More records from Crackazat
1
Crackazat - A1. I need to know
2
Crackazat - A2. Do you think about me
3
Crackazat - A3. Freddie’s groove
4
Crackazat - B1. Phantom feat. The Potash Twins
5
Crackazat - B2. Endless life
6
Crackazat - B3. When we last met
Format: Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1. I need to know
A2. Do you think about me
A3. Freddie’s groove
B1. Phantom feat. The Potash Twins
B2. Endless life
B3. When we last met
Release Info:
Crackazat & Heist present: “Senses”. A stunning mini album that sees the artist deliver a heartwarming perspective on contemporary electronic
music
On “Senses”, we see the pure talent of Crackazat come to life like never before. We’ve all danced to “Alfa” or his most recent hit on Heist “Demucha” and
have heard his venture into the more poppy side of things with his 2022 album ‘Evergreen’ on Freerange. “Senses” however, is on another level. Crackazat
takes you on a sonic journey exploring his musical personality with live keys, vocals, bass and production all coming from his studio in Uppsala, Sweden. The
jazzy horns that are featured throughout are recorded by Adeev and Ezra Potash, better known as the Potash twins. The duo took a sidestep from their
recordings with John Legend, Robert Glasper and even Diplo to dive into this project with Crackazat and help him deliver arguably his best work to date.
The 6-track album starts off with the low-slung groove of ‘I need to know’. The whole atmosphere is warm, dreamy and seems to be written to lift your spirits,
no matter where you are in life. Plucked strings, arpeggios and long horn notes give this song its energy, which is subtly supported by lo-fi drums and sparse
bass licks.
“Do you think about me”, keeps the energy tight with a lovely drum groove and a sparse bass section. From the first note of the track, you get the feeling like
the energy could change any moment. Halfway through this is exactly what happens, when uplifting keys and a buzzing lead take control of the track. The
string arrangement is subtle enough to never overshadow the other instrumentation, but simply adds a beautiful layer to a track that’s already filled with
emotion. It’s all smiles when the energy of this track is set loose!
If “Do you think about me” is Crackazat in pop mode, “Freddie’s Groove” is Crackazat in full-on jazz mode. The nod to Freddie Hubbard is clear, and
Crackazat cleverly takes ideas from both the jazz legend and his legendary French sampler, Pepe Bradock for this track. The horns are deep and moody, the
groove is jazz-house at its best and Crackazat’s soft vocals have the perfect amount of fragility to fit the groove. The changeover into a stabby synth section
halfway through the track is a subtle reminder from the skilled producer that – even with all these musical elements – he can direct you to the front of the
dancefloor with the twist of a note.
“Phantom” sees Crackazat move into a shuffling Latin-dance vibe. Here, the song reaches its full potential through the horn section, so it’s only fitting that this
is the feature track for the Potash Twins. The Latin rhythms are lush, the key progression is on point and the energy on this track just keeps on going with
layers and layers of horns, powerful vocal chops, and subtle but effective percussion changeovers.
“Endless life” is a track that feels like it’s building up momentum with every repetition. Whether it’s the broken beat groove, the offbeat keys or the sparse
horn hits, chord hits or leads, there’s a certain energy in this track that takes a hold of you and simply doesn’t let go.
The outro “When we last met” is built around vibey drunk keys and a downtempo hip-hop groove. There’s a hint of old school D’angelo in this track and you
can clearly hear the artist feels at ease with the path he’s taking the listener on. It’s a perfect ending to a record that showcases the beautiful world that
Crackazat has crafted through his compositions and one thing is for sure: This is an album we will all keep coming back to for a long time to come.
Yours Sincerely,
Maarten & Lars More
Track list:
A1. I need to know
A2. Do you think about me
A3. Freddie’s groove
B1. Phantom feat. The Potash Twins
B2. Endless life
B3. When we last met
Release Info:
Crackazat & Heist present: “Senses”. A stunning mini album that sees the artist deliver a heartwarming perspective on contemporary electronic
music
On “Senses”, we see the pure talent of Crackazat come to life like never before. We’ve all danced to “Alfa” or his most recent hit on Heist “Demucha” and
have heard his venture into the more poppy side of things with his 2022 album ‘Evergreen’ on Freerange. “Senses” however, is on another level. Crackazat
takes you on a sonic journey exploring his musical personality with live keys, vocals, bass and production all coming from his studio in Uppsala, Sweden. The
jazzy horns that are featured throughout are recorded by Adeev and Ezra Potash, better known as the Potash twins. The duo took a sidestep from their
recordings with John Legend, Robert Glasper and even Diplo to dive into this project with Crackazat and help him deliver arguably his best work to date.
The 6-track album starts off with the low-slung groove of ‘I need to know’. The whole atmosphere is warm, dreamy and seems to be written to lift your spirits,
no matter where you are in life. Plucked strings, arpeggios and long horn notes give this song its energy, which is subtly supported by lo-fi drums and sparse
bass licks.
“Do you think about me”, keeps the energy tight with a lovely drum groove and a sparse bass section. From the first note of the track, you get the feeling like
the energy could change any moment. Halfway through this is exactly what happens, when uplifting keys and a buzzing lead take control of the track. The
string arrangement is subtle enough to never overshadow the other instrumentation, but simply adds a beautiful layer to a track that’s already filled with
emotion. It’s all smiles when the energy of this track is set loose!
If “Do you think about me” is Crackazat in pop mode, “Freddie’s Groove” is Crackazat in full-on jazz mode. The nod to Freddie Hubbard is clear, and
Crackazat cleverly takes ideas from both the jazz legend and his legendary French sampler, Pepe Bradock for this track. The horns are deep and moody, the
groove is jazz-house at its best and Crackazat’s soft vocals have the perfect amount of fragility to fit the groove. The changeover into a stabby synth section
halfway through the track is a subtle reminder from the skilled producer that – even with all these musical elements – he can direct you to the front of the
dancefloor with the twist of a note.
“Phantom” sees Crackazat move into a shuffling Latin-dance vibe. Here, the song reaches its full potential through the horn section, so it’s only fitting that this
is the feature track for the Potash Twins. The Latin rhythms are lush, the key progression is on point and the energy on this track just keeps on going with
layers and layers of horns, powerful vocal chops, and subtle but effective percussion changeovers.
“Endless life” is a track that feels like it’s building up momentum with every repetition. Whether it’s the broken beat groove, the offbeat keys or the sparse
horn hits, chord hits or leads, there’s a certain energy in this track that takes a hold of you and simply doesn’t let go.
The outro “When we last met” is built around vibey drunk keys and a downtempo hip-hop groove. There’s a hint of old school D’angelo in this track and you
can clearly hear the artist feels at ease with the path he’s taking the listener on. It’s a perfect ending to a record that showcases the beautiful world that
Crackazat has crafted through his compositions and one thing is for sure: This is an album we will all keep coming back to for a long time to come.
Yours Sincerely,
Maarten & Lars More
Format: (180 gr., Limited Full Cover)
Track list:
A Demucha
B1 Sarge
B2 We know
Release Info:
What do you do when you’ve just released an amazing album and your last EP on Heist was one of the label’s best selling records in recent years? This is the ‘question’ Crackazat had to answer when writing his new EP for us. His solution? Just deliver something even more amazing. Easy.
When Crackazat released his ‘Alfa’ EP early 2021, we knew it was going to be a great record. It had everything we’ve come to expect and love from him; a great balance between creative musicality and downright beef for the club. Fast forward a year and a half and here we are, super happy to release his new ‘Demucha EP’.
Title track ‘Demucha’ starts with the jazzy energy of a double bass, flanked by brushed percussion and some vocal chops. You feel the speed of the track working through every part of the song, which becomes even more evident when the main key comes in. A typical Crackazat-esque finger-twirling loop brings the track to its top speed, where horn stabs add to the excitement. This is peak-time jazzy house executed to perfection.
‘Sarge’ takes a more mellow approach, where we see Crackazat navigate the idea of timelessness with dreamy keys, strings and a dubby bass. A mid track crackly arpeggio and faraway voices add to the contemplative vibe of the track to great effect.
The EP closer ‘We know’ stays away from Crackazat’s renowned skippy beats and instead, make way for a driving staccato stomp. Rough key stabs along with the talented multi-instrumentalist’s own faraway vocals make for a mesmerizing track that takes you on a lovely sonic journey that will work as well on the dancefloor as in any other space.
The Demucha EP is another great example of Crackazat’s talent to write an earworm of a melody and produce a sonically rich record in a manner that feels both effortless and compelling throughout it’s full length.
Yours sincerely,
Maarten & Lars More
Track list:
A Demucha
B1 Sarge
B2 We know
Release Info:
What do you do when you’ve just released an amazing album and your last EP on Heist was one of the label’s best selling records in recent years? This is the ‘question’ Crackazat had to answer when writing his new EP for us. His solution? Just deliver something even more amazing. Easy.
When Crackazat released his ‘Alfa’ EP early 2021, we knew it was going to be a great record. It had everything we’ve come to expect and love from him; a great balance between creative musicality and downright beef for the club. Fast forward a year and a half and here we are, super happy to release his new ‘Demucha EP’.
Title track ‘Demucha’ starts with the jazzy energy of a double bass, flanked by brushed percussion and some vocal chops. You feel the speed of the track working through every part of the song, which becomes even more evident when the main key comes in. A typical Crackazat-esque finger-twirling loop brings the track to its top speed, where horn stabs add to the excitement. This is peak-time jazzy house executed to perfection.
‘Sarge’ takes a more mellow approach, where we see Crackazat navigate the idea of timelessness with dreamy keys, strings and a dubby bass. A mid track crackly arpeggio and faraway voices add to the contemplative vibe of the track to great effect.
