standard, black vinyl, Incl poster

Territory: WW -FR -UK -BENELUX

Tracklist
A1 - Disco Boy (The RIsing)
A2 - The Swamps
A3 - Vladimir 92
A4 - Lost Time

B1 - Disco Boy (Coeur des Ténèbres)
B2 - King Burger
B3 - La Guerre
B4 - Helicopter
B5 - Winter Is Coming

Release Info

After “The Legend of Kaspar Hauser” directed by Davide Manulli, Vitalic is once again putting his music to moving images with “Disco Boy” by Giacomo Abbruzzese (awarded a Silver Bear at the 2023 Berlinale). Electronic, intense and navigating between a variety of different atmospheres, the soundtrack - much like the film it accompanies - is full of promise and mystery. “The Swamps”, “La Guerre” and “Helicopter” are reminiscent of the intense, dark and foreboding productions of Thomas Bangalter for “Irreversible” by director Gaspar Noé. In contrast, “Winter is Coming” and “Lost Time” are places of melancholy and sweetness where all bass has completely disappeared. As for the eponymous theme for the film, “Disco Boy”, it pays true electronic homage to the sound of disco. The retro-futurist soundtrack to “Disco Boy” oscillates between devastating kick drums, moist ambient and dreamlike swathes. Vitalic has created uncharted sonic landscapes that invite us on a voyage of initiation and self-discovery.

More

Territory: WW -FR -UK
Format : 2CD Gatefold
Prelisten on the single editions of wordandsound.net : CLV004LP and CLV005LP

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."
The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.
------
Tracklists:
2LP
Vinyle 1 - DISSIDÆNCE Episode 1
A1. Vitalic - Haute Définition
A2. Vitalic - Rave Against the System feat Kiddy Smile
A3. Vitalic - Lost Time
A4. Vitalic - Danse avec moi
B1. Vitalic - Cosmic Renegade
B2. Vitalic - 14 AM
B3. Vitalic - Boomer Ok
B4. Vitalic - Carbonized
Vinyle 2 - DISSIDÆNCE Episode 2
A1. Vitalic - Sirens
A2. Vitalic - Dancing in the Street
A3. Vitalic - Friends & Foes
A4. Vitalic - The Void
B1. Vitalic - The Light is a Train
B2. Vitalic - Marching
B3. Vitalic - Winter is Coming
More

Territory: WW -FR -UK
Format : 2LP (White, Black Vinyls) Gatefold
Prelisten on the single editions of wordandsound.net : CLV004LP and CLV005LP

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."
The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.
------
Tracklists:
2LP
Vinyle 1 - DISSIDÆNCE Episode 1
A1. Vitalic - Haute Définition
A2. Vitalic - Rave Against the System feat Kiddy Smile
A3. Vitalic - Lost Time
A4. Vitalic - Danse avec moi
B1. Vitalic - Cosmic Renegade
B2. Vitalic - 14 AM
B3. Vitalic - Boomer Ok
B4. Vitalic - Carbonized
Vinyle 2 - DISSIDÆNCE Episode 2
A1. Vitalic - Sirens
A2. Vitalic - Dancing in the Street
A3. Vitalic - Friends & Foes
A4. Vitalic - The Void
B1. Vitalic - The Light is a Train
B2. Vitalic - Marching
B3. Vitalic - Winter is Coming
More

Territory: WW -FR -UK - BENELUX

2CD : slipcase with 2 digipacks including DISSIDÆNCE Episode 1 and DISSIDÆNCE Episode 2 + 8 pages booklet

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."
The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.








More

Territory: WW -FR -UK - BENELUX
CD
Vitalic returns with a fifth album, which will be released in two volumes. "DISSIDÆNCE", the title of which is a whole story in itself - is an album that the producer describes as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums.
The first volume of "DISSIDÆNCE" is a sort of concentrated resume of his strengths from the past twenty years, whether it's filthy, head-spinning tornado tracks or synth-laden love songs for a summer's day. With "DISSIDÆNCE" Episode 1, whose powerful beats and galloping sequencers translate the social and political anger of the global pandemic, Vitalic looks into his past and channels his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats dripping with sex and sweat, but above all his obsessional passion for dance music.
"DISSIDÆNCE" should be taken as a celebration of celebration, time-travel to an era that may not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, in all its raging glory.


Tracklist :
1. Haute Definition
2. Rave Against the System (feat Kiddy Smile)
3. Lost Time
4. Danse avec moi
5. Cosmic Renegade
6. 14 AM
7. Boomer OK
8. Carbonized




More

Territory: WW -FR -UK - BENELUX
LP, White Vinyl,180G,DL
Vitalic returns with a fifth album, which will be released in two volumes. "DISSIDÆNCE", the title of which is a whole story in itself - is an album that the producer describes as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums.
The first volume of "DISSIDÆNCE" is a sort of concentrated resume of his strengths from the past twenty years, whether it's filthy, head-spinning tornado tracks or synth-laden love songs for a summer's day. With "DISSIDÆNCE" Episode 1, whose powerful beats and galloping sequencers translate the social and political anger of the global pandemic, Vitalic looks into his past and channels his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats dripping with sex and sweat, but above all his obsessional passion for dance music.
"DISSIDÆNCE" should be taken as a celebration of celebration, time-travel to an era that may not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, in all its raging glory.


Tracklist :
A1. Haute Definition
A2. Rave Against the System (feat Kiddy Smile)
A3. Lost Time
A4. Danse avec moi
B1. Cosmic Renegade
B2. 14 AM
B3. Boomer OK
B4. Carbonized




More

standard, black vinyl, Incl poster

Territory: WW -FR -UK -BENELUX

Tracklist
A1 - Disco Boy (The RIsing)
A2 - The Swamps
A3 - Vladimir 92
A4 - Lost Time

B1 - Disco Boy (Coeur des Ténèbres)
B2 - King Burger
B3 - La Guerre
B4 - Helicopter
B5 - Winter Is Coming

Release Info

After “The Legend of Kaspar Hauser” directed by Davide Manulli, Vitalic is once again putting his music to moving images with “Disco Boy” by Giacomo Abbruzzese (awarded a Silver Bear at the 2023 Berlinale). Electronic, intense and navigating between a variety of different atmospheres, the soundtrack - much like the film it accompanies - is full of promise and mystery. “The Swamps”, “La Guerre” and “Helicopter” are reminiscent of the intense, dark and foreboding productions of Thomas Bangalter for “Irreversible” by director Gaspar Noé. In contrast, “Winter is Coming” and “Lost Time” are places of melancholy and sweetness where all bass has completely disappeared. As for the eponymous theme for the film, “Disco Boy”, it pays true electronic homage to the sound of disco. The retro-futurist soundtrack to “Disco Boy” oscillates between devastating kick drums, moist ambient and dreamlike swathes. Vitalic has created uncharted sonic landscapes that invite us on a voyage of initiation and self-discovery.

