After a relocation to the Pacific Northwest,
Continental Drift's Conoley Ospovat turns in a laid-back EP befitting his verdant environs. Even the most energetic of the selections, Last Month in Lincoln from the B side, is anchored by an understated groove bopping along far below the floating chimes & rolling bass-line at its forefront. The pace across this record is often reminiscent of Melbourne's Analogue Attic showcases. Harwood Summer Nights dispenses with percussion altogether, while Dreamin' (Daydream Mix) reimagines the titular downtempo breakbeat tune as heard through a struggling FM radio receiver a little further up the beach.

Featuring vocals by the one Lindsey Flowers.

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Shift Into The Rogue presents two tracks from an as-yet unreleased album Pier Bucci recorded using only one synthesizer for all parts of the
entire project - his 25-year companion, the Moog Rogue.
Combining his unique musical and rhythmic sense, love for alternative electronic music from the 90’s (particularly sounds coming out on WARP Records at the time), and the technical abilities gained from years in the studio, Pier has crafted emotional, groovy, raw yet nuanced tracks - inspired by ‘the analogue, alternative, positive, very beautiful music from that time.’

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A Deep Lake is an easy, breezy, sky-blue house tune with a healthy swing and a carefree bass line. The unhurried slow-build evokes just the kind of outdoor jam that Ospovat frequents. There are some small surprises as the record goes on, though. The more dense, acidic feel of Thick Air is a club-friendly workout, while Chasonsa Vibes has an earthy groove with live drums and half-sung vocals. The sprightly, Kompakt-esque title track closes out this vibrant EP.

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Number 23 from Continental Drift seems to be all about the journey. These are slowly evolving groovy tracks, never staying totally loopy and often being a bit sly about the direction they're headed. Perspectives Shift, the first track and release namesake starts out as a floating tune centering around the Mathew Jonson-style wandering bassline melody; it gradually churns thick with rhythmic action and counterpoint chords. Deep Summer Techno is trippy acid that plays with time and space, maybe channelling a bit of that CABARET Recordings spirit from Ospovat's time in Japan. Finally, the whole B-side is dedicated to Conoley’s re-work of label co-owner and dear friend c_olvrin’s Cryogenic Freezing Of Friends, a more Chicago-house excursion, full of groove and many-textured details.

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DE - 22113 Hamburg
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