The EP closer ‘We know’ stays away from Crackazat’s renowned skippy beats and instead, make way for a driving staccato stomp. Rough key stabs along with the talented multi-instrumentalist’s own faraway vocals make for a mesmerizing track that takes you on a lovely sonic journey that will work as well on the dancefloor as in any other space.
The Demucha EP is another great example of Crackazat’s talent to write an earworm of a melody and produce a sonically rich record in a manner that feels both effortless and compelling throughout it’s full length.
Yours sincerely,
Maarten & Lars More
1
Crackazat - Everybody Talks About It (Cody Currie Remix)
2
Crackazat - Everybody Talks About It
3
Crackazat - I'm Easy (Crackazat Mana's Dub)
4
Crackazat - I'm Easy
Curating an organically-inspired match between two of UK house music's most outstanding and musically refined artists in recent years, Freerange invite Cody Currie to commence proceedings with his typically deft interpretation of 'Everybody Talks'. The London-born producer has made an enormous impact on the dance underground since emerging in around 2016, releasing a flurry of jazz- inspired titles on benchmark labels including Toy Tonics, Razor N Tape, and Classic. Making his Freerange debut, he elegantly reframes the track while retaining the essence of the original. Gently nudging the drums to add a touch of floor-focused gravity, he carefully spaces out the instrumentation and effect- laden vocal, allowing driving chords to power the US garage-inspired groove deep into sun-kissed dancefloors. Next to appear is Crackazat's original version of the title track, a song that perfectly encapsulates the intelligent pop-centric focus of the forthcoming album. 'Everybody Talks About It' explodes with emotion, with its searing vocal rising over shimmering pads and bass before building to a horn-filled crescendo. The composition sees Crackazat at his song-writing zenith, adding an irresistible crossover sheen to the propulsive club groove. On the flip, we find Crackazat's 'Mana's Dub' of 'I'm Easy', stripping back the vocal and adding bite to the drums as looped instrumentation and celestial synths build to a club-ready fervour. As with the previous single, the inclusion of this well-crafted instrumental transports the track into dubbed-out realms and is sure to hit home with admirers of the vintage Crackazat sound. Finally, the deep disco of the original version of 'I'm Easy' sees blissful chords glide over weighted bass as the vocal powers across the panorama, bursting with Quincy Jones-inspired horns above delicately woven keys and raw house drums.
More
1
Crackazat - Beacon of Light
2
Crackazat - Everybody Talks About It
3
Crackazat - I'm Easy
4
Crackazat - Simple Things
5
Crackazat - It's All Different
6
Crackazat - Evergreen
7
Crackazat - Cedencia
8
Crackazat - True Power
9
Crackazat - Save Something
10
Crackazat - Nominee For Love
11
Crackazat - Thank You
12
Crackazat - Good Enough
Freerange Records are thrilled to announce the arrival of Crackazat's latest long-player, the scintillatingly soulful and jazz-enriched masterpiece, 'Evergreen'. There can be few artists to have emerged in the last decade or so who've made a more indelible mark on the deep house universe than producer, Ben Jacobs, better known as Crackazat. The accomplished musician's effervescent productions routinely hit the sweet spot between elemental dancefloor fire and cerebral musicality – thanks to a propulsive sound combining influences of jazz, house, garage, funk, hip hop, Latin, neo-soul (and far beyond). While he's already forged an instantly recognisable sonic palette all of his own, new album 'Evergreen' represents his most accomplished work to date. Making his full vocal debut while introducing a new level of songwriting prowess to his long-established dancefloor credentials, this is the complete Crackazat. Composed during – and undoubtedly informed by – these trying times, 'Evergreen' explores themes of adversity and gratitude, arriving as both a masterclass in contemplative songwriting and a celebration of musical influences. Elegantly bridging the gap between the soulful house underground and jazz-flecked crossover realms – inhabited by the likes of Jacob Collier, Thundercat, Tom Misch, and Jordan Rakei – the album echoes of a time where jazz-funk sensibilities and popular appeal were not mutually exclusive. Few artists boast the musical aptitude or creative vision to attempt such a bold fusion of styles, and thanks to its exceptional execution and irresistible appeal, 'Evergreen' is primed to introduce Crackazat's sound to an entirely new audience.
More
1
Crackazat - Beacon Of Light
2
Crackazat - Simple Things (Ron Trent Remix)
3
Crackazat - Crackazat - Beacon Of Light (Maritime Dub)
4
Crackazat - Evergreen
Freerange Records are happy to present the first of two EP’s taken from Crackazat’s forthcoming long-player, ‘Evergreen’. Featuring a stunning remix from Chicago house innovator, Ron Trent, the jazz-soaked EP serves as a tantalising preview of the tour de force that will soon follow. Few artists have made a more powerful impact on the deep house universe over the last decade than producer, Ben Jacobs, better known as Crackazat. Consistently striking the sweet spot between dancefloor heat and cerebral musicality, his unique take on the house sound elegantly incorporates elements of jazz, garage, funk, hip hop, Latin, neo-soul, and beyond. Eagerly awaited album ‘Evergreen’ sees Jacobs soar far beyond the confines of his existing catalogue, incorporating a whole new level of songwriting prowess while making his full vocal debut. Bridging the gap between the soulful house underground and jazz- inspired crossover realms, 'Evergreen' is Crackazat’s most accomplished work to date and unquestionably primed to further enhance his already glittering reputation. Blending the purest forms of deep house with authentic jazz sensibilities, EP opener 'Beacon Of Light' bursts with themes of positivity and gratitude. The virtuoso instrumentation endows the track with a distinctly live feel, while Jacobs’ inspired vocal charges the track with soul-rich sentiment. Intelligently crafted to bring the heat in all-manner of settings, its floor-focused beats and compelling arrangement combine to affect maximum impact whether played in the clubs, bars, or on the airwaves. Next up, deep house luminary Ron Trent steps in with his awe-inspiring take on Crackazat’s modern jazz ballad, ‘Simple Things’. Trent needs little in the way of introduction, a bonafide Chicago house legend whose spiritually-infused sound is unmistakably his own and never fails to mesmerise. Lifting elements of the Robert Glasper-inspired original while spacing out the stirring falsetto vocal, Trent stretches the track into a meandering deep house epic. Voyaging through waves of Latin percussion, ethereal piano keys, and psychedelic synth sweeps, Trent takes us on a profoundly affecting dancefloor journey as only he can. Next to arrive is Crackazat’s ‘Maritime Dub’ take on ‘Beacon Of Light’. Evolving over skippy house drums and thick bass, chords rise in to caress the looped and filtered vocal, periodically opening up into the full chorus line to add shimmer to the heads-down house bump. Aimed squarely at moving dancefloors while delicately tripped-out, this simmering groove sure to hit home with fans of the trademark Crackazat sonic. Finally, the LP’s title track 'Evergreen’ launches with a sprightly jazz swing before dusty drums add weight to the sophisticated instrumentation. Here we find Jacobs presenting jazz and house as a single entity, with carefully orchestrated wind instruments, keys and mallets dancing over an improvised walking bass line, as the distant vocal elevates the track far into the stratosphere.
More
1
Crackazat - Waterfalls
2
Crackazat - In My Dreams
3
Crackazat - Sensationalised
4
Crackazat - Fire Drift
'The Period Works Series has been a fantastic opportunity to explore one of my biggest personal influences in dance music ranging from the rich instrumentation of Disco, to the raw energy of early house music. After starting off with acapellas from the Z Records Library for inspiration in 2016, the series has now culminated into new and original songs influenced by a golden age passed. Thank you to David Lee and Z Records for the opportunity and creative direction, and thank you to everyone who has purchased, listened and danced to the Period Works Series.' - Crackazat
Released previously last year on CD and Digital only, this 12 inch features the 3 new tracks in the Period Works series plus a brand new track ’Sensationalised’. More
Released previously last year on CD and Digital only, this 12 inch features the 3 new tracks in the Period Works series plus a brand new track ’Sensationalised’. More
1
Crackazat - A1 Crackazat – Alfa
2
Crackazat - A2 Crackazat – Class One
3
Crackazat - B1 Crackazat – Tiger’s Eyes
4
Crackazat - B2 Crackazat – Alfa (Rick Wade remix)
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list :
A1 Crackazat – Alfa
A2 Crackazat – Class One
B1 Crackazat – Tiger’s Eyes
B2 Crackazat – Alfa (Rick Wade remix)
Release Info:
Next up on Heist is the fast-fingered synth wizard Crackazat for an EP full of crunchy chords, tight grooves and a remix by Detroit house royalty Rick Wade.
Crackazat’s fusion of jazz and house are a perfect match with the upbeat sound we dig over here at Heist HQ. So after his recent outing on Freerange with the brilliant “Valentine EP” and his regular work on Local Talk, we’re happy to have Crackazat feature on Heist.
The Alfa EP kicks off with the title track: A track full of bouncing piano riffs and skipping hihats for a serious dose of high energy house music. The frantic keys and drums are countered by a lead and dreamy pads with an almost ethereal vibe to it. But don’t be misled, this track is pure dancefloor heat and is exactly what we love about house music.
“Class one” goes into a more mellow direction, with warm fuzzy chords on the 1 and an eyes-shut lead solo with so much space it seems to be coming from a different galaxy. The whole track has such a comforting feeling; Like a thick blanket of chords warming you up and crystalline synth hits telling you everything will be all right. The energy does pick up around the 3 minute mark with another showcase of Crackazat’s excellent feel for chords, when he introduces another lovely loop to accompany the solo. Pure class.
On the flip, we’ve got Tiger’s eyes where we see Crackazat dive deep into jazzy harmonies. Here, arpeggios and crunchy overtones make for an intense ride of bumping house music that just makes you want to keep on dancing for hours on end.
