Retromigration makes a welcome return to WOLF Music following up from Straight Foxin, his debut album on the label. For Cloudin he presents six deep cuts that once again showcase the German producer talents and abilities. Dusty samples sit alongside original compositions, hitting that musical sweet spot. Fans of Retromigration, this might be his best work to date! This one’s for the heads.

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On their latest excursion, Last Year At Maienbad proudly invites you into the gloriously breezy, beautifully put-together world of Retromigration, who’s melodic abilities have put him firmly within everyone’s passenger seat as they shoot down a sun-kissed highway…

There are a number of artists within the present day whose names remain constantly on the tongues of music lovers, and Retromigration’s name has been there so consistently of late for a number of reasons. His music represents the nucleus of what dance music means to so many, a form of music that channels the soul, chimes deep within the mind, and makes the listener escape into the depths of their emotional palette. His songs have an ever present Jazz presence to them, but his sound has numerous components to it, with rhythmic feel being right at the heart of proceedings. Retromigration always finds a way to feel himself out within his records, covering an enormity of ground and allowing each track to interact with the next. This makes his tracks at ease with the listener, forging a vital connection that works with mood and the concept of listening intently – and feeling very content about it. The instrumental approach he makes is certainly something, and channels into the notion that his music can come alive in any context, swaying to the rhythm of life rather than the confines of space. With excellent releases on labels such as WOLF, Handy and previously on Last Year at Marienbad to name but a few, Retromigration has traversed the plains of human expressionism and conjured up some pure magic within his music, not least with this latest effort of his…..

2022 was a busy year for the producer, overseeing four releases including ‘Kush Calls’, which featured some truly exquisite and memorable cuts that lingered long in the memory. ‘Dead Tech’ sees Retromigration shift over into more clubby territory, but many of the motifs we all know and love him for make some notable appearances as we shift from track to track. Playful, emotively porous and ever-searching are perhaps some key features of the first two tracks, ‘BO’ and ‘Lapras’, which represent Retromigration doing a house in such a refined and considered manner. Powerful swaying rhythm sections interweave themselves with melodic excellence, including an inspired flute line that rides high within the EP’s opener. The intro then flows into a groove like no other, with the flute featuring prominently once again, with particular emphasis placed upon the breakdown, which dips the listener in such a glorious mood. The vocals that move in and around the groove are inspired, providing an additional level of narrative in which to dive deep within.

The title track anchors the album in the mid-section, and it takes the mood down to a softly speaking space. Effortless in its approach, the tune takes all the time it needs to saunter along, with a groove to ride upon and a collection of melodic layers that are so easy on the ear and the heart too. ‘Half Pure’ arrives next, and this one kicks the tempo up a few notches to the energies that persisted in the opening cuts. The vocals make more of a visible presence here, with the repeating vocal working very well indeed with the solid chordal arrangement. The melodies are once again handled with care and attention, their floating feel merging superbly with the rhythm as the listener is allowed to rise higher and higher. To wrap up proceedings, we have Da Poet on remix duties of ‘Half Pure’, and this one complements what has come before wonderfully. The additional glassy chords do wonders to the soul, with the bass line adding power and purpose to the groove. It’s a fitting end to a record that carries the listener along, showcasing all it has to offer from up high but also on the ground, with feelings reverberating from top to bottom – always shifting, searching and moving, no matter what.

Artists who remain on people’s lips are worth talking about for a reason, and with this latest effort, Retromigration continues his presence at the forefront of dance music in general. A record that is sophisticated technically, with the production second to none, but it’s the centre of the tunes that make it magical. The soul is laid bare in its various guises, from the up-tempo right through to the slow and steady, there is so much here to feel with and grow alongside, and for that we can all be pleased for this to pass through our mind. So go on, take a gander, breathe, and immerse yourself……

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Dam-based don Retromigration steps into the big leagues letting loose his debut album on WOLF Music. An LP that has long been in the works and for good reason too. Fourteen expertly executed tracks that range from hazy beats and jazz-tinged broken rhythms to club-ready groovers, deep excursions, soulful footwork and even some jungle energy. A flavour for every occasion and damn it tastes good.

With an envious run of releases on the likes of Handy, Healthy Scratch, wewillalwaysbealovesong and WOLF in a relatively short space – Retormigration is hot property and it’s clear to see why. A distinctive style and energy permeate his tracks with a breadth of influences on offer, from hip hop, to jazz, soul to funk. You just know a long player from this player is going to cover all bases.