More

Territory: WW -FR -UK

Tracklist
1. Aether
2. Je pense A Toi
3. Elevation
4. A Ciel Ouvert
5. Le Passage (feat. Margot Ferro)
6. Between Flesh & Mind
7. Evolution (feat. MieK)
8. Envole-Moi (feat. Margot Ferro)

Release Info

A new artist on the Citizen Records / Clivage Music roster, Vhinz is a musician based in Brussels. After taking his time to break onto the electronic scene, he’s now ready to share Belvédère, his debut, dreamlike album, confidently intense, sweeping between cinematic songs and soaring, epic electronic sounds.
Vincent Honca is Belgian, with Armenian roots and a love of keyboards: the mini synth he used to play as a child, the classical piano of his years of training at the Académie de Musique, the Yamaha synth of his teenage years... During the noughties of his adolescence, electronic music was omnipresent in his life as he listened to and admired Daft Punk, Moby, Vitalic, Air and The Chemical Brothers. He also went out dancing, a lot, in the nightclubs and parties of Brussels and the vicinity, and soon his love of computers, technology and synthesisers led to him producing his own music. “I wanted to create beautiful textures with synths,” he says. “I wanted to have fun and discover the possibilities. As part of the internet generation, I taught myself everything I know through reading magazines and checking the forums.”
Vincent went on to become a computer programmer and decided to make music in as much of his spare time as possible. His first productions came out in 2015, including “Drastical”, one of three deep house dancefloor-orientated tracks recorded with none other than Kris Menace. “At the time I was really searching for my musical identity,” explains Vincent, and progressively his music started to lean towards another of his passions – films and film music. “I’ve listened to soundtracks a lot since I was a teenager, and they’ve been a big influence, in particular the music for Heat by Elliot Goldenthal, Gladiator (Hans Zimmer), Saving Private Ryan (John Williams), The Last Temptation of Christ (Peter Gabriel), The Virgin Suicides (Air) and Leon (Eric Serra).” Coincidentally, Vincent has already worked on two independent Belgian films by director Christophe Karabache, UltravoKal and Vortex, both collaborations with Michel Duprez.
Now Vincent has chosen the name Vhinz, bringing together his expertise with machines and computers, his passion and enthusiasm for the electronic sounds of his adolescence and his adoration of cinema’s powerful, impactful soundtracks. Vhinz’s first track is thus called “Aether”, a track brimming with character and confidence, with sung-spoken vocals that sweeps the listener up in bewitching synthetic themes and drums like an off- kilter heartbeat. The track perfectly encapsulates the Vhinz sound, and Citizen Records – the only label he sent it to – immediately loved it and were ready to release a 12” with more. “Then Covid and the lockdown happened, and everything came to a complete halt,” remembers Vhinz. During those long two years without anything being released, the project continued its gestation and has now grown in a mini-album of eight coherent, fascinating tracks. “I really wanted a strong concept for everything, and so was born this album that I’ve called Belvédère. I imagined myself on a belvedere with a panoramic view of the world, channelling all the emotions it elicited in me into music.”
Belvédère is a dreamlike debut album, confidently intense, sweeping between cinematic songs and soaring, epic electronic sounds. It’s a place for Vhinz to showcase his dreams, talk, sing and invite others too: Margot Ferro sings on “Le Passage” and “Envole-moi”, and Michael Meers lends his vocals to “Evolution”. “My album tells a story, with the tracks in chronological order. There are both times of hope and darker periods of my life, with sadness and love,” meaning that listeners are invited to experience a suite of different emotions and be swept along by the author’s musical daydreams. Musically, the album falls somewhere between Moby, Vitalic, Air and Serge Gainsbourg, with a density and atmosphere that are completely Vhinz. “With Belvédère I was looking for beauty, but also something darker, dirtier, more organic. The album is the culmination of that.”

More

Territory: WW -FR -UK

Tracklist
1. Aether
2. Je pense A Toi
3. Elevation
4. A Ciel Ouvert
5. Le Passage (feat. Margot Ferro)
6. Between Flesh & Mind
7. Evolution (feat. MieK)
8. Envole-Moi (feat. Margot Ferro)