The remix on this EP is by Rick Wade, another producer who’s got jazz running through his veins. It’ll be no surprise that his remix of “Alfa” is about as deep and old school as it gets. He goes for an amped bass and a big drum groove along with his own set of soulful chords and guitar licks. This remixes breathes the house that Detroit has been built on with Rick Wade as one of the main engineers of the genre.
We’re happy to dive into 2021 with this EP full of jazzy house grooves and we hope you’ll like it as much as we do.
Yours Sincerely,
Lars & Maarten More
Track list :
A1 Crackazat – Alfa
A2 Crackazat – Class One
B1 Crackazat – Tiger’s Eyes
B2 Crackazat – Alfa (Rick Wade remix)
Release Info:
Next up on Heist is the fast-fingered synth wizard Crackazat for an EP full of crunchy chords, tight grooves and a remix by Detroit house royalty Rick Wade.
Crackazat’s fusion of jazz and house are a perfect match with the upbeat sound we dig over here at Heist HQ. So after his recent outing on Freerange with the brilliant “Valentine EP” and his regular work on Local Talk, we’re happy to have Crackazat feature on Heist.
The Alfa EP kicks off with the title track: A track full of bouncing piano riffs and skipping hihats for a serious dose of high energy house music. The frantic keys and drums are countered by a lead and dreamy pads with an almost ethereal vibe to it. But don’t be misled, this track is pure dancefloor heat and is exactly what we love about house music.
“Class one” goes into a more mellow direction, with warm fuzzy chords on the 1 and an eyes-shut lead solo with so much space it seems to be coming from a different galaxy. The whole track has such a comforting feeling; Like a thick blanket of chords warming you up and crystalline synth hits telling you everything will be all right. The energy does pick up around the 3 minute mark with another showcase of Crackazat’s excellent feel for chords, when he introduces another lovely loop to accompany the solo. Pure class.
On the flip, we’ve got Tiger’s eyes where we see Crackazat dive deep into jazzy harmonies. Here, arpeggios and crunchy overtones make for an intense ride of bumping house music that just makes you want to keep on dancing for hours on end.
The remix on this EP is by Rick Wade, another producer who’s got jazz running through his veins. It’ll be no surprise that his remix of “Alfa” is about as deep and old school as it gets. He goes for an amped bass and a big drum groove along with his own set of soulful chords and guitar licks. This remixes breathes the house that Detroit has been built on with Rick Wade as one of the main engineers of the genre.
We’re happy to dive into 2021 with this EP full of jazzy house grooves and we hope you’ll like it as much as we do.
Yours Sincerely,
Lars & Maarten More
1
Crackazat - No Title
2
Crackazat - No Title
3
Crackazat - No Title
4
Crackazat - No Title
Z Records return with Bristol born, Sweden based wizard Crackazat at the helm. Four trademark jazzy, disco house bombs all instantly catchy in their own unique way. Luscious chords and intricate, uplifting, jazz-infused synthwork permeate every corner of this E.P – an effortless element that has become a Crackazat calling card.
First up, ‘Fly Away’ hits the ground running mixing exhilarating clavinet chords, joyous vocal chants and summertime guitar riffs with a killer pumping bassline - pure joy housed in those grooves. Next up, ‘Crystal Eyes’ takes a hazier but no less euphoric approach - spiritual keys blend with an expressive, soulful bass and sustained chords as the sun sets with this funked out gem.
Take to the flip for a double dose of late-night jams. ‘I’ll Be There’ melds crunching claps and snare hits with a bouncing bassline and classic ‘90s, piano house stabs. Add in a healthy dose of filtered female vocals and you’ve got a hands in the air anthem of epic proportions. Rounding off the E.P, ‘Some Day’ goes in big with beaming piano chords and a garage tinged shuffling beat whilst spiritual vocals build and build for an eyes closed peak time breakdown.
More
First up, ‘Fly Away’ hits the ground running mixing exhilarating clavinet chords, joyous vocal chants and summertime guitar riffs with a killer pumping bassline - pure joy housed in those grooves. Next up, ‘Crystal Eyes’ takes a hazier but no less euphoric approach - spiritual keys blend with an expressive, soulful bass and sustained chords as the sun sets with this funked out gem.
Take to the flip for a double dose of late-night jams. ‘I’ll Be There’ melds crunching claps and snare hits with a bouncing bassline and classic ‘90s, piano house stabs. Add in a healthy dose of filtered female vocals and you’ve got a hands in the air anthem of epic proportions. Rounding off the E.P, ‘Some Day’ goes in big with beaming piano chords and a garage tinged shuffling beat whilst spiritual vocals build and build for an eyes closed peak time breakdown.
More
1
crackazat - Sundial (Groove Assassin Remix)
2
crackazat - Holding You Close (Waajeed Remix Ft. Ideeyah)
3
crackazat - Holding You Close
Crackazat returns to Local Talk with a second single from his album 'Rainbow Fantasia'. This time two of the stand out tracks 'Sundial' and 'Holding You Close' get the remix treatment by Groove Assassin and Waajeed !! First up is Nick Moss aka Groove Assassin, his take on Sundial is a rousing rhythm of soulful house that comes bumping in. He kept the essence of the original track but also added some lovely keys, it sure hits that sweet spot and you're hooked for the full seven and a half minutes. On the flip former Slum Village and Platinum Pied Piper beat maker and producer-extraordinaire Waajeed turns 'Holding You Close' into something imaginative with its layered percussion, jammed keys and vocal arrangement. It's every bit as clever as you'd expect from a producer that always approaches music with a fresh perspective. To complete the package is also the original of Holding You Close.
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1
crackazat - A1. EYE LIGHT
2
crackazat - A2. EYE LIGHT (IT'S A JAM)
3
crackazat - B1. SILENT SING
4
crackazat - B2. SILENT SING (TIGERSTRIPES MIX)
With his impeccable sense of rhythm and combining deep and playful house with madly tweaking synths, 'Eye Light' and 'Silent Sing' are possibly the most exciting house tracks Crackazat has produced so far. The title track Eye Light is a lesson in how to make house music that both punches and caresses, while the 'It's A Jam' version with its soulful chord progression is perfect for a Sunday afternoon session, Blaze fans take notice. The b-side opens up with a rework of 'Silent Sing', this version is a proto-techno jazz fest. Ending the 12" is a close friend of Kerri Chandler and Local Talk, Mikael Nordgren aka Tiger Stripes. His remix is a stripped down and dark techno cut with a rolling bassline and tight claps. Very different from the original but yet oh so funky! In short: Another release that keeps this talented producer one step ahead of the competition. Kiko has created something that's both atmospheric and haunting at the same time. If you've ever searched for a track to play when the sun goes down, here it is. .
More
More records from Freerange
1
Crackazat - Beacon of Light
2
Crackazat - Everybody Talks About It
3
Crackazat - I'm Easy
4
Crackazat - Simple Things
5
Crackazat - It's All Different
6
Crackazat - Evergreen
7
Crackazat - Cedencia
8
Crackazat - True Power
9
Crackazat - Save Something
10
Crackazat - Nominee For Love
11
Crackazat - Thank You
12
Crackazat - Good Enough
Freerange Records are thrilled to announce the arrival of Crackazat's latest long-player, the scintillatingly soulful and jazz-enriched masterpiece, 'Evergreen'. There can be few artists to have emerged in the last decade or so who've made a more indelible mark on the deep house universe than producer, Ben Jacobs, better known as Crackazat. The accomplished musician's effervescent productions routinely hit the sweet spot between elemental dancefloor fire and cerebral musicality – thanks to a propulsive sound combining influences of jazz, house, garage, funk, hip hop, Latin, neo-soul (and far beyond). While he's already forged an instantly recognisable sonic palette all of his own, new album 'Evergreen' represents his most accomplished work to date. Making his full vocal debut while introducing a new level of songwriting prowess to his long-established dancefloor credentials, this is the complete Crackazat. Composed during – and undoubtedly informed by – these trying times, 'Evergreen' explores themes of adversity and gratitude, arriving as both a masterclass in contemplative songwriting and a celebration of musical influences. Elegantly bridging the gap between the soulful house underground and jazz-flecked crossover realms – inhabited by the likes of Jacob Collier, Thundercat, Tom Misch, and Jordan Rakei – the album echoes of a time where jazz-funk sensibilities and popular appeal were not mutually exclusive. Few artists boast the musical aptitude or creative vision to attempt such a bold fusion of styles, and thanks to its exceptional execution and irresistible appeal, 'Evergreen' is primed to introduce Crackazat's sound to an entirely new audience.
More
1
Manuel Tur - Love Me Well
2
Manuel Tur - Paperasse
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Manuel Tur - Touch Move
One of Freerange’s longest standing artists Manuel Tur serves up another brilliant release in the form of Love Me Well. Someone who needs very little by way of introduction, Manuel has been honing his craft for nigh on two decades with a discography which includes some of the most influential labels and associations in electronic music. Running Back, Innervisions, DFA, Ovum, Objektivity, Mule, Drumpoet, Permanent Vacation, Andhim, André Hommen, Tensnake, Shit Robot, Tale Of Us, Ane Brun… you get the idea. Manuel continues to be in demand as a producer and remixer and remains relevant thanks to his golden ears, precision engineering and Midas touch. For his tenth Freerange release (not including his three LP’s!) he delivers a diverse three track EP which spans the house spectrum from the deep, emotive late night mood of the title track through sublime, delicate and hauntingly beautiful Paperasse and rounding off with the driving, acidic, minimal disco groove of Touch Move. Proper job!
