12” vinyl with full cover print

TRACKLIST:

A1 Endless Love feat. Theo Nasa
A2 Endless Love feat. Theo Nasa (Hardspace Mix)

B1 Gunz Blazin
B2 Stabbed In The Heart

all tracks figured out by Vinicius Honorio.
vocals on Endless Love by Theo Nasa.
2024 copyright figure

INFO:

Adding his first EP to the label’s catalogue, Figure warmly welcomes Vinicius Honorio onto the roster.
Having first made his mark in the DnB-world as BTK, the vetted Brazilian producer now has been conquering the global techno scene for some years as well. His darkly foreboding sound is on full display across this 12“, featuring three clean-cut, impactful original productions and a remix by Len Faki’s Hardspace moniker.

Endless Love comes punching strong, carried by colleague Theo Nasa’s ominous spoken words and evolving stab synths textures. The remix strips back the vocals in favor of reduced frequencies, keeping the heat condensed and always ready to boil over.
On the flip, Honorio introduces his rolling high-energy machine funk, stacking elements around a hypnotic vocal loop and expertly playing the game of build and release. Closer B2 showcases a different style, using subdued dubby chords to craft a dreamy ride that is at once powerful and deep.




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Double-LP, Gatefold sleeve

GENRE/S: House, Deep House, Lo-Fi House, Electronica

TRACKLISTS:
A1. Olympia (with Eliana Glass)
A2. Ethos (with DaRand Land)
B1. Too Poor For Movies, Too Tired For Love (with Lawrence)
B2. Nobody Present Ever Stood So Still
C1. By The End They Will
C2. Cecile (with Eliana Glass)
D1. Drift (with DJ Aakmael)
D2. From Life Ahead
D3. Continuity

SHORT INFO:
More about the world has changed than not in the decade since dance production dyad Frank & Tony released their last full-length record, 2014’s You Go Girl. Despite, or perhaps in spite of, this shifting landscape, house music has managed to stay fundamentally reliable (either a bug or its greatest feature, depending on who you ask). Where previously, Frank & Tony have been celebrated for their contemplative, studious approach to the genre, with 2024’s Ethos, the Brooklyn/Biarritz-based duo return amidst metastatic cultural upheaval to prove out those scholarly credentials — with an album that serves to remind listeners why dancefloors and liberatory politics consistently share the language of movements and revolutions.
Undoubtedly, Ethos is tremendously influenced by the multitude of projects originating from, and supported by, the duo and their label in the decade since You Go Girl– releasing records from a vast diversity of artists (including Nadia Khan, Gry, Villete, Darand Land, Alex Albrecht, DJ Sprinkles and CCL), and Harris becoming curatorial voice of Brooklyn’s premiere venue for audiophiles, Public Records, where he continues to amplify work across a global diaspora (and where the duo maintain a residency of wide praise).

It is this bright energy and focus on the necessity of community and relationships that animates the aptly-titled Ethos. If past Frank & Tony releases have been lauded as ‘a coloring book in which someone has exclusively drawn inside the lines… with extreme precision,’ Ethos deviates by inviting friends in for a game of exquisite corpse. From singer and pianist Eliana Glass, whose androgynous, double-reeded voice freestyles across album opener Olympia, to distinct track features from fellow house masterminds DaRand Land, DJ Aakmael and Lawrence over half of the album’s nine tracks highlight artists in the larger Scissor & Thread circle.











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2024 repress, full cover, same set up as before

Tracklist:
A1 Gravity Hill
A2 Beaver
B1 The Swamp
B2 Stargazer


Dial Records boss makes a welcome return to Smallville in March of 2024 with a fresh four-tracker EP ‘Gravity Hill’. Peter Kersten, better known to most as Lawrence, has been at the forefront of underground house and techno for decades now. His Dial imprint, co-founded alongside Carsten Jost, has grown to become a north star for many seeking out raw, emotive and understated electronic music and Lawrence’s own productions follow a similar path, finding a home on many beloved labels beyond Dial such as Kompakt, Mule Musiq, Ghostly
International, Giegling, Pampa and of course Smallville, that he co-founded together with Stella Plazonja and Julius Steinhoff in 2005.
Title-track ‘Gravity Hill’ opens the project and perfectly sets the tone with Lawrence’s distinct atmospheric haze of keys, chords and pads billowing atop swaying bass tones and crisp drums. ‘Beaver’ follows next and edges into dubbed out realms with expansive stab delays, rounded subs, modulating percussive flutters and a robust rhythmic drive.
‘The Swamp’ then leads the B-side, diving into a deeper territory via airy Rhodes melodies and subtly unfurling pads, intertwined with organic percussion and a jazz tinged bass line. ‘Stargazer’ then concludes the package and shifts back to a more straight, dance floor- oriented feel via a twitchy acid bass, circling resonant synth licks, hypnotic textures and a swinging drum groove.
Smallville 62 artwork by Stefan Marx as always and it's the first 12“ Smallville cover in full colour ever after 61 black/white releases.