Release Info

A new artist on the Citizen Records / Clivage Music roster, Vhinz is a musician based in Brussels. After taking his time to break onto the electronic scene, he’s now ready to share Belvédère, his debut, dreamlike album, confidently intense, sweeping between cinematic songs and soaring, epic electronic sounds.
Vincent Honca is Belgian, with Armenian roots and a love of keyboards: the mini synth he used to play as a child, the classical piano of his years of training at the Académie de Musique, the Yamaha synth of his teenage years... During the noughties of his adolescence, electronic music was omnipresent in his life as he listened to and admired Daft Punk, Moby, Vitalic, Air and The Chemical Brothers. He also went out dancing, a lot, in the nightclubs and parties of Brussels and the vicinity, and soon his love of computers, technology and synthesisers led to him producing his own music. “I wanted to create beautiful textures with synths,” he says. “I wanted to have fun and discover the possibilities. As part of the internet generation, I taught myself everything I know through reading magazines and checking the forums.”
Vincent went on to become a computer programmer and decided to make music in as much of his spare time as possible. His first productions came out in 2015, including “Drastical”, one of three deep house dancefloor-orientated tracks recorded with none other than Kris Menace. “At the time I was really searching for my musical identity,” explains Vincent, and progressively his music started to lean towards another of his passions – films and film music. “I’ve listened to soundtracks a lot since I was a teenager, and they’ve been a big influence, in particular the music for Heat by Elliot Goldenthal, Gladiator (Hans Zimmer), Saving Private Ryan (John Williams), The Last Temptation of Christ (Peter Gabriel), The Virgin Suicides (Air) and Leon (Eric Serra).” Coincidentally, Vincent has already worked on two independent Belgian films by director Christophe Karabache, UltravoKal and Vortex, both collaborations with Michel Duprez.
Now Vincent has chosen the name Vhinz, bringing together his expertise with machines and computers, his passion and enthusiasm for the electronic sounds of his adolescence and his adoration of cinema’s powerful, impactful soundtracks. Vhinz’s first track is thus called “Aether”, a track brimming with character and confidence, with sung-spoken vocals that sweeps the listener up in bewitching synthetic themes and drums like an off- kilter heartbeat. The track perfectly encapsulates the Vhinz sound, and Citizen Records – the only label he sent it to – immediately loved it and were ready to release a 12” with more. “Then Covid and the lockdown happened, and everything came to a complete halt,” remembers Vhinz. During those long two years without anything being released, the project continued its gestation and has now grown in a mini-album of eight coherent, fascinating tracks. “I really wanted a strong concept for everything, and so was born this album that I’ve called Belvédère. I imagined myself on a belvedere with a panoramic view of the world, channelling all the emotions it elicited in me into music.”
Belvédère is a dreamlike debut album, confidently intense, sweeping between cinematic songs and soaring, epic electronic sounds. It’s a place for Vhinz to showcase his dreams, talk, sing and invite others too: Margot Ferro sings on “Le Passage” and “Envole-moi”, and Michael Meers lends his vocals to “Evolution”. “My album tells a story, with the tracks in chronological order. There are both times of hope and darker periods of my life, with sadness and love,” meaning that listeners are invited to experience a suite of different emotions and be swept along by the author’s musical daydreams. Musically, the album falls somewhere between Moby, Vitalic, Air and Serge Gainsbourg, with a density and atmosphere that are completely Vhinz. “With Belvédère I was looking for beauty, but also something darker, dirtier, more organic. The album is the culmination of that.”

More

Territory: WW -FR -UK
Format : 2LP (White, Black Vinyls) Gatefold
Prelisten on the single editions of wordandsound.net : CLV004LP and CLV005LP

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."
The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.
------
Tracklists:
2LP
Vinyle 1 - DISSIDÆNCE Episode 1
A1. Vitalic - Haute Définition
A2. Vitalic - Rave Against the System feat Kiddy Smile
A3. Vitalic - Lost Time
A4. Vitalic - Danse avec moi
B1. Vitalic - Cosmic Renegade
B2. Vitalic - 14 AM
B3. Vitalic - Boomer Ok
B4. Vitalic - Carbonized
Vinyle 2 - DISSIDÆNCE Episode 2
A1. Vitalic - Sirens
A2. Vitalic - Dancing in the Street
A3. Vitalic - Friends & Foes
A4. Vitalic - The Void
B1. Vitalic - The Light is a Train
B2. Vitalic - Marching
B3. Vitalic - Winter is Coming
More

Territory: WW -FR -UK
Format : 2CD Gatefold
Prelisten on the single editions of wordandsound.net : CLV004LP and CLV005LP

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."
The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.
------
Tracklists:
2LP
Vinyle 1 - DISSIDÆNCE Episode 1
A1. Vitalic - Haute Définition
A2. Vitalic - Rave Against the System feat Kiddy Smile
A3. Vitalic - Lost Time
A4. Vitalic - Danse avec moi
B1. Vitalic - Cosmic Renegade
B2. Vitalic - 14 AM
B3. Vitalic - Boomer Ok
B4. Vitalic - Carbonized
Vinyle 2 - DISSIDÆNCE Episode 2
A1. Vitalic - Sirens
A2. Vitalic - Dancing in the Street
A3. Vitalic - Friends & Foes
A4. Vitalic - The Void
B1. Vitalic - The Light is a Train
B2. Vitalic - Marching
B3. Vitalic - Winter is Coming
More

CD, Territory: WW -FR

Poltergeist has that strange power of attraction that these personalities with their icy, mysterious aura hold. As soon as Ari Girard (aka Poltergeist) appears, something happens, he catches the light and strikes the spirits.
Kämpfer LP is a ghost story where Poltergeist invites Joy Division, New Order, Talking Heads, The Cure, Can, Kraftwerk, Nine Inch Nails or Jeff Mills for its first album. At the Poltergeist banquet, the crows of cold wave and the barbarians of krautrock, the metallers of indus rock and the freaks of techno meet.
The epicentre is Berlin, the Wall, Lou Reed's Gotham, the Bowie/Eno trilogy and the toxic nights of underground clubs...
Kämpfer LP, Poltergeist's first album, reveals its dark and disturbing universe. Marked by a heavy, deep and majestic atmosphere, this project evokes, without ever saying it openly, the climatic urgency, the ineluctable destiny, the human obsession to be first, to leave a trace of its passage and the nightmares which agitate the nocturnal spirits.
Between frenetic synths, bewitching waves and marked foot, this implacable album marks the beginning of the Poltergeist era.
Scratching synths, a dark and heavy universe: we can understand Vitalic's crush, who decided to sign the project at the first listening on his label Clivage Music.
------
CD
1. La Grande Dame
2. 23:23
3. Die Schwarze Muse
4. Ich Bin Ein Kämpfer
5. Dark Wave
6. All this to Death
7. Der Nachtvogel
8. Mein Reich Komme
9. Poltergeist
10. Iminent








More

Territory: WW -FR

Poltergeist has that strange power of attraction that these personalities with their icy, mysterious aura hold. As soon as Ari Girard (aka Poltergeist) appears, something happens, he catches the light and strikes the spirits.
Kämpfer LP is a ghost story where Poltergeist invites Joy Division, New Order, Talking Heads, The Cure, Can, Kraftwerk, Nine Inch Nails or Jeff Mills for its first album. At the Poltergeist banquet, the crows of cold wave and the barbarians of krautrock, the metallers of indus rock and the freaks of techno meet.
The epicentre is Berlin, the Wall, Lou Reed's Gotham, the Bowie/Eno trilogy and the toxic nights of underground clubs...
Kämpfer LP, Poltergeist's first album, reveals its dark and disturbing universe. Marked by a heavy, deep and majestic atmosphere, this project evokes, without ever saying it openly, the climatic urgency, the ineluctable destiny, the human obsession to be first, to leave a trace of its passage and the nightmares which agitate the nocturnal spirits.
Between frenetic synths, bewitching waves and marked foot, this implacable album marks the beginning of the Poltergeist era.
Scratching synths, a dark and heavy universe: we can understand Vitalic's crush, who decided to sign the project at the first listening on his label Clivage Music.
------
Tracklist:
Vinyl LP
A1. La Grande Dame
A2. 23:23
A3. Die Schwarze Muse
A4. Ich Bin Ein Kämpfer
A5. Dark Wave
B1. All this to Death
B2. Der Nachtvogel
B3. Mein Reich Komme
B4. Poltergeist
B5. Iminent