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Crackazat - Beacon Of Light
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Crackazat - Simple Things (Ron Trent Remix)
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Crackazat - Crackazat - Beacon Of Light (Maritime Dub)
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Crackazat - Evergreen
Freerange Records are happy to present the first of two EP’s taken from Crackazat’s forthcoming long-player, ‘Evergreen’. Featuring a stunning remix from Chicago house innovator, Ron Trent, the jazz-soaked EP serves as a tantalising preview of the tour de force that will soon follow. Few artists have made a more powerful impact on the deep house universe over the last decade than producer, Ben Jacobs, better known as Crackazat. Consistently striking the sweet spot between dancefloor heat and cerebral musicality, his unique take on the house sound elegantly incorporates elements of jazz, garage, funk, hip hop, Latin, neo-soul, and beyond. Eagerly awaited album ‘Evergreen’ sees Jacobs soar far beyond the confines of his existing catalogue, incorporating a whole new level of songwriting prowess while making his full vocal debut. Bridging the gap between the soulful house underground and jazz- inspired crossover realms, 'Evergreen' is Crackazat’s most accomplished work to date and unquestionably primed to further enhance his already glittering reputation. Blending the purest forms of deep house with authentic jazz sensibilities, EP opener 'Beacon Of Light' bursts with themes of positivity and gratitude. The virtuoso instrumentation endows the track with a distinctly live feel, while Jacobs’ inspired vocal charges the track with soul-rich sentiment. Intelligently crafted to bring the heat in all-manner of settings, its floor-focused beats and compelling arrangement combine to affect maximum impact whether played in the clubs, bars, or on the airwaves. Next up, deep house luminary Ron Trent steps in with his awe-inspiring take on Crackazat’s modern jazz ballad, ‘Simple Things’. Trent needs little in the way of introduction, a bonafide Chicago house legend whose spiritually-infused sound is unmistakably his own and never fails to mesmerise. Lifting elements of the Robert Glasper-inspired original while spacing out the stirring falsetto vocal, Trent stretches the track into a meandering deep house epic. Voyaging through waves of Latin percussion, ethereal piano keys, and psychedelic synth sweeps, Trent takes us on a profoundly affecting dancefloor journey as only he can. Next to arrive is Crackazat’s ‘Maritime Dub’ take on ‘Beacon Of Light’. Evolving over skippy house drums and thick bass, chords rise in to caress the looped and filtered vocal, periodically opening up into the full chorus line to add shimmer to the heads-down house bump. Aimed squarely at moving dancefloors while delicately tripped-out, this simmering groove sure to hit home with fans of the trademark Crackazat sonic. Finally, the LP’s title track 'Evergreen’ launches with a sprightly jazz swing before dusty drums add weight to the sophisticated instrumentation. Here we find Jacobs presenting jazz and house as a single entity, with carefully orchestrated wind instruments, keys and mallets dancing over an improvised walking bass line, as the distant vocal elevates the track far into the stratosphere.
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Jimpster - Birdhouse
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Jimpster - Ascension (feat. Oliver Night)
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Jimpster - Voodoo (feat. Yoh)
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Jimpster - Still Believe
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Jimpster - Beautiful Day (feat. Cairo)
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Jimpster - Heavy (feat. Lazarusman)
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Jimpster - Future Paradise
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Jimpster - Telegram (The Introduction) (feat. Capitol A)
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Jimpster - Rain (feat. Cairo)
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Jimpster - The Doors Of Your Heart
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Jimpster - Tell You
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Jimpster - Full Circle
Jimpster’s lockdown LP was made throughout 2020 and finally sees the light of day at the end of February 2022 having been delayed around 6 months due to the ongoing vinyl pressing hold ups. Birdhouse is the revered producers seventh full length LP and can be considered a full circle as he takes a step away from the dance floor to revisit his early inspirations of jazz, 70’s fusion, library music, ambient and sample-based downtempo electronica. With its soulful touches, vocal and live musician features and trademark warm Jimpster production, we also think it could be his most accomplished and accessible yet.
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Solid Gold Playaz - Next To Me
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Solid Gold Playaz - My Soul Is Quiet
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Solid Gold Playaz - Who's Playin For Ya?
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Solid Gold Playaz - Do You Think
The crushing news of Kenny Gino’s sudden passing in July of this year hit very hard. Having only just come out of hiatus to release new Solid Gold Playaz material for us here on Freerange, the US underground house heroes are set to introduce their uncompromising deep, jacking sound to a whole new audience. And with Kenny’s partner Mike T’s blessing for the previously scheduled follow up EP to go ahead, we are proud to present you with the Solid Gold Playaz Next To You EP. For the hardcore fans out there, this music will blow you away, and feels to me at least, like the ultimate SGP release, even without the added weight and poignancy the tracks now carry. Opening up we have Next To Me which is as deep as it gets with beautiful floating synths drifting on top of an unrelenting rolling groove whilst Kenny’s vocal adds a powerful and emotive edge. My Soul Is Quiet follows with another incredible piece of music, drawing you in with its hypnotic mood and simple yet ridiculously compelling bass and synth hook. Again, the drums are unapologetically minimal - not a fill or breakdown in sight - but that is what locks you in and creates something entrancing which makes you feel like it could go on for eternity! Flip over for Who’s Playin’ For Ya, a more old school Chicago-inspired slice of raw, underground house which cuts up Rhodes, strings and snippets of vocal samples around a glitchy FM synth sequence. The funk is real on this one. Closing out this very special record we have Do You Think, going deeper still with expansive pads, soprano sax sample and chiming percussion all underpinned by a massive, dub bassline. Rest in peace Kenny Gino. You left a powerful legacy of amazing music! - Jamie
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Jimpster - One ft Casamena (Space Ghost Remix)
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Jimpster - Smile For A While (Jon Dixon Remix)
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Jimpster - Where You Are (Teflon Dons Dub Remix)
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Jimpster - Inside The Loop (Kai Alcé Grooved Out Mix)
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Jimpster - Brought To Bare (Kareem Ali Remix)
It’s been a busy year for Jimpster, with his Soul Spectral and This Thing (with Rich Medina) EP’s both being amongst the best received and highest selling releases of his to date. He has also added his touch to The Sunburst Band, Soichi Terada, Feiertag, Baiana System, The Secret and Retromigration in the form of some massive remixes to boot, as well as having just released an Anthology spanning 4 vinyl. To help celebrate 25 years of Freerange and Jimpster we wanted to invite some of Jamie’s personal favourites to dig through the vaults and give their own spin on his sound. Kicking things off we have Oakland’s Space Ghost taking on One ft Casamena bring his deft, musical touch to the track complete with layers of digital synths, punchy bass and vintage drum machine groove. Next up it’s Detroit’s own Jon Dixon of Timeline and Galaxy 2 Galaxy fame. The student of Mike Banks and long-term Underground Resistance cohort turns Smile For A While into a late night, piano driven, fusion masterpiece with all that Detroit sonic trickery we know and love so much. LA duo Aaron Paar and Dave Fogg aka Teflon Dons released a slew of incredible 12’s in the mid- late 90’s before almost completely disappearing for most of the 00’s. Thankfully things are reactivated and we’re so happy to have them bring a tough, jacking, bass-heavy warehouse workout to the package. Atlanta’s Kai Alce is someone we’ve hoped to have contribute to Freerange for some time and finally it happened. Bags of smooth and soulful deepness drive Jimpster’s Inside The Loop in a classic direction with Wurli pads and Moogy solo all adding to that vintage sound. Man of the moment Kareem Ali takes the baton as he reworks Bought To Bare into a Balearic beauty worthy of playing during the most perfect sunset. If you’re a fan of Kareem Ali you’ll know the magic he brings and why he’s been hotly tipped as RA’s breakthrough artist of the month and included in Pitchfork’s best releases of 2020.
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Jimpster - Dangly Panther
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Jimpster - Seventh Wave
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Jimpster - Sleeper
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Jimpster - Can't Stop Loving
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Jimpster - One (feat. Casa Mena)
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Jimpster - English Rose
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Jimpster - Curve
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Jimpster - Don't Push It
The world of dance music 25 years ago was a very different place from the one we now inhabit. Rave had transitioned through Hardcore into Drum & Bass whilst UK Garage was brewing nicely and the UK pop charts were full of underground dance records. Meanwhile, the likes of Mo Wax, Ninjatune and Compost were pushing away from the dancefloors, introducing blunted beats, jazz-fusion sonics and a whole new movement to electronic music. It was into this atmosphere that Freerange was born, a UK label that reaches its quarter-century this year. At the helm over the last 25 years has been the partnership of childhood friends Tom Roberts and Jamie ‘Jimpster’ Odell. It’s been a long and eventful journey, from an era of 56k modems, faxed reaction reports and when DJs still bought actual records, Freerange has weathered many storms and sailed through some of the most revolutionary changes to hit the music industry. Through those 25 years, and like the proverbial comforting sound of Bob Ross’ voice, Jimpster’s own music and those artists he releases through the label remain a constantly reliable, not to mention dance floor-smashing presence through the ups and downs of the house music continuum. This Anthology brings together some of Jimpster’s finest productions across two double pack vinyl LPs from the preceding two and a half decades, showcasing his detailed approach to production and proving why he continues to thrive in the current scene, continuing to be held in high regard by many of the founding fathers of house music and young up and coming producers alike. TRACK LISTING: A1. Dangly Panther, A2. Seventh Wave, B1. Sleeper, B2. Can't Stop Loving, C1. One (feat. Casa Mena), C2. English Rose, D1. Curve, D2. Don't Push It
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Jimpster - Square Up
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Jimpster - Head Spin
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Jimpster - Got A Hold On Your Soul
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Jimpster - Rollergirl
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Jimpster - A Love Like This (ft Diamondancer)
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Jimpster - Late Night Blues
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Jimpster - Burning Up
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Jimpster - The Sun Comes Up ft Jinadu
The world of dance music 25 years ago was a very different place from the one we now inhabit. Rave had transitioned through Hardcore into Drum & Bass whilst UK Garage was brewing nicely and the UK pop charts were full of underground dance records. Meanwhile, the likes of Mo Wax, Ninjatune and Compost were pushing away from the dancefloors, introducing blunted beats, jazz-fusion sonics and a whole new movement to electronic music. It was into this atmosphere that Freerange was born, a UK label that reaches its quarter-century this year. At the helm over the last 25 years has been the partnership of childhood friends Tom Roberts and Jamie ‘Jimpster’ Odell. It’s been a long and eventful journey, from an era of 56k modems, faxed reaction reports and when DJs still bought actual records, Freerange has weathered many storms and sailed through some of the most revolutionary changes to hit the music industry. Through those 25 years, and like the proverbial comforting sound of Bob Ross’ voice, Jimpster’s own music and those artists he releases through the label remain a constantly reliable, not to mention dance floor-smashing presence through the ups and downs of the house music continuum. This Anthology brings together some of Jimpster’s finest productions across two double pack vinyl LPs from the preceding two and a half decades, showcasing his detailed approach to production and proving why he continues to thrive in the current scene, continuing to be held in high regard by many of the founding fathers of house music and young up and coming producers alike.TRACK LISTING. A1. Square Up; A2. Head Spin; B1 - Got A Hold On Your Soul; B2. Rollergirl; C1. A Love Like This (ft Diamondancer); C2. Late Night Blues; D1. Burning Up; D2. The Sun Comes Up ft Jinadu
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Greg Paulus - Breezy Point
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Greg Paulus - Do You Love Me?
