Label:Lith Dolina
Cat-No:LITH4
Release-Date:01.03.2022
Genre:Electro
Configuration:12"
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Last in:21.04.2022
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Label:Lith Dolina
Cat-No:LITH4
Release-Date:01.03.2022
Genre:Electro
Configuration:12"
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Walton - Pluck
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Walton - Sirens
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Walton - Working Title
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Walton - Whispering Acyd
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Walton - Aerophonic
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Walton - Dawn
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Walton - Maisie By The Sea
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Walton - Broken Dreams
Written over 3 months during Autumn 2020.
For Maisie. More
For Maisie. More
More records from Walton
Label:Ilian Tape
Cat-No:itx020
Release-Date:12.02.2021
Genre:Techno
Configuration:12"
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Last in:01.03.2021
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Last in:01.03.2021
Label:Ilian Tape
Cat-No:itx020
Release-Date:12.02.2021
Genre:Techno
Configuration:12"
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Label:Ilian Tape
Cat-No:itx017
Release-Date:26.06.2020
Genre:Techno
Configuration:12"
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Last in:28.07.2020
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Last in:28.07.2020
Label:Ilian Tape
Cat-No:itx017
Release-Date:26.06.2020
Genre:Techno
Configuration:12"
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Walton - No Title
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Walton - No Title
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Walton - No Title
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Walton - No Title
Label:Tectonic Recordings
Cat-No:tec110
Release-Date:06.03.2020
Genre:Dubstep
Configuration:12"
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Last in:10.01.2022
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Last in:10.01.2022
Label:Tectonic Recordings
Cat-No:tec110
Release-Date:06.03.2020
Genre:Dubstep
Configuration:12"
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Walton - No Title
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Walton - No Title
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Walton - No Title
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Walton - No Title
Walton returns to Tectonic to drop his latest EP of deadly dance floor weapons, as Tectonic sets up to celebrate being 15 years old!
With releases dropping on Illian Tape and Kaizen, Manchester's Walton is a producer in high demand for his inimita-ble style the blends grime and pirate radio aesthetics with forward-thinking dance floor sensibilities..
'Scooped' opens the EP with mood setting pads and 128bpm drums, in preparation for a gut-wrenching bass line, bringing elements of grime, dubstep and techno altogether.
Following on next is 'SBWYS'. The title references a vocal sample that decorates the rough 138bpm beats, "Sound boy watch ya space!". Point made.
'Smashed Crabs' takes a 2003-era grime style rhythmic framework and paints over hard bass sonics and laser blips at 134bpm.
Lastly, the title track 'Abyss' continues the rave lazer aesthetic and tempo of Smashed Crabs, but sending things more intergalactic in trajectory, wrapping up a great EP in fine style. Definitely a bit of something for most dancefloors, craft-ed in the way of the Walton.
Tracklist:
A1. Scooped
A2. SBWYS
AA1. Smashed Crabs
More
With releases dropping on Illian Tape and Kaizen, Manchester's Walton is a producer in high demand for his inimita-ble style the blends grime and pirate radio aesthetics with forward-thinking dance floor sensibilities..
'Scooped' opens the EP with mood setting pads and 128bpm drums, in preparation for a gut-wrenching bass line, bringing elements of grime, dubstep and techno altogether.
Following on next is 'SBWYS'. The title references a vocal sample that decorates the rough 138bpm beats, "Sound boy watch ya space!". Point made.
'Smashed Crabs' takes a 2003-era grime style rhythmic framework and paints over hard bass sonics and laser blips at 134bpm.
Lastly, the title track 'Abyss' continues the rave lazer aesthetic and tempo of Smashed Crabs, but sending things more intergalactic in trajectory, wrapping up a great EP in fine style. Definitely a bit of something for most dancefloors, craft-ed in the way of the Walton.
Tracklist:
A1. Scooped
A2. SBWYS
AA1. Smashed Crabs
More
Label:Tectonic Recordings
Cat-No:tec105
Release-Date:30.01.2019
Genre:Dubstep
Configuration:12"
Barcode:
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Last in:04.03.2019
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Last in:04.03.2019
Label:Tectonic Recordings
Cat-No:tec105
Release-Date:30.01.2019
Genre:Dubstep
Configuration:12"
Barcode:
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Walton - No Title
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Walton - No Title
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Walton - No Title
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Walton - No Title
Walton kicks off 2019 for Tectonic with 4 cuts of pirate radio infused dancefloor orientated DJ tools. 'Inside EP' fol-lows on from Walton's exceptional 'Black Lotus' LP, which dropped on Tectonic last summer, gaining widespread ac-claim - even rated as The Guardian's 'Contemporay Album Of The Month'!