More

Territory: WW -FR -UK - BENELUX

2CD : slipcase with 2 digipacks including DISSIDÆNCE Episode 1 and DISSIDÆNCE Episode 2 + 8 pages booklet

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."
The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.








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LP

With its saturated sounds, clipped beats and spacey pads, Walk Again opens a portal to a place full of mystery and promise.
Across 11 tracks, John Lord Fonda confirms that he is not only capable of writing techno bombs like We Can't Breathe and Race For Nothing, but also breakbeat-tinged gems like Little Jazz.
The soaring melodies of Antarctica and Creme bring a dreamlike intensity to the project, while new-wave wannabee Together Again (featuring vocals by Gabriel Afathi of The George Kaplan Conspiracy) enlarges the musical horizon, planting its flag as an evolved piece of techno not afraid to mix genres.
Calmer moments such as Walk Again and A Descent Melody continue our journey into the richest of techno landscapes, where intriguing, fascinating tracks like They Will Fight For You and Les Dunes d'Altai?r bring a rounded mysticism to the project.
Dazzling and cold, brutal and soft, the album marries a fluid, coherent mix of cerebral techno and poetic melodies, both calm and calming.
Walk Again, dance again, live again.

1. Introïtus
2. A Descent Melody
3. Antartica
4. Together Again
5. We Can't Breathe
6. Walk Again
7. Dunes of Altaïr
8. Race for Nothing
9. Little Jazz
10. The Will Fight For You
11. Creme






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Tracaklist:

A1. DIMA - Poetry (Shit again mix)
A2. DIMA - Poetry (The year 2000 remix)
B1. DIMA - Soaked
B2. DIMA - Mobile Square

After relaunching his Dima alias two years ago with a new ep "Sounds of Life" and with more releases coming soon, Pascal Arbez-Nicolas, aka Vitalic, aka Dima, is re-releasing his Fuckeristic ep on Citizen Records, his label. This iconic ep, now 20 years old, gives us an insight into the journey and evolution from Dima into Vitalic in the early 2000s.

Pascal Arbez-Nicolas, aka Vitalic, aka Dima, tells us how Fuckeristic came about:
"Back in the day I was just getting started and didn't have a lot of hardware. It was expensive! The ep was made with a Studio Electronics ATC-1 synth, Novation Drum Station and Yamaha VL1. I'd only just got the Yamaha and the ep was the first I used it on, essentially for the choir and tinkler sounds, although to be honest I felt they both sounded too digital. Anyway, I had only a few machines to work with and everything was different back then, before the internet really came into its own. I even used to record my tracks on a DAT machine, which I'd bought second-hand, and send the cassette by post to be mastered!"

"For my first ep as Dima (Bonne Nouvelle) and the track 'Untitled', released on the Choice label based in Dijon, I was making music influenced by English techno and bleep tracks. For Fuckeristic, I wanted to create something with a stronger techno feel, something a bit harder but with melody and a rhythm that was almost rock. You could say the ep falls somewhere between Dima and Vitalic, which I went on to launch two years later. These two identities have common sonic elements: vocals, melodies, bells, rock rhythms… In the break at the end of "Poetry (Shit Again Mix)" I used my Mac's voice synthesiser (this was way before Siri existed). It was meant as a tool for the visually impaired - you typed in your text and the computer could say it in three or four different voices. The signal was low-quality, kinda dirty, but it's a technique that has been used quite a lot in techno."

"As well as the synthesised voice from my computer, there's also the voice of James at the beginning of "Poetry (The Year 2000 Remix)". James was my flatmate when I lived in England. One night he was really drunk, and I recorded him and used his voice. Back then I'd been living in Guildford, 30 miles away from London, for a year and a half. I studied languages and economy there for a year, and the Fuckeristic ep was recorded partly there and partly in Dijon. I was based in England but returning to the mainland quite a lot - two or three times a month - for weekend gigs in a few clubs and quite a lot of raves."

"At the time, the rave sound was pretty tough, with a lot of hardcore and hard techno. It wasn't really my thing - I wasn't making that kind of music because I wanted my techno to have melody to it. "Poetry" was stilled played a lot at raves though, although pitched up to make it faster. Laurent Garnier and DJ Hell liked it a lot, and this led to me releasing an ep on Hell's label Gigolo. Once, he played 'Poetry' at the Love Parade in Berlin and people loved it. At the time I had a girlfriend who was an intern at Gigolo. She told Hell she knew me, and he said he liked my sound and that if I had any new tracks I should send them in. So a year later, I did. Those were the tracks that would become the Poney ep, my first 12" for Gigolo, under a new name - Vitalic."

"After having released tracks on Choice, a label from Dijon, the Fuckeristic ep was released on Step 2 House Records, part of the Parisian label Happy Music. Step 2 House was a respected label that a lot of DJs followed. At the time, I had also done two remixes, one of "Fadin'away" for The Hacker on GoodLife, which was really well received, and one for Elegia, "The Essence Of It" on F Communications that got a lot less attention. Either way, those two remixes, like the Fuckeristic ep, allowed me to move on from Dima to Vitalic. In fact, one night at the Rex Club, Elegia said to me "The music you make isn't techno, it's rock!" And that's why, for the Poney ep, I called one track La Rock!"