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Greg Paulus - Mr. Lee’s Trophy Theme
As the dancefloor continues to be out of bounds you can rely on Freerange to bring you house music which runs that little bit deeper and more soulful, lifting spirits during these darker times. Following hot on the heels of Laroye’s Be The Change, the label offer another heartwarming release, this time from Brooklyn-based artist Greg Paulus. Perhaps better known as one half of No Regular Play, Greg has appeared on labels as diverse as Soul Clap, Let’s Play House, Ghostly International and Kompakt. For the City Movements EP Greg has delivered three brilliant originals which showcase his talents as a trumpet player, vocalist and producer. Opener Breezy Point comes correct with Greg’s vocals coming to the fore backed by a crunchy house groove, a solid, analogue bassline and simmering Moog synths. Flipping over we have Do You Love Me? co-produced with fellow Brooklyn artist Taylor Bense, and which takes a jazzier approach with Greg’s filtering trumpet arrangements adding a warm, organic depth to the track whilst the Prince-inspired house groove keeps the funk factor running high. Closing out the release we have Mr. Lee’s Trophy Theme in which Greg and co-producer Teddy Stuart reimagine the scene as a certain film director arrives to receive his latest award. There’s plenty of attitude, a hint of sleaze and a dash of humour but above all else we have bags of soul emanating from within the layers of warm pads, Wurli chords, trumpet lines and hooky vocal. TRACK LISTING: A. Breezy Point, B1. Do You Love Me?, B2. Mr. Lee’s Trophy Theme
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Jimpster - Smile For A While
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Jimpster - Echoes In My Head
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Jimpster - Echoes In My Head (Head In The Clouds Mix)
With his One EP still getting love from the likes of Spinna, Jamie 3:26, Joey Negro, Osunlade and many more, Jimpster strikes back with another release to lift spirits during these unprecedented times. Produced during the first few weeks of the worldwide lockdown, it was his intention to spread a message of positivity and optimism which can be felt on title track Smile For A While. The overall mood of the track has a slightly ambiguous yet heartening tonality, with a filtered looping vocal sample taking centre stage whilst piano lines and analogue arpeggios layer up adding depth and texture. The subtle and seductive groove will draw you in and its warmth and soul will make sure you smile for a while. Flipping over we have Echoes In My Head which takes a more percussive approach based around a rolling bassline and crunchy live hihats. Taking a slightly darker route, Echoes In My Head feels like Jimpster has successfully managed to get all his influences to meld together perfectly to form something cohesive and substantial. His love of 90’s ‘intelligent techno’, On-U sound, early US house, ambient, all going in the melting pot and forming a track which we’re sure will be something of a secret weapon for many DJ’s. Just the kind of track that can completely hypnotise a discerning dance-floor during the hazy hours. Closing out the three track EP we have the Head In The Clouds Mix, which is an alternate version of Echoes In My Head which heads in a more soulful direction. Piano chords and a bending bassline grab your attention whilst a percussion-heavy groove and dubby elements create space and depth to draw you in and ensure you get lost in its heady confines. TRACK LISTING: A. Smile For A While, B1. Echoes In My Head, B2. Echoes In My Head (Head In The Clouds Mix)
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Manuel Sahagun - Closest Star
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Manuel Sahagun - On Point
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Manuel Sahagun - Awake
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Manuel Sahagun - Juno Ride
Coming next on Freerange we’re very happy to announce our first Argentinian artist to the label, the highly talented DJ and producer Manuel Sahagun. Manuel has been putting out house music since the early 2000’s and has released tunes on Berlin’s Tooman, UK’s Drop, and Detroit’s Kolour as well as remixing Warren ‘Hanna’ Harris, Robert Owens and Patrick Chardronnet. He brings a freshness and eclecticism to his productions that fits in perfectly with the Freerange ethos of forward-thinking house music loaded with warmth and a touch of soul. the ‘Closest Star’ EP is a superb four-tracker that draws on diverse influences to great effect, and is one of the most original, yet floor-friendly sounding collections of music we’ve heard for a while.
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Matt Masters - Once Again
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Matt Masters - Gonna Make
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Matt Masters - Never Ending Nights
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Matt Masters - Chimes
Sometimes it takes a while before you finally get the chance to seize your moment. DJ and producer Matt Masters has been working for Freerange for around 15 years, presenting their radio show as well as polishing Jimpster’s hi-hats, washing Manuel Tur’s MIDI files and ensuring that all Freerange releases adhere to EU regulations regarding deepness and houseyness. Here we present you with the sampler of his debut long player ‘Never Ending Nights’. Featuring four highlights from the eleven tracks of precisely engineered house and electronica, the LP sampler is a high-quality, pristine project, as befitting someone who has worked for so long at one of house music’s most revered imprints. Matt is proof that dedication pays off: he’s been asking Jimpster if he can put out an album literally every day for the last decade and a half and the Freerange label boss has finally capitulated, going a step further to executively produce the LP. Aside from a couple of carefully crafted downtempo tracks, ’Never Ending Nights’ is dance floor targeted but achieves the ultimate goal of the dance music album, possessing enough musicality and interesting production touches to stand up to home listening too. Matt has also thoughtfully included one track that can be used as a DJ incantation to summon up a horde of sentient headphones to do your bidding. Perhaps because of the protracted nature of the album’s production, there’s an unhurried confidence to many of these tracks, almost a swagger; big riffs slowly reveal themselves as epic chords unfurl beneath steadily ticking percussion, the assured, contemporary production providing an audio snap-shot of where UK deep house is at in 2019.
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hugo mari - Unalloyed Pleasure
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hugo mari - Raise It Up
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hugo mari - Just A Memory
Hugo Mari, formerly known as Books, has been receiving a lot of welldeserved love of late, and for good reason. Even though the London-based producer has been delivering respected dance-floor cuts and Edits on labels such as Omena, XVI and Sound Of Speed, his most recent release on Detroit Swindles’ Heist has really helped put him on the map. Having remixed Dele Sosimi and been remixed by Laurence Guy and Kai Alce, Hugo is moving in the right circles and it’s only a matter of time before he really gets the recognition he deserves. His debut EP for Freerange is aptly titled Unalloyed Pleasure and consists of three originals that will give you and the dance floor just that. The lead track manages to meld slamming kicks, distorted bassline, deep, cinematic strings, disco hats and cut up spoken word into something fresh and unique. Raise It Up sees Hugo go full on euphoric disco mode with an uplifting slice of sun-drenched soul just perfect for the summer months ahead. Lush Philly strings and vocal sample bring a classic vibe and catchy hook to the party. Closing out this brilliant EP we have Just A Memory, a jazzier and more pensive slice of deep house music with upright bassline and familiar Rhodes sample taking centre-stage. Snippets of vocal float in and out of focus whilst the rolling, percussive groove brings an immersive energy that locks you in to it’s seductive mood.
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manuel tur - Astrakan
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manuel tur - Hold Your Hand
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manuel tur - Organic Reach
It’s been five years since we had Manuel Tur grace us with a solo release on Freerange. In that time he and studio partner Adrian Hoffmann have been busy igniting dance floors with their side projects Clavis and Amberoom for labels such as Innervisions, Ovum, TAU and Freerange as well as remix and production work for artists like Andhim, André Hommen, Tensnake, Shit Robot, Tale Of Us, Ane Brun, Larse and Asobitai. Manuel continues to push his sound forward on three original tracks which make up the Organic Reach EP. On the lead track Astrakan he has crafted a sublime slice of deepness centred around a driving groove, building layers of chiming chords and a perfect bassline. Sitting somewhere between Motorbass/Super Discount, DJ Q/early Nuphonic and Steve Reich this track looks set to cast it’s majestic spell on those whose idea of a banging tune isn’t confined to obligatory 8 bar kick drum dropouts and white noise risers! On Hold Your Hand Manuel coming up with another masterpiece of deep, emotive, widescreen atmospherics with organic percussion, pulsing bass and jazz vocal refrain adding to the dramatic late-night mood. Finally, Organic Reach closes the EP in a dark and heavier style with experimental textures, time stretched fills and mutant sonic explorations making for what must be Manuel Tur’s most ‘techno’ production for Freerange to date.
