Label:La Luna
Cat-No:LALUNA001
Release-Date:13.05.2022
Configuration:LP
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Last in:13.05.2022
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Last in:13.05.2022
Label:La Luna
Cat-No:LALUNA001
Release-Date:13.05.2022
Configuration:LP
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Maricopa - Bubbles Feat. Exit 47
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Maricopa - The Call Of The Plains
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Maricopa - One Impulse
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Maricopa - This Was Years Ago
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Maricopa - OKCU
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Maricopa - Southern Feat. Exit 47
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Maricopa - Snow Trace Feat. Exit 47
La Luna 001 is back with a limited repress on 180gram vinyl and a hand stamped outer sleeve!
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More records from Maricopa
Label:back to the balearics
Cat-No:bttb003
Release-Date:12.03.2014
Genre:House
Configuration:12"
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Last in:22.01.2016
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Last in:22.01.2016
Label:back to the balearics
Cat-No:bttb003
Release-Date:12.03.2014
Genre:House
Configuration:12"
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Maricopa returns to Back To The Balearics to complete his stunning opus, Pastel Love. And he continues where he left off building deeply textured songs packed full of simple melodies that really shine. His music opts for subtle feelings and passing vibes over the more obvious structures of 'dance music'. The release of Part One led to a number of comparisons with the early work of Aphex Twin as well as more contemporary producers such as Four Tet. Such comparisons don't come lightly, but Pastel Love demonstrates that a rare musical talent has arrived. The release again has beautiful printed covers and looks as good as it sounds. Viva Maricopa!
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Label:back to the balearics
Cat-No:bttb001
Release-Date:28.05.2013
Configuration:12"
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Last in:08.02.2016
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Label:back to the balearics
Cat-No:bttb001
Release-Date:28.05.2013
Configuration:12"
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We're very happy to welcome aboard new imprint Back To The Balearics It's a label on a mission to uncover music with significance, special sounds that can make a moment out of nothing. In an increasingly fast and disposable world the need for such moments is more important than ever. The first release, by Belfast’s MARICOPA, perfectly defines that sound. His electronic tracks blend naïve beauty with emotional depth in a sonic landscape devoid of all the usual musical clichés of dance music. Back To The Balearics is a journey to nowhere in particular with plenty of musical stop overs on the way. We hope you will take the trip...
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Label:La Luna
Cat-No:LALUNA005
Release-Date:30.09.2022
Genre:Electronic
Configuration:LP
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Label:La Luna
Cat-No:LALUNA005
Release-Date:30.09.2022
Genre:Electronic
Configuration:LP
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1
Mr. Projectile - Chicago
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Mr. Projectile - Crazy Baby
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Mr. Projectile - First Avenue
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Mr. Projectile - Poop
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Mr. Projectile - Curly Lippin It
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Mr. Projectile - Amy
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Mr. Projectile - Love Boat
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Mr. Projectile - Something Somewhere
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Mr. Projectile - Stuff
Mr Projectile, one of our favorite IDM producers from back in the day, has given La Luna the chance to share some of his unreleased IDM tracks from the early 2000’s. The album is an eclectic blend of ambient, IDM and experimental electronics.
These sounds are a time machine to simpler, less chaotic times and have become essential listening these days. We envision this album spinning on a sunny Sunday afternoon, filling your room with the delicate and deep textures of electronic music and soothing your uncertainty. Enjoy a nice cup of coffee and explore your thoughts as you speed through time and space. Hopefully serving as a special reminder that we are all in this madness together.
Not only is the music stellar, but we are honoured to have Marcello Raeli, an Italian artist and car designer, accompany the music with his wonderfully mind bending artwork. Marcello is an artist who has designed some of the most insanely beautiful/fast cars on the planet. Here we get to take a deep look into his mind and marvel at the incredible interconnectedness created in this piece and appreciate the sense of depth and space created for this album. More
These sounds are a time machine to simpler, less chaotic times and have become essential listening these days. We envision this album spinning on a sunny Sunday afternoon, filling your room with the delicate and deep textures of electronic music and soothing your uncertainty. Enjoy a nice cup of coffee and explore your thoughts as you speed through time and space. Hopefully serving as a special reminder that we are all in this madness together.
Not only is the music stellar, but we are honoured to have Marcello Raeli, an Italian artist and car designer, accompany the music with his wonderfully mind bending artwork. Marcello is an artist who has designed some of the most insanely beautiful/fast cars on the planet. Here we get to take a deep look into his mind and marvel at the incredible interconnectedness created in this piece and appreciate the sense of depth and space created for this album. More
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Gloved Hands - Body
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Gloved Hands - The Hungry Army Arrived As The Beans Ripened
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Gloved Hands - Fashion Hamburgers
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Gloved Hands - Group Setting
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Gloved Hands - New Bland
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Gloved Hands - A Pummeling Light
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Gloved Hands - Years Of The Cape
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Gloved Hands - Never Catching
The debut full length album from Gloved Hands, entitled Empty Terminal, finds the musician straying from the dance floor in search of something amorphous and less tangible. Ambient in nature, the eight tracks that comprise the LP have a deep focus on texture, space, and human feelings rather than a need for constant propulsion and momentum.
The A-side, the more rhythmic and percussive of the two, is awash with vague echos and smudged, slow-moving chords. Subaqueous drums shift in and out of focus. Sound sources are at once distant and intimately close. The curtains part to reveal a glimpse of a crystalline melody or a fraction of a vocal phrase only for the room to fill with fragrant smoke and go dark. It is a place beyond the dance floor. Perhaps it’s a place without any floor at all.
The B-side is even more fragile and diaphanous. The foreground and background are obscured, leaving a hazy mesh of delicate, interwoven forms and rhythms; glistening and brushing against one another in the warm, dimly-lit space in between. With a swirling mix of cavernous bass and sweet-but-never-saccharine melody, the details are stretched and abstracted into something new yet familiar. The compositions ripple in midair, appearing and vanishing, close but just out of reach. More
The A-side, the more rhythmic and percussive of the two, is awash with vague echos and smudged, slow-moving chords. Subaqueous drums shift in and out of focus. Sound sources are at once distant and intimately close. The curtains part to reveal a glimpse of a crystalline melody or a fraction of a vocal phrase only for the room to fill with fragrant smoke and go dark. It is a place beyond the dance floor. Perhaps it’s a place without any floor at all.
The B-side is even more fragile and diaphanous. The foreground and background are obscured, leaving a hazy mesh of delicate, interwoven forms and rhythms; glistening and brushing against one another in the warm, dimly-lit space in between. With a swirling mix of cavernous bass and sweet-but-never-saccharine melody, the details are stretched and abstracted into something new yet familiar. The compositions ripple in midair, appearing and vanishing, close but just out of reach. More