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Territory: WW -FR -UK - BENELUX
LP, White Vinyl,180G,DL
Vitalic returns with a fifth album, which will be released in two volumes. "DISSIDÆNCE", the title of which is a whole story in itself - is an album that the producer describes as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums.
The first volume of "DISSIDÆNCE" is a sort of concentrated resume of his strengths from the past twenty years, whether it's filthy, head-spinning tornado tracks or synth-laden love songs for a summer's day. With "DISSIDÆNCE" Episode 1, whose powerful beats and galloping sequencers translate the social and political anger of the global pandemic, Vitalic looks into his past and channels his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats dripping with sex and sweat, but above all his obsessional passion for dance music.
"DISSIDÆNCE" should be taken as a celebration of celebration, time-travel to an era that may not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, in all its raging glory.


Tracklist :
A1. Haute Definition
A2. Rave Against the System (feat Kiddy Smile)
A3. Lost Time
A4. Danse avec moi
B1. Cosmic Renegade
B2. 14 AM
B3. Boomer OK
B4. Carbonized




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Territory: WW -FR -UK - BENELUX
CD
Vitalic returns with a fifth album, which will be released in two volumes. "DISSIDÆNCE", the title of which is a whole story in itself - is an album that the producer describes as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums.
The first volume of "DISSIDÆNCE" is a sort of concentrated resume of his strengths from the past twenty years, whether it's filthy, head-spinning tornado tracks or synth-laden love songs for a summer's day. With "DISSIDÆNCE" Episode 1, whose powerful beats and galloping sequencers translate the social and political anger of the global pandemic, Vitalic looks into his past and channels his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats dripping with sex and sweat, but above all his obsessional passion for dance music.
"DISSIDÆNCE" should be taken as a celebration of celebration, time-travel to an era that may not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, in all its raging glory.


Tracklist :
1. Haute Definition
2. Rave Against the System (feat Kiddy Smile)
3. Lost Time
4. Danse avec moi
5. Cosmic Renegade
6. 14 AM
7. Boomer OK
8. Carbonized




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John Lord Fonda announces a new album and returns to Citizen Records after a ten-year absence with a new EP, featuring two hard-hitting unreleased tracks.

A decade after his last album Supersonique, the Dijon-born artist is back with a vengeance, showcasing more than ever his dark side, and the least we can say is that it was worth the wait. Releasing once again on Citizen Records, the label founded by Vitalic, Fonda has dug deep into his psyche, channelling his experiences into strong, metallic, dreamlike rhythms.
Like a steel machine, the deep baseline of They Will Fight For You, with its slow, heavy, mechanical beat sets off at the pace of a long-distance run and keeps us locked into a deliciously brutal alternate reality. Early fans of the artist will go crazy for this dark, cerebral techno!

Les Dunes d'Altaïr offers a warmer, more mystical voyage thanks to its oriental tinges, and is a fitting homage to Plastikman's Spaz and Spastik monikers.
Despite being an ode to the power of rhythm, it's the image and delicate feel of a desert wind that wafts towards us, and the track keeps listeners breathless for nearly eight minutes, oscillating between these two worlds.
Guest of honour Damon Jee has remixed Les Dunes d'Altaïr, delivering a disco-flecked minimal rework perfect for accompanying the sun as it sets, or indeed rises.
The return of John Lord Fonda is definitely the comeback no-one should miss in 2021.
The Altaïr EP is the first taste of the artist's next album, due this autumn.

Tracklist

A1. John Lord Fonda - They Will Fight For You

B1. John Lord Fonda - Les Dunes d'Altaïr
B2. John Lord Fonda - Les Dunes d'Altaïr (Damon Jee Remix)
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Territory: WW -FR -UK - BENELUX





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Territory: WW -FR -UK - BENELUX





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12" Before the explosion of the Poney EP - including the hit "La Rock 01" - in 2001 on International Deejay Gigolo Records, Vitalic had a previous artistic life under the alias of Dima. Today, Pascal Arbez-Nicolas is reactivating the Dima on his own label, Citizen Records.



Tracklist 12":
A1. Washing Machine
A2. Sounds of Life
B1. Tushuss
B2. Just Like in 1998

Short Info:

Before the explosion of the Poney EP - including the hit "La Rock 01" - in 2001 on International Deejay Gigolo Records, Vitalic had a previous artistic life under the alias of Dima. Today, Pascal Arbez-Nicolas is reactivating the Dima on his own label, Citizen Records.

Flashback. The Dima project blossomed in the thick of the 1990s rave scene in France. "Dima was a techno project based on energy, kind of a crazy project with dark, cerebral music," explains Pascal. "In the beginning, in 1996, Dima's sound was almost hard techno during my live shows, close to the martial German sound of the era."

For the four tracks on this first 12", dubbed "Sounds Of Life", Dima employs the powerful sounds and thick textures of Modal 008 and Arturia MatrixBrute synths. Using these modern machines gives the tracks a contemporary sound, while the structures of the compositions take us back twenty years into the past.

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Format Notes: Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue with original artwork, 140g vinyl

Track List:

A1 B.W.s Blues
A2 So Blue It's Black
A3 Keep On Keepin On
A4 Azule
A5 Black Sheep Blues
A6 30

B1 Pollo Caliente
B2 Never
B3 Solow
B4 Introspection Section
B5 Gone
B6 In My Head
B7 Soul Miner

Release Notes:

Loose Grooves & Bastard Blues is Tommy Guerrero's sublime debut. Of this beloved masterpiece, the legendary skater himself says: "my 1st album. It was never meant to be released. I was just recording for the fun of it.. still my fave. Oh so naive..." And you know what? It's definitely Be With's fave too. An astonishingly great record. A chill, blissful, deeply moving album, it was rightly garlanded as an instant classic.

A laidback, fusionistic ride replete with loopy drum tracks underpinning Tommy's trademark reflective guitar stylings, Loose Grooves & Bastard Blues remains powerfully evergreen. Originally released in 1997, there's elements of jazz, trip hop, rock and downtempo groove. All shot through with a heavy dose of soul. Thirteen tracks of lo-fi (mostly) instrumental freshness fused with Cuban, Latin and blues, it's a must for fans of Money Mark, J Dilla, RJD2, DJ Shadow and Pete Rock. As ever with Tommy's records, the title sums up the music contained within most aptly. And writing about his songs, his vibes, is one of the trickier things to do, it has to be said. It's just all gorgeous!