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simbad - No Title
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simbad - No Title
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simbad - No Title
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simbad - No Title
It’s taken a mere 12 years to get Simbad back on Freerange for his follow up to the 2006 Solar System release under his Mowgly moniker. Not that he’s been scratching around looking for inspiration in that time.... the London based producer and DJ is one of the most prolific artists in the scene having notched up countless EP’s edits, remixes and behind-the-scenes production work for labels like Apron, G.A.M.M. Faces, Hyperdub, Atjazz & Brownswood. His association with Gilles Peterson and Worldwide runs deep, hosting regular shows on WWFM as well as traversing the globe delivering his unique and eclectic sets from Africa to South Korea and beyond. Collaboration plays a huge part in Simbad’s musical output and for his new release for Freerange he teams up with South African vocalist Brian Temba, whose previous release together Come Join In dropped on Hi:Rise back in 2011. In it’s original form Take My Hand is a sublime, forward-looking deep and soulful house track based around a filtering symphonic string loop, low-slung groove and heart-felt vocal. Simbad has created a very London-centric vibe but with a French touch and Detroit sensibilities, drawing from house heroes such as Parrish and Bradock, joining the dots and creating a fresh masterpiece in the process. Next up we have Jimpster on the remix, picking up the BPM’s slightly and loading up on his trademark deep stabs, sub-bass and spacious FX adding just enough dance-floor bump whilst leaving the vocal placed firmly at the core. On the flip side we have two SMBD Zulu Edits which replace the more spartan groove of the original with some driving Afro percussion. The first version keeps the vocal intact, the second version goes balls deep into dub territory, closing out this amazing release with an instrumental pushing the strings and hypnotic groove front and centre.
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sam irl - Rain Technique
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sam irl - Trust
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sam irl - All That's Left
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sam irl - Split River
Vienna-based producer Sam Irl popped up on our radar a couple of years ago following stellar releases on Jazz & Milk, but honestly we should have been paying far closer attention as this guy has been making the best crunchy, MPC-driven jazz-infused House music dating right back to 2006. EP’s for S3A’s Sampling As An Art and collaborative projects with Patrick Pulsinger and Dusty have won him fans including Gilles Peterson (leading to a release on Brownswood), Mr Scruff and Session Victim amongst many others. His live sets have also seen him perform at the hallowed grounds of Panorama Bar and Sonar Festival. For his debut EP here on Freerange Sam has delivered four tracks which perfectly showcase his production skills and knowledge of what makes a dance floor tick, kicking off with title track Rain Technique. Quirky keys and a playful groove help build a warm and charming vibe, light and bouncy yet deep and driving enough to get your dance on to. Trust follows with loping, lopsided percussion forming the basis of the groove, sparse Rhodes pads punctuating the beat and adding just the right musical element to the mix without cluttering the beats or compromising the sense of space. Flipping over we have All That’s Left which sees Sam utilising his trusted TR606 for some lovely snappy snares and sizzling hihats. Chiming arpeggios join the repeating chord riff creating another simple yet uplifting and playful mood which can’t fail to get under your skin. Closing the EP we have a wonky, shuffling house track which once again shows Sam proving less is more, sampling his key elements into the MPC and jamming out the arrangement in a live and improvised way which brings a fresh, somewhat naive appeal to the production.
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massiande - Yesterday Today Forever
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massiande - By My Side
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massiande - Always There
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massiande - Endless Source Of Love
Massiande has become one of the most captivating talents South America has produced for authentic House music. An artist of multicultural roots, he was born in 1988 in Santiago, Chile, has lived most of his life to the side of US American people, has Dutch family heritage and his name derives from a Sierra Leone dialect. All of these global influences have had a great effect in the way he perceives and lives music. Growing up as a profound and dedicated fan of Soul, Jazz and Disco; discovering House, a genre that connected these genres' roots with electronic experimentation, was a life turning point. Inspired by the same Chicago spirit, in 2015 the release of "Stand", through the prestigious MOS Recordings, represented a step further in his career as a producer, finding its place on the crates of DJs as diverse as Patrice Scott, Voiski, Apparat or Honey Soundsystem. These days, Massiande brings a deeper and mature House sound which is reaching a wider audience, with his conceptual "Freedom" EP through UK's Phonica Records and the landmark "Yesterday, Today, Forever" EP on Jimpster's Freerange, while also revealing a consistent variety of skills on a fully dancefloor-oriented EP for Hercules & Love Affair's Mr. Intl imprint.
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whitesquare - Traces To Nowhere
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whitesquare - Understand
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whitesquare - Suivre
It seems like the Italians are well and truly taking over here at Freerange these days. Following hot on the heels of releases from Stefano Ritteri and Bugsy we now present you with a brilliant three tracker from Rome-based producer Whitesquare. Known for previous releases on 2020 Vision and Toy Tonics Whitesquare has switched up his sound a little to delve deeper into the world of Afro-inspired electronic house which fits perfectly on Freerange and should appeal to fans of Hyenah, Rancido and the Keinemusik crew. Title track Traces To Nowhere sets the tone, taking it's roots from the precision sonics and reduced approach of Berlin minimalism but infused with a warm, organic sound palette, resulting in a deep and atmospheric track which is powerful yet understated. Flipping over we have Understand, another hypnotic mood-setter which utilises a repeating vocal, percussion fills and a killer sub bass to create a track which places all the emphasis on the paired-back groove and subtle detail. Rounding off the EP we have Suivre, a conga-heavy drum tool which mashes up live jazz drumming with a driving kick and echoing vocal to great effect. The sense of space makes this one a winner for changing things up in the mix and sounds fearsome on a big system. Three lovingly crafted tracks which bridge the gap between Berlin and Johannesburg, bringing a fresh yet appealing sound to please dance floors worldwide.
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Kapote - Jaas Func Haus
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Kapote - The Body Move (Album Version)
3
Kapote - Brasiliko
4
Kapote - The Nose (Album Version)
5
Kapote - Salvation (Album Version)
6
Kapote - Fuck Music (Album Version)
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Kapote - Fusion 79
8
Kapote - Get Down Brother (Album Version)
9
Kapote - L.O.V.E. (Album Version)
Repress
Special Remarks:
Tracklist 2x12":
A1 Jaas Func Haus
A2 The Body Move (Album Version)
B1 Brasiliko
B2 The Nose (Album Version)
C1 Salvation (Album Version)
C2 Fuck Music (Album Version)
D1 Fusion 79
D2 Get Down Brother (Album Version)
D3 L.O.V.E. (Album Version)
Release Info:
Toy Tonics brings back the Kapote album. 10 dancefloor tracks originally released 2019 on the „What it is“ album. Now reworked, re edited and with 2 new tracks.
House music, but with a heavy jazz-funk, brasil, lofi - influence. A mood that reminds early Moodymann, Kerri Chandler or 1990ies Paris stuff. Loft Disco and Indie House.
When this album came out originally 3 years ago it caught the attention of many great DJs. DJ Harvey was playing „Jaas Func Haus“ a lot at Pike in Ibiza and Gerd Janson, Motor City Drum Ensemble, Kenny Dope and Blessed Madonna were filmed playing other tracks from the album.
Kapote doesn’t release much music as he is mainly involved in the Toy Tonics label development, creative direction and is also in many productions of other artists that release on Toy Tonics. Originally a piano and art student, he later discovered DJing, nightlife, electronic music and by now is doing what he does with Toy Tonics with a couple of friends and like-minded producers.
Kapote’s real name is Mathias Modica and if you google this you will find out he has been doing music before Toy Tonics under the name of Munk. Doing another label called Gomma Records. Where he and some friends already created a little universe based on electronic music, street art, DIY culture, shirt design, underground exhibitions. Mathias aka Kapote aka Munk has produced and released records with artists like Peaches, James Muprhy and Nancy Whang of LCD Soundsystem, The Rammellzee and WhoMadeWho. This is the past. The future will be new Kapote stuff currently in the making with Cody Currie and Sam Ruffillo. Meanwhile check out WHAT IT IS – 2nd VERSION.
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Special Remarks:
Tracklist 2x12":
A1 Jaas Func Haus
A2 The Body Move (Album Version)
B1 Brasiliko
B2 The Nose (Album Version)
C1 Salvation (Album Version)
C2 Fuck Music (Album Version)
D1 Fusion 79
D2 Get Down Brother (Album Version)
D3 L.O.V.E. (Album Version)
Release Info:
Toy Tonics brings back the Kapote album. 10 dancefloor tracks originally released 2019 on the „What it is“ album. Now reworked, re edited and with 2 new tracks.
House music, but with a heavy jazz-funk, brasil, lofi - influence. A mood that reminds early Moodymann, Kerri Chandler or 1990ies Paris stuff. Loft Disco and Indie House.
When this album came out originally 3 years ago it caught the attention of many great DJs. DJ Harvey was playing „Jaas Func Haus“ a lot at Pike in Ibiza and Gerd Janson, Motor City Drum Ensemble, Kenny Dope and Blessed Madonna were filmed playing other tracks from the album.
Kapote doesn’t release much music as he is mainly involved in the Toy Tonics label development, creative direction and is also in many productions of other artists that release on Toy Tonics. Originally a piano and art student, he later discovered DJing, nightlife, electronic music and by now is doing what he does with Toy Tonics with a couple of friends and like-minded producers.
Kapote’s real name is Mathias Modica and if you google this you will find out he has been doing music before Toy Tonics under the name of Munk. Doing another label called Gomma Records. Where he and some friends already created a little universe based on electronic music, street art, DIY culture, shirt design, underground exhibitions. Mathias aka Kapote aka Munk has produced and released records with artists like Peaches, James Muprhy and Nancy Whang of LCD Soundsystem, The Rammellzee and WhoMadeWho. This is the past. The future will be new Kapote stuff currently in the making with Cody Currie and Sam Ruffillo. Meanwhile check out WHAT IT IS – 2nd VERSION.