His debut LP, Straight Foxin’, is a carefully curated and crafted journey showcasing the creative explosions firing off in Retromigration’s brain. Joining the dots between genres, taking elements from here, ideas from there – twisting and turning yet never out of place. Take the opening three tracks, all tied together by a deep fondness for jazz but served up in different styles, ‘Kunta’ with that hazy beatsy blend, ‘Formant’ leaning into the realms of broken beat and DnB and ‘Be Someone’ cruising with the off-kilter house.

Elsewhere there’s prime examples of Retromigration’s signature sample-laden house with deeper cuts like ‘Mada’ and ‘Bouncer’, sitting side by side with more soulful explorations such as ‘New Cribs’ and ‘ITWT’.

Not one to be pigeonholed, another course of Retromigration’s expansive taste gets served up with four high energy hits. The bouncing footwork flavours of ‘Kush Love’ ft. Passion Deez and ethereal excursion ‘What If’ lead into a captivating nod to the heydays of jungle and DnB on ‘Mild Fever’ and ‘Bad Knees’ respectively.

Straight Foxin’, mad flexin’ – Retromigration has laid down the law with this LP, a debut album done right.

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Silky smooth house vibes here from Retromigration as you would imagine. Intricate synth & sax riffs combine with perfectly timed vocal snippets to give a lush A side that wouldn’t feel out of place on KDJ.

The Earl Jeffers remix adds a bit more beef to the situation, bringing chunky Omar S style kicks for a dubbed out chunkier rework of the original.

'Stop the Presses' is an anthem! Ridiculous vocal work and smooth as you like shuffled beats provide the perfect setting for an absolute summer slayer.

'You & Dion' jacks the tempo up a notch and uses arpeggiated bass-lines and classic Retromigration wind instrument sounds to amazing effect.

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This man is unstoppable, Retromigration with all the hits and more - lining up another juicy slice of genius from the depths of Dam for wewillalwaysbealovesong. Showcasing his clear love cross genres, ‘Secret Of A Pimp’ has it all, from dusty jazz samples to R&B licks and delectable basslines, all MPC crunched for good measure. Jimpster then steps up with a darker, club focused, heads down remix.

On the B, ‘Flying Lotus’ hits, an endorphin inducing jazzed up, summertime house heater, before Franc Spangler takes things down slow, with sultry hazed out downtempo trip.

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Retromigration returns to WOLF Music for his 2nd solo outing on the label with a trademark, warm, jazz-flecked house journey.

Hot property by anyone’s standards, the Amsterdam-based producer stretches his legs across six MPC chopped and screwed heaters, from the punchy, deep deliciousness of ‘Hafenluft’ and sun-soaked vibrations of ‘Mad Fox’, to the bouncing bubbler ‘Tinger’ that features Nephews.

On the flip, the Dam-Funk channeling, keytar cruise ‘Be Alright’ sits side by side with ‘Disk Yard’ and ‘Nur Wir’, two twilight cuts that showcase Retromigration's love of the beats and hip hop scenes whilst putting his own unique spin on them. Another sure-fire example of why you’re seeing Retromigration’s name popping up all over the place right now – pure class from start to finish.

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WOLF Music welcomes Amsterdam’s Retromigration to the family with a five-track summertime sizzler, ready-made for hazy parkside sunsets and beach jaunts alike.

Hotly tipped and rarely skipped, Retromigration has been lighting up the scene with a string of killer releases over the past 18 months on labels like Healthy Scratch, Ltd, W/Lbl, GLBDOM and Ravanelli Disco Club.

Flexin’ that signature chopped and looped style across the EP, the A side is a double dose of house joints via ‘Bloom Street’ and ‘Brining It’, the former a bumpin’ New York nodding cut, the latter an synth heavy roller.

Flip it to find a more jazz-tinged affair but with its feet still firmly in the house domain. ‘Free Spirit’ channels a groove that could last forever, with a bass and keys combo that riffs away any creeping anxieties, before Arthur Dudley joins for ‘One Night With Colin’ a late night, smoked out, jazz joint trip.

‘Slick Walkin’' closes out the EP – a lesson in how to make samples dance any which way you want them to, as piano melodies flicker over a double nice bassline and tasty synth touches.

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Pablo Valentino steps up on Handy with Kai Alcé on the remix!

The A1 fuses funk, guitars & piano to great effect, creating a slice of classic contemporary house. Kai Alcés remix adds extra percussion and drums to take it down dancier route.

Low-slung beats, warm synths and lush pads play in harmony on the B1 to great affect, 'Not Yet' rounds off the record with an eerie vocal seriously trippy percussions whilst still keeping it danceable!

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WAS - Word and Sound Medien GmbH
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Germany
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Silky smooth house vibes here from Retromigration as you would imagine. Intricate synth & sax riffs combine with perfectly timed vocal snippets to give a lush A side that wouldn’t feel out of place on KDJ.