All tracks written, produced and mixed by Peter M. Kersten
Mastering by Helmut Erler, vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

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Get Physical strides into its 21st year with a reissue of one of its most iconic tunes. M.A.N.D.Y. vs Booka
Shade's 'Body Language' has been remastered for the occasion and will be available on vinyl, as well as
digitally and on streaming platforms for the first time ever, with new remixes from HOSH and Patrice
Bäumel.

Tracklist:
01 M.A.N.D.Y. vs Booka Shade - Body Language (Patrice Bäumel Remix)
02 M.A.N.D.Y. vs Booka Shade - Body Language (HOSH Remix )
03 M.A.N.D.Y. vs Booka Shade - Body Language (Original)


M.A.N.D.Y. aka Patrick Bodmer and Philipp Jung, and Booka Shade, aka Walter Merziger and Arno
Kammermeier, are Get Physical co-founders alongside DJ T., and 'Body Language' is one of the label's, as well
as dance music's, biggest ever tunes. Released in 2005, it defined an entire generation of house music and
spawned myriad copycats in its wake as well as making household names of the artists behind it. It became an
instant classic that worked as well in cosy clubs as it did on festival main stages and it has remained an
ever-green house anthem. The influential track has been sampled many times over the years but nothing beats
the original.
The chunky house drums still sound from the future today, with fleshy hits and warming bass. What makes it such
a standout track, though, is the gorgeous melodic hook that rides up and down the scale. Those soft focus notes
are full of subtle but playful soul that never fails to unify a crowd, bring smiles to faces, and get hands in the air.
The first to remix is acclaimed German artist Patrice Bäumel. He is a master of stylish and deep house and techno
with expressive synth work on labels like Kompakt and his own HALO. His superb version is a complete overhaul
with deeper drums and a sense of late-night tension that is released in glorious fashion when the iconic melody
comes in. It's the sort of tune that is suited to 4 am dance floors and will take things to the next level. The second
remix comes from fellow German HOSH. For many years a core part of the Diynamic family he is also the founder
of the fryhide imprint and an assured underground talent. He layers in some fresh and airy breakbeats to power
along an expansive remix. After a long and atmospheric build with plenty of cosmic synth work, the original
melody arrives during a breakdown and then plays out over the suspensory grooves.
This is a superb package that brings a widely loved favourite back to the fore with contemporary remixes and a
fresh remaster.


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Territories: Worldwide no restrictions

Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork


Track List:

A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29

B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23

C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41

D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24

Release Notes:

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.


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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Closer (feat. AVA LAVÁ)
A2 Running from the Noise (feat. Life on Planets)
A3 Midnight Time (feat. AVA LAVÁ & Joey Hotwax)
B1 The Answer
B2 Gratitude

Release Info:

Makèz deliver the perfect follow up to their hit ‘Downstream’ with L.A. artist Life on Planets.

Dutch Duo Makèz had their big break when we released their first record on Heist in 2019, but it’s safe to say that ‘Downstream’ (on No Art records) has taken things to the next level for the talented Amsterdam duo. With support from pretty much the whole of Radio 1 (Pete Tong, Jaguar, Sarah Story, Danny Howard and more), and club DJ’s across the board ranging from ANOTR to Louie Vega, their fall 2023 release has really been a dream collab with vocalist and producer Life on Planets. It’s only fitting that the duo comes home to Heist with their follow up EP: ‘Midnight time’.

This new EP is a perfect blend of the intricate, soulful songs and punchy club tracks we’ve come to love from Makèz, On the A-side, we’ve got the jazz cut ‘Closer’ with AVA LAVÁ, who fans will remember from their Holy Sun EP on Heist. ‘Closer’ is equally laidback, full of textures and rich musical elements and a perfect mood-setter for the EP.

Next is ‘Running from the noise’ with Life on Planets on vocals. This is the follow up to Downstream that simply had to happen. It’s just as breezy and effortless as the duo’s biggest hit to date, but goes even deeper and minimalistic, taking you on a vibe that resembles the sound of that classic 100% Galcher mixtape/album from 2013. There’s definitely something in the air when these artists get together in the studio; The music is warm, fuzzy, and inviting, but most importantly, just about as sexy as can be.

