Repress!

With a remix and a compilation cameo already under his belt, Canadian figurehead Priori makes his Kalahari return for the debut proper. 3 squelchy incursions complete with a hefty remix from fellow Oyster Cult acolyte Sansibar.

Known for traversing breezy, horizontal zones, the NAFF co-founder sets downbeat and ambient concerns aside for the direct and propulsive. Expect insistent, urgent forays down the wormhole as nocturnal jaunts made of ritual and darkroom throb coalesce with meditative, essential rhythm.

This is fractal gear born from the the traditions of European, Japanese and American Mid-West techno; tunnelling and immersive, conjuring moments of ascension for the gathered masses.

Finishing on Sansibar’s meaty refit, the one-two punch of seismic kick and dry-as-bone snare propels Priori’s original in a whole new direction. .

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Obliques presents Poème symphonique. Electronic music composer Jonathan Fitoussi revisits Symphony No. 1 “Titan” by Gustav Mahler as part of a world creation commissioned by Radio France. Concert recorded live in the large auditorium of La maison de la radio on November 18, 2023, Paris.

Limited Edition clear vinyl LP - No Digital

Tracklist:

A1 - Poème symphonique 1
A2 - Poème symphonique 2
B1 - Poème symphonique 3
B2 - Poème symphonique 4

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Ron Trent's masterpiece from 1993 "I Feel The Rhythm" in the rebound! For the first time together on one record with the remixes by Paul Johnson & Inner Experience which came out 1999 on Prescription Records - a must have!





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Re-issue of the sought after Dance Mania 279... Fast-paced ghetto tech the original way!


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Non Stop Rhythm presents this 12” single by N.Y. native Freddy Bastone under his “Corporation Of One” alias. Originally released back in 1989 with big success across the UK, the two tracks have now been given a new lease of life for this 12” reissue will a full remaster. Only one run of 300 records have been made.

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(Repress 2024 / Limited Edition Riso Printed Cover Sleeve) “Nostalgia Por Mesozo´ica” is an exploration of "experimental exotica" consisted of synthesized tropical attributes — an artificial landscape isolated behind the glass frame. Reminiscent of recording techniques and sonorities ubiquitous in the 60’s and 70’s, it could conceivably have been intended as a soundtrack for the Mesozoic Era exhibition at your favorite Natural History museum.



Tracklist
A1 Muzak For Mesozoic Showreel (feat. Arthur Mine)
A2 Troglodytes (feat. Arthur Mine)
A3 The Ancient Musical Complex Of Mammoth Bones
A4 Glass Flowers
A5 Sacrifice I

B1 Misantropicalia
B2 Dark Archeo
B3 Sacrifice II (Curse of Snakes Valley)
B4 ExotiCon
B5 Yalta (feat. Amphibian Man II)


Mingling kitsch with surrealism, it makes for a fanciful and engrossing trip into the past".. — Pitchfork (Philip Sherburne)

At its best, the album sounds like the high points of ex-Skater Spencer Clark's varied catalog (think Vodka Soap or Monopoly Child Star Searchers) and harmonizes with Christina Vantzou's bizarre and brilliant "Multi Natural" full-length." — Boomkat

The natural and unnatural have rarely sat together in such perfectly unsettling harmony." — Juno

Nostalgia Por Mesozo´ica is an “exploration of experimental exotica.” ‘Troglodytes’, for example, reimagines the age of dinosaurs and their leaky cave-dwelling existence, through a distorted and nostalgic lens that evokes movie soundtracks from the ’60s and ’70s." — if-only

Great production and mix by St. Petersburg musician Eugenii Fadeev aka Flaty, author of a good album of electronica on the same label in 2018 (Wrong Water – Dozen LP)". — Laurent Fairon

Alchemical combinations of musique concrète, samples, synthetic parts with fairy-tale melodies (‘Muzak For Mesozoic Showreel’) and sound-art (‘Dark-Archeo’), produce a varied, fascinating and original music narrative". — The Quietus, Jakub Knera




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DJ Deeon presents his masterepiece from 1994 "Funk City" originally released on Dance Mania now on CHIWAX CLASSIC EDITION vol. 32! The re-mastered black vinyl edition will be out first week on June. A must have for all Chicago & Ghetto House - fans!

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Essential Item Limited Edition No Re-Press...



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CHIWAX CLASSIC EDITION presents DJ Milton "All Shit"
Re-issue from 1997, originally released on Dance Mania.
Re-mastered edition - highy recommended!

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Two iconic 80s Disco/Boogie anthems of the era are set for a re-release on 12-inch vinyl via RCA, with a fresh mix from Brooklyn-based producer, Mike Maurro.

Keni Burke - Risin' to the Top (A Mike Maurro Mix)

'’Risin’ to the Top’, originally released in 1982 on Burke’s third solo album, ‘Changes’, has become Burke’s most successful hit as a solo artist since departing from his former band, Five Stairsteppers. Countless producers have utilised the song as a choice sample for their own tracks with artists such as Mary J. Blige, LL Cool J, Madlib and more.

Maurro’s mix works the stems and gives the record some fresh guitar licks alongside new percussive elements, whilst maintaining a heavy lean into the sensual, laid-back swing of the original.'

Evelyn ‘Champagne’ King - I'm In Love (A Mike Maurro Mix)

'The flip side sees the release of Evelyn 'Champagne' King’s hit single ‘I’m In Love’, originally released in 1981 and taken from King’s fourth studio album of the same name. A feel-good, sing-a-long anthem, once again given a fresh feel thanks to Maurro’s new take on the record.

Both tracks serve as trump cards to whip up any dancefloor at the right time'

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Preview: https://www.youtube.com/watch?v=UH275gX4auQ

The debut album from Bahraini-born, British-based musical duo Dar Disku is a celebration of their Arabic heritage and multicultural influences that melds golden age West Asian and North African sounds with a contemporary dance floor focus. Recorded between the UK, Algeria, Turkey and Tunisia, the album seamlessly crosses from disco to Raï, piano house to Turkish psychedelia, ambient to Bollywood and features guest artists from Algeria, Turkey and Bahrain as well as legendary Indian singer Asha Puthli.

Dar Disku is the innovative duo of Mazen Almaskati and Vish M, known for their dynamic DJ sets and eclectic mixes, into which they bring a deep-rooted passion for the rich musical traditions of the SWANA region (South West Asia and North Africa).

The self-titled album is a culmination of years of learning, listening, and creating. It serves as a transportive portal into the duo's expansive world beyond the dance floor, capturing the cosmic emotions of cinema through a meticulous analog approach to live recordings. It channels a wide range of influences, including Egyptian folk, Turkish psych, Algerian rai, Sudanese funk, Ethiopian jazz, and Khaleeji disco.

“Sonically we have tried to capture what time traveling with Dar Disku through our different influences would feel like,” they say of their recording process, “and although inspired directly some of our favourite hidden gems from the past, the sound of this record remains unmistakably rooted in our present day where current influences from electronic genres, hip hop, jazz and psychedelia also shine through.”

The pair explain that they learnt much of this through their own previously released edits of middle eastern music “which inspired us to create our own brand new original songs that draw from a similar breath. We've been able to combine this with our contemporary inspirations and bring to life something that is comfortingly nostalgic and yet refreshingly new.”

Vish and Maz have put immense effort into researching the songwriting and recording methods of the decades they draw inspiration from - utilising vintage consoles, analog synthesisers, and carefully crafted sonic spaces. This dedication is evident in every track, which combines their contemporary influences with the rich musical traditions of the region to create something that feels both timeless and innovative.

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