What we have here is 4 tracks that all sit around the 130bpm mark, providing grime sonics to a techno compatible form. Built for those who don't really give a f**k if you call it techno, grime or bass blah blah so long as it bangs in the dance and moves those feet.
Sampling snippets of MC's chatting between tracks, each track takes a mostly functional approach, building raw el-ements in a simple but effective fashion. 'Bullet #2' sets the scene, kicking off with a radio style wheel up - before dropping into rolling 4/4 square wave power moves. 'Inside' follows the mood, building towards a more rolling tech-noid construct. 'More Cowbell' bangs out like an old 4/4 grime anthem with a contemporary production sonic, while 'Gunshot Clap'
closes out the EP, with its swooping square wave stabs and background shouts from behind the mic.
Tracklist:
A1: 'Bullet #2'
A2: 'Inside'
AA1: 'More Cowbell'
More
What we have here is 4 tracks that all sit around the 130bpm mark, providing grime sonics to a techno compatible form. Built for those who don't really give a f**k if you call it techno, grime or bass blah blah so long as it bangs in the dance and moves those feet.
Sampling snippets of MC's chatting between tracks, each track takes a mostly functional approach, building raw el-ements in a simple but effective fashion. 'Bullet #2' sets the scene, kicking off with a radio style wheel up - before dropping into rolling 4/4 square wave power moves. 'Inside' follows the mood, building towards a more rolling tech-noid construct. 'More Cowbell' bangs out like an old 4/4 grime anthem with a contemporary production sonic, while 'Gunshot Clap'
closes out the EP, with its swooping square wave stabs and background shouts from behind the mic.
Tracklist:
A1: 'Bullet #2'
A2: 'Inside'
AA1: 'More Cowbell'
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Last in:10.07.2018
Label:tectonic
Cat-No:teclp023
Release-Date:05.07.2018
Genre:Dubstep
Configuration:2x12" Excl
Barcode:5065002108333
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walton - Black Lotus
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walton - Point Blank
3
walton - Koto Riddim VIP
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walton - No Mercy feat. Riko Dan
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walton - Mad Zapper
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walton - Angry Drummer
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walton - Pan
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walton - Erhu
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walton - Vectors feat. Wen
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walton - White Lotus
'Mad Zapper' is abstract, comprised of simple yet challenging beats, tones and stutters, whilst 'Angry Drummer''s taiko/kumi-daiko style percussion has a rousing, heavy thump.
Pan' sounds equally enthralling whether soundtracking a dark movie scene of impending danger, or carying enratptured ravers on a danceflor journey, especially one suited to the synapse-prodding drama of a high production, lazer-heavy festival set.
Choppy drums and bouncy bass tones are laced with the georgeos melody of 'Ehru', and 'Vectors' is sleek 'n' deep breakbeat-garage-meets-IDM.
Although already known for elements of musicality, Walton raises his game even higher with the beautiful closing track 'White Lotus', which has a wow factor akin to hearing Aphex's Twin's 'Jynweythek Ylow' for the first time.
"The title came from the idea that I wanted it to be sweet and melodic in areas, but dark and grimey at the same time", recalls Walton. "I never really listened to much Japanese and Chinese music before working on this, and that element originally came from listening to a lot of Sino grime stuff. It wasn't until I was deep into the process of making the album that I started listening to loads of traditional stuff on YouTube for melodic ideas, which changed how it turned out. The whole dubstep techno crossover thing was also a big influence."
"I'm really happy to have Riko Dan & Wen on there", he adds. "I've done a few remixes of Riko tunes which have had a great response, so it's been wicked to get some original material done together. The track with Wen was first started a while back, so I'm glad it was finally finished and will see a release."