‘Midnight time’ is another collaboration with AVA LAVÁ, and takes the EP into the club realm, while still keeping things jazzy. Lush Rhodes chords and a rolling live bass form the basis, while the young vocalist seems to freestyle her way through the track, much in a way an MC would do to get the crowd going. Everything about this track is infectious and you can just feel this go off in a club.

That club is exactly where we end up on the B-side, with ‘The Answer’ and ‘Gratitude’. Both have their own direction; ‘The Answer’ is a Chicago-inspired jam with acid licks, a powerful male vocal and clean 909 drums, where ‘Gratitude’ goes deeper with its haunting strings, clever vocal chops and loops and synths that somehow resemble static noise from an old radio. With their ‘Midnight Time’ EP, Makèz treat us to a gorgeous journey through their sonic world, a place we’re happy to hang out for a long, long time.

As always, enjoy the music and play it loud!

Lars & Maarten


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Tracklist:
A1. Mesmerized (Giovanni Damico Remix)
A2. Mesmerized
A3. Mesmerized (Daniel T Remix)
B1. What It Takes
B2. What It Takes (Rayko vs WvP)
B3. What It Takes (Bonus Beats)

Key Selling Points
LA-based DJ duo Guruku is back with their second release. The title track ‘Mesmerized’ has a throwback feel to the likes of The Gap Band, Prince, and D-Train. With a loose format, Rojai’s vocal builds the dubbed-out drums and heavy synth line that rises to an electrifying release with dirty hypnotic pads smothering a delicious bassline. Italy’s Giovanni Damico lays down a heavy bass textured to perfection with tasty vocoders throughout. Daniel T. (Cosmic Kids/DFA) takes rhythmic cues from B’more's Unruly Records while keeping close to his West Coast roots with a G-funk synth line riding high. What It Takes starts with a melodic, percussive Moog line that breaks into a full production of Rhodes, live bass, and early 80s drums. Rojai delivers a heartfelt love letter letting the one know they can stand the test of time. Rayko vs Wvp mix keeps the boogie alive with a cascading bass line for the dancefloor.


RIYL: Star Creature, Dam Funk, Ray Mang, and The Gap Band.


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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A1 Love Can Make It Happen
A2 Going Back to It
B1 Full Cycle
B2 Pockets

Release Info:

House music legend DJ Sneak shows us why he’s a master of the groove on his ‘Back to love’ EP for Heist Recordings.

There’s only a handful of people that can really say they’ve seen House music since its earliest days. Puerto Rica-born, Chicago-bred, and LA-based artist DJ Sneak is definitely one of them. He has been the king of the groove ever since his big break back in ’94 through Cajmere’s label Cajual and was key in the development of that mid-nineties house sound with appearances on labels such as Strictly Rhythm, Henry St Music and 83 West. Sneak has worked with some of the biggest artists in the game including Daft Punk, (delivering lyrics for their track ‘Digital Love’), Armand Van Helden and many more.

After a break in the past few years where Sneak re-evaluated his relationship with the scene and his music, he’s now back doing the thing he loves most: Making killer tracks and slamming it on a record. We’ve always considered each other friends and Sneak has been a true supporter of our music and the label since day 1, so it’s humbling to realize that we’re now in a place where we can let his music shine on Heist. With that, we’re proud to present this future classic from the master himself.

The aptly titled “Back to love” EP starts off with one of Sneak’s most intimate productions to date: “Love can make it happen”. Built around an ever-evolving vocal loop, and dreamy strings this track is deeper than deep with the percussion matching that meditative energy, with the grunt only Sneak can bring.

“Going back to it” is Chicago house music in its core. Moody chords, some vocal chops, a badass bass line, and solid percussion is all you need. With ‘Full Cycle’ on the flip, we see Sneak take back his rightful place as the king of the groove. It’s a track that has us reminiscing the days of ‘Paperclip People’ where the bluntness of a live recorded ‘on/off’ arrangement really adds something special to a track.

The EP ends with “Pockets”, a house jam with classic 90s vocals and energetic snare drums to add that classic New York touch to this already amazing record and shows us that DJ Sneak has a great feel for bringing modern day house music with a vintage feel.

As always, enjoy the music and play it loud!

Maarten & Lars


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Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE


Tracklist 12":

A1 Dub Chronicles #6
A2 International Sun-Earth Explorer
B1 Deep Inside (feat. Robert Owens)
B2 Promise Street

Next up is “Deep Inside”, Sascha Dive returns to Bondage Music once again for another deep frequency encounter, as usual as vinyl only release

















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2024 repress


The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!

WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie

Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?

"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).

The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.

At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.

Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.


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2024 Repress

Territories: World excl. UK

FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49

Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing.

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