After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy. The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean. 'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally. Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night. 'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro. Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.

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Tracklisting
A1 Larionov feat. Djedjotronic - Space Is The Place
A2 Larionov - Antigravity System
B1 Larionov - To Another Galaxy
B2 Larionov - Extraterrestrial
B3 Larionov - We Came To Dance

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Although sound is his medium, what is seen is central to Larionov’s new 12”; I Want To Believe. After scanning the heavens, the Russian producer lands with six tracks that encompass a spectrum of electronics. A glistening dawn of bright melodies and murky basslines introduces “Morning Light”, crisp percussion adding balance and ballast. Aquatic lines and soulful arcs are at the core of “Across the Sky” before the bold synth stabs and rasping rhythms of “External Twilight.” Illuminating the flip is the sci-fi inspired “Strange Lights” with the eclipsing shades and tones of “Shadows” darkening speakers while igniting floors. The close is the future gazing “Space and Time.” Fluid strings, reverberating arpeggiators and vocoder lyrics are kept in check by incising snares in this superb finale.

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Gladio Operations closes 2024 with its tenth release, which bears the signature of the German producer Elektrotechnik.

This EP, entitled Kontrast, comprises three original tracks and two remixes. The A-side starts with Sigma, a rogue track with light trance touches and an appropriate psychedelic bass line. Russian producer Larionov returns to Gladio and gifts us his fantastic vision of Sigma, turning it into a more energetic piece destined exclusively for the hottest dancefloors. Side A ends with Kontrast, a track of aggressive rhythms and moulded with powerful dark textures.

On the B-side, we encounter Die Bestie, perhaps the most robust track and possessor of disturbing and tenebrous harmonies, an enigmatic journey with no return. The owners of the UHF label get back on track by creating remixes, being in charge of closing the EP, and offering us a deeper and more cosmic approach than the original track.

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Gladio Operations label presents its ninth release, with volume 2 of the Split Machine series, which this time features two new and recognised faces on the European and American electro scene.

One of these new faces is producer Noamm. This Greek artist, who has releases on such respected labels as Bass Agenda and Fundamental Records, opens the EP with “Clone Machine” and “Scientific Technological Device”, two excellent rough and pragmatic tracks which link perfectly with “Verruckter Wissenschaftler”. The latter track, a fast-paced cut impregnated with tasty dark textures, perfectly defines the talent of the Hellenic producer.

The B-side bears the signature of Brice Kelly, who also debuts on Gladio Operations and gifts us three fantastic, enveloping, and melodic tracks. The American producer kicks off with “Beings of Alpha”, a deep and very well-constructed journey that gives way to “If You Don’t Think Like Us”.

We really like it, even more so if it is accompanied by an elegant vocoder and enigmatic strings. Lastly, we arrive at “Powers That Be”, the closing track of the album, where we can perceive a cut of aggressive bass lines and gloomy textures, well aligned with well-chosen robotic vocals.

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Gladio Operations presents its eighth release titled “Blue Binary Code”, an EP that returns to the various artists format and is accompanied by relevant names from the electro scene.

The first artist to get us underway is an old acquaintance of ours, Boris Divider. The Spanish artist gifts us “Gods Of Olympus” a fast-paced cut with aggressive bass lines that inevitably takes us back to Boris’ beginnings; a wise choice!

The producer Igors Vorobjovs is one of the new faces on the European circuit. On his first appearance for Gladio, the Latvian producer signs in with “NH3”, an excellent track that is deep, enveloping, and well moulded with fine and subtle acid touches.

Side B launches with Lectromagnetique, who returns to Gladio with “Space Coast”. As it could not be otherwise, we find ourselves before an energetic, powerful and overflowing cut of dark atmospheres, so characteristic of the Ukrainian artist in his productions.

The American producer Francois Dillinger is another of the new faces on Gladio in 2023. Directly from the motor city comes “Agitated Particles”, a cut where Francois brings us his most hypnotic vision of electro sound.

The EP concludes with the producer Chris Morgan, better known as CH415. With releases on renowned labels such as AC Records or Brokntoys, the Welsh producer leaves us with ”Spaze Modulations” which takes us to a more cosmic and relaxing level.

