Sourced from the analog master tapes for the first time, Sharp-Flat presents the WITCH disco albums as you've never heard them before in sleeves that replicate the original album artwork.

Over the course of the 1970s, WITCH delivered an impressive run of garage, rock and prog releases. By 1980, the band was ready for a new chapter. Shuffling their lineup and relocating to Zimbabwe, they undertook their mythical transformation into an African R&B, soul and funk powerhouse. With access to a state of the art recording studio in Harare, WITCH produced two exquisite albums from 1980 to 1984.

With crisp beats, funky bass, swirling synths and tight horns, 1980's Movin' On was a sharp departure from the group's Zamrock roots and made no bones about the fact that the WITCH was ready to embrace the sound and spirit of a new decade. Trading lead vocals with founding member Chris Mbewe are newcomers Christine Jackson and Stanford Tembo, making for a well rounded set that combines dance floor burners with mid-tempo boogie grooves. A carefully crafted, great sounding album from a seasoned ensemble, Movin' On is an African pop classic. More

Sourced from the analog master tapes for the first time, Sharp-Flat presents the WITCH disco albums as you've never heard them before in sleeves that replicate the original album artwork.

Over the course of the 1970s, WITCH delivered an impressive run of garage, rock and prog releases. By 1980, the band was ready to embrace the exciting dance sounds of a new era. Shuffling their lineup and relocating to Zimbabwe, they undertook their mythical transformation into an African R&B, soul and funk powerhouse. With access to a state of the art recording studio in Harare, WITCH produced two exquisite recordings during their disco years.

A full-throttle boogie outing, Kuomboka was issued in 1984 and features rising star Patrick Chisembele stepping in on lead vocals. Despite the album's modern vision for African pop, its title refers to a traditional migration ceremony practiced by the Lozi people of the Zambezi floodplains. The album documents a seasoned ensemble with an ambitious vision and is considered the group's sonic masterpiece. More

" Mystical, minimal house offering hailing from Cape Town, South Africa in the mid-2000s. RockArt was a hybrid-electro performance art project that emerged during a golden age for electronic music in the Cape, the post-Y2K scene spurred by the maverick African Dope record label that marked the rise of cult outsiders Felix Laband and Tudor Watkins Jones. Harnessing the combined powers of seasoned jazz musicians Hilton Schilder and Alex van Heerden, RockArt cooked up a signature futurist formula laced with musical bows and voice samples that was unmistakably indigenous. Intended as a companion to the group's Future Cape album of 2006, House was conceived as a long-form soundscape of tribal electronica that could stand alone on its own merits but also provide a backdrop for live instrumental improvisation. The project was shelved following the untimely death of Alex van Heerden in 2009 but emerges from Hilton Schilder's archive as a reminder of the duo's profound collaborative alchemy.

Running at 28 minutes over two sides of 12-inch maxi cut at 45RPM, House is available as a boutique vinyl offering with a psychedelic art sleeve pressed in a first edition of 300 copies." More

"In the wake of a 2020 edition of Movement in the City's second album Black Teardrops (1981), Sharp-Flat Records returns with a prequel by way of a reissue of the band's self-titled debut from 1979.

As the 1970s were drawing to a close, the epic Black Disco studio project with its signature pairing of drum machine and organ had run it course. After delivering a killer trilogy of cosmic lounge outings dating back to 1975, the group yearned for funkier grooves and the core trio of composer Pops Mohamed on organ with Basil Coetzee on tenor sax and Sipho Gumede on bass decided to hire a drummer and rebrand as Movement in the City. In contrast with the New Age detachment of Black Disco, Movement in the City was conceptually grounded in the bleak social realism depicted on its photographic album covers and leaned into the vivid sensibilities of library music from the era. Blending Cape jazz with funk and soul, the group's output evokes a soundtrack for South African city life at the outset of the 1980s while nodding allegorically to the subterranean movements that were in the course of shaking the cage for political change.

With its cast of jazz fusion all-stars, Movement in the City is the manifesto of a band in transition - a bold and slick first offering that delivers a modern South African sound capable of both the funky exuberances of "Mister Lucky" as well as the down-home pathos of "Blue Sunday." Restored from its original tape masters and released in partnership with As-Shams Archive and Pops Mohamed, this rare artefact of South African jazz history is back in print for the very first time since its original 1979 release." More

Mastered from the original analog tapes for the very first time, SHARP-FLAT brings you the WITCH DISCO SINGLES as you’ve never heard them before. WIT 5 hosts a single edit of “Erotic Delight” from the band's 1984 album Kuomboka backed with “Change of a Feeling,” an unheard WITCH track released for the very first time.

By the end of the 1970s, WITCH was a Zambian music institution. Active since 1972, they had survived the Zamrock years and left an impressive garage, psych and prog discography in their wake. But at the outset of the 1980s, the band was ready to embrace the modern sounds of a newera. Undertaking personnel changes and relocating to Zimbabwe, they were primed by the independence celebrations of their neighbouring country to undertake their mythical transformation into an African disco powerhouse.

With access to a state of the art recording studio in Harare, WITCH produced two exquisite albums in the early 1980s. Appearing in 1980,Movin’ On was preceded by the single “My Desire,” which featured new member Christine Jackson on lead vocals. With an upfront funky bass-line, falsetto backing vocals, swirling synths and tight horns, it was a searing hot disco offering that made no bones about the fact that the WITCH was ready to get down. Composer/vocalist Stanford Tembo’s mid-tempo burner “You Are My Sunshine" was the perfect fit for
the flip.

Documenting the band’s drift from disco into boogie, WITCH’s final album Kuomboka was released in 1984 without an accompanying single. New lead vocalist Patrick Chisembele injected youthful energy and a modern soul edge, most notably on “Erotic Delight” with its crisp drums, slinky keys and intoxicating bass groove. Pop reggae was also within the album’s stylistic purview by way of the closer “Jah Let the Sunshine” as well as “Change of a Feeling,” the flip side of a recently discovered single that wasn’t originally released. More

Mastered from the original analog tapes for the very first time, SHARP-FLAT brings you the WITCH DISCO SINGLES as you’ve never heard them before. WIT 4 carries a single edit of 'My Desire' backed with 'You Are My Sunshine' from the group's classic 'Movin’ On' LP from 1980.

By the end of the 1970s, WITCH was a Zambian music institution. Active since 1972, they had survived the Zamrock years and left an impressivegarage, psych and prog discography in their wake. But at the outset of the 1980s, the band was ready to embrace the modern sounds of a new era. Undertaking personnel changes and relocating to Zimbabwe, they were primed by the independence celebrations of their neighboring country to undertake their mythical transformation into an African disco powerhouse.

With access to a state of the art recording studio in Harare, WITCH produced two exquisite albums in the early 1980s. Appearing in 1980,Movin’ On was preceded by the single “My Desire,” which featured new member Christine Jackson on lead vocals. With an upfront funky bass-line, falsetto backing vocals, swirling synths and tight horns, it was a searing hot disco offering that made no bones about the fact that the WITCH was ready to get down. Composer/vocalist Stanford Tembo’s mid-tempo burner “You Are My Sunshine" was the perfect fit for
the flip.

Documenting the band’s drift from disco into boogie, WITCH’s final album Kuomboka was released in 1984 without an accompanying single. New lead vocalist Patrick Chisembele injected youthful energy and a modern soul edge, most notably on “Erotic Delight” with its crisp drums, slinky keys and intoxicating bass groove. Pop reggae was alson within the album’s stylistic purview by way of the closer “Jah Let the Sunshine” as well as “Change of a Feeling,” the flip side of a recently discovered single that wasn’t originally released. More