A total vibe throughout, to blast Loose Grooves & Bastard Blues is a majestic experience, one that suits a start-to-finish listen and renders the picking out of highlights totally redundant. Featuring nagging, deeply melodic guitar lines - both electric and acoustic - over simple rhythms with such sumptuous elegance, the hypnotic playing against unrushed percussion releases a crystal clear stream of healing frequencies. It's ust divine. This album laid the blueprint from which Tommy Guerrero would subsequently explore further on A Little Bit of Somethin' and Soul Food Taquiera.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More

WORLD EXCLUDING JAPAN

Genre: Electronic, Mutant Pop, Funk, Delirious Dance

LP: Orange vinyl, Sticker

Tracklisting LP
Side A
01. Birthday
02. DJDJ
03. Fabulous
04. Magic
05. Emez
Side B
01. Consumer Electronics
02. Mind Power
03. Rendezvous
04. Ringwear
05. Nomadologie



Info

WRWTFWW Records is very happy to announce the release of the new album from legendary Deee-Lite member Towa Tei, celebrating the 30th year of his career. It is available on (orange) vinyl for the first time outside of Japan.
The album, simply titled LP features Japanese music icons Haruomi Hosono and Yukihiro Takahashi (Yellow Magic Orchestra), Yasuaki Shimizu (Kakashi), fellow METAFIVE colleagues Tomohiko Gondo and Yoshinori Sunahara, HANA, Wataru Iga, Shunji Mori, Hidefumi Ino and more.
It was mixed by famed engineer Goh Hotoda and the artwork comes from painter Tomoo Gokita.
Poppy, catchy, dancy, and very funky, Towa Tei’s 10th solo album is 100% delirious ride and a testament to the Deee-Lite member’s ever-expanding creativity, combining simplicity and experimentalism in the most feel-good ways. Indoor, outdoor, and every day of the year, this one will make you dance and smile!
This release is a collaboration between legendary Japanese label Nippon Columbia/Better Days and WRWTFWW Records.

FULL CREDITS
SIDE 1

01. BIRTHDAY
VOCALS: HARUOMI HOSONO, HANA
SCAT: MITSUKO KOIKE
FLUTE AND CLARINET: SATORU TAKESHIMA
KEYBOARDS AND DRUMS PROGRAMMING: TOWA TEI

02. DJDJ
ALL: TOWA TEI

03. FABULOUS
VOCALS & ADDITIONAL MELODY: TAPRIKK SWEEZEE
SAX: YASUAKI SHIMIZU
BASS: WATARU IGA
KEYBOARDS AND DRUMS PROGRAMMING: TOWA TEI
TOWA TEI VOICE: COESTATION

04. MAGIC
VOCALS: HANA GUITARS: KASHIF
KEYBOARDS AND DRUMS PROGRAMMING: TOWA TEI

05. EMEZ
ALL: TOWA TEI

SIDEO

01. CONSUMER ELECTRONICS
VOCALS: YUKIHIRO TAKAHASHI
ADDITIONAL ELECTRONICS: YOSHINORI SUNAHARA
KEYBOARDS AND DRUMS PROGRAMMING: TOWA TEI

02. MIND POWER
ALL: TOWA TEI

03. RENDEZVOUS
VOCALS: HANA
FLUGELHORN: TOMOHIKO GONDO
GUITARS: KASHIF
BASS: WATARU IGA
ADDITIONAL KEYBOARDS: HIDEFUMI INO
KEYBOARDS AND DRUMS PROGRAMMING: TOWA TEI

04. RINGWEAR
BASS: WATARU IGA
KEYBOARDS AND DRUMS PROGRAMMING: TOWA TEI

05. NOMADOLOGIE
FLUGELHORN: TOMOHIKO GONDO
ELECTRIC GUITAR: SHUNJI MORI
KEYBOARDS AND DRUMS PROGRAMMING: TOWA TEI

Points of interests

- For fans of electronic, funk, synth, Deee-Lite, Yellow Magic Orchestra, Yasuaki Shimizu, modern feel good dance music, and doing the robot in your living room while everybody else is asleep.

- First release outside of Japan for the 10th solo album by Towa Tei of Deee-Lite, available on exclusive orange vinyl.







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non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.

All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!

Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium

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Format Notes:

Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl

Track List:

A1 And The Folklore Continues
A2 La Califas Perdido
A3 I Would Go With You
A4 No Time For Time
A5 Calling For Ya!
A6 Bloodinthemud
A7 Zapata's Boots
A8 Mosaic Man

B1 What Have I Been Doing Since I Was Gone?
B2 Paper Switchblade
B3 Never Forget To Remember
B4 Run With The Hunted
B5 New Terrain
B6 40 Summers
B7 The Simple Man

Release Notes:

Yes! Tommy Guerrero’s revered Return Of The Bastard gets its first ever vinyl reissue. Endearingly simple but beautifully beguiling, it's lo-fi dusty break business with the most elegant guitars this side of Vini Reilly and Gabor Szabo. Tommy's breezy drum-machine guitar-soul should be prescribed to soothe an aching world. By rights, he should also be a Balearic god. Here's 14 tracks of drop-dead laconic beauty, all of them combining to create this unheralded masterpiece. Working with Tommy directly, the LP has been fully remastered and sounds as dazzlingly, heartbreakingly beautiful as it did back in 2007.

Coolly opening the album, "And The Folklore Continues" can be said to be both a titular and actual nod to his past work. As ever, there's heavenly Latin guitar stylings that make you swoon and the melancholic vibe is accentuated by the addition of some melodic wordless vocals from Tommy. Just divine. The sparkling "La Califas Perdido" follows, all dreamy melodic guitars and twinkling vibes over dusty drums and a fine bassline. The shuffling, conga-assisted "I Would Go With You" is a gentle, romantic gem whilst the brief but beautiful "No Time For Time" feels in a hurry to let us know that Tommy can work with more propulsive rhythms. In this case, they underpin Tommy's gorgeous, shimmering guitars wonderfully well.

The head-nod funk of "Calling For Ya!" (get it?) features Curumin delivering the clever title as a hypnotic vocal refrain peppered throughout, all hung around some buried spoken word vocals and gorgeous cello work from Lenny Gonzalez. "Bloodinthemud" is a low-down gritty funk workout whilst "Zapata's Boots" is a total low-key groover, all Latin percussion and Morricone muscle aided by a whistled Spaghetti Western melody. The startling instrumental "Mosaic Man" closes out the side with a lean slice of mellifluous, virtuoso guitar bliss.

