Tempo Records sublabel TempoCore presents Pugilist & Tamen; with four True To The Core Jungle & Drum and Bass tracks. A diverse quality production with amens, drumfunk and heavy bass ingredients. This beautiful crafted LIMITED EDITION crystal clear vinyl 12? comes in a new designed Tempo Records "Logo" high quality "Kraft" outer sleeve + a white innersleeve. All tracks mastered by Stuart Hawkes of Metropolis Mastering, London. More

Buckle in for Steel City Dance Discs Vol. 26 with KETTAMA! The G-Town heavyweight ticks all the boxes with this 5-track barrage of head-thumping House and Techno. More

The Rhythm Section – raves first super group - consisting of Ellis Dee, Rennie Pilgrim, Newton and Ritchie T. The group disbanded in 1993 after the rise of jungle as the guys didn’t want to go in that direction and felt their job was done in building the rave scene to what it was. But then in 1995 they had a request to reform and tour America as the rave culture was growing out there. So, they did reform, minus Ritchie T, and embark on a rather rave induced tour of the US with all the antics that you would expect from those guys!


They also wanted to make some new music for the tour and The Sequel album was born. Though written in 1995, they guys purposely kept the sound retro, calling upon their knowledge of the late 80s and early 90’s London warehouse scene.


Released originally as a limited edition double album which commands a high price on Discogs, this is the second part of the album – part one being the 180g blue vinyl release on Vinyl Fanatiks last year.


Comin On Strong… More

Tracklisting:
A1 Denham Audio & Swankout - Good Time
A2 Denham Audio & Swankout - Keep On
A3 Denham Audio & Thugwidow - Testing My Patience
B1 Denham Audio Coco Bryce - Close 2 Me
B2 Denham Audio & Swankout - Good Time (RAVETRX remix)

Release Note:
Club Glow co-founder Denham Audio is no stranger to linking up with friends. Running the label alongside fellow breaksmiths Mani Festo, LMajor and Borai, the rave-focused producer has established the imprint as one of a leading name in acid hooks, lairy basslines and whiplash-inducing breakbeats, and here - on Cheeky Sneakers - he readies the release of five varied cuts of lowend pressure and sky-high euphoria alongside Swankout, Thugwidow and Coco Bryce.

'Good Time' does what it says. A cut of happy-hardcore inspired breaks beamed straight from the Midlands; there is just enough headsy energy to keep the chin-stokers entertained, whilst inspiring an emotional, smiling release for those whose infatuations lie closer to ravey keys and Bangface Weekenders. Swankouts second collaboration - 'Keep On' - is a growling slab of screw-face electro and breaks, highlighting both producers' knack for finding the sweet spot between varying forms of UK music - fast, hardcore and dutty, it's a surefire party starter. Thugwidow is introduced on 'Testing My Patience'; the producer has been making a name for himself with some excellent releases on Sneaker Social Club and Circadian Rhythms, and here he and Denham Audio combine on a chugging steamroller of malfunctioning, soulful riddims.

It's a dreamy meet on 'Close 2 Me' - Coco Bryce recently collaborated with Amy Dabbs on an excellent jungle EP which received support from BBC Radio 1 and more, and here the Netherlands produce brings his native hardcore spirit to the surface on a pitched-vocal cut of jungle-techno.

Seeing out the release is a remix from emerging producer RAVETRX, who has recently enjoyed sessions on Rinse FM and NTS alongside Roni and Hooversound Recordings co-label head Sherelle. More

Repress!

Basic Spirit welcomes the first out-of-house artist to the label, our dear friend Fantastic Man. A household name at this point, FM hedges the Basic Spirit catalogue into a deeper, more euphoric territory, with four tracks that quite frankly melted our hearts and minds when we heard them. It's a big heads-down record, which gets a big thumbs up from us. More

Tracklisting:
A1 Guau & Bowser - Acid Bits
A2 Guau - Dangerous
B1 Guau - Utopia
B2 Guau - Dystopia

Sales Note
The 83 label is a byword for musical quality, professionalism and hard work. Since its first release in 2016, it has ceaselessly discovered the very best new breakbeat talent and music, becoming what many consider to be the leading label in the genre. For its debut in physical format, the label's head, Raul Bautista, aka GUAU, has produced a self-titled 12" vinyl. It opens with his hit Acid Bits, a collaboration with Bowser that has become one of the genre's most played songs in recent times and is seen as the anthem which kick started the recent revival of the Acid Break sound. The second track on side A is Dangerous, another tune well known to two
step/garage fans, in which a pulse sets the tempo for a sophisticated base line which converses with a range of sound artefacts and the song's lead vocal. It's a treat for the ears in a completely different style from the first track. This is GUAU: capable of charming the listener while showing off his complete mastery of different registers, as is confirmed by his approach to side B. Two progressively emotional break tracks that will transport you to contrasting worlds... his vision of Utopia and Dystopia, in which two opposing ideologies move towards a common goal that somehow conjures up positivity despite all the obstacles faced. Mastered by Simon Davey at the Exchange Vinyl, it is an undoubted masterpiece of the genre in vinyl format. More

