Nonexclusive Release - Exportrights Only, 2LP + CD vinyl edition in 5mm standard sleeve. CD included.

Tracklist:

A1. Esther Phillips – That’s All Right With Me / A2. Al Green – I Wish You Were Here
A3. Eddie Kendricks – Intimate Friends / A4. Sylvia – Sweet Stuff
A5. Betty Wright – Girls Can’t Do What The Guys Do
A6. The Ambassadors – Ain’t Got The Love Of One Girl (On My Mind)

B1. The Dynamics – Get Myself High / B2. Carolyn Sullivan – Dead ! / B3. Brenton Wood – Trouble
B4. The Floaters – Float On / B5. Faze-O – Riding High

C1. Ernie Hines – Our Generation / C2. Jerry Butler – I’m Your Mechanical Man
C3. J.J. Johnson – Keep On Movin’ (Vocals by Martha Reeves & The Sweet Things)
C4. Monk Higgins & Alex Brown – A Good Man Is Gone (Vocals by Barbara Mason)
C5. The East St. Louis Gospelettes – Have Mercy On Me

D1. Jean Plum – Here I Go Again / D2. The Staple Singers – Let’s Do It Again / D3. The Sylvers – Only One Can Win D4. Della Humphrey – Don’t Make The Good Girls Go Bad / D5. Freda Payne – I Get High (On Your Memory)
D6. Carla Thomas – What The World Needs Now

CD features the same tracklist in the same order.

Short info:
Duke Ellington once said that there are 2 kinds of music: the good one and the bad one. With the compilation series “Shaolin Soul” we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by RZA and the Wu-Tang Clan. Following a second episode in 2001 and a third one in 2014, the famous curator Uncle O is back to celebrate the 20th anniversary of the Shaolin Soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because “everybody’s talking about the good ol’ days !”.
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LP 2x12"
MUNK presents: TEUTONIK DISASTER (Compilation)
German New Wave Funk 1979 - 1983
Compilation originally released 2003 on Gomma records.

A very special compilation. 8 edits and reworks of rare German New Wave Funk and Disco Punk.

Toy Tonics label heads Mathias Munk Modica and Kapote present Teutonik Disaster, a very special compilation with 8 edits and reworks of rare German New Wave Funk and Disco Punk from 1979 to 1983.

A1 Die Heteros - Monogamie, Kannibalismus unserer Zeit (Kapote Rework)
A2 Camilla Motor - Gefahr Im Tivoli (Kapote Rework)
B1 Exkurs - Fakten Sind Terror (Kapote Rework)
B2 Carmen - Schlaraffenland (Kapote Rework)
C1 Explorer - Yellow Power (Kapote Rework)
C2 BBB - Alltag (Kapote Rework)
D1 Roter Mund - Mit Dir Allein (Kapote Rework)
D2 Die Chefs - Frauenkörper (Kapote Rework)

There have been millions of typical disco edits in the last years. But there is so much more interesting music from the late 1970s and early 80s yet to bubble its way to the surface. One of those lesser explored fields is the crazy funky side of Germany's underground disco and new wave from that period. At the time, many German bands were trying to make their own version of English and American styles. After Kraftwerk and Can had started to use the German language in a cool, new way, many bands that followed in their steps experimented with German new wave. Most of these bands didn't reach a bigger audience. Their records never got pressed to more than 300 - 500 copies as they were a number of years ahead of the huge commercial explosion of German pop in 1984: The NDW aka "Neue Deutsche Welle", with Nena's humongous hit 99 Red Balloons. The bands featured on the compilation released their music before the NDW hype and later broke up. Plenty of these early bands are best forgotten but if you dig deeper you'll find the gems, bursting with style and attitude. And that's just what Toy Tonics heads Mathias Munk Modica & Kapote did. They hit gold.

Most of these tracks have already been released on the original "Teutonik Disaster" compilation in 2003 on Gomma Records. Gomma was the label that Mathias Munk Modica started before Toy Tonics 15 years ago, where he released records with James Murphy, WhoMadeWho, Asia Argento... Gomma is not active anymore, but it felt like the right time to re-release this compilation in 2019. Munk and Toy Tonics partner Kapote made new versions of these rare songs, adding drum machines and extended them. The result is unbelievable music, heavy funk basslines, soulful vibes, cool vocals that you would be hard pressed to expect from Germans and a vibe that slots in perfectly in 2019's post-techno and post-deep house scenario.