The Earl Jeffers remix adds a bit more beef to the situation, bringing chunky Omar S style kicks for a dubbed out chunkier rework of the original.

'Stop the Presses' is an anthem! Ridiculous vocal work and smooth as you like shuffled beats provide the perfect setting for an absolute summer slayer.

'You & Dion' jacks the tempo up a notch and uses arpeggiated bass-lines and classic Retromigration wind instrument sounds to amazing effect.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Fresh new collaboration between friends Handy x Shall Not Fade, bringing together artists from each label to produce a side each for the VA.

Lining up for Shall Not Fade we have London's 9th House & Berlins Ruff Stuff and batting for Handy we have Trouble Makers Adam Curtain, Bobby Cazanova & a collab from Arthur Dudley and the ever on-form Retromigration.

As it says on the tin – “Keep it in the Family”

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The Handy Records crew return once again with a stunning EP from none other Mr Bobby Cazanova.

A1 is an absolute gem. Nostalgic, catchy, euphoric and all-round feels. Just what we needed after the 2 year hiatus from nonsense. It’s a speedy emotive number with all the bells and whistles for a great time. Definitely one for the 6AM sunset. Following; the A2 is a sub aquatic bubbler. Low slung bass and rich strings lead this into a deep technical groover. Again Bobby has nailed the feeling of having heard this before but never quite like this. The A3 is something quite special. Acid lines and driving bass make this an absolute heater for the floor.

On the flip we have another fast-paced rhythm. This time capitalising on the darker side of Bobby’s mind. Between pulsating baselines and inquisitive synths there is an emotive and paced production that is sure to get people moving. Rounding off the EP is a darker piece. Glistening pads and pensive arpeggiation make this a slow but sure burner for the dance floor.

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Handy Records returns for round two with another obscure electro flavoured EP. This time from the illusive, East London dwelling; Adam Curtain. Known for his own imprint ‘Troublemaker’ and his analogue heavy productions which dance between broken electro, huge sound design and cheeky melodies and rhythms. We are excited to have him up next with his offering for Handy Records. Teaming up with ‘UTTU’ Club’s very own DJ Haus for the remix duties this time round, it’s sounding rather naughty.

Opening the EP we have ‘Escape Velocity’ It’s a clear nod to the bleeps and bass scene of Adam’s native Sheffield stomping ground. A fusion of a paranoid electro-esque beat flecked with bouncing acidic squelching bass, ominous synths and mesmerising vocal hooks that dip in and out of the mix keepsit flowing. Following on we have; 'Pressure Point', from the go this is a weapon of a track, the creeping bass that sneaks around and follows the alarming leads. Minimal madness but also full and sonically curious.

On the flip we have 'Ratchet', bouncy baselines galore, reminiscent of 2007-10s darker garage and bass era and late 90s electro. Heavily syncopated rhythms, distant soaring synth lines and a 2 step beat make this an absolute gem of a production. Perfect for the nasty side really. 'Doping Scandal', another nasty one for sure. Adam’s characteristic haunting synth lines and squelchy bass notes flow endlessly over this clean and well thought out beat. With interesting synthesis and vocal cuts when needed. An excellent tribute to the music that shaped his youth.

Stepping up to the plate and offering us his take on Adam’s work is one of London’s finest, none other than DJ Haus. Taking influence from Adam’s synthesis and smashing it through the digital wonder machine that Haus’ has recently finished developing; the ‘Data Dump’. Haus has given us a slice of sonic madness for sure. Playing around heavily with the sounds of the original and applying that Haus touch, this one is sure to tear any dance floor up.

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The creative minds behind Handy, merch dons, illustrative geniuses, radio hosts and all-round good guys are now trying their palms at the world of the record label.

No strangers to danger, they hit the ground running with a five-track rodeo from Handy resident Maroki, complete with remixes from two standout talents of their respective scenes, 1800-Girls and Jensen Intercepter.

Kicking things off ‘Taff Trails’ a crunchy, Detroit influenced, synth laden house gem with a dose of dreamy pianos nestled in for good measure. 1800-Girls puts a breakbeat spin on the original with his emotive take. Blissful, climbing synths all tied together with a solid break. Rounding of the A side, ‘Special’ hypnotsises with reverberating vocals, lo-fi organs and acidic arps.

Flip it over to find ‘Hatchi’ a straight up electro mind melter, driving basslines, crazy reeses & infectious rhythms, before Jensen Interceptor offers his signature sound on a plate to close out proceedings. Warp-speed tempo, rapid fire synth lines and crazy percussion result in a guaranteed dancefloor destroyer.

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WAS - Word and Sound Medien GmbH
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Germany
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