THUGWIDOW & Bruised Skies land on Hooversound with a new EP. “music for everybody, to think to, to dance to.” The 12th release on the Hooversound imprint sees THUGWIDOW and Bruised Skies come together for ‘Blimey’ (HOO12), cultivating an evolving new sound: a dark and deep soundscape - ready to immerse, whether on the dance floor or at home. The release also features two remixes from Denham Audio and Response which will be available on the digital version only. THUGWIDOW is the ambient jungle project of Alex Lowther-Harris, who’s sound is a formation of tastes, otherworldly guidance and obligation, evolving organically from nothing more than an adolescent love rebirthed in a new millennium. Bruised Skies (Matthew Heywood) creates layered, visual music that captures a melancholic isolated landscape, oceans of sound lapping against shores; guiding the listener. With previous releases on Blank Editions, Intervention and Astral Black his solo music is a cross between season 3 of Twin Peaks and John Carpenter’s experimental scores; beautifully dark, bleak and isolated in its journey throughout. More

Tracklisting:
A1 Peaky Beats - Paradise Falls
A2 Peaky Beats - Soul Diesel
B1 Peaky Beats - Tangerine Dream
B2 Peaky Beats - Paradise Falls (Tim Reaper remix)

Release Note:
Arriving on Lobster Theremin's White Label on comes a fresh-sounding and typically loud release from Leeds vinyl enthusiast Peaky Beats. Never one to be pigeon-holed into a specific style of music, his recent releases have explored 2-step, speed garage and dub - bringing his wicked ear for big UK blends into the spotlight - and earmarking him as one of the UK's most exciting emerging producers.

On Paradise Falls EP, Peaky Beats unites the worlds of jungle, drum & bass and 2-step on a high velocity, future-facing project, with a little help from contemporary jungle legend Tim Reaper. 'Paradise Falls' is a melodic stepper that ventures close to 150BPM territory. Those skippy UKG elements are all there, but this time with a hefty dose of jungle influence which brings a certain weightlessness to the track. 'Soul Diesel' ventures further into the garage sphere; the velocity diminishing slightly as the vitality continues to soar. Introspective breaks for sunny days.

'Tangerine Dream' is a prime old school cut of dubbed-out nostalgia. Sitting somewhere between The Streets, El-B and Coco Bryce, its deep bass-weight inspires big 'Any Jungle In, Guy?' energy, before Tim Reaper's remix of 'Paradise Falls' blows the bloody doors off with a typically emotive and atmospheric cut of jungle fantasia.

More

Klasse Wrecks' sub-label Junglish Massive returns for a third installment of breakbeat beat chaos, this time brought to you by friend of the label..Alphonse. The 'Android Mash' EP is an epic ode to Jungle, mangled and squashed together through a lens of classic drum and bass references. The title track spans over 15mins and invites the listener to join in on the journey of constant shifting and movement. Its Jungle...but not as we know it! More

Club Glow powerhouse and all-round Bristol bass-bin baiting badman Borai returns to his Higher Level label with three new drops of elevated breakbeat science. As well as his work alongside Denham Audio, L Major and Mani Festo in Club Glow, Borai has been busy landing uptempo slammers on Hardcore Energy, Vivid, E-Beamz and Infiltrate in the past couple of years, and he returns to home turf in peak shape.

The A side lights up with the dizzying break-juggling ruffness of 'Lights On', a surefire call to squeeze the last juice from the party, while 'Bobbi' opens the B side treading an artful line between deep and depraved as immersive tones face off against taut, driving rhythms. 'Sargasso Sea' smooths the proceedings out good and proper in true B2 style with a pitched-down slice of soul-charged broken beat that smacks where it counts, Borai's established instinct for forward-facing melody shining through in the interplay between 90s keys, diva vocal samples and illustrious pads. More

Hooversound hits the ground running with its first 2022 release, this time introducing UK artist RAVETRX to the table with a heavyweight EP that’s been doing the rounds on NTS, BBC Radio 6, and Rinse FM. If the first track is a raver’s drive into the sunset, cruising through ecstatic trance vocals and euphoric jungle breaks, the rest of the A-side plants the listener right at the heart of the warehouse, where kick drums land chest first and hi-octane acid stabs fill the air. The B-side takes us deeper with eyes-down, knees-up techno slammers, with previous label collaborator Mani Festo making an appearance on ‘Feels Good Inside.’ Wrapping things up, ‘Tribe Sequence Calling’ shakes off the tension with distorted guitar riffs and a slouchy 4/4 beat. More