Comparisons are inevitably to be made with fellow Marseille act Martin Dupont, and the bands were indeed close; Alain Séghir from Martin Dupont lent Corps Diplomatique synthesizers for their own recording endeavors. Cold hearts care for each other. The cover art for Dans Ta Nuit includes photographs of the band from a 1985 concert in Marseille, and the record includes an insert that includes a photograph of the band as well as lyrics and notes.
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Crash Course In Science - Cardboard Lamb
2
Crash Course In Science - Crashing Song
3
Crash Course In Science - Flying Turns
4
Crash Course In Science - Factory Forehead
After a fairly overwhelming 2013 of archival releases that was topped off with that excellent Patrick Cowley compilation, Dark Entries seemingly are maintaining that momentum this year with a clutch of new projects. The first is this reissue of the classic Signals From Pier Thirteen EP by Crash Course In Science, which is a name that should be instantly recognisable to fans of minimal wave thanks to "Flying Turns". The track featured on the Minimal Wave Tapes Vol. 1 compilation curated by Peanut Butter Wolf and Veronica Vasicka and has been reworked by Jamal Moss, J Rocc and Ricky Villalobos in recent years. "Flying Turns" of course features on this EP, and this Dark Entries issue is the first time Signals From Pier Thirteen has been reissued on vinyl since the early '80s and is a must for anyone who likes crude electronics and synthesised beats.
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Moral - Airscape
2
Moral - Lady Happiness
3
Moral - Still Remaining
4
Moral - On Serial Rendau
5
Moral - Dance Of The Dolls
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Moral - Trees In November
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Moral - Juice
8
Moral - The Wedding
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Moral - Slottet I Luften
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Moral - Frosty Nights
11
Moral - The Average Life
12
Moral - Whispering Sons
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Bill Converse - Warehouse Invocation
2
Bill Converse - Senys Magick
3
Bill Converse - Riverbank
4
Bill Converse - Consulted Acid
Having plundered the cassette archives of Bill Converse for the psychedelically-charged album, Meditations/Industry, earlier this year, Dark Entries score another hit from the Texas-based hardware exponent for their latest 12". Three of the four tracks on this 12" originate from that same Obsolete Future cassette, with the fourth originating from studio sessions around the same time. Title track "Warehouse Invocation" sets the mood, with minor key synthesizer refrains and undulating acid lines weaving their way in and out of a druggy, off-kilter electronic groove. Converse moves further towards straight-up techno territory on the fizzing analogue funk of "Senys Magick", before fusing crystalline synthesizer riffs and a sludgy, distorted drum machine groove on the impressive "Riverbank".
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Diseño Corbusier - Festival Para Dos
2
Diseño Corbusier - Silencio
3
Diseño Corbusier - El Circulo De La Infancia
4
Diseño Corbusier - Flanco - Dama
5
Diseño Corbusier - Malinconia
6
Diseño Corbusier - Le Chat
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Diseño Corbusier - Chiquillo 83
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Diseño Corbusier - Clonica
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Diseño Corbusier - La Fanatica
10
Diseño Corbusier - Mi Propia Vision
11
Diseño Corbusier - Harakiri
12
Diseño Corbusier - Arde En Sus Ojos La Luz
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Instant Music - My Boy
2
Instant Music - Do Not
3
Instant Music - Joyboy
4
Instant Music - Everybody's Gotta Mutate
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Instant Music - Charade
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Instant Music - Optimate Minimum
The members of Munich's Instant Music have all done their fair share of wonderful things throughout the 80s post-wave scene, but their one-off LP as Instant Music is the one that still gets all the praise, both from listeners and second-hand sharks, so it's only natural that the mythical Dark Entries have gone on to reissue it in all its glory. The 1981 album is a stand-out piece of work, managing to merge the very best of post-punk, synth-wave and, yes, even a little bit of proto-techno. The latter is heard mainly through its arrangements and bass tones, perfectly formed for dancefloor action...and domination. All of it is, of course, guided by the wonderfully subtle and minimalistic vocals of Marion Siekmann, who then went on to do great things with Ski Und Der Rest. Recommended!
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DsorDNE - La Zona
2
DsorDNE - Delitto E Passione
3
DsorDNE - E Un Sole
4
DsorDNE - In The Mouth My Heart"
5
DsorDNE - Centro D'Erezione
6
DsorDNE - Antenne
7
DsorDNE - Il Senso Di Torpore
8
DsorDNE - Emoraggia Sensoriale
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