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Tuff City Kids with Annie - Club Mix
2
Tuff City Kids with Annie - tck mix
3
Tuff City Kids with Annie - morgan geist rmx
4
Tuff City Kids with Annie - dj oyster dub
- Single Release of forthcoming album "Adoldesscent" - Morgan Geist Remix
- Annie on vox / Project by Gerd Janson & Phillip Lauer
Special remarks: 12" with printed sleeve 4c plus Pantone Colour, 150g Vinyl
Tracklist
A1 Club Mix, A2 TCK Mix
B1 Morgan Geist Remix , B2 DJ Oyster Drum and Bass Dub
Shortinfo:
The unstoppable tag team Gerd Janson and Phillip Lauer aka Tuff City Kids have another surprise up their sleeves with their first full on vocal track "Labyrinth", which is also a precursor of the soon to be released first TCK album. Who else but Norwegian wonder woman Annie could be better suited for the job on the microphone? The result is a timeless disco mutant for all centuries. And who else but New York Don Morgan Geist could do the remix job? He delivers a notorious Disco Dub version that lets all of you Disco vampires burst into flames.
If this wasn't enough Tuff City Kids give themselves a taste of their own sweet medicine and lift "Labyrinth" onto the thougher club floors. For all creative DJs, there is also a heavy percussion workout by mysterious DJ Oyster. Here we go again!
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- Annie on vox / Project by Gerd Janson & Phillip Lauer
Special remarks: 12" with printed sleeve 4c plus Pantone Colour, 150g Vinyl
Tracklist
A1 Club Mix, A2 TCK Mix
B1 Morgan Geist Remix , B2 DJ Oyster Drum and Bass Dub
Shortinfo:
The unstoppable tag team Gerd Janson and Phillip Lauer aka Tuff City Kids have another surprise up their sleeves with their first full on vocal track "Labyrinth", which is also a precursor of the soon to be released first TCK album. Who else but Norwegian wonder woman Annie could be better suited for the job on the microphone? The result is a timeless disco mutant for all centuries. And who else but New York Don Morgan Geist could do the remix job? He delivers a notorious Disco Dub version that lets all of you Disco vampires burst into flames.
If this wasn't enough Tuff City Kids give themselves a taste of their own sweet medicine and lift "Labyrinth" onto the thougher club floors. For all creative DJs, there is also a heavy percussion workout by mysterious DJ Oyster. Here we go again!
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1
Krystal Klear - Neutron Dance - Paul Woolford Jolly Roger Rework
2
Krystal Klear - Neutron Dance – Fango Remix
3
Krystal Klear - Neutron Dance – Mano le Tough Vocal Remix
4
Krystal Klear - Neutrom Dance – Gerd Janson Birkenstock Remix
Tracklist
A1. Neutron Dance - Paul Woolford Jolly Roger Rework
A2. Neutron Dance – Fango Remix
B1. Neutron Dance – Mano le Tough Vocal Remix
B2. Neutrom Dance – Gerd Janson Birkenstock Remix
Shortinfo:
4 reinterpretations of Krystal Klear’s summer singalong.
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A1. Neutron Dance - Paul Woolford Jolly Roger Rework
A2. Neutron Dance – Fango Remix
B1. Neutron Dance – Mano le Tough Vocal Remix
B2. Neutrom Dance – Gerd Janson Birkenstock Remix
Shortinfo:
4 reinterpretations of Krystal Klear’s summer singalong.
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Alex Ranerro - Fragments
2
Alex Ranerro - Fragments (Lola Palmer Remix)
3
Alex Ranerro - Jungfraujoch – VINYL ONLY
4
Alex Ranerro - Radiation – VINYL ONLY
Special remarks:
180G VINYL // 2 VINYL ONLY TRACKS // PRINTED SLEEVE
Tracklist 12":
A1 Fragments
A2 Fragments (Lola Palmer Remix)
B1 Jungfraujoch – VINYL ONLY
B2 Radiation – VINYL ONLY
After his phenomenal debut in 2020, Slovenian House wizard Alex Ranerro returns to the ever delivering Bondage Music label with a new relishable five piece EP, including remix from Lola Palmer.
Title track 'Fragments' welcomes us with dabbling and shimmering percussions, accompanied by a cosy warm sub bass and a crispy drum framework. While the buttery tops and flashy FX effects subtly work their way through our hearing, we already sense the first vibrations of the peerless stellar synths unfolding continuously throughout the track.
Next up, we have Lola Palmer pleasing us with her very own version of the original. She adds a muffled kick and a drone bassline, turning the track into a matter of deep groove. Smooth piano chords nestle perfectly into this housy roller which is relying on a tasteful selection of lucent hats and twinkling shakers.
Following up is a true Alex Ranerro classic, going by the name of 'Jungfraujoch'. The Slovenian certainly aims for the good vibes with this harmonious piece of joy. Rattling percussions say 'hello' to the rolling bass and dubby melodies, promising a dazzing act of pleasure on the dancefloors of this world.
Breakbeat connoisseurs are going to love the next delicacy on the menu: 'Radiation' turns out to be a true cosmic affair, embracing us with clanking snares and a hypnotic pad straight from the orbit. Divine and Perfectly placed synthesizer chords do the rest and let us ultimately float towards the ether Alex Ranerro has created for his audience.
More
180G VINYL // 2 VINYL ONLY TRACKS // PRINTED SLEEVE
Tracklist 12":
A1 Fragments
A2 Fragments (Lola Palmer Remix)
B1 Jungfraujoch – VINYL ONLY
B2 Radiation – VINYL ONLY
After his phenomenal debut in 2020, Slovenian House wizard Alex Ranerro returns to the ever delivering Bondage Music label with a new relishable five piece EP, including remix from Lola Palmer.
Title track 'Fragments' welcomes us with dabbling and shimmering percussions, accompanied by a cosy warm sub bass and a crispy drum framework. While the buttery tops and flashy FX effects subtly work their way through our hearing, we already sense the first vibrations of the peerless stellar synths unfolding continuously throughout the track.
Next up, we have Lola Palmer pleasing us with her very own version of the original. She adds a muffled kick and a drone bassline, turning the track into a matter of deep groove. Smooth piano chords nestle perfectly into this housy roller which is relying on a tasteful selection of lucent hats and twinkling shakers.
Following up is a true Alex Ranerro classic, going by the name of 'Jungfraujoch'. The Slovenian certainly aims for the good vibes with this harmonious piece of joy. Rattling percussions say 'hello' to the rolling bass and dubby melodies, promising a dazzing act of pleasure on the dancefloors of this world.
Breakbeat connoisseurs are going to love the next delicacy on the menu: 'Radiation' turns out to be a true cosmic affair, embracing us with clanking snares and a hypnotic pad straight from the orbit. Divine and Perfectly placed synthesizer chords do the rest and let us ultimately float towards the ether Alex Ranerro has created for his audience.
More
1
Katerina - Get To Know You
2
Katerina - Marsu (The Cat)
3
Katerina - Alone In Paris
4
Katerina - Time Machine
5
Katerina - Cats Of Yavorov
6
Katerina - Rain In Her Eyes
Tracklist
A1. Get To Know You
A2. Marsu (The Cat)
A3. Alone In Paris
B1. Time Machine
B2. Cats Of Yavorov
B3. Rain In Her Eyes
File under: Singer-songwriter house, outsider or campfire dance. Katerina’s full-blown debut EP for Running Back melds cultural images of both places she calls home. Alternatively hailing from Helsinki or Sofia, she serves ethereal vocals, heartbreaking melodies and the chilly melancholic strains of the north to meet an optimistic and at times cheerful mood, paired with pop music themes, heavy bass lines and an upbeat drum section. Six tracks of idiosyncratic and independent dance motifs (including two ambient takes) that all go against the grain of the fast pace of life today, cheap thrills and unnecessary kills. All symbolized in the lyrics of the lead song Get To Know You or the instrumental love ballad Rain In Her Eyes and bound together by Marsu The Cat or Time Machine. An EP with the depth of an LP, lots of weight and even more character. Powerful, wonderful and more durable than the remains of one day.
More
A1. Get To Know You
A2. Marsu (The Cat)
A3. Alone In Paris
B1. Time Machine
B2. Cats Of Yavorov
B3. Rain In Her Eyes
File under: Singer-songwriter house, outsider or campfire dance. Katerina’s full-blown debut EP for Running Back melds cultural images of both places she calls home. Alternatively hailing from Helsinki or Sofia, she serves ethereal vocals, heartbreaking melodies and the chilly melancholic strains of the north to meet an optimistic and at times cheerful mood, paired with pop music themes, heavy bass lines and an upbeat drum section. Six tracks of idiosyncratic and independent dance motifs (including two ambient takes) that all go against the grain of the fast pace of life today, cheap thrills and unnecessary kills. All symbolized in the lyrics of the lead song Get To Know You or the instrumental love ballad Rain In Her Eyes and bound together by Marsu The Cat or Time Machine. An EP with the depth of an LP, lots of weight and even more character. Powerful, wonderful and more durable than the remains of one day.
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None other than Tensnake is the host of Phillip Lauer's album debut's (aptly titled "Phillips" and soon available in all formats including gatefold double vinyl) inauguration party. Delivering not one but two remixes and a barrel of laughs, Hamburg's happy man smears thick red lipstick on Lauer's bittersweet "Trainman" symphony. His "Franceman Mix" does exactly what it says on the tin. A long intro gets rouléd up into a fierce dancing school contest. Speaking of nomen that are omen, you'll find the "Tranceman Mix" on the flip side going the whole nine yards: marimba magic, hard trance breaks, deked drum rolls and early morning glory moments. It's impossible to defang that snake.