The reflective "What Have I Been Doing Since I Was Gone?" opens the B-side in glorious fashion, the type of melancholic melodic head music that should soundtrack a bright walk on a cold winter's day. The hypnotic groover "Paper Switchblade" is a razor-sharp fuzz-funk whilst the beautifully downbeat "Never Forget To Remember" is a kaleidoscopic kalimba-koolout. Galloping cop-funk breaks workout "Run With The Hunted" is a rollicking ride and it's followed by the fresh chiming guitar funk of "New Terrain".

The upbeat and bright "40 Summers", featuring congas from Alfredo Ortiz, is as clean and poppy as Tommy gets and it really is a look he wears incredibly well. Just straight up guitar pop. "The Simple Man" a gorgeous, melancholic ballad, closes out the record with deeply yearning vocals from Tommy, a rarity and a treasured one at that.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More

-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, liner notes, sticker

Genre: Jazz, Hard Bop, Contemporary Jazz, Soulful, Solo Piano

Tracklisting LP
A1. Voyage
A2. Scenery
A3. Mellow Dream
A4. Nobody Knows The Trouble I've Seen
B1. Nobody's
B2. My Conception
B3. After Hours
B4. Nord Tracklisting CD
01. Voyage
02. Scenery
03. Mellow Dream
04. Nobody Knows The Trouble I've Seen
05. Nobody's
06. My Conception
07. After Hours
08. Nord



Info

We Release Jazz is very happy to announce the official reissue of Ryo Fukui's only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa.
Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("No-body's"), alternate versions of his mega classics "Scenery" and "Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish.

My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments.

- Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui.

- 11th release from We Release Jazz, notably following Hiroshi Suzuki's Cat, Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin's Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records.

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Territories : export rights only no official distribution listing, no listing in FR, UK, USA

Special Remarks: beautiful 1LPGatefold with spot colour , including CD.

Tracklist:
A1 - Orca . A2 - Widerstehe Doch Der Sünde , A3 - Club Nine , A4 - Clara
B1 - Glenn´, B2 - Quei Due B3 - Bach Off B4 - Elfe Man

Rating 4/5 "Independent UK"
This solo debut by Air’s Nicolas Godin explores various elements of Bach, but without slavishly transposing his music to modern instruments in the manner of Wendy Carlos.

Instead, Godin uses themes and fragments from Bach as the jumping-off point for diverse musical explorations. In “Club Nine”, he borrows the “Take Five” rhythm, brushed out behind a cyclical piano figure, stained with resonant Bach chords on vibes and keyboard; and for “Clara”, the husky Latin croon of Brazilian singer Marcelo Camelo swoons over a stately dub arrangement of strings and woodwind.

The seven-minute “Bach Off” is the most dramatic piece, a suite shifting between interlocking Latin percussion, African highlife sax, stalking piano and harpsichord/woodwind interplay; while the blend of music-box, cellos, French horn, pizzicato and vocal pad makes “Elfe Man” sound like an outtake from Pet Sounds. A rich, rewarding indulgence. More

Territory: WW excluding FRANCE

LP, 180gr, offset paper, metallic pantone, poly lined sleeves, sticker on the cellophane

- JB Dunckel (of the beloved duo Air) announces new solo album

GENRE/S: Electronic - Alternative - Indie

TRACKLISTS:

1. Spark 04:18
2. Corporate Sunset 05:03
3. Space (feat Heather d'Angelo) 03:57
4. Shogun 03:27
5. Zombie Park 03:16
6. Dare 04:09
7. Sex Ufo 04:54
8. Cristal Mind 04:33
9. Naturalis Principia Musica 03:27

SHORT INFO:

JB Dunckel, half of electronic iconic french band Air releases a new solo album.

Carbon, JB Dunckel's first album in four years, considers the recent uncertainties that have befallen the planet and explores diffuse visions of how a better future might look.
There are meditations on existential bliss (the airy, chiming Cristal Mind) and egotistical escapist fantasies (Sex UFO, which can't help but recall Jeff Bezos phallic rocket). Yet Carbon also considers the subversive pleasures of nihilism: revelling in man's insignificance compared to the cosmos (the languid Space) and wondering whether big tech might save us yet (the triumphalist Corporate Sunset). The album is a psychological test that reveals the listener's own outlook, says Dunckel - an artist who taught pop fans how to dream more than 20 years ago as half of the trailblazing cosmic pop duo Air.
Since then, he's become a lauded, César-nominated composer for films such as François Ozon's film Summer of 85 . With Carbon, the accompanying images are entirely of the listener's creation: "I want them to feel ready to travel in space," he says.


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2023 repress

Format Notes: remastered, 180g vinyl, expanded to double LP, gatefold sleeve

Track List:
A1 : Intro Lectric Chile Goat (0:56)
A2 : Abierto (3:59)
A3 : Organism (4:07)
A4 : Thank You MK (3:50)

B1 : Tatanka (4:09)
B2 : Interlude Train Of Thought (1:20)
B3 : It Gets Heavy (3:23)
B4 : Thin Brown Layer (4:39)

C1 : Interlude So Many Years Ago (0:45)
C2 : Terra Unfirma (4:05)
C3 : Gettin It Together (3:22)
C4 : Another Brother Gone (2:28)
C5 : Broken Blood (3:47)

D1 : Interlude And The Day Goes By (1:28)
D2 : Lost Unfound (3:32)
D3 : The Color Of Life (3:57)
D4 : Falling Awake (3:56)


Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary “Bones Brigade” team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There’s a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we’re honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we’ve worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
Soul Food Taqueria continued Guerrero’s guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalogue.
Guerrero’s atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days.
As ever, the diversity on display is beguiling. From bossa nova, samba and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold; perfectly represented by ESPO’s memorable artwork. Furthermore, the title’s hybridity reflects the intoxicating sweep of stylistic flavours served up, reminding us that, however tricky it is to categorise Guerrero’s special blend, it’s always a pleasure to indulge in something so creative and adventurous.
Dubby, bass-heavy instrumentals give way to moody folk-soul – witness “It Gets Heavy”, featuring melancholic vocals from Gresham Taylor – whilst “Thank You MK” is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks – check “Lost Unfound”, “Another Brother Gone” and “Broken Blood” - built around minimalist, laid-back grooves and detailed guitar orchestrations which wouldn’t be out of place on the latest Jonny Nash release.
Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, “Falling Awake” is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. It brings proceedings to the most peaceful close. Seductively good, it reminds you just how great simplicity can sound.
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LP: Artwork by Hiroshi Yoshimura, 350gsm Sleeve with selected UV High Gloss Varnish, Liner Notes by Midori Takada, Satoshi Ashikawa, and Gareth Quinn Redmond, Sticker