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Gladio Operations inaugurates 2023 with its seventh release titled “Split Machine”, a new series of shared EPs, where in this first episode the producers Jauzas The Shining and Cycloplex go halves on the EP.

The French producer returns to Gladio with three cuts which possess his peculiar and characteristic rugged sound. The EP launches with “Business Machines” and “Isla De Encanto”, two powerful cuts with aggressive and noticeable basslines filled-up with dark textures. Jauzas gifts us a last cut titled “Equation”, a nod to the EBM sound, where he preserves the same darkness as in the previous cuts.

On side B we encounter the Spanish producer Francisco Aguado, who has recently released his first work under the “Cultivated Electronics” label under his new electro alias, Cycloplex. With two cuts titled “Intercepted” and “Acid Machine”, Cycloplex reveals his particular minimalist vision of electro sound in an abstract journey of excellent monotonous rhythms.

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Gladio Operations presents its sixth work, in which it returns to the format of various artists. In this third compilation tilted “The Analog Theory” we encounter various renowned producers from the electro scene in Europe.

This EP opens with the French producer Jauzas The Shining, with a fantastic track titled “Traveling Light” where we can hear his classic dark and hypnotic sound in all his productions.

Next up, we meet an old acquaintance of the label the spanish producer Univac returns again showing off their forceful and aggressive rhythms, entering once again into more industrial territories.

Side B takes off with an exquisite cut by Lloyd Stellar tilted “Re-Entering Earth’s Atmosphere”. The Dutch artist who marks his debut in Gladio Operations, gifts us with an enveloping and very well molded track, with perfectly chosen melancholic harmonies.

German producer Martin Matiske who also debuts with Gladio Operations and has productions on prestigious labels such as Gigolo Records or Stilleben, is the chosen producer for the fourth track tilted “Telepathic Tuning”.

The EP closes with “Round Control” by the young and talented producer from Valencia, Uranio Empobrecido. This track is the most electronic on the EP and possesses the undeniable sound of Detroit, evident in each and every one of the sequences used.

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Despite experiencing moments of some uncertainty across the planet, the Gladio Operations label nevertheless takes a gamble and launches its third EP titled “The Dark Phase Experience”, once again opting for an EP by several renowned artists.

Latvian artist Dmitry Distant opens the EP with “Latvian Electronics” an excellent and intriguing cut of dark atmospheres, based on a very well moulded line of acid.

The renowned French producer Fleck E.S.C who has releases on labels such as Central Processing Unity or Electrix Records among others, gifts us “Mocboss”, an extremely enigmatic track with powerful bass, which clearly breaks away from the traditional electro sound.

The British electro producer Scape One returns to Gladio with “Click Click Drone” a fantastic track where the sequences especially stand out, and which inevitably resonates with the mythical German group Kraftwerk.

The talented duo from Madrid Telephasycs!, and label owners of Rator Mute, close the EP with “Head Rush” a powerful and dark dance floor-oriented cut, beautifully infused with mysterious and captivating harmonies.


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Univac - Station Cero
Lectromagnetique - Poison
UHF - Unexplained Situation
Alavux - Sunset

The record label Gladio Operations launches its second release onto the market after the recognition of its debut EP Flight to Anywhere released in June.
War to The Future gives its name to the first series of various artists from the label, which includes four electro cuts, exclusively orientated for the dance floor.

The EP opens with a producer from Barcelona Univac, who after releasing Chernobyl tracks on the Dutch label Moustache Records, gifts us with Station Cero, a powerful, devastating track resonating with industrial sounds. The second track titled Poison, bears the signature of the Ukrainian artist Lectromagnetique, a track loaded with excellent dark and enigmatic sounds. The owners of the Gladio Operations label, UHF, open side B with Unexplained Situation, a vertiginous journey wrapped in rich and deep psychedelic textures.
With releases on well renowned labels such as Bass Agenda and Bunker Records, the Serbian producer Alavux closes the EP with Sunset, a fantastic track with an aggressive bass line and significant and repetitive sequences.


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