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ENERGY 52 - Café Del Mar (Tale Of Us Renaissance Remix)
2
ENERGY 52 - Café Del Mar (Paul van Dyk’s XOXO Remix)
Vinyl only
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Tale Of Us Renaissance Remix)
B1. Café Del Mar (Paul van Dyk’s XOXO Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records issues a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The third part in the series features remixes by Tale Of Us and Paul van Dyk, some of the most prolific electronic producers and DJs. First up are Tale Of Us, one of the biggest names on the dance circuit of the moment. Their “Renaissance Remix” was first released in 2018 and has already become one of the most popular remixes of Café Del Mar.
DJ Kid Paul and Paul van Dyk were close DJ buddies in the early Berlin Techno scene, and played around a hundred DJ gigs together, all around Germany and Europe, before they moved on in different directions. Now nearly 30 years later Paul van Dyk finally got the chance to remix the iconic Café del Mar. His XOXO remix slows the tempo slightly and employs crisp percussion and deep, pulsing bass while still maintaining the out-and-out exhilaration of that epic breakdown. Originally released in 2021, the Paul van Dyk remix appears here on vinyl for the first time.
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GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Tale Of Us Renaissance Remix)
B1. Café Del Mar (Paul van Dyk’s XOXO Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records issues a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The third part in the series features remixes by Tale Of Us and Paul van Dyk, some of the most prolific electronic producers and DJs. First up are Tale Of Us, one of the biggest names on the dance circuit of the moment. Their “Renaissance Remix” was first released in 2018 and has already become one of the most popular remixes of Café Del Mar.
DJ Kid Paul and Paul van Dyk were close DJ buddies in the early Berlin Techno scene, and played around a hundred DJ gigs together, all around Germany and Europe, before they moved on in different directions. Now nearly 30 years later Paul van Dyk finally got the chance to remix the iconic Café del Mar. His XOXO remix slows the tempo slightly and employs crisp percussion and deep, pulsing bass while still maintaining the out-and-out exhilaration of that epic breakdown. Originally released in 2021, the Paul van Dyk remix appears here on vinyl for the first time.
More
1
Gome - Elevator Man
2
Gome & David Bay - Television
3
Gome - Elevator Man (Mike Dunn BlackBall Remix)
4
Gome - Elevator Man (Telephones Remix)
Tracklist 12":
A1 Gome - Elevator Man
A2 Gome & David Bay – Television
B1 Gome - Elevator Man (Mike Dunn BlackBall Remix)
B2 Gome - Elevator Man (Telephones Remix)
New record by Gome with fat remixes by Mike Dunn and Telephones.
More
A1 Gome - Elevator Man
A2 Gome & David Bay – Television
B1 Gome - Elevator Man (Mike Dunn BlackBall Remix)
B2 Gome - Elevator Man (Telephones Remix)
New record by Gome with fat remixes by Mike Dunn and Telephones.
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Various - Jerome Sydenham, Argy - Whisper Track (Dub)
2
Various - Jerome Sydenham - Purple Beech
3
Various - Janne Tavi, Jerome Sydenham - Street Jazz
4
Various - Herb Martin - Soul Drums (Jerome Sydenham's Raw Dub)
New EP on Ibadan Records: "Leads & Bites Vol. 3"
Leads & Bites Vol. 3 is the latest release in the essential EP series, closely curated and produced since 2010.
Tracklist:
01. Jerome Sydenham, Argy - Whisper Track (Dub) (5:10)
02. Jerome Sydenham - Purple Beech (5:59)
03. Janne Tavi, Jerome Sydenham - Street Jazz (5:28)
04. Herb Martin - Soul Drums (Jerome Sydenham's Raw Dub) (5:27)
Following the warm reception of the first two volumes in the "Leads & Bites" series, Ibadan Records is returning with a third volume to be released on vinyl in December, 2019.
The Leads & Bites series was launched in 2010 to address the growing appetite for a musically versatile, pumping house release among house music connoisseurs. Over the years, the action-packed series has seen the likes of Tyree Cooper, Earth People, Kerri Chandler, David Sumner and Christian Prommer contribute to the series. The previous volume, Leads & Bites Vol. 2 quickly became one of the label's most sought-after contemporary releases. The new edition welcomes Ibadan's longtime artist Argy and Ibadan's new generation torchbearer, Janne Tavi to the growing series.
Track listing:
A1. Whisper Track (Dub) sees Argy's prodigious return to the label in this collaboration with Sydenham, which features an energetic club sound with a hint of mystery and darkness.
A2. Purple Beech is a testament to Sydenham's love for deep house. This lighter version of a classic house track, based on dreamy aesthetics showcases the beauty and simplicity of deep house.
B1. Street Jazz is Tavi and Sydenham's flashy house offering, combining raw, smoky beats with Tavi's signature keys and exotic percussion for an elegant yet warm showstopper.
B2. Herb Martin - Soul Drums (Jerome Sydenham's Raw Dub) emerged when Sydenham delved into the historical catalogue and enriched this Afro percussive gem, giving it some fine polish and a harder edge in his updated edit.
More
Leads & Bites Vol. 3 is the latest release in the essential EP series, closely curated and produced since 2010.
Tracklist:
01. Jerome Sydenham, Argy - Whisper Track (Dub) (5:10)
02. Jerome Sydenham - Purple Beech (5:59)
03. Janne Tavi, Jerome Sydenham - Street Jazz (5:28)
04. Herb Martin - Soul Drums (Jerome Sydenham's Raw Dub) (5:27)
Following the warm reception of the first two volumes in the "Leads & Bites" series, Ibadan Records is returning with a third volume to be released on vinyl in December, 2019.
The Leads & Bites series was launched in 2010 to address the growing appetite for a musically versatile, pumping house release among house music connoisseurs. Over the years, the action-packed series has seen the likes of Tyree Cooper, Earth People, Kerri Chandler, David Sumner and Christian Prommer contribute to the series. The previous volume, Leads & Bites Vol. 2 quickly became one of the label's most sought-after contemporary releases. The new edition welcomes Ibadan's longtime artist Argy and Ibadan's new generation torchbearer, Janne Tavi to the growing series.
Track listing:
A1. Whisper Track (Dub) sees Argy's prodigious return to the label in this collaboration with Sydenham, which features an energetic club sound with a hint of mystery and darkness.
A2. Purple Beech is a testament to Sydenham's love for deep house. This lighter version of a classic house track, based on dreamy aesthetics showcases the beauty and simplicity of deep house.
B1. Street Jazz is Tavi and Sydenham's flashy house offering, combining raw, smoky beats with Tavi's signature keys and exotic percussion for an elegant yet warm showstopper.
B2. Herb Martin - Soul Drums (Jerome Sydenham's Raw Dub) emerged when Sydenham delved into the historical catalogue and enriched this Afro percussive gem, giving it some fine polish and a harder edge in his updated edit.
More
1
Dimitri From Paris x Fiorious - "Music Saved My Life" (The extended Discomix) (8:21)
2
Dimitri From Paris x Fiorious - "Music Saved My Life" (The Full take) (6:11)
3
Dimitri From Paris x Fiorious - "Music Saved My Life" (The club dub) (7:47)
4
Dimitri From Paris x Fiorious - "Music Saved My Life" (The acappella) (5:21)
TRACK LISTING
A1. Music Saved My Life (The Extended Discomix)
A2. Music Saved My Life (The Full Take)
AA1. Music Saved My Life (The Club Dub)
AA2. Music Saved My Life (The Accapella)
Rarely does an artist pay homage to the classics quite like Dimitri From Paris, whose illustrious repertoire of original productions and remixes effortlessly capture the essence of the disco greats. After releasing his acclaimed collection of CHIC remixes on Glitterbox Recordings in 2019, Dimitri now partners with NYC singer-songwriter Fiorious, an artist who represents the dawning of a new era in dance music talent, to release ‘Music Saved My Life’ on the label.
With Fiorious’ previous Glitterbox releases including powerful call-to-resistance anthem ‘I’m Not Defeated’ and re-work of Aly-Us’ 90s classic ‘Follow Me’, his impassioned vocal paired with Dimitri’s meticulous production make for a perfect match. A celebration of music’s ability to provide sanctuary and liberate, ‘Music Saved My Life’ encapsulates the ethos of the disco golden era and its modern-day equivalent, Glitterbox. Beautifully brought to life by an international ensemble of over twenty world-class musicians, this is a truly exceptional release from a pioneer of dance, and a future star of the scene, that stands up alongside the disco greats. More
A1. Music Saved My Life (The Extended Discomix)
A2. Music Saved My Life (The Full Take)
AA1. Music Saved My Life (The Club Dub)
AA2. Music Saved My Life (The Accapella)
Rarely does an artist pay homage to the classics quite like Dimitri From Paris, whose illustrious repertoire of original productions and remixes effortlessly capture the essence of the disco greats. After releasing his acclaimed collection of CHIC remixes on Glitterbox Recordings in 2019, Dimitri now partners with NYC singer-songwriter Fiorious, an artist who represents the dawning of a new era in dance music talent, to release ‘Music Saved My Life’ on the label.
With Fiorious’ previous Glitterbox releases including powerful call-to-resistance anthem ‘I’m Not Defeated’ and re-work of Aly-Us’ 90s classic ‘Follow Me’, his impassioned vocal paired with Dimitri’s meticulous production make for a perfect match. A celebration of music’s ability to provide sanctuary and liberate, ‘Music Saved My Life’ encapsulates the ethos of the disco golden era and its modern-day equivalent, Glitterbox. Beautifully brought to life by an international ensemble of over twenty world-class musicians, this is a truly exceptional release from a pioneer of dance, and a future star of the scene, that stands up alongside the disco greats. More