NO SALES TO JAPAN
- Official reissue of Satoshi Ashikawa's highly sought after Japanese ambient/environmental masterpiece Still Way (Wave Notation 2), originally released in 1982.
WRWTFWW Records is honored to announce the much anticipated reissue of Satoshi Ashikawa's undeniable classic of Japanese environmental/ambient/minimalism, Still Way (Wave Notation 2). The album, available on vinyl (first time since 1982) and digipack CD (with one bonus track), comes with a cover artwork by Hiroshi Yoshimura and liner notes by Midori Takada, Satoshi Ashikawa himself, and Irish producer Gareth Quinn Redmond (whose Still Way-inspired album Laistigh den Ghleo is being released simultaneously on WRWTFWW).



Tracklisting LP
A1. Prelude
A2. Landscape of Wheels
A3. Still Park - Ensemble
B1. Still Park - Piano Solo
B2. Still Sky
B3. Image Under The Tree


Info

Initially released in 1982 as part of the Wave Notation series*, Still Way is, without a doubt, a seminal Japanese environmental/ambient/minimalism album, often mentioned alongside Midori Takada's Through Looking Glass and Hiroshi Yoshimura's Green as one of the genre's most important pieces.

"Like the moment of stillness, after the wind passes through the garden, when the rain stops for a brief second…" Notably inspired by Erik Satie's Furniture Music and Brian Eno's ambient work, Satoshi Ashikawa aimed to compose music "intended to be listened to in a casual manner, as a musical landscape or a sound object…not something that would stimulate listeners but music that should drift like smoke and become part of the environment."
The result is simply phenomenal, subtle minimalism and emotional elegance exquisitely orchestrated by Satoshi Ishikawa and his team consisting of his wife Masami Ashikawa (on flute), Midori Takada (on vibraphone), Yuko Utsumi (on harp), Tomoko Sono (on piano), and Junko Arase (on vibraphone).
In conjunction with Still Way, WRWTFWW is releasing Laistigh den Ghleo, a companion album by Irish ambient/minimalist composer Gareth Quinn Redmond, inspired by Ashikawa's approach.
*The Wave Notation series also includes Hiroshi Yoshimura's Music For Nine Postcards album.

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Territory: World excluding FR. Blackstrobe Records under exclusive licence to Because Music . LP with Printed Inner Sleeves.
House music broke through in 1987, at the same time when AIDS arrived in France with the first contamination peak in gay and drug addict circles. In 1989, the founders of Act-Up Paris knew that both the fight against AIDS and triumphant house music should be joined together.

Tracklist:

VINYL

SIDE A
A1. 120 Battements Par Minute
A2. Premiers Battements
A3. Sean & Nathan la Nuit
A4. Meltonpharm
A5. Jeremie est Mort du Sida
A6. Pride
A7. La Parade

SIDE B
B1. Smalltown Boy (Arnaud Rebotini Remix)
B2. Le Scanner
B3. Le Premier Club
B4. AZT DDI DDC
B5. Le Pont
B6. Sean & Nathan

Short info:

House music broke through in 1987, at the same time when AIDS arrived in France with the first contamination peak in gay and drug addict circles. In 1989, the founders of Act-Up Paris knew that both the fight against AIDS and triumphant house music should be joined together.

From 1992 to 1995, the period covered by "120 BPM", house reached its most beautiful plateau even though techno was becoming dominant. "120 BPM" is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one's friends, what we called "the chosen family" at Act-Up. Boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. This is their activist recess.

Arnaud Rebotini, composing the soundtrack of Robin Campillo's previous film, "Eastern Boys", is a recognized DJ, a composer and a kind man, which is for me the most important quality. Here, his work is marked by restraint of his love for house and after techno. I believe he deliberately withdrew himself in relation to the film's power and the AIDS theme. He accompanies and supports the image on the screen and even his remix of Small Town Boy by Bronski Beat is in a process marked by respect and almost intimidation (even if I would have done it differently). But this record is not nostalgic, it's a modern look at what occurred a long time ago, with the same fascination for synthesizers of that era where the analog was so important. The soundtrack is what balances this film and what justifies such a conceptual title: "120 BPM", the natural rhythm of both house and the heart, the music that kept us going when we were losing hope, the most important musical movement of the last thirty years along with Hip Hop.

The movie had its world premiere at the 2017 Cannes Film Festival, followed by screenings at other festivals. At Cannes it received critical acclaim and won four awards, including the Grand Prix of the Festival.


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12“ RED/YELLOW MARBLED (incl. poster & download)

Tracklist:
A1) No More Love (No More Hate)
A2) Special A
A3) A Noise Rose
B1) New Territory
B2) Italian Sex Drive
B3) The Eastern Pale Christ

Release Info:
Internationally revered, multi-faceted artist Arnaud Rebotini arrives on Veyl with the new EP, 'New
Territory'. While venturing into a wide array of musical genres and sonic realms, the release is still
unmistakably Rebotini, fueled by infectious electro-body grooves and hypnotizing vocals.
From the utterly addictive, pulse pounding allure of 'Special A' to the more industrial techno strains of 'A
Noise Rose', Rebotini delivers a myriad of interconnected tracks which traverse fresh auditory
landscapes but maintain a common circuitry. The poignant, anthemic lyrics of 'No More Love (No More
Hate)' resonates loud and clear while the throbbing, Giallo flaire of 'Italian Sex Drive' sends shivers down
the spine.
'The Pale Eastern Christ' injects a haunting atmospheric mood while the title track is irresistible ebmwave that falls perfectly in between the lines for an indelible sound that only the French producer can
conjure. Rebotini’s work continues to shatter boundaries and fuse genres while essentially pioneering a
category all of his own. 'New Territory' furthers the legend and keeps us begging for more. More