Walton has been steadily gaining serious clout through releases since 2011 on Hyperdub, Keysound, Tectonic and Kaizen, with supporters including Mumdance, Logos, Slimzee, Laurel Halo, Wen, Hodge, Mary Anne Hobbs, Giles Peterson, Paleman, Teki Latex, Commodo, Loefah and Kode9. Key club, festival and radio shows include FWD at Plastic People, Fabric, Outlook, NTS, Rinse and BBC 1xtra.
Tracklist: A1) Black Lotus, A2) Point Blank, A3) Koto Riddim VIP, B1) No Mercy ft Riko Dan, B2) Mad Zapper, B3) Angry Drummer, C1) Pan, C2) Erhu, D1) Vectors ft Wen, D2) White Lotus
More
Pan' sounds equally enthralling whether soundtracking a dark movie scene of impending danger, or carying enratptured ravers on a danceflor journey, especially one suited to the synapse-prodding drama of a high production, lazer-heavy festival set.
Choppy drums and bouncy bass tones are laced with the georgeos melody of 'Ehru', and 'Vectors' is sleek 'n' deep breakbeat-garage-meets-IDM.
Although already known for elements of musicality, Walton raises his game even higher with the beautiful closing track 'White Lotus', which has a wow factor akin to hearing Aphex's Twin's 'Jynweythek Ylow' for the first time.
"The title came from the idea that I wanted it to be sweet and melodic in areas, but dark and grimey at the same time", recalls Walton. "I never really listened to much Japanese and Chinese music before working on this, and that element originally came from listening to a lot of Sino grime stuff. It wasn't until I was deep into the process of making the album that I started listening to loads of traditional stuff on YouTube for melodic ideas, which changed how it turned out. The whole dubstep techno crossover thing was also a big influence."
"I'm really happy to have Riko Dan & Wen on there", he adds. "I've done a few remixes of Riko tunes which have had a great response, so it's been wicked to get some original material done together. The track with Wen was first started a while back, so I'm glad it was finally finished and will see a release."
Walton has been steadily gaining serious clout through releases since 2011 on Hyperdub, Keysound, Tectonic and Kaizen, with supporters including Mumdance, Logos, Slimzee, Laurel Halo, Wen, Hodge, Mary Anne Hobbs, Giles Peterson, Paleman, Teki Latex, Commodo, Loefah and Kode9. Key club, festival and radio shows include FWD at Plastic People, Fabric, Outlook, NTS, Rinse and BBC 1xtra.
Tracklist: A1) Black Lotus, A2) Point Blank, A3) Koto Riddim VIP, B1) No Mercy ft Riko Dan, B2) Mad Zapper, B3) Angry Drummer, C1) Pan, C2) Erhu, D1) Vectors ft Wen, D2) White Lotus
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Last in:21.09.2018
Label:tectonic
Cat-No:tec099
Release-Date:06.11.2017
Genre:Dubstep
Configuration:12"
Barcode:
Walton drops his third instalment on Tectonic in fine style, calling upon Japanese influences to create a truly unique sonic across both tracks in the release. Asian instrumentation meets directly head to head with the cutting edge sounds of a UK grime-techno axis to great effect.
'Praying Mantis' captures all the charm of a fine Japanese watercolour painting by means of some spectacular midi-harp programming. Hi-hats and detailed percussion set a shuffling pace, building the mood up before a beautiful harp section unfolds and takes over, expertly programmed by Walton to sound as if a master harpist had stepped into the room! As drums and bass join the party we have all the makings of a low-slung grimey masterpiece, both soothing and energising in a perfect zen balance.
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'Praying Mantis' captures all the charm of a fine Japanese watercolour painting by means of some spectacular midi-harp programming. Hi-hats and detailed percussion set a shuffling pace, building the mood up before a beautiful harp section unfolds and takes over, expertly programmed by Walton to sound as if a master harpist had stepped into the room! As drums and bass join the party we have all the makings of a low-slung grimey masterpiece, both soothing and energising in a perfect zen balance.