The artists:

Camilla Motor, Die Heteros and Exkurs: These bands were inspired by New York's proto disco bands like ESG or Liquid Liquid. Basslines that could come from a 1975 disco dancefloor and white boy funk drums which would bring to mind the music released on ZE Records during that period. Exkurs' "Fakten sind Terror" was discovered by Munk in an old vintage shop in Munich. It was first released on Gomma's original compilation in 2003, then re-released on Optimo's JD Twitch compilation "Kreaturen der Nacht" on Strut in 2018. Most of these musicians had connections to art academies in Cologne, Mannheim and Hamburg. They would often be dilettantes with their instruments, but with an unfailable passion for black music and new wave as well as dadaistic, ironic and scandalous lyrics: Take for example Die Heteros: "Monogamy, cannibalism of our days!" from the album "Romantik Ist Tot" (Cologne 1982). The title says it all.

Carmen's "Schlaraffenland", like most of these songs this track also came out in 1982. Two years before the commercially successful Neue Deutsche Welle exploded. Carmen's amazingly sensual German vocals stand out and the groove could easily have been on a Blondie or Talking Heads album. It's certain that these musicians tried to imitated the New York art funk vibe. The song was co-produced by Piet Klocke, who was part of another white boy funk group called Die Tanzdiele and later became a comedy star on German TV.

Die Chefs' "Frauenkörper" is a track from a band that deliberately flirted with controversy during its existence. Released in 1982, their album was took off the market by their label and their concerts were cancelled after protests. The track itself sounds like it could have been on a Prince record, with a weirdly funky beat and pan-asian indebted synth melodies

Roter Mund and B.B.B. are straight up disco vibes with German dada slogans, cold new wave drums but with a funky feel underpinning everything. You're guaranteed to rock any forward thinking disco dancefloor of 2019 with these. The two guys behind Hamburg's Roter Mund where inspired by American breakdance music when producing their debut LP in 1982. They pose with old school sneakers and imitate NY breakers poses on the back cover of the album. Later the guys became successful producers of German schlager (Germany's answer to mainstream pop). Munk & Kapote changed quite a bit here from the original versions, adding bass drums and hi hats, cutting out and repeating certain parts to make it sound fresher. The same process happened with B.B.B. where large sections of the original track were edited out.

Explorer's track comes from an album that was originally sonic experiments with early sequencers and synthesizers by Tony Carey, a legendary Californian musician who was part of Rainbow. He later moved to Germany where he worked with Peter Hauke but ended up producing schlager, TV commercials and pop. But his first album "Yellow Power" is cult. It's crazy to hear how these jams sound like early proto techno or electro funk. They could have been made in Detroit 15 years later. The original LP was cult between the late 80ies Cosmic and balearic scene. This is Robotic Funk.
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Track List:
A1 : Here’s To You (5:21)
B1 : You Got Me Up (5:07)

Release Notes:
The word masterpiece gets bandied about a lot. Not least by us. But here is a release that truly befits such a lofty title.

In 1980, Randy Muller’s Skyy dropped the monumental “Here’s To You”, comfortably one of the greatest dance singles of all time. Released on Salsoul, “Here’s To You” is now exceptionally hard to find in its original form. On this special Be With double-header, we present the sought-after 12" mix and back it up with the strutting “You Got Me Up”, which has never been on a 12" before.

Naturally, both are cut loud and bumping for devastating dance floor power.

A sure-fire classic of the NYC club scene and a true block party rocker, “Here’s To You” beautifully combines sweeping synth-strings, loose cymbal hits and swaggering lyrics delivered with enviable style. But the real hero is *that* bassline. Oh, wait, no, actually, it’s *that* synth refrain halfway through. Harnessing the Oberheim Matrix 12 to emulate a horn section has provided goosebumps on discerning dance floors ever since.

As Muller expressed in his 2007 Red Bull Music Academy lecture, “It’s a very special record, it’s positive and has that spontaneous, life-giving spirit in the groove. Everything locks, just pure chemistry.”

Like we said, it’s a masterpiece.

If that wasn’t enough, over on the B-side is “You Got Me Up”, a real hidden gem from Skyy’s Skyway LP. Also released in 1980, the track is a wonderful showcase of the group’s airtight rhythm section and Muller’s uncanny ear for a groove and a melody.











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