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Last in:16.11.2016
Label:tectonic
Cat-No:tec094
Release-Date:14.11.2016
Genre:Dubstep
Configuration:12"
Barcode:5065002108111
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walton - Gunman
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walton - Caught In A Trip
Manchester's Walton returns to Tectonic following last year's explorations in grime flavoured house/techno offshoots on the killer "Bulldoze EP". This time Walton leads with a dance floor crushing anthem that cruises a cool line between grime and tribal dubstep. Featuring a looping Riko Dan sample, "Gunman" sets a stone cold tone from the offset, hi-hats setting up the groove before a grime flavoured melody cuts in preparing you for the drop. When the bass and drums come crashing in they bounce off each other to produce a disorientating tribal rhythm that will set the dance floor alight! Flip for a slower, more gentle mood with "Caught In A Trip". Rolling at 126bpm, "Caught In A Trip" builds around a developing melody played on a glockenspiel-esque instrument, backed with tribal percussion and a driving kick pattern. Ethereal in mood throughout, this one provides a lighter moment for the dance floor.
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Last in:30.06.2015
Label:tectonic
Cat-No:tec085
Release-Date:22.06.2015
Genre:Dubstep
Configuration:12"
Barcode:
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walton - "Wrench"
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walton - "Flute Riddim"
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walton - "Bulldoze"
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walton - "LEAN"
* Having previously released with the likes of Hyperdub, Manchester's Walton makes his Tectonic debut with 4 killer dancefloor cuts, that combine to form the 'Bulldoze EP'. Drawing influence from grime, house, techno, dubstep, hip hop and beyond, Walton has crafted a unique sonic that will ignite dancefloors everywhere. 'Wrench' opens the EP up with a sense of spaciousness and anticipation, building percussive layers meticulously before serving up warped bass and machinated drum patterns. Grime-techno crossover in action - rolling rhythms and icy moods all the way. Following on with the grime flavours, 'Flute Riddim' builds broken poly-rhythms before unleashing devastating bass and a twisted flute sample to great effect. Metallic bongos bounce around rolling claps and agitating bass with the flute motif returning to bring it all together again. Flip then for the title track, 'Bulldoze'. Distorted drums and snatches of rowdy pirate radio build the mood before slamming into some sweeping squarewave bass action - guaranteed to get heads nodding furiously. Rhythmical elements build and develop, eventually taking the track into 4/4 territory, ramping up the energy along the way. Last up is 'L.E.A.N' which closes the EP with its fizzing percussive hits and mysterious vocal hits, and a melodic line that could easily have featured in The Exorcist! Once again Walton shows us his taste for percussive movement laden with echoes of grime-past splashing here and there effortlessly.
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More records from Lith Dolina
Label:Lith Dolina
Cat-No:LITH5
Release-Date:16.12.2022
Genre:House
Configuration:12"
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Last in:24.05.2023
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Last in:24.05.2023
Label:Lith Dolina
Cat-No:LITH5
Release-Date:16.12.2022
Genre:House
Configuration:12"
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Bot1500 - Pearl 2
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Bot1500 - Pearl 3
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Bot1500 - Chartreuse 8
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Bot1500 - Chartreuse 12
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Bot1500 - Crimson 6
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Bot1500 - Crimson 9
Hearing like when half asleep is a bit weird and beautiful.
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Label:Lith Dolina
Cat-No:LITH2
Release-Date:27.08.2021
Genre:Electro
Configuration:LP
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Label:Lith Dolina
Cat-No:LITH2
Release-Date:27.08.2021
Genre:Electro
Configuration:LP
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IVVVO - If Not Now
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IVVVO - Insecure
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IVVVO - Voices
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IVVVO - Broke Over Me Lika A Rainstorm
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IVVVO - There Is No God Tonight
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IVVVO - 2 Live
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IVVVO - Fever
A collection of works and early studies
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Label:Lith Dolina
Cat-No:LITH01
Release-Date:25.01.2021
Genre:Alternative/Electronic
Configuration:2LP
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Last in:12.02.2021
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Last in:12.02.2021
Label:Lith Dolina
Cat-No:LITH01
Release-Date:25.01.2021
Genre:Alternative/Electronic
Configuration:2LP
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Love Horses - K Den
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Love Horses - Beep Of Bodming Mor
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The Jaffa Kid - Strenna
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The Jaffa Kid - Sbds
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The Jaffa Kid - No Boundaries
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Whylie - ABT22-01
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Whylie - RDM17-05
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Whylie - JGL24-04
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Whylie - AMN15-05
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Bot1500 - Seabird 1
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Bot1500 - Seabird 2
Down the rabbit hole.
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